Seattle University School of Law Digital Commons Faculty Scholarship 2018 The 'Blurred Lines' of Marvin Gaye's 'Here, My Dear': Music as a Tortious Act, Divorce Narrative and First Amendment Totem Bryan Adamson Follow this and additional works at: https://digitalcommons.law.seattleu.edu/faculty Part of the Law Commons Recommended Citation Bryan Adamson, The 'Blurred Lines' of Marvin Gaye's 'Here, My Dear': Music as a Tortious Act, Divorce Narrative and First Amendment Totem, 36 Cardozo Arts & Ent. L.J. 1 (2018). https://digitalcommons.law.seattleu.edu/faculty/785 This Article is brought to you for free and open access by Seattle University School of Law Digital Commons. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Seattle University School of Law Digital Commons. For more information, please contact
[email protected]. THE 'BLURRED LINES' OF MARVIN GAYE'S 'HERE, MYDEAR': MUSIC AS A TORTIOUS ACT, DIVORCE NARRATIVE AND FIRST AMENDMENT TOTEM* BRYAN ADAMSON* INTRODUCTION .............. 2.................... I.HERE, MYDEAR ......................... ......... 7 A. THE BA CKSTORY ................. ......... 7 B. THE ALBUM........................ 10 II.HERE, MYDEAR AS GENDER PERFORMANCE . ......... 17 III.PRELIMINARY ISSUES ON THE GAYES' LEGAL STATUS AND THE NEWSWORTHINESS OF THEIR DIVORCE..... 23 A. MAR VIN'S LEGAL STATUS ........... ........ 25 B. THE PUBLIC FIGURE-PRIVATE PERSON CONTINUUM ........................... 27 C. DIVORCE AS A MATER OF PUBLIC INTEREST OR CONCERN ............................... 30 D. CONCLUSION................. ........... 33 IV.THE TORTS..................................34 A. DEFAMATION............................34 1. Unprivileged False Statement of Fact..... ...... 34 2. Publication.................. .......... 35 3. "Of or Concerning" the Plaintiff............. ..... 36 4. Harm................................36 5. Fault.................................37 6. Anna's Libel Claims ....................