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Equipo Crónica
Equipo Crónica Tomàs Llorens 1 This text is published under an international Attribution-NonCommercial-NoDerivs Creative Commons licence (BY-NC-ND), version 4.0. It may therefore be circulated, copied and reproduced (with no alteration to the contents), but for educational and research purposes only and always citing its author and provenance. It may not be used commercially. View the terms and conditions of this licence at http://creativecommons.org/licenses/by-ncnd/4.0/legalcode Using and copying images are prohibited unless expressly authorised by the owners of the photographs and/or copyright of the works. © of the texts: Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao © Equipo Crónica (Manuel Valdés), VEGAP, Bilbao, 2015 Photography credits © Archivo Fotográfico Museo de Arte Contemporáneo de Alicante, MACA: fig. 9 © Archivo Fotográfico Museo Nacional Centro de Arte Reina Sofía: figs. 11, 12 © Bilboko Arte Ederren Museoa-Museo de Bellas Artes de Bilbao: figs. 15, 20 © Colección Arango: fig. 18 © Colección Guillermo Caballero de Luján: figs. 4, 7, 10, 16 © Fundación “la Caixa”. Gasull fotografía: fig. 8 © Patrimonio histórico-artístico del Senado: fig. 19 © Stiftung Museum Kunstpalast - ARTOTHEK: fig. 14 Original text published in the catalogue Equipo Crónica held at the Bilbao Fine Arts Museum (10 February to 18 May 2015). Sponsored by: 2 1 Estampa Popular de Valencia and the beginnings of Equipo Crónica Founded in 1964, Equipo Crónica and Estampa Popular de Valencia presented themselves to the public as two branches of a single project. Essentially, however, they were two different, independent ones and either could have appeared and evolved without the other. -
College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark D
James Madison University JMU Scholarly Commons Dissertations The Graduate School Summer 2017 College orchestra director programming decisions regarding classical twentieth-century music Mark D. Taylor James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Arts and Humanities Commons Recommended Citation Taylor, Mark D., "College orchestra director programming decisions regarding classical twentieth-century music" (2017). Dissertations. 132. https://commons.lib.jmu.edu/diss201019/132 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark David Taylor A Doctor of Musical Arts Document submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements For the degree of Doctor of Musical Arts School of Music August 2017 FACULTY COMMITTEE Committee Chair: Dr. Eric Guinivan Committee Members/ Readers: Dr. Mary Jean Speare Mr. Foster Beyers Acknowledgments Dr. Robert McCashin, former Director of Orchestras and Professor of Orchestral Conducting at James Madison University (JMU) as well as a co-founder of College Orchestra Directors Association (CODA), served as an important sounding-board as the study emerged. Dr. McCashin was particularly helpful in pointing out the challenges of undertaking such a study. I would have been delighted to have Dr. McCashin serve as the chair of my doctoral committee, but he retired from JMU before my study was completed. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
Paul Jacobs, Elliott Carter, and an Overview of Selected Stylistic Aspects of Night Fantasies
University of South Carolina Scholar Commons Theses and Dissertations 2016 Paul Jacobs, Elliott aC rter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies Alan Michael Rudell University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Rudell, A. M.(2016). Paul Jacobs, Elliott aC rter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3977 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. PAUL JACOBS, ELLIOTT CARTER, AND AN OVERVIEW OF SELECTED STYLISTIC ASPECTS OF NIGHT FANTASIES by Alan Michael Rudell Bachelor of Music University of North Carolina, Chapel Hill, 2004 Master of Music University of South Carolina, 2009 _____________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2016 Accepted by: Joseph Rackers, Major Professor Charles L. Fugo, Committee Member J. Daniel Jenkins, Committee Member Marina Lomazov, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Alan Michael Rudell, 2016 All Rights Reserved. ii ACKNOWLEDGEMENTS I wish to extend my thanks to the members of my committee, especially Joseph Rackers, who served as director, Charles L. Fugo, for his meticulous editing, J. Daniel Jenkins, who clarified certain issues pertaining to Carter’s style, and Marina Lomazov, for her unwavering support. -
Book Factsheet Patricia Highsmith Ripley Under Ground
Book factsheet Patricia Highsmith Crime fiction, General Fiction Ripley Under Ground 368 pages 11.6 × 18.4 cm January 1972 Published by Diogenes as Ripley Under Ground Original title: Ripley Under Ground World rights are handled by Diogenes Rights currently sold: Bulgarian (Fama) Chinese/CN (Shanghai Translation) Danish (Lindhardt & Ringhof) English/USA (Norton) Finnish (WSOY) French (Calmann-Lévy) Greek (Agra) Italian (La nave di Teseo) Japanese (Kawade Shobo) Korean (Eulyoo) Polish (Noir sur Blanc) Portuguese/BRA (Intrinseca) Portuguese/PT (Relógio d'Agua) Romanian (Art ) Russian (Azbooka-Atticus) Spanish/world (Anagrama) Swedish (Norstedts) Turkish (Can) Ukrainian (Hemiro) Vietnamese (BachvietBooks) Movie adaptations 2016: A Kind Of Murder Director: Andy Goddard Screenplay: Susan Boyd Cast: Patrick Wilson, Jessica Biel, Haley Bennett 2015: Carol / Salz und sein Preis Director: Todd Haynes Screenplay: Phyllis Nagy Cast: Cate Blanchett, Rooney Mara und Kyle Chandler 2014: The two faces of January Director: Hossein Amini Screenplay: Hossein Amini Cast: Kirsten Dunst, Viggo Mortensen, Oscar In this harrowing illumination of the psychotic mind, the enviable Isaac Tom Ripley has a lovely house in the French countryside, a beautiful and very rich wife, and an art collection worthy of a connoisseur. But 2009: Cry of the Owl such a gracious life has not come easily. One inopportune inquiry, Director: Jamie Thraves one inconvenient friend, and Ripley's world will come tumbling down Screenplay: Jamie Thraves - unless he takes decisive steps. In a mesmerizing novel that coolly Cast: Paddy Considine, Julia Stiles subverts all traditional notions of literary justice, Ripley enthralls us even as we watch him perform acts of pure and unspeakable evil. -
Patricia Highsmith's Queer Disruption: Subverting Gay Tragedy in the 1950S
Patricia Highsmith’s Queer Disruption: Subverting Gay Tragedy in the 1950s By Charlotte Findlay A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2019 ii iii Contents Acknowledgements ………………………………………………………………..……………..iv Abstract……………………………………………………………………………………………v Introduction………………………………………………………………………………………..1 1: Rejoicing in Evil: Queer Ambiguity and Amorality in The Talented Mr Ripley …………..…14 2: “Don’t Do That in Public”: Finding Space for Lesbians in The Price of Salt…………………44 Conclusion ...…………………………………………………………………………………….80 Works Cited …………..…………………………………………………………………………83 iv Acknowledgements Thanks to my supervisor, Jane Stafford, for providing always excellent advice, for helping me clarify my ideas by pointing out which bits of my drafts were in fact good, and for making the whole process surprisingly painless. Thanks to Mum and Tony, for keeping me functional for the last few months (I am sure all the salad improved my writing immensely.) And last but not least, thanks to the ladies of 804 for the support, gossip, pad thai, and niche literary humour I doubt anybody else would appreciate. I hope your year has been as good as mine. v Abstract Published in a time when tragedy was pervasive in gay literature, Patricia Highsmith’s 1952 novel The Price of Salt, published later as Carol, was the first lesbian novel with a happy ending. It was unusual for depicting lesbians as sympathetic, ordinary women, whose sexuality did not consign them to a life of misery. The novel criticises how 1950s American society worked to suppress lesbianism and women’s agency. It also refuses to let that suppression succeed by giving its lesbian couple a future together. -
May 2014 at BFI Southbank
May 2014 at BFI Southbank Hollywood Babylon, Walerian Borowczyk, Studio Ghibli, Anime Weekend, Edwardian TV Drama, Sci-Fi-London 2014 Hollywood Babylon: Early Talkies Before the Censors is the new Sight & Sound Deep Focus, looking at the daring, provocative and risqué films from the 1930s that launched the careers of cinema luminaries such as Bette Davis, Clark Gable, Barbara Stanwyck and Spencer Tracy. The Passport to Cinema strand continues this scintillating exploration until the end of July Cinema of Desire: The Films of Walerian Borowczyk is the first major UK retrospective of works from the infamous director of The Beast (La Bête, 1975). BFI Southbank joins forces with the 12th Kinoteka Polish Film Festival to present this programme, which will also feature a dedicated event featuring friends and colleagues of the artist on 18 May The concluding part of the Studio Ghibli retrospective, and 30th anniversary celebration, will screen well-loved family favourites including Princess Mononoke (1997), Howl’s Moving Castle (2004) and Ponyo (2008), to complement the release of Hayao Miyazaki’s The Wind Rises (2013), on 9 May The biennial BFI Southbank .Anime Weekend returns with some of the best anime to come out of Japan; this year’s selection boasts three UK premieres, including Ghost in the Shell Arise: Part 2: Ghost Whispers (2013), plus the European premiere of Tiger and Bunny: The Rising (2014) As a prelude to our WWI season in June, Classics on TV: Edwardian Drama on the Small Screen look at the plays which reveal the social -
Evidence of Things Not Seen by Ned Rorem
Evidence of Things Not Seen by Ned Rorem A presentation of baritone solos and other excerpts from the four-voice song cycle, Evidence of Things Not Seen André Chiang, baritone Alonso Saavedra, piano Louisiana State University Doctoral of Musical Arts Candidates The Composer: Ned Rorem Early Life Education - Northwestern University - Curtis Institute Notable Accolades - George Gershwin Memorial Prize in Composition (1948) - Pulitzer Prize for Air Music (1976) - Fulbright Fellowship (1951) - Guggenheim Fellowship (1957) Text and Music: A Notably Close Marriage - Art Song specialty - Diaries The Composer: Ned Rorem (cont.) - “In his diary, Lies, (published by Counterpoint Press in 2000) Rorem said: "My music is a diary no less compromising than my prose. A diary nevertheless differs from a musical composition in that it depicts the moment, the writer's present mood which, were it inscribed an hour later, could emerge quite otherwise. I don't believe that composers notate their moods, they don't tell the music where to go - it leads them....Why do I write music? Because I want to hear it - it's simple as that. Others may have more talent, more sense of duty. But I compose just from necessity, and no one else is making what I need." The Cycle’s Skeleton and Component Parts - Composed mostly in 1997 with two songs from earlier “Boy with a Baseball Glove” (used the melody as a theme for his violin concerto) and “He thinks upon his death” - The thirty-six texts chosen were by twenty-four authors of poetry and prose (with a translation by Rorem himself). -
SCBWI New England
New England the society of children’s book writers illustrators January - February 2018 & ews Upcoming N NESCBWI Events Happy New Year! February 2-4 SCBWI in New York scbwi.org for more information NESCBWI18 April 20-22, 2018 August 2-5, 2018 SCBWI in Los Angeles See scbwi.org more more information Photos from NESCBWI events. Above: At Agent/Editor Day on November 4. One of the critique tables celebrated their leader, Feiwal & Friends/Swoon editor Holly West (see article inside). Kelly Carey, Megan Howe, Annie Cronin Romano , Holly West (editor), Pamela Quattrocchi, Rae Chalmers, Dawn Metcalf, D’Ann Burrow. Right: Omar Bah, Founder & Executive Director of the Refugee Dream Center, Lin Oliver, SCBWI Executive Director, Mary Wagley Copp, NESCBWI member who wrote the winning application to bring donated books to the center. (See article inside) Below: Team NESCBWI at the Refugee Dream Center event. Front: Marilyn Salerno, Betsy Devany, Anika Denise, Marlo Garnsworthy, Pegi Dietz Shea, Linda Crotta Brennen, Lin Oliver (SCBWI Executive Director), Sally Riley, Emma Dryden (SCBWI board member), Tammy Brown (SCBWI Director of Marketing & Engagement). Second row: Chris Denise, Gaia Cornwall, Kara Lareau, Janny Ho, Patty Murphy (SCBWI Literacy Consultant), Julia Boyce. Photographer Margo Lemieux. What’s Inside! The Society of Children’s Book Writers & Illustrators New England Who’s Who page 2 NESCBWI Resources page 3 What’s Going On... page 4 NESCBWI18 Preview page 5 The RA’s Desk page 6 Books for Readers at the Refugee Dream Center page 7 Agent/Editor -
The YA Novel in the Digital Age by Amy Bright a Thesis
The YA Novel in the Digital Age by Amy Bright A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies University of Alberta © Amy Bright, 2016 Abstract Recent research by Neilsen reports that adult readers purchase 80% of all young adult novels sold, even though young adult literature is a category ostensibly targeted towards teenage readers (Gilmore). More than ever before, young adult (YA) literature is at the center of some of the most interesting literary conversations, as writers, readers, and publishers discuss its wide appeal in the twenty-first century. My dissertation joins this vibrant discussion by examining the ways in which YA literature has transformed to respond to changing social and technological contexts. Today, writing, reading, and marketing YA means engaging with technological advances, multiliteracies and multimodalities, and cultural and social perspectives. A critical examination of five YA texts – Markus Zusak’s The Book Thief, Libba Bray’s Beauty Queens, Daniel Handler’s Why We Broke Up, John Green’s The Fault in Our Stars, and Jaclyn Moriarty’s The Ghosts of Ashbury High – helps to shape understanding about the changes and the challenges facing this category of literature as it responds in a variety of ways to new contexts. In the first chapter, I explore the history of YA literature in order to trace the ways that this literary category has changed in response to new conditions to appeal to and serve a new generation of readers, readers with different experiences, concerns, and contexts over time. -
OUR TOWN Houston Premiere
LEON WILSON CLARK OPERA SERIES SHEPHERD SCHOOL OPERA and the SHEPHERD SCHOOL CHAMBER ORCHESTRA l present OUR TOWN Houston Premiere Music by NED ROREM Libretto by J. D. McCLATCHY r. Based on the play by Thornton Wilder Richard Bado, conductor Mary Duncan, stage director Wortham Opera Theatre March 17, 19, 21 and 23, 2011 at 7:30 p.m. CZ) 1975-20 lO Ce l e b rating 'j / r Years THE SHEPHERD SCHOOL OF USIC RICE UNIVERSITY Our Town Music by Ned Rorem (born Oct. 23, 1923) Libretto by J. D. McClatchy (born 1945) Based on the play by Thornton Wilder Premiere in 2006 Grover's Corners, New Hampshire, 1901 CAST (in order of vocal appearance) Stage Manager . Tyson Miller Dr. Gibbs, the town doctor . Christopher Besch Mrs. Soames . Erin Johnson George Gibbs, son ofDr. and Mrs. Gibbs Brenton Ryan Emily Webb, daughter ofMr. and Mrs. Webb . Chelsea Morris Joe Crowell, friend of George . Paul Wilt Frank, friend of George . Geordie Alexander Sam, friend of George Joseph Eletto Mrs. Webb Elisabeth Rosenberg Lady in the Audience Abigail Dock Mr. Webb, the newspaper editor . Shea Owens Man in the Audience Samuel Schultz Simon Stimson, the choirmaster . Daniel Sherrill Mrs. Gibbs . .Carolyn Sproule CHORUS Geordie Alexander Lauren Iezzi Amy Owens Julia Sterner-Holder. Abbey Curzon SaraLemesh Stephen Ray Manfreddi Thimote Joseph Eletto Robert Lilly Erika Rodden Paul Wilt Maria Failla Joseph Mishler Erica Schoelkopf Rachel Womble SUPERNUMERARIES Miles Dolney Sophie Parker SHEPHERD SCHOOL CHAMBER ORCHESTRA Larry Rachleff, Music Director Violin I Viola Flute Trumpet -
ABSTRACT Title of Dissertation: COMPOSITIONS for FLUTE BY
ABSTRACT Title of Dissertation: COMPOSITIONS FOR FLUTE BY AMERICAN STUDENTS OF NADIA BOULANGER Jessica Guinn Dunnavant, Doctor of Musical Arts, 2004 Dissertation directed by: Professor William Montgomery School of Music Throughout the twen tieth century, young American composers made a pilgrimage across the Atlantic Ocean to study their craft with Nadia Boulanger (1887- 1979). Many of them wrote substantial, interesting works for flute, and this dissertation focuses on performances of a selection of those compositions. Boulanger’s life is well documented, as is her reputation for helping her students find their own musical voices. In this project she serves as a lens through which three generations of American composers may be viewed. This to pic brings together a wide variety of flute music in almost every style imaginable. A selection of music to perform was made because the amount of music far exceeds the amount of available performance time. A list of Nadia Boulanger’s American students was primarily derived from the website nadiaboulanger.org and from composers listed in the two editions of the New Grove Dictionary of Music and Musicians. These lists are far from comprehensive and other notable flute composers have been added. The followin g is an alphabetical list of the works that were performed: Alexander’s Monody, Amlin’s Sonata , Bassett’s Illuminations, Berlinski’s Sonata , Carter’s Scrivo in Vento , Cooper’s Sonata , Copland’s Duo, Dahl’s Variations on a Swedish Folktune, Diamond’s Sonata , Erb’s Music for Mother Bear, Finney’s Two Ballades , Glass’s Serenade, Kraft’s A Single Voice , La Montaine’s Sonata , Lewis’s Monophony I, Mekeel’s The Shape of Silence , Piston’s Sonata , Pasatieri’s Sonata , Rorem’s Mountain Song, and Thomson’s Sonata .