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TV Universe—UK, Germany, Sweden: HOW PEOPLE WATCH TELEVISION TODAY Author: Colin Dixon, Founder and Chief Analyst, Nscreenmedia | 2019
TV Universe—UK, Germany, Sweden: HOW PEOPLE WATCH TELEVISION TODAY Author: Colin Dixon, Founder and Chief Analyst, nScreenMedia | 2019 I NTRODUCTION Technology has become such a part of our daily lives that sometimes it seems that it is an end unto itself. However, in the world of the consumer, it has a particular role to play. Tim O’Reilly, who coined the term “open source,” put Online TV is now the second it this way: most popular source of “What technology does is create new opportunities to do a job that customers want done.”1 Home entertainment is most certainly a job that people “want done.” Ninety years ago, broadcast television television content in the UK, technology was the new opportunity to deliver it in an entirely new way.2 Based on the data from our most recent survey in Europe, the internet has become the next new opportunity to provide television entertainment to the home. Germany, and Sweden. Today, there are three primary sources of TV entertainment available to consumers: free-to-air (FTA), pay TV, and online TV. Free-to-air TV channels are typically received via an antenna but can also arrive over satellite and cable. Examples include BBC1, SVT1, and Das Erste. Pay TV services distribute linear TV over cable, satellite, and telco TV systems. Examples include Virgin Media, Sky Deutschland, and Com Hem. Online TV allows viewers to stream or download shows and movies over mobile and broadband data networks. Examples of services include Netflix, Now TV, and Amazon Prime Video. Just twelve years after Netflix first introduced streaming services, online TV has become the second most popular TV source in the UK, Germany, and Sweden. -
TP Vision Confirms Arrival of Freeview Play on Philips Android Tvs
News Release TP Vision confirms arrival of Freeview Play on Philips Android TVs TP Vision has confirmed the imminent arrival of Freeview Play to the company’s Philips Android TVs. Freeview Play is the UK’s fastest growing TV platform, launched in 2015, the platform now has over 7 million users. Freeview Play gives viewers access to live and on demand TV in one easy to use interface. The platform provides 85 live channels (including 15 in HD), as well as 20,000 hours of on-demand content from BBC iPlayer, ITV Hub, All 4, My 5, UKTV Play, CBS Catchup Channels UK and Horror Bites. TP Vision has been one of the strongest and most successful partners for Android TV having first introduced the platform back in 2014 and having committed nearly 50% of the company’s range of Philips sets to Android TV ever since – including the premium OLED and OLED+ ranges, frequently awarded the status of the Best TV available by the media, consumers and the trade. Philips Android TVs manufactured from now on will include firmware that enables Freeview Play by default. 2019 model year Philips Android TVs which are in-store or are already in use in consumer homes will receive an over-the-air software update which will prompt users to enable Freeview Play on the TV via easy onscreen instructions. In the case of any further questions, consumers can easily contact Philips’ Consumer Care info-line for help. Commenting on the inclusion of Freeview Play to Philips Android TVs, Martijn Smelt CMO for Europe at TP Vision said: ‘The addition of Freeview Play is the final piece that allows us to confidently say Philips Android TV sets offer the best overall package on the UK market. -
Vod Copy Approval and Delivery
Spider-Man: Far From Home VoD Commercials Approval and Delivery – A guide • Creative Agency needs to upload commercial to Clearcast and instructions via Caria – Clearcast gives us the required approvals – When instructions are sent via Caria, copy begins to transcode automatically once delivered • VoD copy needs to be fully approved for Linear by Clearcast. – Submit for Linear approval, NOT VOD! • Creatives have a choice of three delivery centres to supply commercials, they need to be delivered to BOTH Sky UK/TV AND Sky Online – Submit to both at point of order – Clickable campaigns can be supplied to Sky Online only • Copy and instructions need to be delivered 6 working days prior to start of campaign – Allows time for sales/campaign managers/ops to set live, and to fix technical issues • The agencies send commercials via one of these three Centres. • At Sky, we have two Video Libraries • This means we have two destinations at each Delivery Centre; – SkyUK/SkyTV/SkyHD – Sky Online • Sky UK – Sent to M.A.M. (Media Asset Management) – Any content we serve direct to the Sky Box – TV VoD (Push and Pull VoD), Linear TV, Adsmart • Sky Online – Sent to H.V.L. (Honeycomb Video Library) – Any content we serve to devices outside the Sky Box – Sky Go, Demand 5, Sky Go Linear, Kids VoD, PC VoD, Advance – This can include viewing on a big screen (X-Box, Ps4 devices) – These can include a link to direct viewer to extra content • The majority of VoD campaigns will include impressions on the Sky box and OTT devices • Unless a campaign is exclusively on one, it makes sense to get in the habit of sending to both • We serve VoD content to big screen devices • As a consequence, we need to ensure linear viewing approval rules are adhered to • ‘Online’ campaigns will serve to PS4/Xbox, which are viewed on a TV/ hence linear approval needed • OTT linear campaigns play over linear feeds, hence the approval. -
Sky Media Vod Intro the Very Best Content – Delivered Wherever, Whenever
Sky Media VoD intro The very best content – delivered wherever, whenever Delivered wherever, whenever Sky Go The way viewers are consuming TV is rapidly changing. At Sky, we Sky Go is Sky’s service that allows users to view content on a are proudly placed at the forefront of this transition, offering our variety of devices including desktop, mobile and tablet customers the ultimate in flexible, fluid viewing. Users stream content from the Sky Go website or app. Viewing has increased rapidly over the past 5 years coinciding with the Whether it be downloading a movie in the living room on the set rise of tablets and smartphones top box, or watching a boxset on an iPad in the park, Sky offers customers the very best content whenever and wherever they Sky Go’s VoD adload is low, and ads are clickable/trackable are. One preroll break and midroll break is the maximum number of breaks on Sky Go content. Each break is restricted to a maximum There are two consumer services, ‘Sky Go’ and ‘On Demand’ of 2 ads so there is very low clutter. In movies there is no midroll. delivering across four strands of content: • Catchup Sky Go Linear allows advertisers to target live viewing too! • Movies The Sky Go Linear platform dynamically overlays the linear • Boxsets transmission with bespoke, targeted ads. This includes channels • Sports from Sky Atlantic to Sky Sports F1 Crucially, movies and boxsets are the biggest drivers of VOD on Sky. This content is incremental to linear viewing and captures viewers at their most engaged, “lean forward” moments. -
Kantar Media Would Like to Group People Into Groups of Urban and Rural Dwellers
Job Number 451210007 Name of survey Ofcom BBC iPlayer Project Questionnaire Version Final No. Author Charlie Gordon, Ayanda Dlamini Telephone 02071605633 Methodology Online Questionnaire CAWI Duration 20 minutes Sample Size 4,000 Internet Users Sample Description 16+ England, Scotland, Wales, NI adults Sex, approx: Quotas Male – 50% Female – 50% Age, approx.: 16-24 – 14% 25-34 – 17% 35-44 – 16% 45-54 – 18% 55-64 – 15% 65+ – 20% Households with children aged under 16 – 28% Social Grade, approx.: ABC1 – 56% C2DE – 44% Urban and Rural Split Urban – 83% Rural – 17% Ethnicity White – 86% BAME –14% Platform Provider: Sky – 35% Virgin – 13% Freeview only – 42% Any Freeview – 64% Several targets? Gender, age, age & gender, SEG, rural/urban Fieldwork dates March 2019 GDPR1. This survey asks about sensitive topics such as ethnicity, whether you have children, or political opinion. By selecting the Yes button you are consenting for these questions to be asked. Please proceed if you are happy to participate Yes No - SCREEN OUT SHOW TO ALL First, we’d like to ask a couple of questions about yourself to ensure we interview a good cross- section of the population. ASK ALL SINGLE CHOICE DemQ1. Please select your gender. 1. Male 2. Female 3. Other (please specify) 4. Prefer not to say IF CODE 1,3 CODE AS MALE FOR QUOTAS IF CODE 2,4 CODE AS FEMALE FOR QUOTAS ASK ALL SINGLE CHOICE RANGE FROM 1 TO 100 SCREENOUT IF BELOW 16 DemQ2. Please type in your age dAge - FOR QUOTAS 1. 16-24 2. 25-34 3. 35-44 4. -
UKTV Case Study
Case Study UKTV Satisfying 42 million viewers Web channel overhaul UKTV is a multi-award winning media “In 2012 we embarked on a large project company with eleven core brands: to redevelop all of our consumer and UKTV Play, Dave, Watch, Gold, Alibi, business websites from the ground Yesterday, Drama, Really, Home, Eden, up,” says UKTV Head of Digital Delivery, and Good Food. It’s home to the most Oliver Davies. “Moving from Cold popular non-PSB channel in the UK, Fusion, new channel sites were built in and reaches more than 42 million a fully responsive mobile-friendly grid, Like many companies, we really viewers every month. A ‘David to the using a Python Django-based content “ suffered from having images all Goliath brands’, UKTV is the fastest management system. Our digital asset over the place, in folders and on growing broadcaster in Britain. platform had to be the right fit.” desktops, and the workflow was proving difficult to manage. Our image management was something we were determined to get right. – Oliver Davies, Head of Digital Delivery, UKTV. ” Simplifying Solutions Third Light at Work UKTV chose an Enterprise Edition Third Light media library to host all 168,768 of its image assets. The system is accessed by 21 administrators, and 600+ in-house and press users. Simpler storage and retreival No more manual handling “We’d never used a third-party digital asset “Before we used the Third Light system, management tool before, so we did lots of our web editors had to go through a very research into different systems, and made manual process to prepare images for the decision to use Third Light as our tool websites. -
Social Distancing and Streaming TV Viewing Takes on New Behaviours and Characteristics with the Coronavirus
Sentiment Insights Series Social Distancing and Streaming TV Viewing Takes on New Behaviours and Characteristics with the Coronavirus UK EDITION March 2020 | White Paper Adapting to this rapidly changing environment requires the ability to quickly understand why viewers are engaging in content, beyond just traditional viewership metrics, and to interpret and adjust to those patterns in real-time. Copyright © 2020, TV Time, a Whip Media Group Company AllWhite product Paper names, | logos,Social and Distancing brands are property and Streaming of their respective owners. whipmedia.com About This Study The impact of the coronavirus has spread to the United Kingdom and every continent around the world (Antarctica is the only region spared thus far). Outbreaks are accelerating in major cities and metropolitan areas across the UK and the collective population is being directed to avoid crowds, cancel events, stay at home and work remotely to reduce the risk of contracting the disease or infecting others. As they adjust to this new life of isolation and social distancing, people are staying inside, hunkering down and turning to television. While TV viewership is already up, today’s situation is beyond what we’ve come to think about as binge watching. It’s not voluntary or by choice. It’s an extended period of content engagement to pass the time as consumers wait out the crisis. As the entire country vacillates between being worried and bored, anxious and reconciled, TV Time, a Whip Media Company, conducted a UK-based study in March 2020. The study leverages the UK based users of TV Time App’s global community of more than 13 million connected users of its TV tracking platform on both iOS and Android devices. -
Analysys Mason Document
Report for the Internet Society Discussion paper on the contribution of the Internet to content creation 31 May 2013 Michael Kende, Mark Colville, Alex Reichl Ref: 37342-244 . Contents 1 Executive summary 1 2 Introduction 3 3 The evolution of the content industry 4 3.1 Overview of trends in content distribution 4 3.2 Audio content 11 3.3 Video content 15 4 New business models 22 4.1 Streaming 22 4.2 Digital download services 30 4.3 Device strategies 32 4.4 TV Everywhere 34 5 Conclusions 37 Annex A About us Ref: 37342-244 . Discussion paper on the contribution of the Internet to content creation Copyright © 2013. Analysys Mason Limited and the Internet Society (ISOC). This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. To view a copy of this licence, visit: http://creativecommons.org/licenses/by-nc-sa/3.0/. The analysis and conclusions presented in this report are those of the stated author and Analysys Mason Limited, and have been arrived at independently of any client-specific work. Analysys Mason Limited St Giles Court 24 Castle Street Cambridge CB3 0AJ UK Tel: +44 (0)845 600 5244 Fax: +44 (0)1223 460866 [email protected] www.analysysmason.com Registered in England No. 5177472 Ref: 37342-244 . Discussion paper on the contribution of the Internet to content creation | 1 1 Executive summary The Internet is a platform that is ideal for the distribution of digital content such as music or video. In general, given that the Internet empowers technology at its edges, it allows companies to introduce innovative services that can grow quickly; more specifically, digital content can be copied perfectly an endless number of times and distributed at low cost, particularly compared with physical manufacture and distribution. -
Nathalie Slides
THE DYNAMICS OF THE UK TV MARKET Latest consumer and business trends 24th October 2017 ATON IK ATON IK D I GITA L D I GITA L Nathalie Lethbridge [email protected] atonikdigital.com 2 Television and audio-visual content ofcom.org.uk CommunicationsATON IK Market Report 2017AT O- UnitedN IK Kingdom 2 Television and audio-visual content D I GITA L D I GITA L ^ƉĞŶĚŽŶh<ͲŽƌŝŐŝŶĂƚĞĚƉƌŽŐƌĂŵŵŝŶŐďLJƚŚĞŵĂŝŶĮǀĞW^ĐŚĂŶŶĞůƐǁĂƐĂƚŝƚƐŚŝŐŚĞƐƚůĞǀĞů DĂŶLJƉĞŽƉůĞƐƵďƐĐƌŝďĞƚŽŵŽƌĞƚŚĂŶŽŶĞŽŶͲĚĞŵĂŶĚͬƐƚƌĞĂŵŝŶŐƐĞƌǀŝĐĞƐŝŶĐĞϮϬϭϮ KǀĞƌĂůůƐƉĞŶĚŽŶĮƌƐƚͲƌƵŶh<Ͳ ^ƉĞŶĚŽŶƉĞĂŬƟŵĞƉƌŽŐƌĂŵŵŝŶŐ ŽƌŝŐŝŶĂůƐƉŽƌƚƐĐŽŶƚĞŶƚŝŶĚĂLJƟŵĞ LJƚŚĞĞŶĚŽĨϮϬϭϲ͕ĨŽƵƌŝŶƚĞŶ ŵŽƐƚƉŽƉƵůĂƌĐŽŵďŝŶĂƟŽŶǁĂƐ ŝŐŚƚƉĞƌĐĞŶƚŽĨĂůůƵƐĞƌƐŽĨEĞƞůŝdž͕ŽƌŝŐŝŶĂƚĞĚƉƌŽŐƌĂŵŵŝŶŐ;ŝŶĐůƵĚŝŶŐ ĂŶĚŶĂƟŽŶƐ͛ĂŶĚƌĞŐŝŽŶƐ͛ ĂŶĚůĂƚĞŶŝŐŚƚǁŚĞŶĐŽǀĞƌŝŶŐƚŚĞ ƵƐĞƌƐŽĨEĞƞůŝdž͕ŵĂnjŽŶWƌŝŵĞ EĞƞůŝdžĂŶĚŵĂnjŽŶWƌŝŵĞ͕ǁŝƚŚ ŵĂnjŽŶWƌŝŵĞĂŶĚEKtdsŚĂĚŶĂƟŽŶƐ͛ĂŶĚƌĞŐŝŽŶƐ͛ƉƌŽŐƌĂŵŵŝŶŐͿ ƉƌŽŐƌĂŵŵŝŶŐǁĂƐďƌŽĂĚůLJƐƚĂďůĞ͕ ϮϬϭϲh&ƵƌŽƉĞĂŶ&ŽŽƚďĂůů ĂŶĚEKtdsŚĂĚĂĐĐĞƐƐƚŽŵŽƌĞ ϮϲйŽĨƵƐĞƌƐƵƐŝŶŐďŽƚŚƐĞƌǀŝĐĞƐ ĂĐĐĞƐƐƚŽĂůůƚŚƌĞĞƐĞƌǀŝĐĞƐŝŶƚŚĞďLJƚŚĞŵĂŝŶĮǀĞW^ĐŚĂŶŶĞůƐʹ ǁŚŝůĞƐƉĞŶĚŽŶůĂƚĞͲŶŝŐŚƚĂŶĚ ŚĂŵƉŝŽŶƐŚŝƉƐĂŶĚƚŚĞZŝŽ KŶĞ͕dǁŽ͕/ds;ŝŶĐůƵĚŝŶŐ ĚĂLJƟŵĞƉƌŽŐƌĂŵŵŝŶŐŐƌĞǁďLJ KůLJŵƉŝĐĂŶĚWĂƌĂůLJŵƉŝĐ'ĂŵĞƐ͘ ƚŚĂŶŽŶĞŽĨƚŚĞƐĞƐĞƌǀŝĐĞƐ͘dŚĞ ŝŶƚŚĞĮŶĂůƋƵĂƌƚĞƌŽĨϮϬϭϲ͘ ĮŶĂůƚŚƌĞĞŵŽŶƚŚƐŽĨϮϬϭϲ͘/dsƌĞĂŬĨĂƐƚͿͬ^dsͬhds͕ŚĂŶŶĞůϰ ϯϭйĂŶĚϰйƌĞƐƉĞĐƟǀĞůLJŝŶƌĞĂů KǀĞƌůĂƉďĞƚǁĞĞŶƐƵďƐĐƌŝďĞƌƐŽĨĂŶĚŚĂŶŶĞůϱʹŝŶĐƌĞĂƐĞĚďLJϰй ƚĞƌŵƐ͘dŚŝƐŵĂLJďĞĚƵĞŝŶƉĂƌƚƚŽ ƚŚĞŵĂŝŶƚĞůĞǀŝƐŝŽŶƐƵďƐĐƌŝƉƟŽŶŝŶƌĞĂůƚĞƌŵƐƚŽάϮ͕ϳϬϴŵŝŶϮϬϭϲ͘ ďƌŽĂĚĐĂƐƚĞƌƐŝŶĐƌĞĂƐŝŶŐƐƉĞŶĚŽŶ &ŝŐƵƌĞϮ͘ϰ͗^ƵďƐĐƌŝƉƟŽŶŽŶͲĚĞŵĂŶĚĂŶĚƐƚƌĞĂŵŝŶŐƐĞƌǀŝĐĞƐŽǀĞƌůĂƉ services in the UK &ŝŐƵƌĞϮ͘ϭϴ͗^ƉĞŶĚŽŶĮƌƐƚͲƌƵŶh<ŽƌŝŐŝŶĂƚĞĚŽƵƚƉƵƚŽŶƚŚĞĮǀĞŵĂŝŶW^ĐŚĂŶŶĞůƐ -
Press Release Ericsson
PRESS RELEASE SEPTEMBER 8, 2016 Ericsson partners with UKTV to deliver the UK’s first virtualized live event broadcast Ericsson and UKTV, the biggest multichannel broadcaster in the UK, unveil completely virtualized live playout service at IBC Show 2016 Ericsson’s Virtualized Live Playout service is built and operated to the same standards of reliability as traditional linear services, and provides support for graphics and ad insertion New service provides opportunity to launch ‘pop up’ channels by leveraging channel capacity on ‘rental’ basis – including daily - with no long term commitments Ericsson (NASDAQ: ERIC) today announced it is working with UKTV, the country’s biggest multichannel broadcaster, to deliver the UK’s first virtualized live event broadcast. Ericsson’s Virtualized Live Playout service will help UKTV launch and broadcast live events on its award-winning network of channels, which includes the UK’s most watched non-public service broadcasting channel, Dave. The product will be unveiled for the first time at IBC Show (Hall 1, D61) in Amsterdam, the Netherlands. Ericsson’s Virtualized Live Playout is an entirely software based, fully managed service that operates on a fully virtualized cloud environment. The service features a highly flexible commercial and operational model, which enables broadcasters and content owners the ability to ‘rent’ playout or channel capacity on a daily, pay as you go basis with no long-term commitments, capex, maintenance costs or on-going technology investments. Virtualized Live Playout is designed to carry live content and support graphics and ad insertion, and is built and operated to the same standards of reliability as traditional linear services. -
Ott Services and Intelligent Network Selection
OTT SERVICES AND NETWORK OFFLOAD OTT SERVICES AND INTELLIGENT NETWORK SELECTION EXPERIENCE CONTINUITY differentiates OTT services with the right network policy OTT SERVICES AND NETWORK OFFLOAD White Paper Contents 1. Executive Summary 2 KEYWORDS: 1.1. Introduction and how we got here 3 Offload 2. Who this paper is for 4 OTT analytics 2.1. The meaning of OTT 4 mobile data 2.2. The breadth of OTT offerings and UX differentiation 5 Wi-Fi 3. Technological issues to be addressed 6 User 3.1. The variety of use cases 8 Experience Intelligent 3.2. Real-time user analytics 8 Network 3.3. HetNet Policies 9 Selection 3.4. Content delivery policies 11 4. The User eXperience takes centre stage 12 4.1. It all started with SIP 13 4.2. Single sign-on, a precursor to EXPERIENCE CONTINUITY 13 4.3. The link with OTT 13 5. The business case for policy based Intelligent Network Selection 14 6. Wrapping up 16 7. Annexes 17 7.1. Example of a network policy management tool 17 OTT services and network Offload A Birdstep EXPERIENCE CONTINUITY White Paper 1 OTT SERVICES AND NETWORK OFFLOAD 1 Executive Summary SUMMARY OF THE SUMMARY OR THE FIVE EXPRESSIONS TO TAKE AWAY FROM THIS WHITE PAPER: USER BEHAVIOUR; POLICY; INTELLIGENT NETWORK SELECTION; OTT; EXPERIENCE CONTINUITY. Understanding real user behaviour enables operators to establish network, device and content policies for Intelligent Network Selection. This will be a key differentiator among emerging OTT services, where Birdstep believes EXPERIENCE CONTINUITY will be vital. Network operators have been moving “higher up the stack” into value added services for over a decade. -
Vizio Download Spectrum App How to Add Apps to Your Vizio Smart TV
vizio download spectrum app How to Add Apps to Your Vizio Smart TV. Can you add apps to your Vizio TV? Yep. And Smartcast is not your only option. Facebook Twitter LinkedIn. Tweet Share Email. Samsung Projectors Antennas HDMI & Connections Remote Controls. What to Know. SmartCast: Download a Chromecast-enabled app from Google Play or Apple App Store to your phone. Tap the Cast logo to cast to TV. VIA/VIA+: Click V on a Vizio remote, select app and press OK > Install App (VIA) or press and hold OK (VIA+). Select content and tap icon. This article explains how to add apps to your Vizio smart TV featuring SmartCast. Additional information is provided for older Visio TVs that feature Vizio Internet Apps (VIA) and Vizio Internet Apps+ (VIA+). How to Add Apps to a SmartCast TV. SmartCast TVs come with a selection of core apps preinstalled on the TV. You can select these directly, but you can also access an additional group of apps that you can cast to the display or TV. However, if you want to add apps that are not included in the core list or the preselected mobile apps available for immediate casting, you must add them to your smartphone so that you can cast them to the TV, just as you do when using a Chromecast device. This means that any apps you add that are not on the Core Apps list and installed on your TV reside on your smartphone and you have to cast them. The app addition process is the same as you perform on a Chromecast device.