MIDPHON 22 Book of Abstracts
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Phonology: Analysis and Theory
This page intentionally left blank Clear and concise, this textbook is an introduction to phonology for students which assumes no prior knowledge of this area of linguistics and provides an overall view of the field which can be covered within one year. The book does not confine itself to any specific theoretical approach and can therefore be used for study within any framework and also to prepare students for work in more specialised frameworks such as Optimality Theory, Government, Dependency and Declarative Phonology. Each chapter focuses on a particular set of theoretical issues including segments, syllables, feet and phonological processing. Gussmann explores these areas using data drawn from a variety of languages including English, Icelandic, Russian, Irish, Finnish, Turkish and others. Suggestions for further reading and summaries at the end of each chapter enable students to find their way to more advanced phonological work. EDMUND GUSSMANN is Professor of General Linguistics at the University of Gda´nsk,Poland. His books include Introduction to Phonological Analysis (1980), Studies in Abstract Phonology (1980), Phono-Morphology (ed., 1985), Licensing in Syntax and Phonology (ed., 1995) and (with A. Doyle) Reverse Dictionary of Modern Irish (1996). Phonology Analysis and Theory EDMUND GUSSMANN University of Gdansk´ Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge , United Kingdom Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521574099 © Edmund Gussmann 2002 This book is in copyright. Subject to statutory exception and to the provision of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. -
The Phonology of Quantity in Icelandic and Norwegian
Dysertacje Wydziału Neofilologii UAM w Poznaniu 25 Przemysław Czarnecki The Phonology of Quantity in Icelandic and Norwegian Wydział Neofilologii UAM w Poznaniu Poznań 2016 The Phonology of Quantity in Icelandic and Norwegian Dysertacje Wydziału Neofilologii UAM w Poznaniu 25 Przemysław Czarnecki The Phonology of Quantity in Icelandic and Norwegian Wydział Neofilologii UAM w Poznaniu Poznań 2016 Projekt okładki: Przemysław Czarnecki Recenzja: prof. dr hab. Stanisław Puppel Copyright by: Przemysław Czarnecki Wydanie I, Poznań 2016 ISBN 978-83-947398-6-7 *DOI: 10.14746/9788394739867* Wydanie: Wydział Neofilologii UAM w Poznaniu al. Niepodległości 4, 61-874 Poznań e-mail: [email protected] www.wn.amu.edu.pl The most remarkable fact about phonological phenomena is that they exist at all Jonathan Kaye (1989): Phonology: a cognitive view. Hillsdale: Erlbaum Table of Contents Introduction ...................................................................... 9 Chapter 1. Sounds of Icelandic and Norwegian ............. 14 1.1 Vowels ................................................................... 15 1.2. Consonants ........................................................... 18 1.3. A note on stress and its relation to vowel length ..... 21 Chapter 2. The main assumptions of the theoretical framework .................................................... 24 Chapter 3. Quantity in Icelandic and Norwegian – “open syllable lengthening” ......................... 32 Chapter 4. Branching onsets in Icelandic and Norwegian ... 38 4.1. Branching onsets -
Introducing Phonology This Accessible Textbook Provides a Clear and Practical Introduction to Phonology, the Study of Sound Patterns in Language
Introducing Phonology This accessible textbook provides a clear and practical introduction to phonology, the study of sound patterns in language. Designed for undergraduates with only a basic knowledge of linguistics, it teaches in a step-by-step fashion the logical techniques of phonological analysis and the fundamental theories that underpin it. Through over sixty graded exercises, students are encouraged to make their own analyses of phonological patterns and processes, based on extensive data and problem sets from a wide variety of languages. Introducing Phonology equips students with the essential analytical skills needed for further study in the field, such as how to think critically and discover generalizations about data, how to formulate hypotheses, and how to test them. Providing a solid foundation in both the theory and practice of phonology, it is set to become the leading text for any introductory course, and will be invaluable to all students beginning to study the discipline. david odden is Professor in the Department of Linguistics, Ohio State University, having previously held positions at Yale University, the University of Tromsø and the University of Durham. He is the author of The Phonology and Morphology of Kimatuumbi (1996), and has contributed to many journals such as Phonology, Language, Linguistic Inquiry, Linguistic Analysis, Journal of African Languages and Linguistics and Studies in African Linguistics, of which he is the editor. Cambridge Introductions to Language and Linguistics This new textbook series provides students and their teachers with accessible introductions to the major subjects encountered within the study of language and linguistics. Assuming no prior knowledge of the subject, each book is written and designed for ease of use in the classroom or seminar, and is ideal for adoption on a modular course as the core recommended textbook. -
124 the Icelandic Sonority Hierarchy: Evidence from Coda Phonology1
124 The Icelandic sonority hierarchy: evidence from coda phonology1 William Brecht Welch University of Florida Icelandic syllables exhibit complex phonotactics such as epenthesis, glide deletion, morphophonemic alterations, and consonant deletion driven by both well-formedness and sonority contact constraints. Until recently, Icelandic codas have received modest attention in the literature, so that a complete sonority hierarchy accounting for all Icelandic phonemes is still unavailable. Using coda phonology and lenition processes, I attempt to offer a more comprehensive description of Icelandic’s sonority hierarchy, incorporating the often neglected fricatives. The analysis shows some interesting parallels between coda phonotactics and those found in the onset. 1 Introduction Icelandic syllables exhibit complex phonotactics such as epenthesis, glide deletion, morphophonemic alterations and consonant deletion driven by sonority contact constraints. Until recently, Icelandic codas have received modest attention in the literature, so that a complete sonority hierarchy, one accounting for all Icelandic phonemes, is still unavailable. By using coda lenition processes, I attempt to offer a more comprehensive, ranked diagram of the Icelandic consonant hierarchy, incorporating the often unaccounted frica- tives which previous researchers have either neglected or been unable to rank. A comprehensive sonority scale accounting for as many Icelandic phonemes as possible is an essential task to understanding the phonology of Icelandic; processes such as vowel epenthesis, coda devoicing, and preaspiration all interact, in one way or another, with sonority constraints. A clearer under- standing of how sonority is structured in Icelandic should prove valuable for future studies of its phonology and, possibly, the larger Scandinavian family. In The Phonemics of Modern Icelandic (1958), Einar Haugen provides a corpus of Icelandic word formations along with his empirically based assess- ments of the data. -
John J. Mccarthy University of Massachusetts, Amherst 1
SYMPATHY, CUMULATIVITY, AND THE DUKE-OF-YORK GAMBIT* John J. McCarthy University of Massachusetts, Amherst Abstract: The Duke-of-York gambit (Pullum 1976) involves derivations of the form ABA, where underlying /A/ passes through an intermediate stage B before returning to A at the surface. Optimality Theory (Prince and Smolensky 1993) has significant implications for the Duke of York gambit. Furthermore, attested and unattested Duke-of-York cases have implications for the analysis of opacity in Optimality Theory using sympathy (McCarthy 1998; to appear). A key idea is that derivations must be cumulative, and a measure of cumulativity is incorporated into sympathy theory. 1. Introduction Serial derivations have been a central idea in generative phonology since the beginning, but scant attention has been paid to a key question: is any serial derivation possible in human languages? More precisely, can any licit rule co-exist with any other licit rule, and can the rules apply in any order? The rule co-existence question has, to my knowledge, never been raised in the literature. The rule ordering question was investigated intensively during the early 1970's (see Iverson (1995) for a review), but often just a pair of rules was studied in isolation from the broader derivational context. Research in generative phonology has largely focused instead on the form of rules and the nature of representations subjects which are interesting in themselves but do not much advance the theory of derivations. A rare contribution to this neglected topic is Pullum’s (1976) study of the "Duke-of-York gambit". Duke-of-York (DY) derivations have the general form ABA, where underlying A passes through a B stage before returning to surface A again. -
Icelandic Preaspiration and the Moraic Theory of Geminates
Draft: to appear in Proceedings of the Xth Conference of Nordic and General Linguistics Edward Keer Icelandic Preaspiration and the Moraic Theory of Geminates In this paper I provide an Optimality Theoretic (OT) account of Icelandic preaspiration that relies on both the moraic theory of geminates (Hayes 1986, McCarthy & Prince 1986) as well as the bisegmental theory of aspiration proposed by Steriade (1993, 1994). The main claim of the anlaysis is that preaspiration is a type of metathesis between the stop and the aspiration. Following Thráinsson (1978) and Hermans (1985) I assume that preaspiration is contingent on lengthening of consonants in stressed syllables. This restriction is captured in an OT grammar through relative ranking of constraints. The analysis is further supported by a typology of preaspiration processes. 0. Introduction Selkirk (1990) argues that Icelandic preaspiration is a case of laryngeal fission which supports the two-root theory of geminates. Since consonant clusters and geminates are both targeted by this process the representation of both should be similar. The two-root theory captures this similarity since it states that geminates are consonant clusters at the root level. However, Selkirk’s analysis rests on the assumption that post-aspirated stops are single segments. Here I argue against that assumption and for a single melody theory of geminates. Following Thráinsson (1978) and Hermans (1985) I propose that preaspiration is directly tied to lengthening of consonants in closed syllables. Furthermore, I argue (following Steriade 1993, 1994) that aspirated stops are in fact bisegmental. Rather than preaspiration targeting geminates and clusters, I analyze preaspiration as being blocked in the case of singletons. -
Faithfulness Among Variants
Similarity among Variants: Output-Variant Correspondence A Thesis Presented to the Faculty of the International Christian University for the Baccalaureate Degree by KAWAHARA, Shigeto March 2002 ! Approved by Thesis Adviser Acknowledgements The large portion of this paper is based upon the research project I have conducted in University of California, Santa Cruz in spring quarter 2001 under the supervision of Jaye Padgett and Jennifer Smith. Both of them spent countless hours on having a discussion with me, reading earlier drafts, and providing me with a lot of suggestions and criticism. I am grateful to Jaye who officially sponsored me to do independent study. His various comments and encouragement were indispensable. I would also like to express my thanks to Jen who, as another supervisor of the independent study, constantly provided me with insightful comments, criticism, suggestions which all contribute to the development of this work. Thanks are also due to my senior thesis advisor Tomoyuki Yoshida, who triggered my interest in linguistics. As those who greatly contributed to the development of this thesis, I would like to also mention Geroge Bedell, Markus Hiller, Takeru Honma, Kazutaka Kurisu, Joe Pater, John McCarthy, and Lisa Selkirk. I am particularly indebted to Kazutaka who expatiated on the development of his theory on morpheme realization. Some content of this senior thesis has appeared in Kawahara (2001b, to appear). Various portions of this senior thesis are presented at Undergraduate Research Conference at University of California, Santa Cruz on June 1st, Language Study Workshop at International Christian University on July 1st, Workshop On Universal Grammar on August 20 at International Christian University, and Japan Phonology Forum on August 28th (all of the conferences are held in 2001). -
Norwegian Preaspiration in Traditional and Modern Sources
Norwegian preaspiration in traditional and modern sources Pavel Iosad University of Edinburgh [email protected] 13th Forum for Germanic Language Studies University of Edinburgh 12th January 2018 Overview • Preaspiration in North Germanic • Preaspiration in Norwegian • Traditional dialect descriptions • Newer acoustic sources and the pervasiveness of preaspiratio • Can we trust our sources? 1 Preaspiration in North Germanic 1.1 Crash introduction Preaspiration What is preaspiration? • Period of glottal or other voiceless frication before a voiceless consonant • Normally a stop • Traditional view: – Cross-linguistically rare (Silverman 2003) – But widespread in northern Europe (Wagner 1964, Salmons 1992, Blevins 2017) 1 Norwegian preaspiration in traditional and modern sources Preaspiration in Northern Europe • Icelandic: by far the best known and most studied – Phonetic studies: Stefán Einarsson (1927), Sveinn Bergsveinsson (1941), Magnús Pétursson (1976), Löfqvist & Yoshioka (1981), Pind (1986), Ní Chasaide (1986), Þorsteinn G. In- driðason et al. (1990), Pétur Helgason (2002) – Phonological studies: Haugen (1958), Höskuldur Thráinsson (1978), Kristján Árnason (1980, 1986, 2011), Jóhannes G. Jónsson (1994), Ringen (1999), Morén (2001), Gunnar Ólafur Hansson (2003), Gouskova (2004), Lodge (2007) • Faroese: Jakobsen (1886), Lockwood (1955), Werner (1963), Zachariasen (1968), Pétur Hel- gason (2002), Gunnar Ólafur Hansson (2003), Höskuldur Thráinsson et al. (2012), Casserly (2012) • Scottish Gaelic: Marstrander (1932), Wagner (1964), Borgstrøm (1974), Ó Baoill (1980), Ó Murchú (1985), Ní Chasaide & Ó Dochartaigh (1984), Ní Chasaide (1986), Bosch (2006), Ó Maolalaigh (2010) • The Sámi languages: Engstrand (1987), Sammallahti (1977, 1998), Rießler (2008), Kusmenko (2008), Rießler & Wilbur (2007), Wilbur (2014) 1.2 Preaspiration and areality Preaspiration as an areal feature • Cross-linguistically rare but concentrated in northern Europe: an areal feature? – Bilateral contacts (e. -
Phonological Opacity and Icelandic Preaspiration
University of Pennsylvania Working Papers in Linguistics Volume 20 Issue 1 Proceedings of the 37th Annual Penn Article 16 Linguistics Conference 2014 Phonological Opacity and Icelandic Preaspiration Linda Ö. Heimisdóttir Cornell University Follow this and additional works at: https://repository.upenn.edu/pwpl Recommended Citation Heimisdóttir, Linda Ö. (2014) "Phonological Opacity and Icelandic Preaspiration," University of Pennsylvania Working Papers in Linguistics: Vol. 20 : Iss. 1 , Article 16. Available at: https://repository.upenn.edu/pwpl/vol20/iss1/16 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/pwpl/vol20/iss1/16 For more information, please contact [email protected]. Phonological Opacity and Icelandic Preaspiration Abstract This paper explores the relationship between constraints on syllable contact and the emergence of so- called preaspirated stops in Icelandic. It is a well-known fact of Icelandic phonology that, when followed by a sonorant, a stop loses its aspiration. However, there are two patterns. When followed by /l, n, m/, a stop surfaces with `preaspiration', i.e. as a sequence of [h] + plain stop. When followed by /j, v, r/, the result is a plain stop preceded by a long vowel. The most promising approaches to this problem have attributed the dierence between the two patterns to dierences in syllabication, due to language-specic constraints on syllable contact. The argument is that the dierence between the two patterns lies in the amount of sonority rise within the dierent clusters, i.e. that consonant clusters that rise too much in sonority (apirated stop + /j, v, r/) cannot cross a syllable boundary and will therefore emerge as complex onsets preceded by a long vowel. -
Alexander J. Ellis on Modern Icelandic Pronunciation
Studia Linguistica vol. 126/2009 Studia Linguistica Universitatis Iagellonicae Cracoviensis 126 (2009) EDMUND GUSSMANN Poznań ALEXANDER J. ELLIS ON MODERN ICELANDIC PRONUNCIATION Abstract The paper reviews the description of the pronunciation of Modern Icelandic as contained in Alexander J. Ellis’ influential treatise on early English pronunciation. This description, first ever attempted in English, is shown to be remarkably accurate in recording phonetic detail even if the system of transcription devised by its author is, from today’s perspective cumber- some and inefficient. The phonetic and phonological regularities contained in the description are reviewed and compared with the views found in contemporary studies of Icelandic. Flaws of the description are seen as basically due to the atomistic and letter-based nature of the approach. Ellis’ concern with the relevance of the Modern Icelandic phonetics for Old English and the history of English in general is taken to reflect his conviction about the universality of the mechanisms of phonological change. The first volume of Alexander J. Ellis’s monumental On early English pronun- ciation (1869–1889) contains a brief discussion of the pronunciation of Modern Icelandic, presumably the first such description ever attempted in English. It appeared within Chapter V (Teutonic and Scandinavian sources of the English language) alongside a comparable presentation of the pronunciation of Anglo- -Saxon, Old Norse and Gothic. To arrive at his description Ellis had worked with an educated native speaker of Icelandic, a writer, editor and translator; the description that emerged was read and commented upon by no less a person than Henry Sweet who himself had worked on Modern Icelandic pronunciation with a different native speaker. -
Transparency and Blocking in Old Norwegian Height Harmony
Transparency and blocking in Old Norwegian height harmony Jade Jørgen Sandstedt Abstract This paper provides a new phonological and philological analysis of previously unexplained disharmonic patterns in Old Norwegian height harmony. Old Norwegian displays cross- linguistically rare forms of blocking and transparency, which under traditional assumptions of Old Norwegian vowels and vowel harmony are both phonologically and orthographically irregular. I show that these patterns make perfect phonological sense if we reinterpret the Old Norwegian neutral vowels æ–ǫ as [−low, −ATR] /E, O/ and assume that Old Norwegian height harmony was relativized to [high] contrastive visibility and bounded by high-sonority elements, resulting in the transparency of [high] non-contrastive items and blocking by high- sonority [+low] vowels. This featural interpretation fits with the later diachronic development of Old Norwegian vowels and additionally helps explain patterned spelling variation found in both roman and runic writing. I Vowel harmony represents constraints on what are possible and impossible vowel sequences in a language for which there are both articulatory and perceptual motivations (Walker ), and yet it is not unusual for harmony languages to feature systematic disharmony through skipping, blocking, and other locality effects. How neutral harmony patterns are to be explained raises a number of fundamental questions about the nature and organization of harmony systems, and in this paper I explore some intricate underdescribed examples in th–th-century Old Norwegian which illustrate the role vowel contrastivity, sonority, and intervening featural under/specification can play in deriving surface disharmony. Old Norwegian featured height harmony, traditionally characterized as the lowering of non-initial /i, u/![e, o] following non-high vowels, but height harmony uniquely fails to occur for unknown reasons following the short vowels æ and ǫ and behaves inconsistently following derivational and definite suffixes. -
Realizing Morphemes in the Icelandic Noun Phrase Anton Karl Ingason University of Pennsylvania, [email protected]
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 1-1-2016 Realizing Morphemes in the Icelandic Noun Phrase Anton Karl Ingason University of Pennsylvania, [email protected] Follow this and additional works at: http://repository.upenn.edu/edissertations Part of the Linguistics Commons Recommended Citation Ingason, Anton Karl, "Realizing Morphemes in the Icelandic Noun Phrase" (2016). Publicly Accessible Penn Dissertations. 1776. http://repository.upenn.edu/edissertations/1776 This paper is posted at ScholarlyCommons. http://repository.upenn.edu/edissertations/1776 For more information, please contact [email protected]. Realizing Morphemes in the Icelandic Noun Phrase Abstract This dissertation defends a strong version of the view that linguistic surface complexity is the product of interactions between deep syntactic mechanisms and shallow interface-specific mechanisms. I argue that current developments in the theory of locality in Distributed Morphology (Embick 2010, Marantz 2013) impose boundaries on syntactic analysis and that morphemes cannot be identified and analyzed without studying their realization at the interfaces of syntax with both phonology and interpretation. The mpe irical focus is on a series of phenomena which are attested in Icelandic noun phrases and involve the realization of roots, category-defining heads, inflection morphemes, and definite articles, all of which may appear in the same noun as shown below. (1) leik-end-ur-nir 'play'-nmlz-m.nom.pl-def Three main components of the dissertation involve applicative structures, definite articles and morphophonology. I argue for the existence of applicatives in noun phrases which do not include a verbal substructure based on the realization of morphemes in an Icelandic Caused Experience construction.