July 2020Movies at the Afrh-G

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JULY 2020 MOVIES AT THE AFRH-G SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY PLEASE REMEMBER TO 1ST 1400/1800 2ND 1800 3RD 1800 4TH 1800 LISTENING DEVICES ARE USE ONLY SEATS MARKED JUDY A SUMMER ROMANCE ONE MAN’S HERO HEARTBREAK RIDGE AVAILABLE. PLEASE SEE IN IN IN WITH BLUE TAPE. BIO 118 MIN (2019) PG13 DRA 90 M (2019) PG HIS 120 M (1999) R WAR 130 M (1986) R MOVIE HOST ERIN KRAKOW TOM BERENGER CLINT EASTWOOD . GIRL WITH A PEARL EARRING BIO 100 MIN (2003) PG13 5TH 1800 6TH 1800 7TH 1800 8TH 1400/1800 9TH 1800 10TH 1800 11TH 1800 WITNESS A GENTLEMAN’S GAME CITY SLICKERS I STILL BELIEVE CAPTAIN PHILLIPS WILD HORSES ANY WHICH WAY CRI 113 MIN (1985) R DRA 112 MIN (2002) R COM 113 MIN (1991) PG13 BIO 112 MIN (2020) PG BIO 134 MIN (2013) PG13 WES 100 MIN (2015) R YOU CAN HARRISON FORD MASON GAMBLE BILLY CRYSTAL SCUDDA HOO! TOM HANKS ROBERT DUVALL ACT 104 MIN (1978) PG SCUDDA HAY! CLINT EASTWOOD COM 95 MIN (1948) NR 12TH 1800 13TH 1800 14TH 1800 15TH 1400/1800 16TH 1800 17TH 1800 18TH 1800 A BETTER LIFE BEHIND ENEMY LINES THE DESPERATE TRAIL THE LAST FULL MEASURE AN EYE FOR AN EYE VENGEANCE VALLEY THE MULE DRA 98 MIN (2011) PG13 ACT 106 MIN (2001) PG13 WES 93 MIN (1994) R WAR 116 MIN (2019) R ACT 106 MIN (1981) R WES 88 MIN (1951) NR CRI 116 MIN (2018) R DEMIAN BICHIR GENE HACKMAN SAM ELLIOTT CHUCK NORRIS JOHN WAYNE CLINT EASTWOOD MY BLUE HEAVEN COM 97 MIN (1990) PG13 19TH 1800 20TH *1900 21ST 1800 22ND 1400/1800 23RD 1800 24TH 1800 25TH 1800 JULIE & JULIA TOMBSTONE 17 AGAIN GIANT PT I PURE COUNTRY THE ALAMO FOR A FEW BIO 123 MIN (2009) PG13 WES 130 MIN (1993) R COM 102 MIN (2009) PG13 WES 100 MIN (1956) G DRA 112 MIN (1992) PG HIS 162 MIN (1962) NR DOLLARS MORE MERYL STREEP KURT RUSSELL ZAC EFRON GIANT PT II GEORGE STRAIT JOHN WAYNE WES 132 MIN (1965) R *OUTDOOR SHOWING WES 100 MIN (1956) G CLINT EASTWOOD TH TH TH TH TH ST 26 1800 27 1800 28 1800 29 1400/1800 30 1800 31 1800 INVISIBLE MAN THE STING DEAR JOHN JUST MERCY BABES IN ARMS THE MAN FROM UNCLE DENOTES CRI 129 MIN (2006) R COM 129 MIN (1973) PG DRA 108 MIN (2010) PG13 COM 93 MIN (1939) NR ACT 115 MIN (2015) PG13 BIO 127 MIN (2019) PG13COM NEW RELEASE DENZEL WASHINGTON PAUL NEWMAN CHANNING TATUM LBJ MICKEY ROONEY HENRY CAVILL BIO 97 MIN (2016) R .

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See It Big! Action Features More Than 30 Action Movie Favorites on the Big
FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
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Black Soldiers in Liberal Hollywood
Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film.
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Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected]
Clemson University TigerPrints Presentations University Libraries 5-2017 Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/lib_pres Part of the Library and Information Science Commons Recommended Citation Mason Smith, Maggie, "Blockbusters: Films and the Books About Them Display" (2017). Presentations. 105. https://tigerprints.clemson.edu/lib_pres/105 This Display is brought to you for free and open access by the University Libraries at TigerPrints. It has been accepted for inclusion in Presentations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Blockbusters: Films and the Books About Them Display May 2017 Blockbusters: Films and the Books About Them Display Photograph taken by Micki Reid, Cooper Library Public Information Coordinator Display Description The Summer Blockbuster Season has started! Along with some great films, our new display features books about the making of blockbusters and their cultural impact as well as books on famous blockbuster directors Spielberg, Lucas, and Cameron. Come by Cooper throughout the month of May to check out the Star Wars series and Star Wars Propaganda; Jaws and Just When you thought it was Safe: A Jaws Companion; The Dark Knight trilogy and Hunting the Dark Knight; plus much more! *Blockbusters on display were chosen based on AMC’s list of Top 100 Blockbusters and Box Office Mojo’s list of All Time Domestic Grosses. - Posted on Clemson University Libraries’ Blog, May 2nd 2017 Films on Display • The Amazing Spider-Man. Dir. Marc Webb. Perf. Andrew Garfield, Emma Stone, Rhys Ifans.
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Paul Rudd Strikes a Comedic Pose While Bowling for Children Who Stutter
show ad Funnyman with a heart of gold! Paul Rudd strikes a comedic pose while bowling for children who stutter By Shyam Dodge PUBLISHED: 03:33 EST, 22 October 2013 | UPDATED: 03:34 EST, 22 October 2013 30 View comments He's known for being one of the funniest men working in Hollywood today. But Paul Rudd proved he's also got a heart of gold as he hosted his second annual All-Star Bowling Benefit for children who stutter in New York, on Monday. The 44-year-old actor could be seen throughout the fund raising event performing various comedic antics while bowling at the lanes. Gearing up: Paul Rudd hosted his second annual All-Star Bowling Benefit for children who stutter in New York, on Monday The I Love You, Man star taught some of the fundamentals of the sport to the children gathered for the event. But when it came his turn to demonstrate his bowling prowess it appeared he may have needed some practise in the art. Performing a comedic kick in the air after seeming to land the ball in the gutter the surrounding kids erupted into both applause and giggles. Getting a rise: The 44-year-old actor looked to have missed his mark during the event The set up: Rudd got his form down before letting loose But the antics also seemed to have been choreographed to entertain the youngsters, who the star was intent upon helping. Wearing brown suede loafers and tan chinos, Rudd went casual in a simple chequered button down shirt.
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MBC Alumnus John Pancho Demmings 
MBC Alumnus John Pancho Demmings My parents were not able to FEATURES THANK GOD FOR MY THAT DAY BEA SPEED- pay for our participation in The The Fugitive MOTHER’S INSTINCTS, HASSELMANN CLAIMED Metropolitan Boys Choir, but The Seat Filler ME AS ONE OF HER OWN, Bea would not turn us away, as The Shrink Is In In the new place my brothers and the rest they say is she never turned away any boy Very Bad Things James and Keith, my sister history….. because he lacked the means. Opposite of Sox Kitisha, and myself were the Shadows of Doubt first black children to attend She introduced me to a whole George of the Jungle an all white elementary new world, a fraternity that has It is your contributions that Progeny school. The transition would helped to mold and shape the have helped to tell my story, The Fence not be an easy one.The racial lives of thousands of young men and that will continue to tell Equinox tensions tested my mettle, for just like me. She has been an the stories of my many Humanoids We moved into our new the playground was the arena incredible support and mentor MBC brothers. TELEVISION house February of 1969, the where I would earn my my entire life. The singing, the 24 first black family in an all Thank you for your stripes one contest at a time. dancing, the discipline, the CSI NY white neighborhood. My Priceless Gift, The unfounded hatred aimed smiling embracing faces in the Bones mother's intuition was to at my skin's color worked to John Pancho Demmings NCIS move her children away from audiences of the Boys Choir shape some sharp edges in Alias the heat, away from the fire performances set my life on a me, and threaten to steal my The District in order to give us a chance at new course, for a flame was Director's note: innocence.
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Brilliant Lecture Series Presents Concert with the Legendary Betty Buckley, Conversation with Robert Duvall and Conversation with Diane Keaton
Media Contact: Lydia Baehr Public Relations [email protected] (713) 208-3421 Public Contact: Brilliant Lecture Series (713) 974-1335 [email protected] For Immediate Release: December 3, 2013 Brilliant Lecture Series presents Concert with the Legendary Betty Buckley, Conversation with Robert Duvall and Conversation with Diane Keaton Download photos securely from Dropbox at this link - HERE HOUSTON—Some of Hollywood and Broadway’s most legendary names will grace Wortham Theater Center at the start of 2014, presented by Brilliant Lecture Series. BETTY BUCKLEY | January 10, 2014: Theater, film and television actress Betty Buckley will perform at an exclusive concert Friday, Jan. 10 at 7:30 p.m. in Wortham Center, Cullen Theater. Betty Lynn Buckley, a Texas native called “The Voice of Broadway” by New York Magazine, is one of theater’s most respected and legendary leading ladies. A graduate of Texas Christian University, Buckley moved to New York City in 1969 where she landed the role of Martha Jefferson in “1776” her first day in town, launching her career. Buckley established her reputation in 1982, starring as Grizabella in the original Broadway production of the musical “Cats” - a role for which she won a Tony Award for Best Featured Actress in a Musical. Buckley made her film debut in the original movie version of “Carrie” in 1976, playing Miss Collins, Carrie’s gym teacher. Buckley received the Texas Medal of the Arts Award in Theater in 2009 and was inducted into the Texas Film Hall of Fame in Austin in 2007. Buckley was inducted into the American Theater Hall of Fame in 2013.
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Citizen Kane
A N I L L U M I N E D I L L U S I O N S E S S A Y B Y I A N C . B L O O M CC II TT II ZZ EE NN KK AA NN EE Directed by Orson Welles Produced by Orson Welles Distributed by RKO Radio Pictures Released in 1941 n any year, the film that wins the Academy Award for Best Picture reflects the Academy ' s I preferences for that year. Even if its members look back and suffer anxious regret at their choice of How Green Was My Valley , that doesn ' t mean they were wrong. They can ' t be wrong . It ' s not everyone else ' s opinion that matters, but the Academy ' s. Mulling over the movies of 1941, the Acade my rejected Citizen Kane . Perhaps they resented Orson Welles ' s arrogant ways and unprecedented creative power. Maybe they thought the film too experimental. Maybe the vote was split between Citizen Kane and The Maltese Falcon , both pioneering in their F ilm Noir flavor. Or they may not have seen the film at all since it was granted such limited release as a result of newspaper baron William Randolph Hearst ' s threats to RKO. Nobody knows, and it doesn ' t matter. Academy members can ' t be forced to vote for the film they like best. Their biases and political calculations can ' t be dissected. To subject the Academy to such scrutiny would be impossible and unfair. It ' s the Academy ' s awards, not ours.
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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
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True Confessions Free
FREE TRUE CONFESSIONS PDF Rachel Gibson | 384 pages | 11 Jul 2011 | HarperCollins Publishers Inc | 9780380814381 | English | New York, NY, United States True Confessions () - Rotten Tomatoes NO need to pussyfoot. No need to mince words. Get straight to the point, even if it's not pretty or, for that matter, even if it is. Sometimes things do go right. It does happen. You know it first in True Confessions pit of your stomach. A nice feeling but unfamiliar - it's the bile vanishing True Confessions things look up. Like watching ''True Confes sions. Quite simply it's one of the most entertaining, most intelligent and most thoroughly satisfying commercial American films in a very long time. She can kill you True Confessions easily as she burns toast. Dunne's best-selling novel, loosely True Confessions on an actual Los Angeles murder case, uses history as the author sees fit, and though its syntax is familiar, its concerns are more far-reaching and more psychologically complex than the fiction it recalls. It's a big novel and ''True Confessions'' is a big True Confessions. To begin with, it has America's two best actors in its leading roles, as brothers, one an up-and-coming monsignor of the Roman Catholic Church, Desmond Spellacy Robert De Nirowho is on his way toward some of the higher honors the church can bestow, and Tom Spellacy Robert DuvallDesmond's older brother, a Los Angeles detective of shabby background. Early in his career, when he was a member of the vice squad, Tom had been on the take.
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HOLLYWOOD – the Big Five Production Distribution Exhibition
HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927
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Randy Finch Film Department, University of Central Florida, Orlando, FL 32816 Phone 407-823-6111 Email: [email protected]
Randy Finch Film Department, University of Central Florida, Orlando, FL 32816 Phone 407-823-6111 Email: [email protected] EDUCATION 1987 Juris Doctor FORDHAM UNIVERSITY SCHOOL OF LAW 1978 Bachelor of Arts HARVARD COLLEGE Psychology and Social Relations Cum Laude PROFESSIONAL EXPERIENCE TEACHING 2006-present Associate Professor, UNIVERSITY OF CENTRAL FLORIDA 2005-2006 Visiting Associate Professor, UNIVERSITY OF CENTRAL FLORIDA FILM/TELEVISION PRODUCED FEATURE LENGTH CREDITS 1997-1999 Producer, OUTSIDE PROVIDENCE (Miramax Films) Developed screenplay from Peter Farrelly’s coming-of- age novel. Produced the movie with a cast including Alec Baldwin, Shawn Hatosy and Amy Smart, and negotiated sale to Miramax. 1994-1997 Producer, THE SUBSTANCE OF FIRE (Miramax Films) Developed screenplay from Jon Robin Baitz’s play. Structured the deals including equity financing and, assembled cast including Sarah Jessica Parker, Ron Rifkin, Timothy Hutton and Tony Goldwyn. Produced film and negotiated sale to distributor. 1993-1994 Executive Producer, FEDERAL HILL (Miramax/Trimark Films) Negotiated rights acquisition and sale of independent film. Orchestrated worldwide festival campaign. Winner Critic’s Award and Audience Award at 1994 Deauville Film Festival. 1990-1991 Producer, CAROLINA SKELETONS (NBC) Developed teleplay from David Stout’s Edgar Award winning novel. Stars; Louis Gossett Jr., Bruce Dern & Melissa Leo. 1987-1988 Associate Producer, MILES FROM HOME (Cinecom) Developed screenplay for Gary Sinises’s film directing debut. Cast included Richard Gere, Helen Hunt, Brian Dennehy, and John Malkovich. THEATER SELECTED PRODUCED CREDITS 1995 Director, THE ENGAGEMENT (Workhouse Theater, NY, NY) Directed the premiere of Richard Vetere’s comic play at off-off- Broadway venue. 1994-1995 Co-Producer, NEW YORK STAGE AND FILM Produced plays summer seasons at Vassar College Poughkeepsie, NY, including new work by John Patrick Shanley (author of MOONSTRUCK and DOUBT) and Steve Martin.
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