Remi Adefarasin BSC Director of Photography
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International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -
Issue 30 Easter Vacation 2005
The Oxford University Doctor Who Society Magazine TThhee TTiiddeess ooff TTiimmee I ssue 30 Easter Vacation 2005 The Tides of Time 30 · 1 · Easter Vacation 2005 SHORELINES TThhee TTiiddeess ooff TTiimmee By the Editor Issue 30 Easter Vacation 2005 Editor Matthew Kilburn The Road to Hell [email protected] I’ve been assuring people that this magazine was on its way for months now. My most-repeated claim has probably Bnmsdmsr been that this magazine would have been in your hands in Michaelmas, had my hard Wanderers 3 drive not failed in August. This is probably true. I had several days blocked out in The prologue and first part of Alex M. Cameron’s new August and September in which I eighth Doctor story expected to complete the magazine. However, thanks to the mysteries of the I’m a Doctor Who Celebrity, Get Me Out of guarantee process, I was unable to Here! 9 replace my computer until October, by James Davies and M. Khan exclusively preview the latest which time I had unexpectedly returned batch of reality shows to full-time work and was in the thick of the launch activities for the Oxford Dictionary of National Biography. Another The Road Not Taken 11 hindrance was the endless rewriting of Daniel Saunders on the potentials in season 26 my paper for the forthcoming Doctor Who critical reader, developed from a paper I A Child of the Gods 17 gave at the conference Time And Relative Alex M. Cameron’s eighth Doctor remembers an episode Dissertations In Space at Manchester on 1 from his Lungbarrow childhood July last year. -
The Honorable Mentions Movies- LIST 1
The Honorable mentions Movies- LIST 1: 1. A Dog's Life by Charlie Chaplin (1918) 2. Gone with the Wind Victor Fleming, George Cukor, Sam Wood (1940) 3. Sunset Boulevard by Billy Wilder (1950) 4. On the Waterfront by Elia Kazan (1954) 5. Through the Glass Darkly by Ingmar Bergman (1961) 6. La Notte by Michelangelo Antonioni (1961) 7. An Autumn Afternoon by Yasujirō Ozu (1962) 8. From Russia with Love by Terence Young (1963) 9. Shadows of Forgotten Ancestors by Sergei Parajanov (1965) 10. Stolen Kisses by François Truffaut (1968) 11. The Godfather Part II by Francis Ford Coppola (1974) 12. The Mirror by Andrei Tarkovsky (1975) 13. 1900 by Bernardo Bertolucci (1976) 14. Sophie's Choice by Alan J. Pakula (1982) 15. Nostalghia by Andrei Tarkovsky (1983) 16. Paris, Texas by Wim Wenders (1984) 17. The Color Purple by Steven Spielberg (1985) 18. The Last Emperor by Bernardo Bertolucci (1987) 19. Where Is the Friend's Home? by Abbas Kiarostami (1987) 20. My Neighbor Totoro by Hayao Miyazaki (1988) 21. The Sheltering Sky by Bernardo Bertolucci (1990) 22. The Decalogue by Krzysztof Kieślowski (1990) 23. The Silence of the Lambs by Jonathan Demme (1991) 24. Three Colors: Red by Krzysztof Kieślowski (1994) 25. Legends of the Fall by Edward Zwick (1994) 26. The English Patient by Anthony Minghella (1996) 27. Lost highway by David Lynch (1997) 28. Life Is Beautiful by Roberto Benigni (1997) 29. Magnolia by Paul Thomas Anderson (1999) 30. Malèna by Giuseppe Tornatore (2000) 31. Gladiator by Ridley Scott (2000) 32. The Lord of the Rings: The Fellowship of the Ring by Peter Jackson (2001) 33. -
Xoxo, Gaga@Ladygaga #Channelkindness Is a Platform Within @ Btwfoundation Feat. Stories of Kindness Documented by Youth All O
14 Sunday, June 18, 2017 xoxo, Gaga @ladygaga #ChannelKindness is a platform within @ BTWFoundation feat. stories of kindness documented by youth all over the country. #CupsOfKindness London inger Liam Payne is working with DJ Zedd for a new music video. SZedd took to social media to post a video from the set of the music video. He said while posting the video: “What’s up guys, we’re here shooting for our brand new song with this guy”. Their fans are equally excited to see Payne and Zedd working together, reports mirror.co.uk. One of the fans said: “Wow great PERRY Liam (Payne) ft Zedd always hope the best my best singer and DJ”. “OMG Liam Payne is coming can’t wait to see you guys. Love you,” said another fan. Payne has recently became father for the first time after welcoming baby Bear Grey Payne with girlfriend Cheryl in March. (IANS) Los Angeles inger Katy Perry is officially the most followed person Son Twitter after becoming the first person to reach 100 million followers on the micro-blogging site. Los Angeles Using Perry’s latest eteran Hollywood actor Ben Kingsley has album “Witness” as been roped in by media company MGM reference, the official Twitter Vto play Nazi war criminal Adolf Eichmann in account posted: “Today, the film “Operation Finale” opposite Oscar we #WITNESS history. Isaac. Congratulations Katy Perry, Shooting will begin this fall in Argentina the first to reach 100 million with Chris Weitz to direct the thriller about followers! #LoveKaty.” the capture of Eichmann, who was one of the Twitter also posted major architects of the Holocaust. -
American Pie: the Wedding” Film
Socio-Cultural Impact of Youth in America Towards “American Pie: The Wedding” Film A Thesis Submitted to Letters and Humanities Faculty In Partial Fulfillment of the Requirements for the Strata I Degree (SI) By Barikatul Hikmah. A. S. 103026027616 ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SYARIF HIDAYATULLAH JAKARTA 2009 1 APPROVEMENT SOCIO-CULTURAL IMPACT OF YOUTH IN AMERICA TOWARDS "AMERICAN PIE: THE WEDDING" FILM A Thesis Submitted to Letters and Humanities Faculty in Partial Fulfillment of the Requirements for the Strata Degree (S1) By Barikatul Hikmah. A. S. NIM. 103026027616 Approved by: Muhammad Supardi. S. S Supervisor ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY SYARIF HIDAYATULLAH STATE ISLAMIC UNIVERSITY JAKARTA 2008 2 LEGALIZATION The thesis entitled “Socio-cultural Impact of Youth in America towards American Pie: The Wedding Film” has been defended by the Letters and Humanities Faculty’s Examination Committee on July, 2008. The thesis has already been accepted as a partial fulfillment of the requirement for acquiring the Strata One Degree (S1) in English Letters Department. Jakarta, July, 2008 Examining Committee Chief, Secretary, Dr. H. M. Farkhan, M. Pd Drs. A. Saefuddin, M. Pd NIP. 150 299 480 NIP. 150 261 902 Members; Examiner I, Examiner II, Dr. Frans Sayogie, M.Pd Elve Oktafiyani, M. Hum NIP. 150 299 481 NIP. 150 317 725 3 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text. -
Directed By: Josephine Decker Written By: Sarah Gubbins Starring: Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman
SHIRLEY Directed by: Josephine Decker Written by: Sarah Gubbins Starring: Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman Running Time: 107 Minutes CORNERSTONE FILMS CONTACTS: Publicity: Anna Bohlin/ [email protected] Marketing: Joanne Michael/ [email protected] SYNPOSIS Fred and Rose move to a small Vermont college town in pursuit of a job for Fred as an assistant professor of literature. The young couple receives an offer for free room and board from professor Stanley Hyman, as long as Rose agrees to spend time cleaning up the home and looking after his wife, acclaimed horror author Shirley Jackson. At first Fred and Rose detest the rocky household of the eccentric couple, but they eventually establish deep bonds with their counterparts, which will test the limits of their young love. Director Josephine Decker makes an exciting return with a biographical portrait brought alive with energy and imagination, based on a novel by Susan Merrill and screenplay by Sarah Gubbins. Shirley is a fresh take on the period drama, full of contemporary intrigue and dynamic in style. It features a stellar lead cast—Elisabeth Moss, Michael Stuhlbarg, Odessa Young, and Logan Lerman—who all return to the Festival to give another memorable performance. DIRECTOR’S STATEMENT Shirley Jackson was a wildly unorthodox human and storyteller. Encountering her work was like finding a map towards becoming the kind of artist I would like to be. Daring. Intimate. Structured yet dreamlike. Shirley’s work rides on the skin between imagined and real, seducing with its oddness and humble cracks until you can’t tell if you’re looking up the stairwell or into your own mouth. -
Diretto Da Craig Gillespie Cast Emma Stone Emma Thompson Joel
Diretto da Craig Gillespie Cast Emma Stone Emma Thompson Joel Fry Paul Walter Hauser Emily Beecham Kirby Howell-Baptiste Mark Strong Sceneggiatura di Dana Fox e Tony McNamara Soggetto di Aline Brosh McKenna e Kelly Marcel & Steve Zissis Prodotto da Andrew Gunn, Marc Platt, Kristin Burr, p.g.a. Produttori esecutivi Emma Stone, Michelle Wright, Jared LeBoff, Glenn Close Direttore della fotografia Nicolas Karakatsanis Scenografie di Fiona Crombie Montaggio di Tatiana S. Riegel Costumi di Jenny Beavan Hair and Makeup Design di Nadia Stacey Visual Effects Supervisor Max Wood Colonna Sonora Originale di Nicholas Britell Music Supervisor Susan Jacobs Set Decorator Alice Fellton Social Network https://www.facebook.com/WaltDisneyStudiosIT/ https://www.instagram.com/waltdisneystudiosit/ https://twitter.com/disneystudiosit https://www.youtube.com/user/WaltDisneyStudiosIT Hashtag #Crudelia 1 NOTE DI PRODUZIONE La vincitrice dell'Academy Award® Emma Stone (La La Land) è la protagonista del nuovo film Disney live action Crudelia, che racconta gli esordi ribelli di una delle antagoniste più celebri, e alla moda, del mondo del cinema: la leggendaria Cruella de Vil (Crudelia De Mon). Ambientato durante la rivoluzione punk rock nella Londra degli anni Settanta, Crudelia segue le vicende di una giovane truffatrice di nome Estella, una ragazza intelligente e creativa determinata a farsi un nome con le sue creazioni. Fa amicizia con una coppia di giovani ladri che apprezzano la sua inclinazione alla cattiveria e insieme riescono a costruirsi una vita per le strade di Londra. Un giorno, il talento di Estella per la moda cattura l'attenzione della Baronessa von Hellman, una leggenda della moda incredibilmente chic e terribilmente raffinata, interpretata dall'attrice due volte premio Oscar® Emma Thompson (Casa Howard, Ragione e Sentimento). -
Steve Aaron CAS Resume
Steve C. Aaron, C.A.S. - Production Sound Mixer - Page 1 of 6 Professional sound mixing for the motion picture industry for over 35 years. Complete equipment packages to accommodate all aspects of location, stage and remote recording, as well as sync music playback, wireless ear wig prompting & ‘Voice Of God’ PA systems. Comprehensive background in ‘Post Production’ processing to include final mixing to ADR. “Solid sound tracks back up my body of work”. All credits listed are ‘actual worked’ credits. Feature film credits “Clover“ (aka She Hulk) MARVEL Studio Productions “Architect“ (aka LOKI) MARVEL Studio Productions Producers: Kevin Feige, Wendy Jacobson, Brad Winderbaum, Producers: Kevin Feige, Michael Waldron, Victoria Alonso, Victoria Alonso, Louis D’Esposito, Producer / Writer: Jessica Gao Louis D’Esposito, Tom Hiddleston Supervising Prod: Kevin Wright Line Producer: Trish Stanard Production Super: Amy Chance Line Producer: Trish Stanard Production Super: Amy Chance Director: Kat Coiro, Anu Valia Director: Kate Herron “Fear Street“ (Trilogy features 1994, 1666 & 1978) 20th Century Fox “Goosebumps 2“ – Sony Pictures Producers: Timothy Bourne, Peter Chernin, David Ready, Kori Adelson Producers: Timothy Bourne, Tania Landau, Neal Moritz, Deborah Forte Prod. Supervisor: Heath Howard Director: Leigh Janiak Prod. Supervisor: Heath Howard Director: Ari Sandel “MILE 22“ – STX Entertainment “The Hate U Give“ – 20th Century Fox Producers: Peter Berg, Mark Wahlberg, Stuart Besser, Stephen Levinson Producers: Tim Bourne, Wick Godfrey, Robert Teitel, Marty Bowen, Prod. Supervisor: Sharyn Shimada Director: Peter Berg Prod. Supervisor: Heath Howard Director: George Tillman Jr. “The Best of Enemies“ – Peachtree Cinema 2 “Simon vs The Homo Sapien Agenda“ – 20th Century Fox Prodrs: Jeremiah Sanders, Fred Bernstein, Dominique Telson, Matt Berenson Prodrs: Wyck Godfrey, Marty Bowen, Tim Bourne, Pouya Shahbazian Prod. -
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Programs £100 Patroq N Props Q£150 Costume Q£200
d Like Orson Welles, Dennis Potter (1935-94) politician who doesn’t would be negligent. This is a all but started at the top, acclaimed as one position which I suspect would find favor with Jack Hay, i of television’s greatest writers from his first yet for most of us this doesn’t seem a particularly desir - r year in the business. A BBC initiative, aimed able state of affairs. Could we ever trust a person who at developing new writers, saw four of his has spent their entire career bending the truth for what plays transmitted in 1965. These included they believe? It is surely a very slippery psychological e the two Nigel Barton plays: Stand Up Nigel slope – you might even end up believing in WMD. Barton, and VOTE VOTE VOTE For Nigel c Barton. Yet, as Barton realizes, this is not the fault of individu - als. In his final tirade it is not individual politicians he The screenplay for VOTE VOTE VOTE was criticizes, but the structural demands of politics itself. It t heavily influenced by Potter’s own experi - is the process of standing as a candidate which is cor - ence as a Labour party candidate in the rupting, irrespective of the individual. There is none of o 1964 election. Standing in the safe Tory the salvation we expect from the narrative of commer - heartland of rural Hertfordshire, Potter didn’t cial cinema. No honest man makes good in the face of stand a chance of winning. Yet his total a corrupt world. When faced with the realities of the r revulsion at the experience seems to have political machine, the honest man realizes that he must been caused by something much deeper necessarily be corrupted if he is to take part. -
Creating the Right Look for a Dark Comedy
Professional Camera Creating the right look for a dark comedy Netflix utilises the Panasonic VariCam range to film Ricky "Comedy has to be the most important thing in the frame, Gervais's new comedy series, 'After Life' with everything else coming after that." Challenge Solution Creating a professional look that By filming with the Panasonic VariCam Martin Hawkins, Lighting enhanced, rather than distracted from series, the crew were able to gather Director and Director of the comedic narrative quick shots which maintained the pace Photography while still placing the character at the centre of the story AFTER LIFE is a Netflix original series He added, "Because comedy has to be the from Derek Productions. The six-part most important thing in the frame, with series is created, written and directed by everything else coming after that. This Ricky Gervais, with Charlie Hanson as series has a 'look' that we feel doesn't producer and Ricky Gervais and Duncan distract from the comedy, and a 'look' Hayes as executive producers. which we also wanted to be disheveled, to reflect Tony's character." Over the six part series, the narrative follows the story of Tony (Ricky Gervais), as When planning in advance for the series, he mourns the loss of his deceased wife. Martin was keen to gather the appropriate From contemplating taking his own life, to cinematography equipment that would living long enough to punish the world by facilitate these creative ideas. He added, saying and doing whatever he likes, Tony "Ricky doesn't like to commit too far in goes on a journey as the friends and family advance of the shoot day as he loves Image credit: Netflix around him attempt to save the nice man working the scene with the actors on the they used to know.