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TEFAF Maastricht 2019 – Stand 444 Ernst Ludwig Kirchner, Erich Heckel

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TEFAF Maastricht 2019 – Stand 444 Ernst Ludwig Kirchner, Erich Heckel GALERIE HENZE & KETTERER & TRIEBOLD GALERIE HENZE & KETTERER AG Wettsteinstrasse 4 – CH 4125 Riehen Kirchstrasse 26 - CH 3114 Wichtrach/Bern Tel. +41/61/641 77 77 – Fax: +41/61/641 77 78 Tel. +41/31/781 06 01 - Fax: +41/31/781 07 22 www.henze-ketterer.ch – [email protected] www.henze-ketterer.ch – [email protected] TEFAF Maastricht 2019 – Stand 444 Ernst Ludwig Kirchner, Erich Heckel and Emil Nolde during WWI. We will set a special focus on the influence of the great war on the oeuvre of these three „Brücke“ artists. Ernst Ludwig Kirchner was «for unknown reasons not conscripted for obligatory training as a soldier». Kirchner therefore «volunteered involuntarily», as he himself wrote, as a driver for the artillery and in July 1915 was assigned as a recruit to a regiment of the field artillery in Halle an der Saale. However, the drill and the entire circumstances of his training demanded much too much of Kirchner and by the end of that same month he was granted a lengthy period of convalescence. Kirchner made this an opportunity to do a small yet highly intense series of paintings, in which he depicted and reflected upon what he had just experienced. These paintings include the enigmatic and much-studied paintings «Selbstbildnis als Soldat» (Gordon 435) and «Artilleriesoldaten» (Gordon 434), “Soldatenbad” (1915) as well as «Der Rote Turm in Halle» (Gordon 436) – Kirchner’s monument to that time –, two paintings depicting soldiers on horseback (Kirchner undoubtedly liked horses) and two further genre painting of the time, namely «Offizier und Kellnerin» (1915) and “Hugo” (1914). Erich Heckel was stationed in Belgium (Ostende) during World War I with a Red Cross medical corps headed by art historian Walter Kaesbach, who ensured Heckel continued to paint and make prints. While there Heckel became close with James Ensor and met Max Beckmann. In 1918 he returned to Berlin and joined socialist artists’ organizations, including the Novembergruppe. During war and postwar years he created many portraits, self-portraits, and landscapes embodying spiritual isolation and melancholy. Emil Nolde strangely enough did not react to WWI in his work. In 1915 he produced 88 paintings, including religious motifs such as “Burial”, and paintings from sketches he had done in the South Seas. In 1916 the couple moved to Utenwarf on the west coast. Nolde just kept out of trouble! On the following pages you will find images and details of the works for Tefaf Maastricht 2019: GALERIE HENZE & KETTERER & TRIEBOLD GALERIE HENZE & KETTERER AG Wettsteinstrasse 4 – CH 4125 Riehen Kirchstrasse 26 - CH 3114 Wichtrach/Bern Tel. +41/61/641 77 77 – Fax: +41/61/641 77 78 Tel. +41/31/781 06 01 - Fax: +41/31/781 07 22 www.henze-ketterer.ch – [email protected] www.henze-ketterer.ch – [email protected] 1. Erich Heckel Zwei Verwundete (Two wounded Men). Woodcut, 1914. On japan-paper. Impression out of the print-edition. Signed and dated on the lower right. 42,5 x 28 cm on 61,3 x 44,9 cm. Dube H 276 II A Remarks: The woodcut appeared in the edition of 40 copies in the map "Elf Holzschnitte, 1912-1919, Erich Heckel bei I. B. Neumann", Berlin 1921. Erich Heckel was stationed in Belgium (Ostende) during World War I with a Red Cross medical corps headed by art historian Walter Kaesbach, who ensured Heckel continued to paint and make prints. While there Heckel became close with James Ensor and met Max Beckmann. In 1918 he returned to Berlin and joined socialist artists’ organizations, including the Novembergruppe. During war and postwar years he created many portraits, self-portraits, and landscapes embodying spiritual isolation and melancholy. Erich Heckel volunteered for military service at the beginning of the First World War but was not conscripted owing to a surplus of volunteers. He then undertook training as a medical orderly in Berlin and received his certificate in October 1914, but he was not drafted into the medical service before the end of the year, which left him with plenty of time for his art. Heckel’s woodcut “Zwei Verwundete” (Two Wounded Soldiers) must have been produced during this waiting period. Heckel had also produced this motif as a pen and brush drawing, mirror-inverted, and it was possibly this drawing that served as the model for the woodcut. This drawing is today kept at the Brücke-Museum in Berlin (Aya Soika: „Weltenbruch – Die Künstler der Brücke im Ersten Weltkrieg 1914-1918“, Munich 2014, p. 30). This woodcut certainly expresses Heckel’s mood at the time, namely his dissatisfaction with having to idle the time away just thinking about the new duties that await him. In a letter dated 19th October 1914 to Gustav Schiefler’s wife Luise, he writes: “I would have gladly helped and experienced these vivid impressions at first hand, but, things being as they are, I have completely buried myself in my work in my search for serious and lively expression.” Obj. Id: 77139 GALERIE HENZE & KETTERER & TRIEBOLD GALERIE HENZE & KETTERER AG Wettsteinstrasse 4 – CH 4125 Riehen Kirchstrasse 26 - CH 3114 Wichtrach/Bern Tel. +41/61/641 77 77 – Fax: +41/61/641 77 78 Tel. +41/31/781 06 01 - Fax: +41/31/781 07 22 www.henze-ketterer.ch – [email protected] www.henze-ketterer.ch – [email protected] 2. Erich Heckel Verwundeter (Wounded Man). Pen in ink, 1915. On chamois paper. Signed and dated on the lower right. With the collector's stamp Alfred Hess, Erfurt (Lugt 2796 a) on the verso. 42,8 x 33 cm. Remarks: Erich Heckel volunteered for military service at the beginning of the First World War but was not conscripted owing to a surplus of volunteers. He then undertook training as a medical orderly in Berlin and received his certificate in October 1914, but he was not drafted into the medical service before the end of the year, which left him with plenty of time for his art. In 1915 Erich Heckel was posted as a medical orderly to the legendary medical unit formed by museum director Walter Kaesbach primarily from artist friends (amongst others Max Beckmann, Anton Kerschbaumer, Heinrich Nauen und Otto Herbig), whom he was able to keep away from direct action and planned their duty roster in such a way that they always had plenty of time for their art. Heckel was one of the few artists who directly expressed their war experiences in their work. This drawing comes from the famous art collection of the shoe manufacturer Alfred Hess in Erfurt, who until 1930 owned one of the most comprehensive and important collections of German Expressionism. Obj. Id: 76411 GALERIE HENZE & KETTERER & TRIEBOLD GALERIE HENZE & KETTERER AG Wettsteinstrasse 4 – CH 4125 Riehen Kirchstrasse 26 - CH 3114 Wichtrach/Bern Tel. +41/61/641 77 77 – Fax: +41/61/641 77 78 Tel. +41/31/781 06 01 - Fax: +41/31/781 07 22 www.henze-ketterer.ch – [email protected] www.henze-ketterer.ch – [email protected] 3. Erich Heckel Verwundeter (Der barmherzige Samariter)(The Good Samaritan). Woodcut, 1915. On ribbed hand-made paper with watermark: Tower. One of the few impressions of this print pulled by the artist. Signed on the lower right, marked "Ostende 15" on the lower left and "Der Gute Samariter" on the lower center. 37,5 x 27,5 on 55,7 x 38,8 cm. Dube H 291. Remarks: Middle sheet of the triptych "The Good Samaritan" (Dube 290-292). This woodcut is extremely rare. Erich Heckel volunteered for military service at the beginning of the First World War but was not conscripted owing to a surplus of volunteers. He then undertook training as a medical orderly in Berlin and received his certificate in October 1914, but he was not drafted into the medical service before the end of the year, which left him with plenty of time for his art. In 1915 Erich Heckel was posted as a medical orderly to the legendary medical unit formed by museum director Walter Kaesbach primarily from artist friends (amongst others Max Beckmann, Anton Kerschbaumer, Heinrich Nauen und Otto Herbig), whom he was able to keep away from direct action and planned their duty roster in such a way that they always had plenty of time for their art. Heckel was one of the few artists who directly expressed their war experiences in their work. Obj. Id: 67962 GALERIE HENZE & KETTERER & TRIEBOLD GALERIE HENZE & KETTERER AG Wettsteinstrasse 4 – CH 4125 Riehen Kirchstrasse 26 - CH 3114 Wichtrach/Bern Tel. +41/61/641 77 77 – Fax: +41/61/641 77 78 Tel. +41/31/781 06 01 - Fax: +41/31/781 07 22 www.henze-ketterer.ch – [email protected] www.henze-ketterer.ch – [email protected] 4. Erich Heckel Irrer Soldat (Insane Soldier). Lithograph, 1916. Dube L 232 II On ribbed hand-made paper with watermark: Van Gelder Zonen- Bütten. Print from the edition. Signed on the lower right, dated on the lower left and marked "Ostend". 30,1 x 24,1 auf 50,5 x 35,4 cm. Remarks: 50 copies on hand-made paper printed by the editor Paul Cassirer, Berlin 1920. Erich Heckel volunteered for military service at the beginning of the First World War but was not conscripted owing to a surplus of volunteers. He then undertook training as a medical orderly in Berlin and received his certificate in October 1914, but he was not drafted into the medical service before the end of the year, which left him with plenty of time for his art. In 1915 Erich Heckel was posted as a medical orderly to the legendary medical unit formed by museum director Walter Kaesbach primarily from artist friends (amongst others Max Beckmann, Anton Kerschbaumer, Heinrich Nauen und Otto Herbig), whom he was able to keep away from direct action and planned their duty roster in such a way that they always had plenty of time for their art.
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