Nicholas Charles's Notes on Cudham and Downe
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“Powerful Arms and Fertile Soil”
“Powerful Arms and Fertile Soil” English Identity and the Law of Arms in Early Modern England Claire Renée Kennedy A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in History and Philosophy of Science University of Sydney 2017 ACKNOWLEDGEMENTS My greatest thanks and appreciation to Ofer Gal, who supervised my PhD with constant interest, insightfulness and support. This thesis owes so much to his helpful conversation and encouraging supervision and guidance. I have benefitted immensely from the suggestions and criticisms of my examiners, John Sutton, Nick Wilding, and Anthony Grafton, to whom I owe a particular debt. Grafton’s suggestion during the very early stages of my candidature that the quarrel between William Camden and Ralph Brooke might provide a promising avenue for research provided much inspiration for the larger project. I am greatly indebted to the staff in the Unit for History and Philosophy of Science: in particular, Hans Pols for his unwavering support and encouragement; Daniela Helbig, for providing some much-needed motivation during the home-stretch; and Debbie Castle, for her encouraging and reassuring presence. I have benefitted immensely from conversations with friends, in and outside the Unit for HPS. This includes, (but is not limited to): Megan Baumhammer, Sahar Tavakoli, Ian Lawson, Nick Bozic, Gemma Lucy Smart, Georg Repnikov, Anson Fehross, Caitrin Donovan, Stefan Gawronski, Angus Cornwell, Brenda Rosales and Carrie Hardie. My particular thanks to Kathryn Ticehurst and Laura Sumrall, for their willingness to read drafts, to listen, and to help me clarify my thoughts and ideas. My thanks also to the Centre for Editing Lives and Letters, University College London, and the History of Science Program, Princeton University, where I benefitted from spending time as a visiting research student. -
Image and Influence: the Political Uses of Music at the Court of Elizabeth I
Image and Influence: The Political Uses of Music at the Court of Elizabeth I Katherine Anne Butler Royal Holloway, University of London Submitted for the Degree of Doctor of Philosophy Acknowledgements With thanks to all the people who supported me throughout my research, especially: My supervisor, Stephen Rose, My advisors, Elizabeth Eva Leach and Anna Whitelock, The Arts and Humanities Research Council for funding this research, Royal Holloway Music Department for conference grants, My proofreaders, Holly Winterton, Sarah Beal, Janet McKnight and my Mum, My parents and my fiancé, Chris Wedge, for moral support and encouragement. Declaration of Authorship I, Katherine Butler, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 2 Abstract In their Cantiones sacrae (1575), court musicians William Byrd and Thomas Tallis declared that ‘music is indispensable to the state’ (necessarium reipub.). Yet although the relationship between Elizabethan politics and literature has been studied often, there has been little research into the political functions of music. Most accounts of court music consist of documentary research into the personnel, institutions and performance occasions, and generally assume that music’s functions were limited to entertainment and displays of magnificence. However, Elizabethans believed that musical concord promoted a social harmony that would ease the process of government; hence politics and music were seen as closely connected. This thesis is an interdisciplinary investigation into the role of music in constructing royal and courtly identities and influencing Elizabeth’s policies and patronage. -
The Earl Marshal, the Heralds, and the House of Commons, 1604–1641
P. H. HARDACRE THE EARL MARSHAL, THE HERALDS, AND THE HOUSE OF COMMONS, 1604-16411 The successful reassertion of the authority of the Court of the Earl Marshal, in the recent case of the Corporation of Manchester vs. The Manchester Palace of Varieties, Ltd., has renewed interest in this ancient institution. The court ruled that The Manchester Palace of Varieties had wrongly displayed the heraldic arms of the Corporation, contrary to the laws and customs of arms, and that the court itself, which had last sat in 1751 and which Blackstone described as having fallen into contempt and disuse, was still empowered to give relief to those who thought themselves aggrieved in such matters.2 A full account of the Court of the Earl Marshal is much to be de- sired.3 It cannot be attempted in the space of this paper, but one period 1 The author gratefully acknowledges a summer fellowship at the Folger Shake- speare Library which enabled him to do part of the research. Mr. G. D. Squibb and Mr. S. E. Thorne kindly gave advice on certain points. 2 The Times (London), 22 Dec. 1954 and 22 Jan. 1955; The Full Report of the Case of the Mayor, Aldermen and Citizens of the City of Manchester versus the Manchester Palace of Varieties Limited in the High Court of Chivalry on Tuesday, 21st December, 1954, The Heraldry Society, East Knoyle, Salisbury, 1955. 3 There is a voluminous literature on heraldry, some of which deals with the earl marshal. The best guide is Thomas Moule, Bibliotheca Heraldica Magnae Britanniae, London 1822; see also S. -
ABSTRACTS Aviva Burnstock Head of the Department of Conservation
1 ABSTRACTS Aviva Burnstock Head of the Department of Conservation and Technology, The Courtauld Institute Interpreting technical and analytical evidence in historical context The presentation will introduce analytical and technical methods for characterisation of materials and techniques used for paintings, illustrated by their application for the study of selected works made in England and the Netherlands in the 16thC. The examples will illustrate the challenges posed by interpretation of the technical data, how inferences about technique are made and the limitations of the methods. Methods will include high quality technical photography, light microscopy, X-radiography, infrared imaging, preparation of samples for study of pigments, the application of paint layers and surface topography, analysis of organic materials and selected novel techniques. The significance of the technical evidence for inferring specific origins and processes of manufacture, as well as the assessment of the condition of paintings will be discussed, and how the evaluation of material changes in paintings can be used by conservators and historians. Ian Tyers Dendrochronologist Understanding the trade, production and use of wooden panels for paintings in sixteenth and seventeenth century England Using extensive data gathered for the analysis of Tudor and Jacobean panels via Dendrochronology (including over 90 panels for the NPG) this paper will explore a range of issues relating to the trade, production and usage of wooden panel for painted images in England. The trade in oak panels from the Baltic and occasional use of English oak will be explored and preliminary evidence of regarding the construction of surviving panels will be presented. The paper will also hope to set out some of the evidence for patterns in usage at this period particularly addressing evidence for the usage time after felling and questions of interpretations for date ranges. -
Subject Indexes
Subject Indexes. p.4: Accession Day celebrations (November 17). p.14: Accession Day: London and county index. p.17: Accidents. p.18: Accounts and account-books. p.20: Alchemists and alchemy. p.21: Almoners. p.22: Alms-giving, Maundy, Alms-houses. p.25: Animals. p.26: Apothecaries. p.27: Apparel: general. p.32: Apparel, Statutes of. p.32: Archery. p.33: Architecture, building. p.34: Armada; other attempted invasions, Scottish Border incursions. p.37: Armour and armourers. p.38: Astrology, prophecies, prophets. p.39: Banqueting-houses. p.40: Barges and Watermen. p.42: Battles. p.43: Birds, and Hawking. p.44: Birthday of Queen (Sept 7): celebrations; London and county index. p.46: Calendar. p.46: Calligraphy and Characterie (shorthand). p.47: Carts, carters, cart-takers. p.48: Catholics: selected references. p.50: Census. p.51: Chapel Royal. p.53: Children. p.55: Churches and cathedrals visited by Queen. p.56: Church furnishings; church monuments. p.59: Churchwardens’ accounts: chronological list. p.72: Churchwardens’ accounts: London and county index. Ciphers: see Secret messages, and ciphers. p.76: City and town accounts. p.79: Clergy: selected references. p.81: Clergy: sermons index. p.88: Climate and natural phenomena. p.90: Coats of arms. p.92: Coinage and coins. p.92: Cooks and kitchens. p.93: Coronation. p.94: Court ceremonial and festivities. p.96: Court disputes. p.98: Crime. p.101: Customs, customs officers. p.102: Disease, illness, accidents, of the Queen. p.105: Disease and illness: general. p.108: Disease: Plague. p.110: Disease: Smallpox. p.110: Duels and Challenges to Duels. -
Images of Elizabeth I by Contrasting These Two Pictures
Lecture (2 hours with a 15 minute break) • When Elizabeth came to the throne in 1558 she was besieged by problems. The had been terrible harvests in the previous two years and rampant inflation partly caused by Henry VIII’s reducing the silver content of coins. In the previous eleven years the country had veered from extreme Protestantism to extreme Catholicism and in 1558 the country had lost Calais, its last remnant of French territory. In addition to all this Elizabeth was a woman and it was assumed she would soon marry with the danger of the country being run by a foreigner for their own country’s interests. • Yet, by the end of her reign, England was a world power. Pope Sixtus V could not understand it: "She is only a woman, only mistress of half an island, and yet she makes herself feared by Spain, by France, by all". • How did she do it? She was intelligent, shrewd, chose her advisers well and became popular by creating and reinforcing powerful images of herself. This talk explores those images and we start by comparing two. Notes (Wikipedia and other sites & books) • Education. The nobility had a different education from us, Lady Elizabeth for example, was taught grammar, theology, history, rhetoric, logic, philosophy, arithmetic, literature, geometry, music and above all languages. By the age of eleven Elizabeth was able to speak fluently in six languages - French, Greek, Latin, Spanish, Welsh and of course English. • Many of her closest advisors were similarly schooled and Elizabethans loved puzzles, word play, and decoding obscure references. -
Representing Animals in Early Modern English Heraldry Kathryn Will [email protected]
Early Modern Culture Volume 11 Article 6 7-1-2016 When is a Panther not a Panther? Representing Animals in Early Modern English Heraldry Kathryn Will [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/emc Part of the Literature in English, British Isles Commons Recommended Citation Will, Kathryn (2016) "When is a Panther not a Panther? Representing Animals in Early Modern English Heraldry," Early Modern Culture: Vol. 11 , Article 6. Available at: https://tigerprints.clemson.edu/emc/vol11/iss1/6 This Seminar Essay is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in Early Modern Culture by an authorized editor of TigerPrints. For more information, please contact [email protected]. When is a Panther Not a Panther? Representing Animals in Early Modern English Heraldry KATHRYN WILL he Blazon of Gentrie, a 1586 book on heraldry written by John Ferne, uses a fictional dialogue between a herald and a knight to discuss “discourses of armes and of gentry,” including “the bearing, and blazon of cote- T armors.”1 Midway through the book, Paradinus, the herald, describes an earlier writer’s take on the meanings of certain animals that may appear on coats of arms. According to “the fragments of Iacobus Capellanus,” he observes, “the Cuckow is for ingratitude, and the Doue for thankefulnesse,” lions signify “courage, furie and rage,” and “the flye is taken for a shamelesse or impudent person.” After listing over a dozen of these symbolic creatures, however, Paradinus cautions -
©2019 William A. Tanner, Jr. ALL RIGHTS RESERVED
©2019 William A. Tanner, Jr. ALL RIGHTS RESERVED THE MELANCHOLY MALCONTENT IN EARLY MODERN THEATER AND CULTURE by WILLIAM AARON TANNER, JR. A dissertation submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in English Written under the direction of Henry S. Turner And approved by _____________________________ _____________________________ _____________________________ _____________________________ New Brunswick, New Jersey October, 2019 ABSTRACT OF THE DISSERTATION The Melancholy Malcontent in Early Modern Theater & Culture WILLIAM AARON TANNER, JR. Dissertation Director: Henry S. Turner The following study illuminates a set of failed responses to social and political problems sedimented, personified, and explored through the “malcontent,” a politically charged word borrowed from French politics that became a key social and literary type in early modern England. Much prior criticism has approached typology as a set of static signs to be catalogued; instead, this study traces the role of the malcontent in an evolving inquiry in England at the turn of the seventeenth century into questions of injustice, participatory politics, tyranny, and political stability. The end of the Elizabethan and beginning of the Jacobean eras was a time of great fear and anxiety, forging these questions of abstract political philosophy into matters of immediate, pressing concern. Attending to the historical and literary contexts of exemplary malcontents (both historical persons and literary figures), the study demonstrates that far from being a static figure, the malcontent was a flexible hermeneutic for syncretically fusing multiple discourses: much as Drew Daniel has described “melancholy” as a Deleuzian “assemblage,” the politicized malcontent subset of melancholics acts almost as a rubics cube for early modern thinkers to examine the confluences and consequences of shifting arrangements of ideas. -
Smith, Justin Samuel Ewald (2017) "The Sword and the Law": Elizabethan Soldiers’ Perception and Practice of the Laws of Armed Conflict, 1569-1587
Smith, Justin Samuel Ewald (2017) "The Sword and the Law": Elizabethan soldiers’ perception and practice of the laws of armed conflict, 1569-1587. PhD thesis. http://theses.gla.ac.uk/8552/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] ‘The Sword and the Law’: Elizabethan Soldiers’ Perception and Practice of the Laws of Armed Conflict, 1569-1587 Justin Samuel Ewald Smith MLitt, BA Submitted in fulfilment of the degree of Doctor of Philosophy, History School of Humanities College of Arts University of Glasgow October 2017 3 Abstract This thesis argues that contemporary views of the laws of arms among soldiers, and of the laws of war by legal theorists, influenced particular military campaigns and individual actions in a variety of armed conflicts. Elizabeth I’s officer corps were careful to act in wars so that their actions would be seen as honourable by outside observers in the belief that such actions would add to their personal glory. Their individual and corporate perception of the laws of war directly affected military practices. -
Precedency Among the Early-Stuart Gentry. By
Third Series Vol. III part 2. ISSN 0010-003X No. 214 Price £12.00 Autumn 2007 THE COAT OF ARMS an heraldic journal published twice yearly by The Heraldry Society THE COAT OF ARMS The journal of the Heraldry Society Third series Volume III 2007 Part 2 Number 214 in the original series started in 1952 The Coat of Arms is published twice a year by The Heraldry Society, whose registered office is 53 High Street, Burnham, Slough SL1 7JX. The Society was registered in England in 1956 as registered charity no. 241456. Founding Editor †John Brooke-Little, C.V.O., M.A., F.H.S. Honorary Editors C. E. A. Cheesman, M.A., PH.D., Rouge Dragon Pursuivant M. P. D. O’Donoghue, M.A., Bluemantle Pursuivant Editorial Committee Adrian Ailes, B.A., F.S.A., F.H.S. Jackson W. Armstrong, B.A. Andrew Hanham, B.A., PH.D. Advertizing Manager John Tunesi of Liongam THE COAT OF ARMS ‘HARK, WHAT DISCORD’: PRECEDENCY AMONG THE EARLY-STUART GENTRY David Gelber It cannot be left to serendipity to explain the first publication of Shakespeare’s Troilus and Cressida in the early years of the Stuart Risorgimento. The politicking, prevarication and intellectual turbulence of the play was in no small part a reflection of the alteration that had accompanied the passage from a venturesome Queen to a philosopher King. Of all the truths that the playwright offered, perhaps none was so germane to the period as the homily preached by Ulysses on precedency: ‘the heavens themselves, the planets and this centre / Observe degree, priority and place .. -
The Gore Roll of Arms 11
Rhode Island Historical Society Collections Vol. XXIX JANUARY, 1936 No. 1 EARLY LOCAL PAPER CURRENCY See page 10 Issued Quarterly 68 Waterman Street, Providence, Rhode Island 1 <^ CONTENTS PAGE Early Paper Currency . Cover and 1 Advertisement of 1678 Communicated by Fulmer Mood ... 1 A Rhode Island Imprint of 1 73 Communicated by Douglas C. McMurtrie . 3 New Publications of Rhode Island Interest . 9 New Members . 10 Notes 10 The Gore Roll by Harold Bowditch . , . 11 Ships' Protests 30 THE GORE ROLL OF ARMS 11 The Gore Roll of Arms By Harold Bowditch Four early manuscript collections of paintings of coats of arms of New England interest are known to be in existence} these are known as the Promptuarium Armorum, the Chute Pedigree, the Miner Pedigree and the Gore Roll of Arms. The Promptuarium Armorum has been fully described by the late Walter Kendall Watkins in an article which appeared in the Boston Globe of 7 February 1915. The author was an officer of the College of Arms: William Crowne, Rouge Dragon, and the period of production lies between the years 1 602 and 1616. Crowne came to America and must have brought the book with him, for Mr. Watkins has traced its probable ownership through a number of Boston painters until it is found in the hands of the Gore family. That it served as a source-book for the Gore Roll is clear and it would have been gratifying to have been able to examine it with this in mind j but the condition of the manu- script is now so fragile, the ink having in many places eaten completely through the paper, that the present owner is unwilling to have it subjected to further handling. -
Palmer Family Genealogical Roll of Arms in Latin, Illuminated Manuscript Scroll on Parchment England, London, C
Palmer Family Genealogical Roll of Arms In Latin, illuminated manuscript scroll on parchment England, London, c. 1575-1584 Parchment scroll composed of four membranes of varying dimensions, pasted together and joined end to end, no visible ruling, written in an archaizing hand with characteristics of Gothic cursive and hybrida scripts on one to eight lines within sixty-nine roundels painted green around the edges and ruled horizontally in crayon, twenty-nine armorial shields outlined entirely in black and painted in vivid blue, red, white, yellow, pale green, and black, with roundels and armorial shields joined by thin red lines, designed to be read vertically from top to bottom, THREE GRAND COATS-OF-ARMS at the bottom of the fourth membrane, drawn with delicate shading on the crests and painted in red, blue, yellow, and black, three armorial shields slightly smeared, one roundel slightly rubbed with no loss of legibility, some soiling and wear to outer edges of scroll, a few small brown stains, joint between second and third membrane slightly parted on far left, otherwise in very fine condition. Dimensions 2613 x 413-415 mm. (length of individual membranes: 765, 730, 646, and 472 mm.). Modeled on genealogical rolls of the late medieval kings of England, this roll of arms, signed by Robert Cooke, Clarenceaulx King of Arms, displays the ancestry of the Palmer family from the eleventh- or twelfth-century Henry Palmer to the four sons of Edward Palmer, a wealthy landowner in England and the New World. A crusader and a member of Henry VIII’s Troop of Gentlemen number among the sixty-nine men and women identified here.