Age and the Acquisition of English As a Foreign Language SECOND LANGUAGE ACQUISITION Series Editor: Professor David Singleton, Trinity College, Dublin, Ireland
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Discografia King Crimson
Discografia king crimson Continue 1992 The Great Deceiver -- Live 1973-1974 Registrato dal vivo durante il Tour Heavy Horses in Europe (1978). CD 1 - Things aren't as they seem... Theatre Registry Al Palace, Providence, USA, il 30 giugno 1974. 1 - Walk by ... No Pussyfooting - 0:52 2 - Lark Languages in Aspic, Part 2 - 6:12 3 - Crying - 4:04 4 - Exiles - 7:00 5 - Journey to the Center of Space - 14:4 1 6 - Easy Money - 7:14 7 - Providence - 9:47 8 - Rift - 10:47 9 - Starless - 11:56 CD 2 - Hand sleight of hand Tracce 1-2 registered Al Palace Theatre, Providence, Stati Uniti d'America, il 30 giugno 1974. Tracce 3-11 registrar Al Apollo, Glasgow, GB, il 23 ottobre 1973. Tracce 12-13 Registrar al Penn State University, State College, Pennsylvania, Stati Uniti d'America, il 29 giugno 1974. 1 - 21st Century Schizoid Man - 7:32 2 - Walk from Providence ... No Pussyfooting - 1:15 3 - Sharks lightweight at Lemsip - 2:38 4 - Lark tongues in Aspic, Part One - 7:25 5 - Saturday Book - 2:49 6 - Easy Money - 6:43 7 - We Let You Know - 4:54 8 - Night's Watch - 4:5 5 4 9 - Tight Scrummy - 8:27 10 - World: Theme - 1:01 11 - Cat Food - 4:14 12 - Easy Money - 2:19 13 - ... It's for you, but not for us - 7:25 CD 3 - ... Acts of Deception Tracce 1-11 Registration Al Stanley Warner Theater, Pittsburgh, USA, il 29 aprile 1974. Tracce 12-13 Registrar al Penn State University, State College, Pennsylvania, USA, il 29 giugno 1974. -
Of Virtual Spatiality: Surround Sound Mixing in King Crimson's Back
Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Burlin, T. (2019). The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets. In J.-O. Gullö (Ed.), Pro- ceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 37-53). Stockholm: Royal College of Music (KMH) & Art of Record Produc- tion. ISBN 978-91-983869-9-8 © The editors and authors own the copyright of their respective contrubutions. Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Abstract: The article analyzes surround mixing of King Crimson’s analog recordings. “Lizard,” “Larks’ Tongues in Aspic (Part 1),” “The Night Watch,” “Trio,” and “One Time” are analyzed using the theoretical perspec- tives of the music recording as representation and spatial design. There is a difference between live and studio recordings in surround: live recordings tend to be mixed according to the direct/ambient principle, while studio re- cordings are mixed according to the principle of direct-sound all around. Live recordings in surround can also often be understood as examples of documentarism, and studio recordings as examples of hyper realism. The spatial design of the surround mix tends to emphasize aspects of spatiality in the broad sense: where the recording can, for example, be interpreted as a landscape in sound. Introduction This essay discusses some tendencies in the emerging conventions in con- temporary surround mixing of popular music. -
AN HISTORICAL ANALYSIS of the MUTABLE PERSPECTIVES on INTERPRETATIONS of MISSISSIPPIAN PERIOD ICONOGRAPHY by E
A HALLOWED PATH: AN HISTORICAL ANALYSIS OF THE MUTABLE PERSPECTIVES ON INTERPRETATIONS OF MISSISSIPPIAN PERIOD ICONOGRAPHY By ERIC DAVID SINGLETON Bachelor of Arts/Science in History The University of Oklahoma Norman, Oklahoma 2003 Master of Arts/Science in Museum Studies The University of Oklahoma Norman, Oklahoma 2008 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May, 2017 A HALLOWED PATH: AN HISTORICAL ANALYSIS OF THE MUTABLE PERSPECTIVES ON INTERPRETIONS OF MISSISSIPPIAN PERIOD ICONOGRAPHY Dissertation Approved: Dr. L.G. Moses Dr. William S. Bryans Dr. Michael M. Smith Dr. F. Kent Reilly, III Dr. Stephen M. Perkins ii ACKNOWLEDGEMENTS It is true that nothing in this world is done alone. I would like to thank my family and friends for all their love and support. My grandparents, parents, sister, cousin, aunts and uncles. They were the foundation of everything that has shaped my life and allowed me the strength to complete this while working full-time. And, to my fiancée Kimberly. I mention her separately, not because she is not included above, but because she is the one person who diligently edited, listened, and gracefully sat by giving up years of vacations, holidays, and parties as I spent countless nights quietly writing. I would also give the most heartfelt thank you to Dr. Moses, Dr. McCoy, and Dr. Smith. Each of you made me the historian I am today. As Dr. James Ronda told me once, pick your professors, not the school—they will shape everything. -
In the Court of the Crimson King
Rock Vinyl Revival Presents A Brief History In the Court of the Crimson King Rock Vinyl Revival In the Court of the Crimson King In the Court of the Crimson King (subtitled An Observation by King Crimson) is the debut studio album by English rock band King Crimson, released on 10 October 1969 by Island Records. The album is one of the rst and most inuential of the progressive rock genre, where the band largely combined blues inuences that rock music was founded upon with elements of jazz, classical, and symphonic music. The album reached number ve on the UK Albums Chart and number 28 on the US Billboard 200, where it was certied Gold by the Recording Industry Association of America. It was reissued several times in the 1980s and 1990s using inferior copies of the master tapes. After the original masters were discovered in the Virgin archives in 2003, the album was remastered again by Simon Heyworth and reissued in 2004. A 40th anniversary edition of the album was released in 2009 with new stereo and 5.1 surround sound mixes by Steven Wilson. King Crimson made their live debut on 9 April 1969 and made a breakthrough by playing the Rolling Stones free concert at Hyde Park, London in July 1969, before an estimated 250,000 to 500,000 people. Initial sessions for the album were held in early 1969 with producer Tony Clarke, most famous for his work with the Moody Blues. After these sessions failed to work out, the group were given permission to produce the album themselves. -
First Language Use in Second and Foreign Language Learning
First Language Use in Second and Foreign Language Learning 1645_FM.indd i 8/3/2009 10:06:37 AM SECOND LANGUAGE ACQUISITION Series Editor: Professor David Singleton, Trinity College, Dublin, Ireland This series brings together titles dealing with a variety of aspects of language acquisition and processing in situations where a language or languages other than the native language is involved. Second language is thus interpreted in its broadest possible sense. The volumes included in the series all offer in their different ways, on the one hand, exposition and discussion of empirical fi ndings and, on the other, some degree of theoretical refl ection. In this latter connection, no particular theoretical stance is privileged in the series; nor is any relevant perspective – sociolinguistic, psycholinguistic, neurolinguistic, and so on – deemed out of place. The intended readership of the series includes fi nal-year undergraduates working on second language acquisition projects, postgraduate students involved in second language acquisition research, and researchers and teachers in general whose interests include a second language acquisition component. Full details of all the books in this series and of all our other publications can be found on http://www.multilingual-matters.com, or by writing to Multilingual Matters, St Nicholas House, 31–34 High Street, Bristol BS1 2AW, UK. 1645_FM.indd ii 8/3/2009 10:06:38 AM SECOND LANGUAGE ACQUISITION Series Editor: David Singleton First Language Use in Second and Foreign Language Learning Edited by Miles Turnbull and Jennifer Dailey-O’Cain MULTILINGUAL MATTERS Bristol • Buffalo • Toronto 1645_FM.indd iii 8/3/2009 10:06:38 AM Library of Congress Cataloging in Publication Data A catalog record for this book is available from the Library of Congress. -
Swarthmore College Bulletin (June 2005)
MercyJustice and A J U R O R ’ S S T O R Y Features 14 : 101 Ways to Be a Swarthmorean Departments A to-do list from the Class of 2005 By Elizabeth Redden ’05 3 : Letters Readers’ reactions 20 : Seek Justice, Love Mercy 4 : Collection Profiles Finding guilt or innocence in a heart- Science center dedicated breaking homicide case was more than 46 : Undiscovered Voices an intellectual exercise. 30 : Connections “Anonymous was a woman,” By Elizabeth Probasco Kutchai ’66 says soprano and voice teacher Alumni Council Scholarship Mary Dunlevy Sindoni ’55. 24 : Cultural Omnivore By Carol Brévart-Demm Read Schuchardt ’93, a “media 32 : Class Notes ecologist,” launched metaphilm.com. Classmates’ stories 54 : Making Markets By Andrea Hammer Safer 37 : Deaths Arthur Gabinet ’79 of the Securities 26 : Jung Love Friends remembered and Exchange Commission follows The Myers-Briggs Personality the money. Indicator—invented in Swarthmore 56 : In My Life By Todd Mason by an alumna—is either a useful test or Art spills into life. a parlor game. 67 : This Old Inn By Phillip Stern ’84 By Paul Wachter ’97 Ethan Devine ’99 restores a Nantucket 60 : Books + Arts landmark to its former glory. William Cohen ’85 and Ryan Johnson By Patricia Maloney edit the collection of essays Filth: Dirt, Disgust, and Modern Life. 72 : Q + A Heather Dumigan, computer Help Desk honcho, is the calmest person on campus. By Jeffrey Lott On the cover: One man was dead, and Elizabeth Probasco Kutchai ’66 had to help decide the fate of another. Story on page 20. Photograph by Jen Fariello. -
Of Huge Revolutions Electrifying Timeto Be
Also inside | Interrogation Intelligence | Fighting Foreclosure | Souter’s Service Harvard Law Winter 2010 bulletin “I believe that this time will be known as an inflection point in world history because of huge revolutions under way in the world— changes that make this an electrifying time to be in the legal profession.” Martha Minow A Conversation with a New Dean c1_HLB_winter09_03.indd c1 12/15/09 10:44 AM IN THIS ISSUE Volume 61 Number 1 Winter 2010 14aPOINTS OF INFLECTION Five months into her new job, Dean Martha Minow shares some insights—and even a little advice. 20aA VIEW FROM THE BRINK When the financial system is melting down, who are you going to call? H. Rodgin Cohen ’68. 26aA QUESTION OF INTERROGATION Philip Heymann ’60 proposes a new model for intelligence gathering in the fight against terrorism. 30aTHE LAWS OF UNINTENDED CONSEQUENCES To prevent domestic violence, are we now overregulating the home? 35aSTRIVING ALWAYS TO GET IT RIGHT Reflections on David Souter ’66 1 FROM THE DEAN assistant dean for communications 2 LETTERS Robb London ’86 editor 3 HEARSAY Emily Newburger 4 OUTSIDE THE CLASSROOM managing editor A clinical project helps keep people Linda Grant in their homes. design director 8 ASK THE PROFESSOR Ronn Campisi editorial assistance How will globalization reshape the Asli Bashir, Stephanie Ehresman ’10, Jenny practice of law—and the training of Lackey, Lia Oppedisano, Christine Perkins, lawyers? Lori Ann Saslav, Marc Steinberg 11 ON THE BOOKSHELVES editorial office Harvard Law Bulletin Subramanian explores the messy 125 Mount Auburn St. middle ground in corporate deals; Cambridge, MA 02138 e-mail: [email protected] Fallon dives into fiction with a web site: www.law.harvard.edu/news/bulletin spoof on academics and politics. -
Disc-1 CD 1 the RECONSTRUKCTION of LIGHT 1. Prozakc Blues 2-3. the Construkction of Light 4. Into the Frying Pan Intro 5. Into
Disc-1 CD 1 THE RECONSTRUKCTION OF LIGHT 1. ProzaKc Blues 2-3. The ConstruKction of Light 4. Into the Frying Pan Intro 5. Into the Frying Pan 6. FraKctured 7. The World’s My Oyster Soup Kitchen Floor Wax Museum 8-10. Larks’ Tongues In Aspic: Part IV 11. Coda: I Have A Dream 12. Heaven And Earth (ProjeKct X) Disc 1 Original sessions recorded by Ken Latchney at Studio Belew (1999). New drums by Pat Mastelotto recorded at Antonio Cincinnati by Mike McCarthy. Mixed by Don Gunn from the multitrack tapes. Production mastering by David Singleton. Executive Producer: Robert Fripp (2019). Disc-2 CD-2 HAPPY WITH WHAT YOU HAVE TO BE HAPPY WITH / LEVEL FIVE 1. Bude 2. Happy With What You Have To Be Happy With 3. Mie Gakure 4. She Shudders 5. Eyes Wide Open (acoustic version) 6. ShoGaNai 7. I Ran 8. Potato Pie 9. Larks’ Tongues In Aspic: Part IV 10. Clouds 11. Einstein’s Relatives 12. Dangerous Curves 13. Level Five 14. Virtuous Circle 15. The ConstruKction Of Light 16. The Deception Of The Thrush 17. Improv: ProjeKct X Disc 2 Produced by Robert Fripp & David Singleton. Engineered & mixed by Ken Latchney, except 2 produced by King Crimson & Machine, 3 recorded by David Singleton, 9 recorded by Greg Dean, 11 produced by Adrian Belew, 12-17 mixed by Paul De Villiers. Disc-3 CD-3 THE POWER TO BELIEVE 1. The Power To Believe I: A Cappella 2. Level Five 3. Eyes Wide Open 4. EleKtriK 5. Facts Of Life: Intro 6. -
In Tune with Our Donors Dedication His Annual Report Is Tdedicated to the Memory of William James “Bill” Taggart
2016-2017 ANNUAL DONOR REPORT In Tune With Our Donors Dedication his annual report is Tdedicated to the memory of William James “Bill” Taggart. Morehouse College Interim President (April 7, 2017 - June 8, 2017) 2 Morehouse will be forever grateful to Interim President Taggart for accepting the torch, running the good race and crossing the finish line leaving a legacy of leadership, community partnership and progress benefiting the College for generations to come! 3 2016-2017 | LETTER FROM OUR CHAIRMAN Willie E. Woods ’85 Dear Alumni and Friends: It is not uncommon to hear of a Morehouse Man who marches to the beat of his own drum. In fact, most alumni and others who support our great alma mater do so because of the unrivalled reputation the institution has for producing exceptional men whose extraordinary leadership, intellect and ingenuity sets them apart from the norm. When these students enter Morehouse, they come from varying geographical locations, diverse socio-economic backgrounds, and with wide-ranging interests in their academic pursuits. But, in spite of the vast differences they bring to Morehouse, they depart from campus with the common belief that they are prepared and expected to make a positive impact in their respective careers and communities. Those of us who invest in their futures understand that the sound of philanthropy at Morehouse may range from the loud to the soft, but the resounding result of such giving is that collectively it goes a long way in educating and empowering young people to strive to be more, do more and affect more change in the world when and where it is needed. -
Live in Chicago Booklet.Indd
KING CRIMSON: LIVE IN CHICAGO (June 28th. 2017) I Q: Why another King Crimson official bootleg? A: A report from the front line, of continuing engagement with audience; in the form of a roughly-scribed love letter. Inevitably, a recording fails to convey the serve as an aide memoire for someone in experience of being present in a room the clinches. For those who were present with others when, for the first time, or as within the event, participating and con- if for the first time, Music leans over and tributing by their presence, their experi- takes us into its confidence. (Thank you, ence continues available to them: it may dear Muse, for innocent ears). be accessed, re-entered, re-engaged. The t-shirt doesn’t quite do the same job, al- It is impossible to convey how Music though a highly recommended adjunct wishes to be heard, accepted, embraced: to the CD. closer to us than we are to ourselves. And quietly heart-breaking to experience, yet Here, the whole is greater than the parts: again, the efforts we make to close our during a performance, individual pieces ears to what is available. may have clunkers, be outstanding, hon- ourable while not revelatory, breathtak- What to do? We persist. ingly audacious; but the overall perfor- Even were a gentle audient to have been mance is what attracts my interest. in person at the Chicago Theatre on June So, here we are: a sonic report from a few 28th. 2017, our current translation, from of Music’s friends, doing the best they can sound into sound, will not replicate their for the first time, once again. -
Affordances Theory in Multilingualism Studies
Studies in Second Language Learning and Teaching Department of English Studies, Faculty of Pedagogy and Fine Arts, Adam Mickiewicz University, Kalisz SSLLT 2 (3). 311-331 http://www.ssllt.amu.edu.pl Affordances theory in multilingualism studies Larissa Aronin Oranim Academic College of Education, Tivon, Israel Trinity College, Dublin, Ireland [email protected] David Singleton Trinity College, Dublin, Ireland [email protected] Abstract The concept of affordances originating in Gibson’s work (Gibson, 1977) is gaining ground in multilingualism studies (cf. Aronin and Singleton, 2010; Singleton and Aronin, 2007; Dewaele, 2010). Nevertheless, studies investigating affordances in respect of teaching, learning or using languages are still somewhat rare and tend to treat isolated aspects of multilingualism. This is despite the fact that the theory of affordances can actually provide a valuable, supplementary, up-to-date frame- work within which a clearer, sharper description and explication of the intriguing range of attributes of multilingual communities, educational institutions and indi- viduals, as well as teaching practices, become feasible. It is important that not only researchers and practitioners (teachers, educators, parents, community and politi- cal actors) but also language users and learners themselves should be aware of how to identify or, if necessary, design new affordances for language acquisition and learning. The aim of this article is to adapt the concept of affordances to multi- lingualism studies and additional language teaching, and in so doing advance theo- retical understanding in this context. To this end the article contains a brief sum- mary of the findings so far available. The article also goes further into defining the ways of how affordances work in relation to multilingualism and second language teaching and puts forward an integrated model of affordances. -
FFWD FFWD Mp3, Flac
FFWD▸▸ FFWD▸▸ mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: FFWD▸▸ Country: UK Released: 1994 Style: Ambient, Prog Rock, Experimental MP3 version RAR size: 1992 mb FLAC version RAR size: 1581 mb WMA version RAR size: 1195 mb Rating: 4.8 Votes: 507 Other Formats: MPC ADX AAC ASF MIDI RA AUD Tracklist Hide Credits A1 Hidden 7:16 A2 Lucky Saddle 6:40 A3 Drone 1:01 A4 Hempire 3:12 Collossus A5 5:38 Percussion – Hossan Ramsey* A6 What Time Is Clock 1:15 A7 Can Of Bliss 3:15 B8 Elevenses 0:49 B9 Meteor Storm 4:25 B10 Buckwheat & Grits 10:51 B11 Klangtest 5:01 B12 Suess Wie Eine Nuss 8:20 Companies, etc. Phonographic Copyright (p) – Inter-Modo Phonographic Copyright (p) – Discipline Records Distributed By – RTM Published By – Orb Music Published By – Big Life Music Published By – Crimson Music Mastered At – CTS Studios Mixed At – BJG Studios Credits Design – The Designers Republic By Appointment To The Future, Sheffield* Design [FFWD▸▸ Logo] – Mad Ark, London* Effects [Ambient Treatments] – D.A.R. Paterson* Electronics – Kris Weston, Thomas Fehlmann Engineer – Andrew Hughes* Engineer [Agnabled] – Fil Char Gonidred* Engineer [Original Session] – David Singleton Guitar, Effects [Treatments] – Robert Fripp Illustration [Cover Illustration] – Nick Burton Mastered By – Martin Giles Producer – The Orb, Thomas Fehlmann Written-By – D.A.R. Paterson*, K. Weston*, R. Fripp*, T. Fehlmann* Notes ℗ 1994 Inter-Modo & Discipline © 1994 Inter-Modo Manufactured in the UK Mixed at BJ.G Summer 1993. Mastered at CTS. Thank you to Paul & Helima. The title of track 12 is a German translation of the slang phrase "sweet as a nut".