My Years on the Stage
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Broadside Read- a Brief Chronology of Major Events in Trous Failure
NEWSLETTER OF THE THEATRE LIBRARY ASSOCIATION Volume 17, Number 1/Volume 17, Number 2 SPECIAL DOUBLE ISSUE Summer/Fa111989 EXHIBITION SURVEYS MANHATTAN'S EARLY THEATRE HISTORY L An exhibition spotlighting three early New York theatres was on view in the Main I Gallery of The New York Public Library at Lincoln Center from February 13, 1990 through March 31, 1990. Focusing on the Park Theatre on Park Row, Niblo's Garden on Broadway and Prince Street, and Wal- lack's, later called the Star, on Broadway and 13th Street, the exhibition attempted to show, through the use of maps, photo- graphic blowups, programs and posters, the richness of the developing New York theatre scene as it moved northward from lower Manhattan. The Park Theatre has been called "the first important theatre in the United States." It opened on January 29, 1798, across from the Commons (the Commons is now City Hall Park-City Hall was built in 1811). The opening production, As You Like It, was presented with some of the fin- est scenery ever seen. The theatre itself, which could accommodate almost 2,000, was most favorably reviewed. It was one of the most substantial buildings erected in the city to that date- the size of the stage was a source of amazement to both cast and audience. In the early nineteenth century, to increase ticket sales, manager Stephen Price introduced the "star sys- tem" (the importation of famous English stars). This kept attendance high but to some extent discouraged the growth of in- digenous talent. In its later days the Park was home to a fine company, which, in addition to performing the classics, pre- sented the work of the emerging American playwrights. -
Noted English Actresses in American Vaudeville, 1904-1916
“The Golden Calf”: Noted English Actresses in American Vaudeville, 1904-1916 Leigh Woods Vaudeville began as a popular American form, with roots in barrooms before audiences of generally Z unsophisticated tastes. By the time it reached its Jessie Millward was known in her native zenith as a popular form during the first two decades country as a heroine in melodramas. Wholesome of this century, however, it showed a pronounced and fresh-faced, she had entered professional acting taste for foreign attractions rather than for the native in 1881, and joined Sir Henry Irving’s prestigious ones that earlier had anchored its broad accessibility. Lyceum company in London as an ingenue the In these years just after the turn of the century, following year. Her first tour of the United States notable foreign actors from the English-speaking came in 1885, and later that year she acted at what theatre made their ways into vaudeville, aligning would become the citadel of London melodrama, the form, though usually in fleeting and superficial at the Adelphi with William Terriss (Millward, ways, with the glamor and prestige the contempor- Myself 315-16). Her name became indissolubly ary stage enjoyed. This pattern bespeaks the linked with Terriss’ as her leading man through willingness to borrow and the permutable profile their appearances in a series of popular melodramas; that have characterized many forms of popular and this link was forged even more firmly when, entertainment. in 1897, Terriss died a real death in her arms Maurice Barrymore (father to Ethel, Lionel and backstage at the Adelphi, following his stabbing John) foreshadowed what would become the wave by a crazed fan in one of the earliest instances of of the future when, in 1897, he became the first violence which can attend modern celebrity (Rowel1 important actor to enter vaudeville. -
Colonial Theatre Her Sister Program
2 COLONIAL THEATRE PROGRAM. WEEK OF MARCH 23, 1908. People That You Know USE AND RECOMMEND BARKER’S ANTISEPTIC Tooth Powder AND Dental Wash The reason they do so is because these preparations are unique in their efficacy. dental These people are very particular in the care of their teeth and dis- * \VasH criminating in what they use. it preseRV^I® Sir Chas. Wyndham, Edna May, fNE Teeth and keeps the •SUMS healthv Robert Edeson, Cecilia Loftus, Richard Carle, Ida Darling, Julie Opp, Campbell Gollan, Adele Rit- Manufactured chie, Kyrle Bellew, Otis Skinner, A. barker Paula Edwards, Robert Loraine, GIQIJCE5TER, MASS- Oswald Yorke, Frank Moulan, Ray- mond Hitchcock and many other Boston Distributors: ^S. S. Pierce theatrical Stars have written letters Co., T. Metcalf Co., Hougrbton & Dut- ton, Jordan Marsh Co., R. H. White of endorsements and conimenda- Co., Henry Siegrel Co., and leading druggists. tions of these preparations. COLONIAL. THEATRE PROGRAM. WEEK OP MARCH 23, 1908. Spirit of [ The i The Hive J Maeterlinck says: ‘'One bee can never make honey, for the reason that a bee alone has I no intelligence. Bees succeed only by working for the good of other bees. A single bee separated from the hive is absolutely helpless, yet a hive of bees has a very great and well defined purpose and intelligence.'’ We have succeeded in getting together a corps of intelli- gent workmen and workwomen who are working together with a well defined purpose—namely, to turn out the best work possible. Our “hive”— (in other words, our works) is absolutely clean, well ventilated by a power system, and work is done under thoroughly sanitary conditions. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Charles Frohman: Manager and Man, by Isaac 1
Charles Frohman: Manager and Man, by Isaac 1 Charles Frohman: Manager and Man, by Isaac The Project Gutenberg eBook, Charles Frohman: Manager and Man, by Isaac Frederick Marcosson and Daniel Frohman, et al This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Charles Frohman: Manager and Man Author: Isaac Frederick Marcosson and Daniel Frohman Release Date: July 29, 2008 [eBook #26146] Charles Frohman: Manager and Man, by Isaac 2 Language: English Character set encoding: ISO-8859-1 ***START OF THE PROJECT GUTENBERG EBOOK CHARLES FROHMAN: MANAGER AND MAN*** E-text prepared by Robert Cicconetti, Chuck Greif, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 26146-h.htm or 26146-h.zip: (http://www.gutenberg.net/dirs/2/6/1/4/26146/26146-h/26146-h.htm) or (http://www.gutenberg.net/dirs/2/6/1/4/26146/26146-h.zip) CHARLES FROHMAN: MANAGER AND MAN by ISAAC F. MARCOSSON and DANIEL FROHMAN With an Appreciation by James M. Barrie Illustrated with Portraits New York and London Harper & Brothers M.C.M.X.V.I Charles Frohman: Manager and Man Copyright, 1916, by Harper & Brothers Copyright, 1915, 1916, by International Magazine Company (Cosmopolitan Magazine) Printed in the United States of America Published October, 1916 To The Theater Charles Frohman: Manager and Man, by Isaac 3 That Charles Frohman Loved and Served Nought I did in hate but all in honor! HAMLET Contents CHARLES FROHMAN: AN APPRECIATION I. -
En at Flower Show Pageant of Peace at Commencement Valuable Pet
THE UMMIT ALD. Vl FACES THIRTY-FIRST YEAR, NO, 40. FRIDAY AFTERNOON, JUNE 25, 1920. $200 PER YEAR. I TALI AX WAR ORPHANS. 0I>1) FELLOWS ELECT OFFICERS. s en Address by Representative of Italian Memorial Day in France Fay Honor to (linrU'S E, Patterson by Sen. Runyon Speaks Gov't Here Monday Evening. Presentation of (Jiffs. at Flower Show Father Semerla, who has been sent "Somebody from Summit" Last evening the rooms of Crystal to H. S. Graduates by the Italian Government to America Lodge No, 250, I, O. O. F., were Mrs, James W. Cromwell Re= in the Interest of the war orphans of crowded with members of the order, that country will speak in the Lincoln We are permitted to publish the following extract from a letter gathered to pay tribute to Charles K. Splendid Exercises Mark the ceives First Honors in School auditorium on Monday eve recently received by ex-Mayor Ruford Franklin from his son, Ruford Patterson, past grand. City Treasur ning, June 28th, at 8 o'clock, under the D, Franklin, who is at present engaged in business In Paris, France, er Albert Leach, p. Q,, made a very Closing of School Year— Short Hills Exhibition auspices of a committee pf citizens of for the American Trading Company of New York,. We are very sure happy speech in which he told of the Italian extraction. Councilman B. G. the matter will be of greatest interest to every one in Summit, Under work done by Mr. Patterson as noble Class Day Features Pringle will preside. -
STUDY GUIDE Inside
McGuire Proscenium Stage / Jan 28 – Mar 19, 2017 by GEORGE S. KAUFMAN and EDNA FERBER directed by RACHEL CHAVKIN STUDY GUIDE Inside THE AUTHORS When Edna met George...and wrote some plays • 3 Selected Chronology on the Life and Times of George S. Kaufman and Edna Ferber • 4 Comments by and about the Authors • 9 THE PLAY Synopsis, Characters and Setting • 13 Comments about the Play • 14 The Barrymores: The (Real) Royal Family of Broadway • 16 Myself as I Think Other See Me by Ethel Barrymore • 16 CULTURAL CONTEXT The Lingo of the Stage • 21 People and Things of the Period • 24 THE GUTHRIE PRODUCTION Notes from the Creative Team • 26 ADDITIONAL INFORMATION For Further Understanding • 28 Play guides are made possible by Guthrie Theater Study Guide Copyright 2016 DRAMATURG Carla Steen GRAPHIC DESIGNER Akemi Waldusky RESEARCH Stephanie Engel, Carla Steen All rights reserved. With the exception of classroom use by teachers and Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 individual personal use, no part of this Play Guide may be reproduced in any form or by any means, electronic or mechanical, including ADMINISTRATION 612.225.6000 photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials BOX OFFICE 612.377.2224 or 1.877.44.STAGE TOLL-FREE published herein are written especially for our Guide. Others are reprinted guthrietheater.org • Joseph Haj, artistic director by permission of their publishers. Jo Holcomb: 612.225.6117 | Carla Steen: 612.225.6118 The Guthrie Theater, founded in 1963, is an American center for theater performance, The Guthrie Theater receives support from the National Endowment production, education and professional training. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Hollis Street Theatre the Little Minister Program
o CHARLKS PAOHMAN MARn.lS Lessees tc MANAOSftS — PREPARES FOR YOUR HOME COMING BEFORE YOU GO AWAY Home coming is always more or less of a pleasure especially after the long summer of festivities but think of the additional pleasure a home coming with everything spic and span in readiness for the new season LEWANDOS will take your draperies delicate lace curtains pillows rugs carpets blankets silk puffs everything—no matter how sturdy or delicate and clean repair and store them for you and deliver them promptly on the date of your return You need entertain no fears in entrust- ing your valuables with us Lewandos have successfully used their expert knowledge of cleaning for many years This is one of the most thoroughly equipped departments We feel justly proud of it because of its efficient handling of one of the most difficult phases of cleaning YOU CAN RELY ON LEWANDOS LEWANDOS Established since 1829 We enjoy the reputation of being AMERICAS GREATEST CLEANERS AND DYERS Prompt deliveries by our own motors and teams BOSTON SHOPS 17 TEMPLE PLACE 284 BOYLSTON ST. 248 HUNTINGTON AVE Branch Exchange Telephone Back Bay 3900 Connects All Boston Shops HOLLIS ST. THEATRE PROGRAM International Trust Gompanif Capital $1,000,000 Surplus $1,000,000 45 Milk Street 115 Summer Street Checking Accounts Savings Deposits Domestic Exchange Foreign Exchange Safe Deposit Vaults INTEREST ALLOWED ON DEPOSITS The undersigned Directors and Officers hereby extend to you a cordial invitation to do your Banking Business with the International Trust Company, having full confidence that you will be served in the best possible manner. -
The History of the Great Southern Theater, Columbus, Ohio
THE HISTORY OF THE GREAT SOUTHERN THEATER, COLUMBUS, OHIO A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts By MARCIA A. SIENA, B.A. The Ohio State University 1957 Approved by: Speech TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION, REVIEW OF THE LITERATURE, AND HISTORICAL BACKGROUND • • • • • 1 Introduction • 1 Review of the Literature . 1 Historical Background • • 3 II. THE GREAT SOUTHERN THEATER • • • • 8 The Financial Backing 8 The Physical Plant . • • 8 LObby, foyer, and promenade balcony • • 9 Auditorium • • 11 Stage Area • • • • 16 Changes . • • 28 III. PRODUCTION IN THE GREAT SOUTHERN THEATER • 37 Scenery • 39 Lighting . • • 42 Special Effects • • 51 Traps . • 51 Treadmills • 54 Flying • 54 Others 56 IV. SUMMARY AND CONCLUSIONS • • • 57 Summary • • • 57 Conclusions • 58 ii PAGE APPENDIX • • 59 BIBLIOGRAPHY • 100 iii LIST OF FIGURES FIGURE PAGE 1. The Great Southern Hotel and Theater, 1896 • • 10 2. Original Interior Design • 12 3. Orchestra Seating Chart • 14 4. Balcony and Gallery Seating Chart 15 5. Proscenium Arch and Stage 17 6. Proscenium Arch • • 18 7. Light Board • • • • • 20 8. Pin Rail • 21 9. Paint Frame and Workbench • 22 10. Grid and Pulley Bank • • 24 11. Bull Wheel • • • 25 12. Tunnel • 26 13. Elevators • 27 14. Top of Elevators • • 29 15. Great Southern Theater, 1914 • • 31 16. Great Southern Theater, 1957 • • 32 17. Foyer • 33 18. Gallery • • 34 19. Sketch of Auditorium, 1896 • 35 20. Auditorium, 1957 • 36 21. Under The ~ ~ Act III • • • 43 22. Under The Red ~ Act III, Scene II • 44 23. The Devil's Disciple Act IV • 45 iv FIGURE PAGE 24. -
Transcribed Pages from the Charles Dickson Papers
Transcribed Pages from the Charles Dickson Papers Box 3 Binder 7: Mobile Theaters, vol. 7 TRANSCRIBER’S NOTE: THIS VOLUME MAINLY CONTAINS DRAWINGS OF VARIOUS PEOPLE WHO APPEARED ON MOBILE THEATRE STAGES, AS WELL AS WHAT APPEAR TO BE DATES THEY PERFORMED. THE NAMES OF THESE PEOPLE ARE LISTED, AS WELL AS PAGE NUMBER. SOME PAGES HAD ADDITIONAL INFORMATION, AND THIS IS TRANSCRIBED BELOW. 1. Ethel Barrymore: 1895; Jan. 28, 1902; Nov. 12, 1910 2. Wm. G. Burton: 1834-1835 Miss Charlotte Cushman: 1835, 1850 3. Thomas D. Rice Joseph M. Field, a leading man in the Ludlow Smith Stock Company 4. Miss Ellen Tree: 1839 Miss Fannie Davenport: April 27, 1839; Feb. 4, 1850; Feb. 21, 1887 5. Noah M. Ludlow, first theatre manager in Mobile, Ala., April 7, 1825 Sol Smith, of the theatre partnership of Ludlow and Smith, 1833 6. Gentleman Jim Barrett: 1837-1838 John Vanderhoff: 1839-1839 7. Mary Ann Duff: 1833 Madame Celeste: 1833, 1836 8. Thomas Cooper: April 1827 Priscilla Cooper, daughter of Thomas Cooper 9. Tyrone Powers: 1834-1835 season 10. John Drew Sr.: 1857 11. Wm. Charles Macready: 1844 Joseph Jefferson and Julia Dean: 1845 12. Perdita Robins Jennie Lind 13.Laura Keen(e): 1867 Col. Dan Rice: 1871; April 25, 1891 14. Marquis de Lafayette: INCLUDES TYPEWRITTEN ARTICLE ON THE MARQUIS 15. James H. Hacket(t): 1839, 1844, 1855 16. The Mother of Joseph Jefferson Charles Burke, half brother of Joseph Jefferson Joseph Jefferson as Caleb Plumber 17. E.L. Davenport: 1846; “Lady of Lyons,” Feb. 19, 1856 Mrs. John [Louisa Lane] Drew Sr., grandmother of the Barrymores: 1848-1849 18. -
AN ANALYSIS of the LIFE and LEGACY of LOUISA LANE DREW Rivka Kelly University of Vermont
University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2014 THE DUCHESS: AN ANALYSIS OF THE LIFE AND LEGACY OF LOUISA LANE DREW Rivka Kelly University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation Kelly, Rivka, "THE DUCHESS: AN ANALYSIS OF THE LIFE AND LEGACY OF LOUISA LANE DREW" (2014). UVM Honors College Senior Theses. 23. https://scholarworks.uvm.edu/hcoltheses/23 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. THE DUCHESS: AN ANALYSIS OF THE LIFE AND LEGACY OF LOUISA LANE DREW A Thesis Presented by Rivka Kelly to The Faculty of the College of Arts and Sciences of The University of Vermont In Partial Fulfillment of the Requirements For the degree of Bachelor of Arts with Honors In Theatre May, 2014 Dedication This thesis is for my wonderful and supportive parents, whose gentle encouragement spurs me on yet reminds me that there are more important things in life than just a paper. Thanks Mom and Dad. And for the Students, Faculty and Staff who have strongly influenced my time here, helping (and sometimes forcing) me to grow personally and academically. I'm especially grateful to Natalie for her example and encouragement, and Avery for his help in the process, and to every single person who listened to me whine about this project.