1960S American Culture and Identity
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Disclose Huge Aid Offer to North Viet WASHINGTON (AP) - North Vietnam Was Told Last Year It Might Get up to $2.5 Billion of a Potential $7.5-Bil- Lion, Five-Year U.S
Marlboro Heavy Snow Snow ending late this after- - noksvith 4 inches or more ac- Red Bank, Freehold FINAL cuiindatlon. Partly cloudy and coEtonight and tomorrow. ' Long Branch EDItlON Monmonlh County's Outstanding Home Newspaper VOL 94 NCU52 RED BANK, N. J. FRIDAY, JANUARY 28,1972 TEN CENTS Disclose Huge Aid Offer to North Viet WASHINGTON (AP) - North Vietnam was told last year it might get up to $2.5 billion of a potential $7.5-bil- lion, five-year U.S. postwar reconstruction program for Indochina after a peace set- tlement, Nixon administration officials have disclosed. Administration strategists said also that the test still lies ahead on whether Hanoi will negotiate seriously on Presi- dent Nixon's eight-point peace offer. A current theory here is that North Vietnam and the Viet Cong, reportedly build- ing up for an offensive next month, will want to decide first whether South Vietnam can defend itself without U.S. troops and whether Nixon's offer has wide public support in the United States. Secretary of State William P. Rogers told newsmen yes- terday he was somewhat en- couraged because North Viet- namese negotiators did not re- ject Nixon's plan as it was .ibf D'-Urdl publicly presented at Pans ,:THrSM5 THE ARMY? — ^It'S^Hnfl B'S« the crowning touch at yesterday's Soul Food Mess at Ft. that morning, though they •Wlbnmouth, Is carved by. Mej&iteEggfiftt Frqnklin Pace as Spec. 4 Gloria Slater of Poughkeepsle, N.Y., piled invective on it. He said -<in<f <Spec, 5 William Davis of Harmtrorfl, Pa., serve the f Ixln's. -
Montana Kaimin, January 23, 1976 Associated Students of the University of Montana
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 1-23-1976 Montana Kaimin, January 23, 1976 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, January 23, 1976" (1976). Montana Kaimin, 1898-present. 6455. https://scholarworks.umt.edu/studentnewspaper/6455 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. / Delinquent loans montana inhibit short-term Kaim in lending program UNIVERSITY OF MONTANA • STUDENT NEWSPAPER Friday, Jan. 23, 1976 Missoula, Mont. Vol. 78, No. 49 By LARRY ELKIN In some cases, the loans constitute Montana Kaimin Reporter “an act of pure charity,” he said. He said he is willing to lend money Delinquent student loans are to students who wish to "go home” "inhibiting" the Financial Aids Of and added that some donors have fice's short-term loan program, UM specifically requested their money Financial Aid Director Don Mullen go to such “hard luck cases.” said yesterday. A survey taken last year had drawn Mullen cited a 50 per cent rate of a profile of students likely to default default on loans his department on a loan. -
Sample Chapter
Contents Acknowledgements . ix A Note on References . xi Introduction . xiii Synopsis . xviii Part 1: Straw Dogs Then Genesis and Pre-Production . 3 Shooting and the Problem of Susan George . 7 The Editing Process; Shaping an Ending. 15 England Swings, America Rocks: Straw Dogs in Its Cultural Context . 19 Feminism and the Sexual Revolution. 23 Backlash: Morality, Censorship and the MPAA . 26 Straw Dogs and the American Censors . 29 Straw Dogs, American Audiences and American Critics . 34 Sixties Britain: A Quieter Revolution . 38 Straw Dogs and the UK Critics . 45 Part 2: Straw Dogs since Then Home-Video Release: The Video-Nasties Debate. 53 Eighteen Years in the Wilderness . 55 viii controversies Moving with the Times: The BBFC and Sexual Violence . 60 Straw Dogs Unleashed . 66 Part 3: Key Themes and Ideas Introduction . 73 Straw Dogs, Masculinity and Violence. 74 Straw Dogs and Vietnam . 79 A Man’s House Is … . 84 The Problem of Amy . 86 Part 4: Key Scene Analysis The Rape Scene: Introduction . 101 Venner’s Arrival . 102 The First Rape . 104 The Second Rape . 106 Script Development of the Rape Scene . 109 Eroticising, Endorsing . 111 Part 5: The Legacy of Straw Dogs Straw Dogs, Survival Horror and Rape Revenge. 119 Remake/Remodel . 123 Closing Thoughts . 126 Appendices Appendix A: Key Details . 131 Appendix B: Notes . 134 Appendix C: References . 138 Index . 151 PART 1 STRAW DOGS THEN Genesis and Pre-Production By the time Straw Dogs came into his sights, Peckinpah was riding high. The Wild Bunch (1969) had had limited box-office returns, due in part to a mishandled release strategy,but it had been hailed as a masterpiece by the most influential US critics, and its director seemed poised to reap the rewards of long years of hard work and perpetual disappointments. -
African American Culture As a Political Weapon in the 1960S Civil Rights Movement
Liberation Culture: African American culture as a political weapon in the 1960s Civil Rights Movement. Joe Street A thesis submitted in fulfilment of the requirements of the degree of PhD University of Sheffield Department of History June 2003. Liberation Culture: African American culture as a political weapon in the 1960s Civil Rights Movement. Joe Street Synopsis This thesis addresses the use of African American culture as a political weapon in the 1960s civil rights movement. It argues that African American culture was an important weapon for the movement and focuses on how the three major 1960s civil rights organisations - the Student Nonviolent Coordinating Committee, the Congress of Racial Equality and the Southern Christian Leadership Conference - engaged with cultural forms such as song, theatre, literature and art. It also examines smaller groups, such as the Free Southern Theater, the Southern Folk Cultural Revival Project, the Black Panther Party and Us, and important individuals such as Guy Carawan, Robert F. Williams, Amiri Baraka and Malcolm X. A particular concern of the thesis is the role that education played in spreading the civil rights movement's message. Although based in historical method, it is also grounded in cultural theory, addressing Antonio Gramsci's conception of hegemony and oppositional culture and incorporating ideas of identity and memory. It presents SNCC's 1964 Summer Project as a central event of the civil rights movement, where the relationship between education, culture and the movement peaked. In doing so, the thesis addresses the periodisation of the movement, suggesting that 1964 be interpreted as the turning point of the movement. -
W Ho in the World
record ServingDelicated The To Needs 01 The Music & Record wol Industry Vol. 22, N. 1089 April 20, 1968 W HO In the opii .s. this week the following records are the SING 'KS OF THE W EEK IN THE W ORLD "Mrs. Robinson" (Charing Otis Redding has a new "May I Take a Giant Step Jack Jones' "Follow Me" Cross, BMI) is that hard one out to brighten things (Into Your Heart)" (Kaskat, (Cherrybell, ASCAP) should problematic Mom in "The up at the dock of the bay. BMI) will take a giant step acquire a following. It's Graduate" and also Simon It's called "The Happy up the chart as segued by a breezy ditty with a chirp- and Garfunkel's cousin ti Song (Dum-Dum)" (East- hit-making 1910 Fruitgum ing gal chorus along for "Eleanor Rigby." A scather Time-Redwal, BMI) (Volt Co. (Buddah 39). tre ride (FCA Victor 47- (Columbia 4-44511). 163). 9510). NA NGIM . 0ki YOU. LOY . T M I'M IN CRO WD 0 The In Crowd sing a song Neil Diamond's "Brooklyn The Delfonics are back to Gene Pitney gets low down called "Hangin' From Your Roads" (Stonebridge, BMI) follow "La La Means I and funky on "She's a Lovin' Tree" (Adam Sean, is a stirring, autobiograph- Love You" with another Heartbreaker" (Catalogue BM!) and the teens will ical song with Thomas big R/Ballad they'll click Cee & I, BMI). It's a want to hang around the Wolfe overtones the kids with. "I'm Sorry" (Nickel change of pace for Gene steady beat (Abnak 129). -
The Dehavilland Law Screenplay.Pdf
FADE IN: A 1938 NEWSREEL ON SCREEN. Video news segments follow. A graphic appears on screen: SPOTLIGHT on HOLLYWOOD! ANNOUNCER (V.O.) The Movie Event of the Century! Gone With the Wind. Based on the book: movie mogul David O. Selsnick buys the rights before the book was even published. O’SELSNICK It’s going to be a spectacle! ANNOUNCER They are shooting in technicolor. Victor Flemming to direct. And legendary Max Steiner to score. A pause. Another Graphic Appears: SEARCH for SCARLET! ANNOUNCER (CONT’D) Debutantes from all over the south flock to Hollywood to audition for the lead role in Gone With The Wind. SELSNICK “This is no publicity stunt.” ANNOUNCER But do any of these Southern Belles stand a chance against Lucille Ball and Betty Davis? EXT. STUDIO LOT, DAY. Girls are lined up around the outside film stage for a chance to audition. The lineup includes a variety of amateurs. The camera follows George Cukor on his way to work. The girls perk up at the sight of him. 39 GIRL #1 Good morning! Cukor walks past dismissively. CUKOR Fine, yes. He passes another girl dressed in a Southern pageant dress. Who curtsies and says in a thick southern twang... GIRL #2 How do you do Mr. George? CUKOR Fine, yes. Cukor’s assistant opens the stage door for him. GIRL #3 (O.S.) Mr. Cukor! She rushes after him. Cukor hustles to the privacy into the stage and the heavy stage door closes behind him. Cukor looks at his assistant and frowns. CUKOR (exasperated) Let’s get this over with. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMi films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI ‘FEELS LIKE TIMES HAVE CHANGED”: SIXTIES WESTERN HEROES DISSERTATION Presented in I^rtial Fulfillment of the Requirements for the Degree Doctor of ftilosophy in the Graduate School of The Ohio State University By Matthew Stephen Wanat, M. A. ***** The Ohio State University 2001 Dissertation Committee: Approved by Professor Linda Mizejewski, Adviser .