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The Haredim As a Challenge for the Jewish State. the Culture War Over Israel's Identity
SWP Research Paper Peter Lintl The Haredim as a Challenge for the Jewish State The Culture War over Israel’s Identity Stiftung Wissenschaft und Politik German Institute for International and Security Affairs SWP Research Paper 14 December 2020, Berlin Abstract ∎ A culture war is being waged in Israel: over the identity of the state, its guiding principles, the relationship between religion and the state, and generally over the question of what it means to be Jewish in the “Jewish State”. ∎ The Ultra-Orthodox community or Haredim are pitted against the rest of the Israeli population. The former has tripled in size from four to 12 per- cent of the total since 1980, and is projected to grow to over 20 percent by 2040. That projection has considerable consequences for the debate. ∎ The worldview of the Haredim is often diametrically opposed to that of the majority of the population. They accept only the Torah and religious laws (halakha) as the basis of Jewish life and Jewish identity, are critical of democratic principles, rely on hierarchical social structures with rabbis at the apex, and are largely a-Zionist. ∎ The Haredim nevertheless depend on the state and its institutions for safeguarding their lifeworld. Their (growing) “community of learners” of Torah students, who are exempt from military service and refrain from paid work, has to be funded; and their education system (a central pillar of ultra-Orthodoxy) has to be protected from external interventions. These can only be achieved by participation in the democratic process. ∎ Haredi parties are therefore caught between withdrawal and influence. -
Machlokis, Tzuris & Achdus
A Traditional, Egalitarian and Participatory Conservative Synagogue HESHVAN/KISLEV/TEVET 5777 NEWSLETTER/VOLUME 29:2 NOVEMBER/DECEMBER 2016 Machlokis, Tzuris & Achdus: Disputes, Troubles, and Unity During the Iconic Period of Jewish Settlement in NYC Jewish History with Barry Feldman Four Sundays, November 13 & 20 and December 11 & 18, 10 am–12 noon r Zarua Congregant community will be discussed. Participants and the need for competing expressions of Barry Feldman will present cases and verdicts. Judaism to coalesce and present a united community to New York and to themselves. will be leading • Session 2 (November 20) a four-session An analysis of the Bintel Brief Letters sent • Session 4 (December 18) Oethnographic and historical to the Yiddish Forward reveals the changing The last session will be a tour highlighting inquiry into institutions needs and concerns of letter writers over selected sites discussed in class and a and incidents that shaped the years as Jews accommodated to life in visit to the Bialystoker Synagogue and a American Jewry during the iconic period of America. traditional shtibl. immigration at the turn of the 20th century. Each session will involve discussion; class • Session 3 (December 11) Barry is an urban historian, museum participation is urged. Sholem Aleichem Died: Let’s Go to a educator, and licensed New York City tour Simcha speaks to the emerging coalescence guide. He has created and developed tours • Session 1 (November 13) of New York’s Jewish Community in the of the Jewish Lower East Side covering the You Be the Judge presents cases brought to first quarter of the 20th century. -
Journal of Synagogue Music Fall 2013 Volume 38 Traditions This Is the Inside Front Cover
JOURNAL OF SYNAGOGUE MUSIC JOURNAL OF SYNAGOGUE MUSIC NON-ASHKENAZIC TRADITIONS NON-ASHKENAZIC TRADITIONS FALL 2013 VOLUME 38 2013 VOLUME FALL FALL 2013 VOLUME 38 ISSN 0049-5128 THIS IS THE INSIDE FRONT COVER EDITOR: Joseph A. Levine ASSOCIATE EDITOR: Richard M. Berlin EDITORIAL BOARD Rona Black, Shoshana Brown, Sanford Cohn, Gershon Freidlin, Geoffrey Goldberg, Charles Heller, Kimberly Komrad, Sheldon Levin, Laurence Loeb, Judy Meyersberg, Ruth Ross, Neil Schwartz, David Sislen, Sam Weiss, Yossi Zucker TheJournal of Synagogue Music is published annually by the Cantors As- sembly. It offers articles and music of broad interest to the hazzan and other Jewish professionals. Submissions of any length from 1,000 to 10,000 words will be consid ered. GUIDELINES FOR SUBMITTING MATERIAL All contributions and communications should be sent to the Editor, Dr. Joseph A. Levine—[email protected]—as a Microsoft Word document using footnotes rather than endnotes. Kindly include a brief biography of the author. Musical and/or graphic material should be formatted and inserted within the Word document. Links to audio files may be inserted as well, along with a URL for each. Footnotes are used rather than endnotes, and should conform to the fol- lowing style: A - Abraham Idelsohn, Jewish Liturgy (New York: Henry Holt), 1932: 244. B - Samuel Rosenbaum, “Congregational Singing”; Proceedings of the Cantors Assembly Convention (New York: Jewish Theological Seminary), February 22, 1949: 9-11. Layout by Prose & Con Spirito, Inc. Cover Design by Replica, based on the interior of the Synagogue of Santa Maria La Blanca, 12th century, Toledo, Spain. Copyright © 2013 by the Cantors Assembly. -
SHARING the WELL: a Resource Guide for Jewish-Muslim Engagement
SHARING THE WELL: A Resource Guide for Jewish-Muslim Engagement A Project of The Jewish Theological Seminary, Hartford Seminary, and the Islamic Society of North America Kim Zeitman and Dr. Mohamed Elsanousi, Editors Acknowledgments The creation and publication of Sharing the Well were made possible through the generous support of our funders and the valuable contributions of our writers, editors, and advisors. With deepest gratitude, we acknowledge these valued partners. We thank: Dr. Arnold Eisen, chancellor of The Jewish Theological Seminary; Dr. Ingrid Mattson, president emerita of the Islamic Society of North America; Imam Mohammed HagMagid, president emeritus of the Islamic Society of North America; and Professor Heidi Hadsell, president of Hartford Seminary, for their ongoing support and en- couragement of this project Joyce Schreibman, Karen Nell Smith, and Yehezkel Landau, for providing “Guidelines for Interreligious Dialogue” Rabbi Burton L. Visotzky, Appleman Professor of Midrash and Interreligious Studies and Director of the Milstein Center for Interreligious Dialogue of The Jewish Theological Seminary, for serving as an advisor for and reviewing the Jewish content of Sharing the Well Dr. Sayyid Syeed of the Islamic Society of North America, for reviewing the Muslim content of Sharing the Well All the contributing writers, who generously shared their time, wisdom, and expertise in the volume’s essays Rabbi Susan Grossman and Katie Greenberg for their assistance in creating the “Muslim-Jewish Engagement Programs” section All -
'We Do Not Want to Assimilate!': Rethinking the Role of Group
European Journal of Cultural and Political Sociology ISSN: 2325-4823 (Print) 2325-4815 (Online) Journal homepage: https://www.tandfonline.com/loi/recp20 ‘We do not want to assimilate!’: Rethinking the role of group boundaries in peace initiatives between Muslims and Jews in Israel and in the West Bank Nissim Mizrachi & Erica Weiss To cite this article: Nissim Mizrachi & Erica Weiss (2020): ‘We do not want to assimilate!’: Rethinking the role of group boundaries in peace initiatives between Muslims and Jews in Israel and in the West Bank, European Journal of Cultural and Political Sociology, DOI: 10.1080/23254823.2020.1727350 To link to this article: https://doi.org/10.1080/23254823.2020.1727350 Published online: 26 Mar 2020. Submit your article to this journal Article views: 4 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=recp20 EUROPEAN JOURNAL OF CULTURAL AND POLITICAL SOCIOLOGY https://doi.org/10.1080/23254823.2020.1727350 ‘We do not want to assimilate!’: Rethinking the role of group boundaries in peace initiatives between Muslims and Jews in Israel and in the West Bank Nissim Mizrachi and Erica Weiss Department of Sociology and Anthropology, Tel Aviv University, Tel Aviv, Israel ABSTRACT This article considers the cultural meaning of religious and community boundaries when attempting to mediate the Jewish-Palestinian conflict. Here we compare two sites, one religious, the other secular, of peace-building encounters between Palestinians and Jews in Israel and in the West Bank. Through extensive ethnographic work, the study draws attention to the divergent meanings of community boundaries in liberal and non-liberal cosmologies. -
Shabbat and Rosh Hashanah
UCLA UCLA Electronic Theses and Dissertations Title A New Song: Emerging Sephardic Music in Serbia Permalink https://escholarship.org/uc/item/8t8797vz Author Wiens, Kathleen Ruth Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles A New Song: Emerging Sephardic Music in Serbia A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Kathleen Ruth Wiens 2012 ABSTRACT OF THE DISSERTATION A New Song: Emerging Sephardic Music in Serbia by Kathleen Ruth Wiens Doctor of Ethnomusicology University of California, Los Angeles, 2012 Professor Timothy Rice, Chair A unique moment in Sephardic music is emerging in the Republic of Serbia. Since 2000, a small but vibrant Sephardic music scene has been formed through the efforts of a small group of individuals. The scene keeps alive a repertoire that has survived many upheavals: the Holocaust and the near-total extermination of Sephardic sacred music practitioners from the region; a half-century of religious suppression under the Yugoslav government; and the political turmoil of the 1990s and the establishment of the Republic of Serbia from what was once Yugoslavia. Each of these major socio-political shifts had an impact on how today's musicians learned and contributed to the creation of Sephardic music. Since 2000, the maintenance and reworking of the Sephardic music scene in Belgrade has taken place almost entirely because of ii small group individuals. The Sephardic music scene that has emerged is now made up of one concert stage ensemble, Shira u’tfila [Song and Prayer], and a collection of synagogue singers. -
Mapping Study of Civil Society Organisations in Israel
European Commission Mapping study of Civil Society Organisations in Israel December 2013 This project is funded by Project implemented by European Union EPRD Consortium Mapping study of Civil Society Organisations in Israel Final mapping Report December 2013 DISCLAIMER This report has been prepared with the financial assistance of the European Commission. The views expressed herein are those of the consultants and therefore in no way reflect the official opinion of the European Commission Authors of the Report: Ms. Beatriz Sanz Corella – Team Leader Ms. Rinat Ben Noon – Key Expert 2 Acknowledgements First and foremost, our deepest gratitude goes to all the Israeli Civil Society Organisations (CSOs), and their representatives, who agreed to participate in the mapping, giving of their time, offering useful advice and providing needed materials. Their openness, cooperation and knowledge provided constructive and precious insights into the various issues of the research. In particular we would like to thank the structures and their representatives, as well as several key resource persons connected to Civil Society, who kindly assisted us during the mapping, by providing us with useful contacts and even leading the organisation of the focus groups, which have allowed us to gain a better sectoral and/or geographical understanding of the sector. We would also like to extend our thanks to all interviewed persons, from the different sectors and spheres (i.e. private sector, academia, support organisations, philanthropists, donors, etc), as well as Government officials, who were contacted over the course of the mapping exercise. The cooperation team within the EU Delegation also deserves our innermost appreciation for their cooperation and facilitation role of the mapping exercise.