The Last of the Barons -- Volume 03
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Edward Bulwer, First Baron Lytton of Knebworth
EDWARD BULWER FIRST BARON LYTTON OF KNEBWORTH A SOCIAL* PERSONAL* AND POLITICAL MONOGRAPH Ti Hr A ESCOTT VHTMOB Of *’ nrcUMO; m ftfitli« w u n , ntMn»v WITH ItQ l'ti* " <OCm THAHWrflMftTrolll Y IC n fflJ** * C l **. * Km Of Ml* MOV*«. O# Ct>S4Mt>P'M ** m h 1 m < i *-to ile r ♦ m kAftil* **t> Mr^mikFi ” IK TH* Cf^HTTY HOtV t n w a rno.\ nm >* r i O N D O N Gl-ORI i KOI 'TLM'MrE AND SONS, Liu. I Xfltt V'.iftK: K. P. UUITON ANJU CO. 19 1a Digitized by C ^ o o Q i e Digitized by i ^ o o Q i e Digitized by i ^ o o Q i e HrP -b-3H A ? 3 IS DEDICATION TO J. P. STEELE, E s q ., M.D. NOW AMONG THE PEW SURVIVORS AS WELL AS ALWAYS AMONG THE MOST ACCOMPLISHED AND EFFECTIVE MEMBERS OF THE LITERARY RANK AND FILE WHEN BULWBR-LYTTON WAS A LEADER IN APPRECIATIVE RECOLLECTION OP FRIENDLY INTERCOURSE TOGETHER WITH COMRADESHIP OF PEN COVERING MANY YEARS AND IN GRATEFUL ACKNOWLEDGMENT OF MUCH HELP RECEIVED FROM HIS BRIGHT INTELLIGENCE, SOUND JUDGMENT, AND VARIOUS KNOWLEDGE NOT LESS IN MANY OTHER WRITINGS THAN IN THE PREPARATION OF THE PRESENT WORK THIS BOOK IS INSCRIBED BY HIS SINCERELY ATTACHED T. H. S. ESCOTT 3 £ n r- fc-« Q Digitized by ^ o o Q i e Digitized by i ^ o o Q i e PREFACE O writer on the subject of this book can ignore the N original and till then unprinted writings of Bulwer- Lytton contained in the two volumes of memoirs published by his son and literary executor, himself an accomplished prose author as well as graceful poet, whose acquaintance it was the present writer’s privilege to possess. -
Edward George Earle Bulwer
EDWARD GEORGE EARLE “IT WAS A DARK AND STORMY NIGHT” BULWER-LYTTON, 1ST BARON LYTTON EDWARD BULWER-LYTTON “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project Edward Bulwer-Lytton HDT WHAT? INDEX EDWARD BULWER-LYTTON EDWARD BULWER-LYTTON 1803 May 25, Wednesday: Edward George Earle Bulwer-Lytton, 1st baron Lytton was born in London to General William Earle Bulwer of Heydon Hall and Wood Dalling, Norfolk and Elizabeth Barbara Lytton, daughter of Richard Warburton Lytton of Knebworth, Hertfordshire. (His name as assigned at birth was Edward George Earle Bulwer.) The Reverend William Emerson, pastor of the 1st Church of Boston, attended the Election Day sermon of another reverend and then dined with the governor of Massachusetts. When he returned to his parsonage he was informed of the women’s business of that day: his wife Ruth Haskins Emerson had been giving birth in Boston and the apparently healthy infant had been a manchild. The baby would be christened Ralph, after a remote uncle, and Waldo, after a family into which the Emerson family had married in the 17th century.1 (That family had been so named because it had originated with some Waldensians who had become London merchants — but in the current religious preoccupations of the Emerson family there was no trace remaining of the tradition of that Waldensianism.) WALDENSES WALDO EMERSON WALDO’S RELATIVES NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT 1. Great-Great-Grandmother Rebecca Waldo of Chelmsford (born in 1662, married Edward Emerson of Newbury, died 1752); Great-Great-Great Grandfather Deacon Cornelius Waldo (born circa 1624, died January 3?, 1700 in Chelmsford) HDT WHAT? INDEX EDWARD BULWER-LYTTON EDWARD BULWER-LYTTON 1807 Edward George Earle Bulwer’s father died while he was four years of age, and the family relocated to London. -
Sensationalism of Bulwer Lytton
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1946 Sensationalism of Bulwer Lytton Mary Bernice McGrath Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation McGrath, Mary Bernice, "Sensationalism of Bulwer Lytton" (1946). Master's Theses. 279. https://ecommons.luc.edu/luc_theses/279 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1946 Mary Bernice McGrath THE SENSATIONALISM OF BULWER LYTTON by Sister Mary Bernice McGrath. S•. C.. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master or Arts in Loyola University J.une 1946 TABLE OF CONTENTS CHAPTER PAGE I. LITERARY TASTES OF THE AGE ••••.••••••••••••••••••••••••••••• 1 Eighteenth oentury romantioism, realism, and propagandism still prevalent--Effeot of demooraoy, soienoe, and imperialism on literature--Bulwer's oontemporaries- Literary trends of the time refleoted in Lytton's own works--The influenoe of Mrs. Radoliffe, Byron, Godwin, the oooult, Soott and the historioal romanoe, the .fashionable, domestio and realistio novel. II. DEVELOPMENT OF SENSATIONALISM ••••••••••••••••••••••••••••••• 27 Romantio Movement gave rise to imaginative produotions- The Gothio tradition through Mrs. Radoliffe and Byron to Bulwer Lytton--Fashionable baokground - a basis for sensation novel of later date--The appeal of the oooult, the mysterious, and the fantastio. -
Sensationalism of Bulwer Lytton Mary Bernice Mcgrath Loyola University Chicago
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1946 Sensationalism of Bulwer Lytton Mary Bernice McGrath Loyola University Chicago Recommended Citation McGrath, Mary Bernice, "Sensationalism of Bulwer Lytton" (1946). Master's Theses. Paper 279. http://ecommons.luc.edu/luc_theses/279 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1946 Mary Bernice McGrath THE SENSATIONALISM OF BULWER LYTTON by Sister Mary Bernice McGrath. S•. C.. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master or Arts in Loyola University J.une 1946 TABLE OF CONTENTS CHAPTER PAGE I. LITERARY TASTES OF THE AGE ••••.••••••••••••••••••••••••••••• 1 Eighteenth oentury romantioism, realism, and propagandism still prevalent--Effeot of demooraoy, soienoe, and imperialism on literature--Bulwer's oontemporaries- Literary trends of the time refleoted in Lytton's own works--The influenoe of Mrs. Radoliffe, Byron, Godwin, the oooult, Soott and the historioal romanoe, the .fashionable, domestio and realistio novel. II. DEVELOPMENT OF SENSATIONALISM ••••••••••••••••••••••••••••••• 27 Romantio Movement gave rise to imaginative produotions- The Gothio tradition through Mrs. Radoliffe -
“No Gretter Perile”: Over-Mighty Subjects and Fifteenth-Century Politics in Malory’S Morte Darthur
“No gretter perile”: Over-mighty Subjects and Fifteenth-Century Politics in Malory’s Morte Darthur Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael M. Baker, M.A. Graduate Program in English The Ohio State University 2013 Dissertation Committee: Karen A. Winstead, Advisor Richard Firth Green Ethan Knapp Copyright by Michael M. Baker 2013 Abstract Traditionally read as a deeply nostalgic text – one that looks back to Arthur’s Camelot as a Golden Age of English history and chivalry – Sir Thomas Malory’s Morte Darthur is, instead, a very contemporarily relevant text. Completed in 1469/70, at the mathematical center of the divisive Wars of the Roses (c. 1455-1485), Malory’s Morte considers problematic contemporary political issues that threaten the peace and stability of the realm. Chief among these are issues involving over-mighty subjects, identified by Sir John Fortescue in The Governance of England (c. 1471/75) as the greatest threat to fifteenth-century kings. Since K. B. McFarlane’s 1964 declaration that “only an undermighty ruler had anything to fear from overmighty subjects,” however, the over- mighty have been under-studied. It is important, though, when examining a text to consider the prevalent beliefs of its time; even if McFarlane’s statement is true, neither Fortescue nor Malory would have agreed with it. Malory’s Morte does not create perfect analogues to fifteenth-century persons or events (i.e., Lancelot is not the Kingmaker, the final battle near Salisbury is not Towton), but it does create many parallels to fifteenth-century political issues. -
The Forces of Commerce and Capital in a Revival of Edward Bulwer-Lytton's Money
Spring 2001 115 "The Arithmetic and Logic of Life": The Forces of Commerce and Capital in a Revival of Edward Bulwer-Lytton's Money James Fisher Though our brother is on the rack, as long as we ourselves are at our ease, our senses will never inform us of what he suffers... It is by imagination that we can form any conception of what are his sensations.1 —Adam Smith, Theory of Moral Sentiments The Vices and Virtues are written in a language the World cannot construe; it reads them in a vile translation, and the translators are FAILURE and SUCCESSl2 —Alfred Evelyn, Money, (V, III) Theatre students are frequently instructed that the vigorous and energetic theatrical world of the nineteenth century produced little drama of lasting significance prior to Henrik Ibsen's social problem plays. Most Victorian theatre was overly sentimental and melodramatic, as the cliche goes; quaint and colorful perhaps, but finally too simplistic and flatly-dimensioned for sophisticated audiences at the dawn of the twenty-first century. The era, it seems, applied its repressions too fiercely for dramatists to delve below the surface of human experience, hindering serious questioning of prevailing values. The naive moralizing and stereotypical characters of this period made for a barren dramatic age. The condescension directed at nineteenth century drama also results from another presumed hindrance. These supposedly unwatchable plays are often multi- scene works requiring large casts and are, as such, too daunting in scope for even the most adventurous of directors and producing organizations. Published scripts of many nineteenth century plays can be difficult (if not impossible) to locate; James Fisher, Professor of Theater at Wabash College, has authored five books, including The Theater of Tony Kushner: Living Past Hope (NY: Routledge, 2001), and has published articles and reviews in numerous periodicals. -
Edward Bulwer-Lytton the Last of the Barons
EDWARD BULWER-LYTTON THE LAST OF THE BARONS VOLUME XI 2008 – All rights reserved Non commercial use permitted BOOK XI. THE NEW POSITION OF THE KING-MAKER CHAPTER I. WHEREIN MASTER ADAM WARNER IS NOTABLY COMMENDED AND ADVANCED--AND GREATNESS SAYS TO WISDOM, "THY DESTINY BE MINE, AMEN." The Chronicles inform us, that two or three days after the entrance of Warwick and Clarence,--namely, on the 6th of October,--those two leaders, accompanied by the Lords Shrewsbury, Stanley, and a numerous and noble train, visited the Tower in formal state, and escorted the king, robed in blue velvet, the crown on his head, to public thanksgivings at St. Paul's, and thence to the Bishop's Palace, [not to the Palace at Westminster, as some historians, preferring the French to the English authorities, have asserted,--that palace was out of repair] where he continued chiefly to reside. The proclamation that announced the change of dynasty was received with apparent acquiescence through the length and breadth of the kingdom, and the restoration of the Lancastrian line seemed yet the more firm and solid by the magnanimous forbearance of Warwick and his councils. Not one execution that could be termed the act of a private revenge stained with blood the second reign of the peaceful Henry. One only head fell on the scaffold,--that of the Earl of Worcester. [Lord Warwick himself did not sit in judgment on Worcester. He was tried and condemned by Lord Oxford. Though some old offences in his Irish government were alleged against him, the cruelties which rendered him so odious were of recent date. -
ASPECTS of LITERARY OCCULTISM the Colony of Queensland Was Founded
NOEL MACAINSH QUEENSLAND, ROSICRUCIANS, AND A STRANGE STORY - ASPECTS OF LITERARY OCCULTISM The Colony of Queensland was founded by separation from New South Wales in the year 1859. Sir Edward Bulwer Lytton (1803-1873), a Cambridge graduate, prominent novelist and Rosicrucian, was Secretary of State for the Colonies at the time, in Lord Derby's Ministry. He appointed Sir George Bowen to Governorship of the new Colony. As Jean Farnfield remarks in her Frontiersman, Sir George ". had obtained his gover- norship through the patronage of Edward Bulwer Lytton.. On the 29 April 1859, Lytton wrote to Sir George: I have the pleasure to inform you that the Queen approves of your appointment to Moreton Bay, which will henceforth bear the appellation Queensland. It is clearly the remainder of this same letter that brings Manning Clark to observe that "Bowen had received excellent advice from Bulwer Lytton, about fairness, impartiality, the utter absence of vindictiveness and spite, and that magnanimity 1,3 which is so opposed to the merely sharp and clever. Mrs Campbell Praed, the Queensland novelist, knew Sir George personally. She mentions his despatches to Bulwer Lytton and that Sir George "revels in classical allusions, quotes Horace, and compares the Darling Downs to Thessaly, the Main Range to Pindus and Olympus, and the river Condamine to Peneus. It will be seen that an occasion arose for old university graduates to rub up their Greek and Latin and that a fresh culture was imported among the stockmen and shearers, who read the reports of their new ruler's speeches." 4 She mentions that in Brisbane then there were "7000 souls possessing four- teen churches, thirteen public houses, and twelve police- men. -
Putting an End to Great Expectations^
Putting an End to Great Expectations^ From the Norton Critical Edition of [by Edgar Rosenberg] GREAT EXPECTATIONS Nothing in Great Expectations ha sgenerated more heat than Dickens's (New York, London 1999) decision to rewrite th econclusio nof th enovel, wit thh resule leftt tha hte critics with two ending sto figh tover A.s a neditorial cru anxd problea inm edited by Edgar Rosenberg "sincerity," the two ending so fGreat Expectations ar crudele y comparable with things like the moral rehabilitatio no Waltef r Gay slick th ,time-servine, g young fellow in Dombey and Son, who wa intendes tperisdo aht sea but was then kept in reserve to marr yth eyoung Miss Dombey o;r th insertioe ofn the American episodes i nMartin Chuzzlewit, quica fik x tboosto the flagging monthly sales of the novel ;o rDickens's decisio ntkilo l Little Nell th,e ad- olescent heroine o fThe Ol dCuriosity Shop, who iRuskin',n s famous phrase, "was simply kille dfor th emarket a,s abutche kill as rlamb." Th ' questioe n whether Pip and Estella wer effecein tmate fod r th emarke ha exercisets d Dickens scholars in th 12e 5years sinc the eoriginal endin firsg camt lightoe t in the third volume o fForster's biography. Blasphemou ass thsuggestioe n may sound ,jus t maybe thos eof us wh ohav writtee onn th subjece t have rather inflated its importance ha: dDickens writte onn endine only—eitheg r one—it wouldn't have occurre dto us totake issue wit ith. Had hstuce tok the unhappy ending ,w eshoul dal lhave bough tht unhappe y endin ang d thought no more abou tit; and had he al alonl g gon foe r th happe y ending, we might have been equally happy .But no wthat this double monste har s affronted a hundred operatives, clairvoyant afte factth reprophet, s ohindfs - sight, it would be cowardic teo rufron mit. -
University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 05 | Autumn 2007
University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 05 | Autumn 2007 Title Scenes from the Decline and Fall of the American Empire Author Dr. Darryl Jones Publication FORUM: University of Edinburgh Postgraduate Journal of Culture and the Arts Issue Number 05 Issue Date Autumn 2007 Publication Date 12/12/2007 Editors Jack Burton & Hanna Sommerseth FORUM claims non-exclusive rights to reproduce this article electronically (in full or in part) and to publish this work in any such media current or later developed. The author retains all rights, including the right to be identified as the author wherever and whenever this article is published, and the right to use all or part of the article and abstracts, with or without revision or modification in compilations or other publications. Any latter publication shall recognise FORUM as the original publisher. SCENES FROM THE DECLINE AND FALL OF THE AMERICAN EMPIRE Dr Darryl Jones (Trinity College Dublin) I want to start with two passages from H. G. Wells. The first is from The Invisible Man (1897). Here is Griffin, the Invisible Man himself, explaining the benefits of invisibility to his former classmate Kemp: ‘We have to consider all that invisibility means, all that it does not mean. It means little advantage for eavesdropping and so forth – one makes sounds. It’s of little help, a little help, perhaps – in housebreaking and so forth. Once you’ve caught me, you could easily imprison me. But on the other hand I am hard to catch. This invisibility, in fact, is only good in two cases: It’s useful in getting away, it’s useful in approaching.