DOCSLIB.ORG

Susan Philipsz Surround Me

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Susan Philipsz Surround Me Commercial St Chiswell St Primrose St Chiswell St Spital Square Barbican Arts Centre Beech St Appold St Sun St St John St Barbican Finsbury St Carthusian St Silk St Ropemaker St Finsbury Pavement Carthusian St Wilson St Bishopsgate Moor Ln Brushfiled St South Pl New Union St W Smithfield Moorfields Eldon St Fore St Aldersgate St Aldersgate Moorgate Moorgate Finsbury Circus Bishopsgate Fore St Little Britain Museum Sun St Passage of London Liverpool St WEEP, O MINE EYES Finsbury Circus Hosier Ln Wood St MOORFIELDS Smithfield St London Wall London Wall Montague St HIGHWALK St Bartholomew’s Middlesex St Hospital London Wall Liverpool Street Toynbee St Toynbee Circus Pl Blomfield St New Broad St Bell Ln Giltspur St Wood St London Wall Bat Ln Holborn Viaduct Devonshire Square Bassishaw Highwalk Copthall Ave Wormwood St Noble St Bishopsgate Basinghall St Basinghall Old Broad St Camomile St Houndsditch Gresham St Guildhall THE SILVER SWAN Harrow Pl Bishop’s Ct St Martin’s Le Grand Montague St Old Bailey Newgate St TOKENHOUSE YARD Austin Friars Telegraph St Copthall Ave King’s Arms Yard Wood St Foster Ln Creechurch Ln LACHRIMAE Gresham St Basinghall St Bevis Marks Limeburner Ln St Paul’s Coleman St Bishopsgate Gutter Ln Ln Gutter Old Broad St Moorgate MILK STREET Tokenhouse Yard Thogmorton Ave St Mary Axe Throgmorton St Cheapside Lothbury Russia Row Warwick Ln Warwick Lawrence Ln Old Bailey Paternoster Square Milk St Trump St St Botolph St Mansell St Threadneedle St Dukes Pl Cheapside Bank of Aldgate Ludgate Hill Princes St Old Jewry England rd Ironmonger Ln ch Ya Bury St hur s C e l’ g Ludgate Hill Ln Bartholomew King St u n a P a t St Paul’s h Mitre St S C Pilgrim St Cathedral Poultry w e Threadneedle St Royal N Exchange Finch Ln Poultry Leadenhall St St Mary Cornhill Aldgate Watling St -le-Bow Queen St Alie St Bank Leadenhall St Minories Bread St NEW OYSTERS Cannon St Bow Ln Mansion House Change Alley CHANGE ALLEY Lombard St St Jewry Cannon St Aldgate Leadenhall Leadenhall Pl Lime St Market Fenchurch Ave India St Queen Victoria St Birchen Ln George Yard Lloyd’s Av St Mansell Whittington Av Black Friars Ln Friars Black New Bridge St Bridge New Queen St Gracechurch St St Billiter Abchurch Ln Queen Victoria St Highwalk with its open courts andWalbrook connecting Lombard St AN ARTANGEL COMMISSION Cannon St St Swithin’s Ln TOKENHOUSE YARD Cullum St Peter’s Hill Peter’s King William St Sherborne Ln Queen Victoria St passageways. The madrigal was said to be The northern end of Tokenhouse Yard close to Star Alley Mark Ln Nicholas Ln Fenchurch St Crutched Friars SUSAN PHILIPSZ an attempt to imitate the sound of angels’ King’s Arms Yard. Lime St Mansion Fenchurch St Portspoken St Huggin Hill House voices, one voice replacing the other as breath The Silver SwanClement’s, Orlando Ln Gibbons, 1612 Crosswall White LionWhite Hill was drawn, to convey the illusion of continuous Cannon Cannon St 1 minute 20 seconds, every 10 minutes, single SURROUND ME Street Dunster Ct singing. The rise and fall of the voices in Gracechurch St Upper Thames St channel sound installation Crutched Friars Goodman’s Yard Nicholas Ln Philpot Ln Blackfriars Underpass A SONG CYCLE FOR Queen St Minories Upper Thamesthe St madrigal suggests the ebb and flow of a tide Rood Ln Hart St the silver swan, who living had no note, Mincing Ln THE CITY OF LONDON that builds up to a crescendo, an ocean of tears when death approached, unlockedEastcheap her Pepys St Dowgate Hill 10am – 5pm saturdays and sundays only rising and falling on a concrete shore. Eastcheap Mark Ln Tower silent throat. Gateway until 2 januaryPaul’s Walk 2011 Great Tower St leaning her breastMonument upon the reedy King William St closed christmas day Pudding Ln Upper Thames St shore, Queen St Pl Savage Gardens Savage MILK STREET / RUSSIA ROW Monument St Botolph Ln thusArthur St sang her first and last, and sang Seething Ln Seething Tower surround me: a song cycle for the city St Mary At Hill At the junction of Milk Street and Russia Row. no more: Hill Idol Ln of london can be heard in six locations, which Fish St Hill Lachrimae, or Seaven Teares, John Dowland, 1604. “farewell, all joys! o death, come close Tower Hill Cousin Ln Lower Thames St St Dunstans Hill Byward St can be visited in any sequence. A full tour of all 36 minutes, continuous loop, seven channel sound mine eyes! Tower Hill Terrace Millennium Bridge Millennium locations takes around one hour. Swan Lnmore geese than swans now live, more Tower Hill Terrace Blackfriars Railway Bridge installation Lower Thames St fools thanKing William wise.” St Watermans Walk Thames Path lachrimae antiquae (old tears) Byward St In Daniel Defoe’s account of the plague MOORFIELDS HIGHWALK lachrimae antiquae novae (old tears renewed) in London he describes: PassingThames Path through Mansell St Accessible via the escalator adjacent to the Lower Thames St Southwark Bridge Rd Bankside Jetty lachrimae gementes (sighing tears) Tokenhouse Yard, in Lothbury, of a sudden a Jubilee Walkway Cannon Street Moorgate Station entrance on Moorfields, from lachrimae tristesRailway Bridge (sad tears) casement violently opened just over my head, Hopton St the Barbican via Willoughby Highwalk, or by Tower lachrimae coactae (forced tears) and a woman gave three frightful screeches, of London ramp from Fore Street/Moorfields. lachrimae amantis (a lover’s tears) and then cried, ‘Oh! death, death, death!” Thames Path Weep, O Mine Eyes, John Bennet, 1599 lachrimae verae (true tears) in a most inimitable tone, which struck me 1 minute 58 seconds, every 5 minutes, four channel with horror, and a chilliness in my very blood. Blackfriars Rd Blackfriars The uniform surfaces of the glass façades at the Holland St London Bridge Hopton St Hopton sound installation Stamford St junction of Milk Street and Russia Row create There was nobody to be seen in the whole weep, o mine eyes, and cease notPark St a series of visual and acoustic reflections. The street, neither did any other window open, for Park St Clink St alas, these your spring tides me thinks Lachrimae is a seven part instrumental piece people had no curiosity now in any case, nor Sumner St increase not Emerson St based upon the image of a single falling tear. All could anybody help one another. The lyrics are o when begin you seven Lachrimae have been interpreted and played a metaphor for the end of an era, the end of the Southwark St to swell so high thatSumner i may St drown me in Porter St Canvey St independently, with each of the seven notes madrigalTooley or St maybe the Elizabethan musical you? Park St Sumner St coming from its own individual speaker. The tradition. They could also symbolise the that i may drown me in you? Maiden Ln Borough High St Joiner St Gt Guilford St Guilford Gt speakers are arranged throughout the space and for end of capitalism or more general feelings of Montague Cl The setting for this four-part madrigal is the the most part the sound is abstract with the tune mourningApproach and loss. ilway London Ra Bridge Tower Bridge desolate, elevated landscape of Moorfields coming together in parts only to separate again. Duke St Hill Hayes Ln Commercial St Chiswell St Primrose St Chiswell St Spital Square Barbican Arts Centre Beech St Appold St Sun St St John St Barbican Finsbury St Carthusian St Silk St Ropemaker St Finsbury Pavement Carthusian St Wilson St Bishopsgate Moor Ln Brushfiled St South Pl New Union St W Smithfield Moorfields Eldon St Fore St Aldersgate St Aldersgate Moorgate Moorgate Finsbury Circus Bishopsgate Fore St Little Britain Museum Sun St Passage of London Liverpool St Finsbury Circus Hosier Ln Wood St Smithfield St London Wall London Wall Montague St St Bartholomew’s Middlesex St Hospital London Wall Liverpool Street Toynbee St Toynbee Circus Pl Blomfield St New Broad St Bell Ln Giltspur St Wood St London Wall Bat Ln Holborn Viaduct Devonshire Square Bassishaw Highwalk Copthall Ave Wormwood St Noble St Bishopsgate Basinghall St Basinghall Old Broad St Camomile St Houndsditch Gresham St Guildhall Harrow Pl Bishop’s Ct St Martin’s Le Grand Montague St Old Bailey Newgate St Austin Friars Telegraph St Copthall Ave King’s Arms Yard Wood St Foster Ln Creechurch Ln Gresham St Basinghall St Bevis Marks Limeburner Ln St Paul’s Coleman St Bishopsgate Gutter Ln Ln Gutter Old Broad St Moorgate Tokenhouse Yard Thogmorton Ave St Mary Axe Throgmorton St Cheapside Lothbury Russia Row Warwick Ln Warwick Lawrence Ln Old Bailey Paternoster Square Milk St Trump St St Botolph St Mansell St Threadneedle St Dukes Pl Cheapside Bank of Aldgate Ludgate Hill Princes St Old Jewry England rd Ironmonger Ln ch Ya Bury St hur s C e l’ g Ludgate Hill Ln Bartholomew King St u n a P a t St Paul’s h Mitre St S C Pilgrim St Cathedral Poultry w e Threadneedle St Royal N Exchange Finch Ln Poultry Leadenhall St St Mary Cornhill Aldgate Watling St -le-Bow Queen St Alie St Bank Leadenhall St Minories Bread St NEW OYSTERS Cannon St Bow Ln Mansion House Change Alley CHANGE ALLEY Lombard St St Jewry Cannon St Aldgate Leadenhall Leadenhall Pl Lime St Market Fenchurch Ave India St Queen Victoria St Birchen Ln George Yard Lloyd’s Av St Mansell Whittington Av Black Friars Ln Friars Black New Bridge St Bridge New Queen St Gracechurch St St Billiter Abchurch Ln Queen Victoria St Walbrook Lombard St Cannon St St Swithin’s Ln Cullum St Peter’s Hill Peter’s King William St Sherborne Ln Star Alley Mark Ln Queen Victoria St Nicholas Ln Fenchurch St Crutched Friars Lime St Mansion Fenchurch St Portspoken St Huggin Hill House Clement’s Ln OH MY LOVE Crosswall
Load more

Recommended publications
  • Download Booklet
    Royal Rhymes and Rounds ELIZABETH II Choral Dances from “Gloriana” Benjamin Britten u Time [1.51] i Concord [2.25] HENRY VIII o Time and Concord [1.46] 1 Pastime with good companie (The King’s Ballad) King Henry VIII [1.53] p Country Girls [1.17] 2 Ah, Robin, gentle Robin William Cornysh [2.26] a Rustics and Fishermen [1.00] 3 Blow thy horn, hunter William Cornysh [2.23] s Final Dance of Homage [2.20] 4 King Henry VIII [1.33] It is to me a right great joy d A Rough Guide to the Royal Succession Paul Drayton [12.48] 5 Anonymous [3.56] Hey, trolly lolly lo! (It’s just one damn King after another…) ELIZABETH I Total timings: [65.50] 6 Long live, fair Oriana Ellis Gibbons [2.39] 7 The Silver Swan (Round) Orlando Gibbons [2.00] THE KING’S SINGERS 8 The Silver Swan Orlando Gibbons [1.46] 9 Fair Oriana, beauty’s Queen John Hilton [2.21] www.signumrecords.com 0 Lightly she whipped o’er the dales John Mundy [3.11] q Flow, O my tears John Dowland [1.37] ROYAL RHYMES AND ROUNDS w Weep, O mine eyes John Bennet [2.44] medieval times to the prestigious position of e As Vesta was from Latmos hill descending Thomas Weelkes [3.19] There is little doubt that the development of ‘Master of the Queen’s Music’, currently held by Western classical music over the centuries owes Sir Peter Maxwell Davies (b.1934). In this VICTORIA a great deal to the patronage of kings and Diamond Jubilee year, as we mark the 60th r The Triumph of Victoria Sir Walter Parratt [2.33] queens.
    [Show full text]
  • Document.Pdf
    LONDON IS EVOLVING A CITY OF COLLIDING FORCES A CULTURAL CITY A CITY FOR CHALLENGERS AND EXPLORERS A CITY TO MOVE FORWARD WELCOME TO GRESHAM ST PAUL’S MOVE FORWARD THIS IS S T PA U L' S B WOW FACTOR Gresham St Paul’s has something a little different — unparalleled proximity to the global icon that is St Paul’s Cathedral. The building has a privileged location between some of London’s most prominent cultural landmarks, vibrant amenity and a global financial centre. An unofficial logo, St Paul’s Cathedral is our compass point for central London, marking the meeting point of cultural and commercial life in the city. Gresham St Paul’s enjoys A GLOBAL exceptional proximity to this icon. ICON A busy streetscape 340 St Paul’s receives over 1.5m visitors each year years as London’s most recognisable centrepiece 3 minute walk from Gresham St Paul’s View of the Cathedral from the 8th floor of Gresham St Paul’s 4 5 Barbican Centre GRESHAM ST PAUL'S Bank of England St Paul's Cathedral Liverpool St / Moorgate St Paul’s CUTTING EDGE Tate Modern The world’s most popular art museum is connected to St Paul’s by the Millennium Bridge CULTURE 8 Some of London’s leading cultural institutions are just a lunch break away. And there is more to come. A number of high-profile new cultural projects are set to open in 8 the immediate area, including the new Museum of London world-class cultural venues form the opening at West Smithfield Market in the coming years Culture Mile, all within and new concert hall for the London Symphony Orchestra.
    [Show full text]
  • Finsbury Square, the City Finsbury Square
    2016 FINSBURY SQUARE, THE CITY Welcome The first and still the best, at Smart we pride ourselves on creating that magic atmosphere that your guests will remember long after they leave. We offer the ultimate combination of spectacular themes, mesmerising entertainment, exquisite food and exceptional service. So bring your colleagues and friends, come dressed to impress and get ready for an avalanche of unforgettable experiences at ‘Après’. Greg Lawson CEO, Smart Group Contents STEP INSIDE APRÈS 6 TIMINGS, AVAILABILITY, WHAT’S INCLUDED 17 MENUS 19 DRINKS 20 PARTY LIKE A ROCKSTAR 22 WHAT MAKES A SMART CHRISTMAS PARTY? 24 BOOKING YOUR PARTY 29 NEXT STEPS 30 FIND US 32 ABOUT SMART 34 ‘APRÈS’ AT FINSBURY SQUARE - 5 6 - WWW.SMARTCHRISTMASPARTIES.CO.UK - 020 7836 1033 Step into an electrifying Après ski party in the heart of the City. This year Finsbury Square will be transformed into an ice cool Alpine wonderland. Make your way into the blizzard of snow and through the forest of magnificent fir trees before you find yourself in a clearing overlooking a bustling Alpine square. You are welcomed in from the cold where you shake off the fresh snow and dispose of your coats and bags. Gather round a roaring log fire and recline on the fur-lined seats as friendly staff serve you glasses of frosted fizz and exquisite canapés. ‘APRÈS’ AT FINSBURY SQUARE - 7 “The staff were blown away by the venue and event, it was great to see them enjoying themselves.” Axis Group UK 8 - WWW.SMARTCHRISTMASPARTIES.CO.UK - 020 7836 1033 Individual log cabins draped in festoon lighting and dappled with moon light are broken up by towering fir laden trees, forming the heart of Après.
    [Show full text]
  • The Byrd Edition & English Madrigalists
    T74 (2020) THE BYRD EDITION and THE ENGLISH MADRIGALISTS (including the INVITATION Series) William Byrd 1543 — 1623 STAINER & BELL ORDERING INFORMATION This catalogue contains titles in print at the date of its preparation and provides details of volumes in The Byrd Edition, The English Madrigalists and the Invitation Series. A brief description of contents is given and full lists of contents may be obtained by quoting the CON or ASK sheet number given. Many items by William Byrd and composers included in The English Madrigalists are available as separate items and full details can be found in our Choral Catalogue (T60) and our Early Music Catalogue (T71). Items not available either separately or in a small anthology may be obtained through our ‘Made-to-Order’ Service. Our Archive Department will be pleased to help with enquiries and requests. Alternatively, Adobe Acrobat PDF files of individual titles from The Byrd Edition and The English Madrigalists are now available through the secure Stainer & Bell online shop. Please see pages 5 and 13 for full details. Other catalogues containing our library series which will be of interest are: T69 Musica Britannica T75 Early English Church Music T108 Purcell Society Edition Prices, shown in £ sterling, are recommended retail prices exclusive of carriage and are applicable from 1st January 2020. Prices and carriage charges are subject to change without notice. In case of difficulty titles can be supplied directly by the publisher if prepaid by cheque, debit or credit card or by sending an official requisition. Card payments (Visa, Mastercard, Maestro or Visa Debit) are accepted for orders of £5.00 or over and can be made via our secure online ordering system on our website (www.stainer.co.uk) or by letter, telephone, email or fax.
    [Show full text]
  • 1 Finsbury Circus
    0 1 Finsbury Circus Local Amenities Guide CONTENTS INTRODUCTION 3 MISSION & VISION STATEMENT 4 THE MANAGEMENT TEAM 5 OPERATIONAL HOURS 6 FACILITIES & SERVICES 7 FIRE EVACUATION PROCEDURES 8 YOUR LOCATION 9 TRANSPORTATION 10 LOCAL AMENITIES 13 2 NEED TO KNOW 33 INTRODUCTION The Local Amenities Guide has been produced for the benefit of the occupiers at 1 Finsbury Circus. It’s a brief overview about the procedures and policies in the building and the services provided by the Landlord. GOOD TO KNOW We have a beautiful listed Boardroom that is located at Basement level and can be booked by our occupiers subject to availability and at no cost. The room consists of a large round table, 15 chairs and a piano. To check for availability, please contact our Front of House Team on 0207 448 7070 or [email protected] The property is managed by CBRE on behalf of the Landlord with a fantastic team of outsourced specialist supplier partners for cleaning, maintenance, security and front of house who pride themselves on service excellence. BUILDING HISTORY Sir Edwin Lutyens designed the original building of 1 Finsbury Circus, it has the honour of being listed as a Grade ΙΙ* building. 1 Finsbury Circus opened in 1925 as Britannic House and served the Anglo-Persian Oil Company up until 1967, which was then renamed The British Petroleum Company (BP) in 1954. At the approach of war in 1939, City engineers visited Britannic House to make air raid precaution recommendations, classifying it as “a veritable fortress”. Greycoat PLC purchased the building in 1986, one of Britain’s leading commercial developers.
    [Show full text]
  • Finsbury Circus Conservation Area Character Summary and Management Strategy
    Public Document Pack Planning and Transportation Committee Date: TUESDAY, 17 MARCH 2015 Time: 10.30 am Venue: LIVERY HALL - GUILDHALL AGENDA ITEM 8 Appendices - Finsbury Circus Conservation Area Character Summary and Management Strategy John Barradell Town Clerk and Chief Executive This page is intentionally left blank City of London Finsbury Circus Conservation Area Draft Character Summary and Management Strategy SPD Finsbury Circus Draft Character Summary and Management Strategy SPD – Feb 2015 1 Page 1 Introduction 4 Character Summary 5 1. Location and context 5 2. Designation history 6 3. Summary of character 6 4. Historical development 7 Early history 7 Medieval 7 Seventeenth and eighteenth centuries 8 Nineteenth century 10 Twentieth and twenty-first centuries 10 5. Spatial analysis 12 Layout and plan form 12 Building plots 12 Building heights 12 Views and vistas 13 6. Character analysis 14 Finsbury Circus 14 Circus Place 16 London Wall 16 Blomfield Street 17 Eldon Street 18 South Place 19 Moorgate 20 7. Land uses and related activity 21 8. Architectural character 21 Architects, styles and influences 22 Building ages 22 9. Local details 22 10. Building materials 23 11. Open spaces and trees 23 12. Public realm 25 Management Strategy 26 14. Planning Policy 26 National policy 26 London-wide policy 26 City of London Corporation policy 26 Protected views 27 Sustainability and climate change 27 15. Access and an Inclusive Environment 28 16. Environmental Enhancement 29 17. Transport 29 18. Management of Open Spaces and Trees 30 19. Archaeology
    [Show full text]
  • Building Access Details
    Building Access details Please find below all the details we know about every building mentioned in the text. You can see most buildings from the street and go inside many others: where we know there is public access we have provided information and web links. Please do not attempt to enter any building described as having “no public access”. If any information below is incomplete or inaccurate, please email [email protected] Section 1: The Medieval Period 1050-1485 Disability in the medieval period 1050-1500 – religious care, self help and duty Paragraph 2 Bethlehem Hospital Original site: Bishopsgate, London No longer extant: the site is now Liverpool Street Station. Subsequent sites: 1. Moorfields - now Finsbury Circus No longer extant: the site is now Finsbury Circus. 2. St George’s Field, Soutwark IWM London, Lambeth Road, London SE1 6HZ Public access: part of site survives as the Imperial War Museum London, who moved there in 1936. http://www.iwm.org.uk/visits/iwm-london Grade II 3. Bethlem Royal Hospital, Bromley Monks Orchard Road, Beckenham, Greater London, BR3 3BX No public access: visible from street http://www.slam.nhs.uk/our-services/getting-to-hospital/bethlem-royal- hospital.aspx Paragraph 4 Leper House, West Somerton West Somerton leper hospital, West Somerton, Norfolk Not extant Shrine of Thomas Becket, Canterbury Shrine dismantled. Public access to cathedral. http://www.canterbury-cathedral.org/history/building.html Disability in medieval hospitals and almshouses Paragraph 1 Whitby Abbey Whitby, North Yorkshire, YO22 4JT Public access http://www.english-heritage.org.uk/daysout/properties/whitby-abbey/ Grade I Hospital of St Mary Magdalene, Ripon Magdalen's Road, Ripon, North Yorkshire, HG4 1HU Hospital not extant.
    [Show full text]
  • Delegated Decisions of the City Planning Officer and the Planning Services and Development Director
    Committee: Date: Planning and Transportation 6 November 2012 Subject: Delegated decisions of the City Planning Officer and the Planning Services and Development Director Public 1. Pursuant to the instructions of your Committee, I attach for your information a list detailing development and advertisement applications determined by the City Planning Officer or the Planning Services and Development Director under their delegated powers since my report to the last meeting. 2. Any questions of detail arising from these reports can be put to David Stothard, Assistant Director (Development Management East) on extension 1238 or Ted Rayment, Assistant Director (Development Management West) on extension 1705 who will be pleased to provide any additional information. DETAILS OF DECISIONS Registered Address Proposal Date of Plan Number & Decision Ward 12/00840/FULL 107 Fenchurch Street Change of use from Class 18.10.2012 London A1 (shops) to Class A2 Aldgate EC3M 5JB (financial and professional services) with an external alteration to the Fenchurch Street elevation. 12/00839/LBC 120 Thomas More Alterations to the kitchen 28.09.2012 House Barbican and living room including the Aldersgate London removal of partition walls to EC2Y 8BU make the kitchen open plan. The installation of a suspended false ceiling to allow for inset spot lighting. 12/00848/MDC 10 Aldersgate Street Details of glass and paint 18.10.2012 London colour pursuant to condition Aldersgate EC1A 4HJ 2 (a) and (b) of planning permission dated 21st June 2012 (Ref: 12/00394/FULL). 12/00665/FULL 46 New Broad Street Replacement of existing 28.09.2012 London multi-paned windows at Broad Street EC2M 1JH ground floor level (reception area) and installation of single pane double glazed windows.
    [Show full text]
  • 1914 and 1939
    APPENDIX PROFILES OF THE BRITISH MERCHANT BANKS OPERATING BETWEEN 1914 AND 1939 An attempt has been made to identify as many merchant banks as possible operating in the period from 1914 to 1939, and to provide a brief profle of the origins and main developments of each frm, includ- ing failures and amalgamations. While information has been gathered from a variety of sources, the Bankers’ Return to the Inland Revenue published in the London Gazette between 1914 and 1939 has been an excellent source. Some of these frms are well-known, whereas many have been long-forgotten. It has been important to this work that a comprehensive picture of the merchant banking sector in the period 1914–1939 has been obtained. Therefore, signifcant efforts have been made to recover as much information as possible about lost frms. This listing shows that the merchant banking sector was far from being a homogeneous group. While there were many frms that failed during this period, there were also a number of new entrants. The nature of mer- chant banking also evolved as stockbroking frms and issuing houses became known as merchant banks. The period from 1914 to the late 1930s was one of signifcant change for the sector. © The Editor(s) (if applicable) and The Author(s), 361 under exclusive licence to Springer Nature Switzerland AG 2018 B. O’Sullivan, From Crisis to Crisis, Palgrave Studies in the History of Finance, https://doi.org/10.1007/978-3-319-96698-4 362 Firm Profle T. H. Allan & Co. 1874 to 1932 A 17 Gracechurch St., East India Agent.
    [Show full text]
  • 1 Finsbury Circus
    0 1 Finsbury Circus Local Amenities Guide CONTENTS INTRODUCTION 3 MISSION & VISION STATEMENT 4 THE MANAGEMENT TEAM 5 OPERATIONAL HOURS 6 FACILITIES & SERVICES 7 FIRE EVACUATION PROCEDURES 8 YOUR LOCATION 9 TRANSPORTATION 10 LOCAL AMENITIES 13 2 NEED TO KNOW 33 INTRODUCTION The Local Amenities Guide has been produced for the benefit of all the occupiers of 1 Finsbury Circus. It’s a brief overview on information about procedures and policies of the building and the services provided by the Landlord. GOOD TO KNOW The basement level is comprised of car parking spaces and cycle spaces. Shower and toilet facilities are also provided on the basement and lower ground levels. Disabled WCs are located on each floor. We have a beautiful listed Boardroom that is located at Basement level and can be booked out by our occupiers, subject to availability and at no cost. The room consists of a large round table, 15 chairs and a piano. To check Boardroom availability, please contact our Front of House Team on 0207 448 7070 or [email protected] The building is managed by CBRE on behalf of the Landlord with a fantastic team of outsourced specialist supplier partners for cleaning, maintenance, security and front of house who pride themselves on service excellence. BUILDING HISTORY Sir Edwin Lutyens designed the original building of 1 Finsbury Circus, it has the honour of being listed as a Grade ΙΙ* building. 1 Finsbury Circus opened in 1925 as Britannic House and served the Anglo-Persian Oil Company up until 1967, which was then renamed The British Petroleum Company (BP) in 1954.
    [Show full text]
  • The Collaborative City
    the londoncollaborative The Collaborative City Working together to shape London’s future March 2008 THE PROJECT The London Collaborative aims to increase the capacity of London’s public sector to respond to the key strategic challenges facing the capital. These include meeting the needs of a growing, increasingly diverse and transient population; extending prosperity while safe- guarding cohesion and wellbeing, and preparing for change driven by carbon reduction. For more information visit young- foundation.org/london Abbey Wood Abchurch Lane Abchurch Yard Acton Acton Green Adams Court Addington Addiscombe Addle Hill Addle Street Adelphi Wharf Albion Place Aldborough Hatch Alder- manbury Aldermanbury Square Alderman’s Walk Alders- brook Aldersgate Street Aldersgate Street Aldgate Aldgate Aldgate High Street Alexandra Palace Alexandra Park Allhal- lows and Stairs Allhallows Lane Alperton Amen Corner Amen CornerThe Amen Collaborative Court America Square City Amerley Anchor Wharf Angel Working Angel Court together Angel to Court shape Angel London’s Passage future Angel Street Arkley Arthur Street Artillery Ground Artillery Lane Artillery AperfieldLane Artillery Apothecary Passage Street Arundel Appold Stairs StreetArundel Ardleigh Street Ashen Green- tree CourtFORE WAustinORD Friars Austin Friars Passage4 Austin Friars Square 1 AveINTRO MariaDUctio LaneN Avery Hill Axe Inn Back6 Alley Back of Golden2 Square OVerVie WBalham Ball Court Bandonhill 10 Bank Bankend Wharf Bankside3 LONDON to BarbicanDAY Barking Barkingside12 Barley Mow Passage4
    [Show full text]
  • Harmonium Chamber Singers Spring 2014 Body Parts: Sacred and Profane Dr
    Harmonium Chamber Singers Spring 2014 Body Parts: Sacred and Profane Dr. Anne Matlack, Artistic Director Never Weather-Beaten Sail Thomas Campion (1567 –1620) Osculetur me Giovanni Pierluigi da Palestrina (1525-1594) Willow Song Ralph Vaughan Williams (1872-1958) Desiderium animae (women) George Malcolm (1917-1997) Oculi omnium (men) Andrew Parnell (b.1954) (Half of the group each): A Silly Sylvan, Kissing Heav’n Born Fire John Wilbye (1574-1638) Take, O Take Those Lips Away Robert Pearsall (1795-1856) Take, O Take Those Lips Away Matthew Harris (b. 1956) Shakespeare Songs, Book II Small groups: O occhi manza mia Orlando di Lasso (1532-1594) Your Shining Eyes Michael East (ca. 1580–1648) Weep O Mine Eyes John Bennet (c. 1575 – after 1614) Si ch’io vorrei morire Claudio Monteverdi (1567-1643) INTERMISSION Since First I Saw Your Face Thomas Ford (1580-1648) Small groups: Four arms, Two Necks, One Wreathing Thomas Weelkes (1576-1623) April Is In My Mistress’ Face Thomas Morley (1558 -1603) Jamais je n’aymerais grant home Anon., published by Pierre Attaignant Johnny I Hardly Knew Ye Irish folksong, arr. Alice Parker (b. 1925) Let Thy Merciful Ears O, Lord Thomas Mudd (1619-1667) Queen Jane (women) Alice Allen Kentucky Folksong, arr. S. Hatfield (b. 1956) God Be In My Head H. Walford Davies (1869-1941) Alouette French folksong arr. Robert Sund (b.1942) Lamma Badaa Yatathannaa Marilyn Kitchell Trad. Muwashshah, arr. Shireen Abu-Khader Pai duli Russian folksong arr. Steve Sametz (b.1954) Thomas Campion was such the Renaissance man that he attended medical school and was a practicing physician, yet was well-known in his time for his poems and treatises on poetry.
    [Show full text]