Church Play Nets $200, Rustic Job Finished. Dougherty
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Democratizing Opera in America, 1895 to the Present
DEMOCRATIZING OPERA IN AMERICA, 1895 TO THE PRESENT A DISSERTATION SUBMITTED TO THE DEPARTMENT OF MUSIC AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Daniela Smolov Levy May 2014 © 2014 by Daniela Smolov Levy. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/ys875gk2432 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Karol Berger, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Thomas Grey I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Stephen Hinton Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost for Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format. An original signed hard copy of the signature page is on file in University Archives. iii Abstract Despite opera’s well-known exclusivity, the genre has in fact consistently been the target of popularizing initiatives, a point often overlooked in accounts of its history. -
Front Matter
Cambridge University Press 978-1-107-04820-1 - The Cambridge History of Jewish American Literature Edited by Hana Wirth-Nesher Frontmatter More information The Cambridge History of JEWISH AMERICAN LITERATURE This History off ers an unparalleled examination of all aspects of Jewish American literature. Jewish writing has played a central role in the formation of the national literature of the United States, from the Hebraic sources of the Puritan imagination to narratives of immigration and acculturation. This body of writing has also enriched global Jewish literature in its engagement with Jewish history and Jewish multilingual culture. Written by a host of lead- ing scholars, The Cambridge History of Jewish American Literature off ers an array of approaches that contribute to current debates about ethnic writing, minority discourse, transnational literature, gender studies, and multilingualism. This History takes a fresh look at celebrated authors, introduces new voices, locates Jewish American literature on the map of American ethnicity as well as the spaces of exile and diaspora, and stretches the boundaries of American literature beyond the Americas and the West. Hana Wirth-Nesher is the Samuel L. and Perry Haber Chair on the Study of the Jewish Experience in the United States and Professor of English and American Studies at Tel Aviv University. She is the author of Call It English: The Languages of Jewish American Literature and City Codes: Reading the Modern Urban Novel . She is also the editor of What Is Jewish Literature ?, New -
Moving Picture World (Dec 1917)
Vol. 34, No 12 December 22, 1917 Price 15 Cents CKalmerg Publishing Company 51G Fifth Ave.NewYorK.J 1702 THE MOVING PICTURE WORLD December 22, 1917 Elaine Hammerstein in The Corespondent" WITH $50,000 in nation-wide advertising to back her up. This publicity is now at work. Take advan- tage of it Adapted by Ralph Ince from the stage play by Alice Leal Pollock and Rita Weiman. IPXA/PI PRODUCTIONS, Inc. JC V V L*JL* 1600 Broadway, New York GEORGE K. SPOOR presents 15 -IN- • m i i 9 BY P.G.W ODE HOUSE ATAH FIRST CLASS PICTURE THEATRES- When! Twenty Million People will see the above advertisement on the billboards throughout the United States and WILL EX- PECT TO SEE THE PICTURE IN YOUR THEATRE. Arrange your bookings ISOW Distributed through the George Kleine System 170* THE MOVING PICTURE WORLD December 22, 1917 To Pivet the Attention of Millions of America's School Children. This means the whole Grammar School population of your town! 388 Think what it will mean to you to AWARD have all those boys and girls among TO BE DISTRIBUTED The Judges your best patrons, for matinees as well as evenings, INTERESTED IN The whole vicinity of your thei YOUR SHOW—YOUR THEATRE, for will be in a ferment over "The ft for the 18 weeks. tery Ship." Every household—fath mothers, brothers and sisters—wit thinking about your show and w( The Contest Will Be ing to help some boy or girl earn "Best Ending" of the awards. Conducted as Follows: Principals and teachers of Grami Schools will be interested in Millions of large illustrated Heralds, Here's an exercise in English C» Contest the size of four pages in the "Mov- position, not dull and dry, but vai ing Picture Weekly," with pictures entertaining—Play, instead of Wor of some of the tremendously exciting with real awards for inventive abi scenes of "The Mystery Ship" and the and imagination. -
Hearst Over Hollywood Power,,Passion, and Propaganda in the Movies
✶ ✷ ✶ ✶ ✷ ✶ ✷ H earst over Hollywood Power,, Passion, and Propaganda in the Movies Film and Culture John Belton, Editor Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Attack of the Leading Ladies: Gender, Henry Jenkins Sexuality,and Spectatorship in Classic Horror Cinema Showstoppers: Busby Berkeley and the Rhona J. Berenstein Tradition of Spectacle Martin Rubin This Mad Masquerade: Stardom and Masculinity in the Jazz Age Projections of War: Hollywood,American Gaylyn Studlar Culture, and World War II Thomas Doherty Sexual Politics and Narrative Film: Hollywood and Beyond Laughing Screaming: Modern Hollywood Robin Wood Horror and Comedy William Paul The Sounds of Commerce: Marketing Popular Film Music Laughing Hysterically:American Screen Jeff Smith Comedy of the s Ed Sikov Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Primitive Passions: Visuality,Sexuality, Ethnography,and Contemporary Chinese Pre-Code Hollywood: Sex, Immorality,and Cinema Insurrection in American Cinema, – Rey Chow Thomas Doherty The Cinema of Max Ophuls: Sound Technology and the American Cinema: Magisterial Vision and the Figure Perception, Representation, Modernity of Woman James Lastra Susan M.White Melodrama and Modernity: Early Sensational Black Women as Cultural Readers Cinema and Its Contexts Jacqueline Bobo Ben Singer Picturing Japaneseness: Monumental Style, Wondrous Difference: Cinema,Anthropology, National Identity,Japanese Film and Turn-of-the-Century Visual Culture Darrell William Davis Alison Griffiths ✶ ✷ ✶ ✶ ✷ ✶ ✷ egggggggggggggggggggggggggggggggggggggggggggggggggh Hearst over Hollywood Power,,Passion, and Propaganda in the Movies Louis Pizzitola mooooooooooooooooooooooooooooooooooooooooooooooooop ✶ ✷ ✶ ✶ ✷ ✶ ✷ Columbia University Press New York Columbia University Press Publishers Since New York Chichester,West Sussex Copyright © Louis Pizzitola All rights reserved Library of Congress Cataloging-in-Publication Data Pizzitola, Louis. -
Current As of 10.23.2019 7,200 Lost U.S. Silent Feature Films (1912-29) National Film Preservation Board (October 2019) • This
1 Current as of 10.23.2019 2 7,200 Lost U.S. Silent Feature Films (1912-29) 3 National Film Preservation Board (October 2019) 4 5 • This compilation is a definite work-in-progress. Updated versions of this list will 6 be posted periodically at this location. 7 • Feature film means 4 reels or more in length 8 • Each title contains a hypertext link to its entry in our silent film database. There 9 you can find additional information on each title, including studio. 10 • In cases where only a fragment from one reel, trailer, outtakes or stills survive, 11 that film is included in this list as a lost film. 12 • “Incomplete” films are not included here. These comprise cases where a full reel 13 or more survives but not the whole set of reels. 14 • Our searchable database consists of approximately 11,000 titles, the 7200+ in 15 this list of “lost” titles as well as the 3800 or so titles surviving as incomplete or 16 complete. The full database may be searched at: 17 http://memory.loc.gov/diglib/ihas/html/silentfilms/silentfilms-home.html 18 • Please direct any questions or report any errors/suggested changes to Steve 19 Leggett at [email protected] 20 21 • Some recent “finds” now removed from this list: Devil’s Claim (1920), 22 Foreman of the Bar-Z Ranch (1915), Secrets of the Night (1924), Sinews of 23 Steel (1927), Broadway Billy (1926), Broadway Gold (1923), Dancer and the 24 King (1914), Dark Angel (1925), Double-Fisted (1925), Earth Woman (1926), 25 Man-Made Women/Woman (1928), Eye of Envy (1917), Between Dangers 26 (1927), Pursued (1925), On-the-Square Girl (1917), Two Lovers (1928), 27 Win(k)some Widow (1914), Clear the Decks (1917), Grim Game (1917), The 28 Noose (1928), In Slumberland (1917) 29 30 31 $1,000 Reward (1923), Charles R. -
National Film Preservation Board (January 2018) 4 5 • This Compilation Is a Definite Work-In-Progress
1 Current as of 1.29.2018 2 7,200 Lost U.S. Silent Feature Films (1912-29) 3 National Film Preservation Board (January 2018) 4 5 • This compilation is a definite work-in-progress. Updated versions of this list will 6 be posted periodically at this location. 7 • Feature film means 4 reels or more in length 8 • Each title contains a hypertext link to its entry in our silent film database. There 9 you can find additional information on each title, including studio. 10 • In cases where only a fragment from one reel, trailer, outtakes or stills survive, 11 that film is included in this list as a lost film. 12 • “Incomplete” films are not included here. These comprise cases where a full reel 13 or more survives but not the whole set of reels. 14 • Our searchable database consists of approximately 11,000 titles, the 7200+ in 15 this list of “lost” titles as well as the 3800 or so titles surviving as incomplete or 16 complete. The full database may be searched at: 17 http://memory.loc.gov/diglib/ihas/html/silentfilms/silentfilms-home.html 18 • Please direct any questions or report any errors/suggested changes to Steve 19 Leggett at <[email protected]> 20 21 22 $1,000 Reward (1923), Charles R. Seeling 23 $30,000 (1920), Ernest C. Warde 24 $5,000 Reward (1918), Douglas Gerrard 25 $5,000,000 Counterfeiting Plot, The (1914), Bertram Harrison 26 1915 World's Championship Series (1915) 27 2 Girls Wanted (1927), Alfred E. Green 28 23 1/2 Hours' Leave (1919), Henry King 29 30 Below Zero (1926), Robert P. -
Current As of 08.12.2020 7,200 Lost U.S. Silent Feature Films (1912-29) National Film Preservation Board (October 2019) • This
1 Current as of 08.12.2020 2 7,200 Lost U.S. Silent Feature Films (1912-29) 3 National Film Preservation Board (October 2019) 4 5 This compilation is a definite work-in-progress. Updated versions of this list will 6 be posted periodically at this location. 7 Feature film means 4 reels or more in length 8 Each title contains a hypertext link to its entry in our silent film database. There 9 you can find additional information on each title, including studio. 10 In cases where only a fragment from one reel, trailer, outtakes or stills survive, 11 that film is included in this list as a lost film. 12 “Incomplete” films are not included here. These comprise cases where a full reel 13 or more survives but not the whole set of reels. 14 Our searchable database consists of approximately 11,000 titles, the 7200+ in 15 this list of “lost” titles as well as the 3800 or so titles surviving as incomplete or 16 complete. The full database may be searched at: 17 http://memory.loc.gov/diglib/ihas/html/silentfilms/silentfilms-home.html 18 Please direct any questions or report any errors/suggested changes to Steve 19 Leggett at [email protected] 20 21 Some recent “finds” now removed from this list: Devil’s Claim (1920), 22 Foreman of the Bar-Z Ranch (1915), Secrets of the Night (1924), Sinews of 23 Steel (1927), Broadway Billy (1926), Broadway Gold (1923), Dancer and the 24 King (1914), Dark Angel (1925), Double-Fisted (1925), Earth Woman (1926), 25 Man-Made Women/Woman (1928), Eye of Envy (1917), Between Dangers 26 (1927), Pursued (1925), On-the-Square Girl (1917), Two Lovers (1928), 27 Win(k)some Widow (1914), Clear the Decks (1917), Grim Game (1917), The 28 Noose (1928), In Slumberland (1917), First Degree (1923), White Pants Willie 29 (1927), Power Divine (1923), Smoking Trails (1924), Cyclone Jones (1924), 30 Lightning Romance (1924), Ridin’ Gent (1926), One Chance in a Million 31 (1927), Mojave Kid (1927) 32 33 34 $1,000 Reward (1923), Charles R.