An Examination of the Methodology and Efficacy of Performance in Contemporary Political Protest
Theatricalizing Dissent: An Examination of the Methodology and Efficacy of Performance in Contemporary Political Protest Sian Rees Goldsmiths, University of London PhD Theatre and Performance Declaration Declaration of Authorship: I, Sian Rees, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Sian Rees Date: 16/05/2018 Abstract Activists and artists are consciously bringing theatre to the forefront of contemporary protest interventions. This thesis examines the efficacy of performative modes in acts of theatrical dissent. My research is based on case studies from the UK, Paris, Belgium, and the United States which staged interventions, often experimenting with different democratic models of relationships and often prefiguratively, and which campaigned on social, economic, and political issues: against austerity, climate injustice, and consumerism. They employed diverse performative modes: Rough Music, Guerrilla Performance, Play and Gaming, and the creation of a Temporary Autonomous Zone. The Practice as Research component provided the perspective of an insider through my participation in theatrical dissent organized by artists and activists, and through my own work, HOUND (2016), which incorporated a variety of performative modes previously identified as efficacious. Activists seek to expose, through their own performances, the performances of power and legitimacy staged by corporations and governments; and to advocate the necessity for change. Some elements of these modes may militate against political efficacy, whilst others contribute towards it by working to avoid a crude and heavy-handed didacticism by encouraging spectators to collaborate in the performance. I identify and analyze the elements of performance modes which may be conducive in supporting and sustaining activists; and those which may ignite an interest in a cause in spectators.
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