The Blowing Snow Observations at the University of North Dakota: Education Through
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The Study of Pioneer Life: Two Replies to Mr. Davis
NOTES AND DOCUMENTS THE STUDY OF PIONEER LIFE: TWO REPLIES TO MR. DAVIS MINNEAPOLIS, MINNESOTA, January 24, 1930 DEAR EDITOR: Having in my boyhood days experienced the life and trials of a pioneer upon the prairies of western Minnesota, I was much interested in reading in your last quarterly the criticism by Le Roy G. Davis of certain incidents and statements contained in Rolvaag's Giants in the Earth.^ I read this rather remarkable book with a great deal of interest — an interest much enhanced because of my own personal con tact with frontier life and because I recognized in the story a substantially correct picture of conditions and the social life prevailing in those far-flung stretches lying out beyond " where the West begins." Mr. Davis selects a few statements from the book (I presume the most extreme he could find) and sets out to prove that a false picture is painted by the author. My own impression and feeHng is that Rolvaag's picture is true in substance and practically so in detail. I will briefly go over the several objections made by Mr. Davis: I. Mr. Rolvaag states that "original settlers are agreed that there was neither bird nor insect life on the prairie, with the exception of mosquitoes, the first year that they came." Mr. Davis challenges this statement. If I remember rightly, mention was made in the story of the passing of ducks and geese. With that qualification, I believe the statement to be substantially correct. Before the advent of the settler the open prairie, far removed from rivers, lakes, and trees, was practically devoid of bird life. -
MAKE IT NEW. MAKE IT YOURS. PROFILE Volume 70, Number 1 January – February 2018
MAKE IT NEW. MAKE IT YOURS. PROFILE Volume 70, Number 1 January – February 2018 Subcontractor Spotlight: HVAC, Inc. Non-Profit Org. US Postage PAID Asheville, NC Permit No. 101 The Museum is pleased to highlight HVAC, Inc. as a Subcontractor Spotlight. Headquartered in Asheville, NC and Bristol, TN and an expert serving the region, HVAC, Inc. is a full service specialty mechanical contractor offering a -1717 full complement of building solutions. HVAC, Inc. company philosophy states 2 2880 828.253.3227 Asheville, NC P.O. Box 1717 “We believe in and support the communities in which we live and work. And ashevilleart.org we strive daily to improve anything and everything @ www.ashevilleart.org we can. Every project we do is special and we are mailbox innovators in mechanical problem solving.” Asheville Art Museum Assoc. Since 1986, HVAC has grown from eight to more than 100 dedicated, innovative, hard-working employees. The Asheville Art Museum is proud to have HVAC, Inc. team members working on the 5:00 p.m. installation of the critical heating, ventilation and cooling systems, which are a major component of the Museum new Museum. These new systems will provide the necessary climate-controlled environment to house rt A and showcase the Museum’s Permanent Collection HVAC, Inc. has been working hard and special exhibitions. the past few months installing critical mechanical and climate systems, a Sun. 1:00 – 5:00 p.m. 175 Biltmore Avenue Tues. – Sat. 10:00 a.m. major component of the new building. Collections Spotlight: [email protected] www.ashevilleart.org Asheville 2 South Pack Square | Under Construction My Big Black America, Wesley Clark On TheSlope For information call828.253.3227 The Asheville Art Museum is excited to have recently acquired a new work titled My Big Black America by artist Wesley Clark through its newly PERFORMANCES + WORKSHOP formed Acquisition Response Team (A.R.T.), a support network for acquiring exciting works of art that require Midday Music Break in the Gallery rapid funding and quick decision-making. -
Stories of Russian Life
CORNELL UNIVERSITY LIBRARY UNDERGRADUATE LIBRARY Cornell University Library PG 3456.A15F31 Stories of Russian life, 3 1924 014 393 130 The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924014393130 STORIES OF RUSSIAN LIFE STORIES OF RUSSIAN LIFE BY ANTON TCHEKOFF TRANSLATED FROM THE BtTSBIAN BT MARIAN FELL NEW YORK CHARLES SCEIBNER'S SONS 1914 -% r" 70 7 (> COFTBZGHT,A 1914, BT CHABLES SCBIBNER'S SONS Published May, 1914 CONTENTS FAOB 3 |. Qyeese4B^ed The Night befobe Easter 10 At Home 26 ''•^ ' Champagne *1 ^' The Malepactob ^0 Mtjbdeb Will OtTT 56 §3-' A" The Tbottsseau ' \&" ' The Decobation The Man in a Case 76 Little Jack ^' Dbeams ^ * ' The Death of an Official 118 Agatha ^^^ TheBbogab '^^^ Children 148 J^ The Tboublesome Guest 1^''' "^ Not Wanted ^^ "The RoBEEms l77 Fat 2°^ , . Lean and V vi CONTENTS PAPB On THE Wat 208 v/ The Head Gabdenek's Tale *3* -Hush! 240 t- WlTHOITT A TnUE 5-«» ^ In the Eavinb 252 STORIES OF RUSSIAN LIFE STORIES OF RUSSIAN LIFE OVERSEASONED ON arriving at Deadville Station, Gleb Smirnoff, the surveyor, found that the farm to which his business called him still lay some thirty or forty miles farther on. If the driver should be sober and the horses could stand up, the distance would be less than thirty miles; with a fuddled driver and old skates for horses, it might amount to fifty. "Will you tell me, please, where I can get some post-horses.'' " asked the surveyor of the station-master. -
A Graduate Recital in Voice
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2014 A graduate recital in voice Brent M. Smith University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2014 Brent M. Smith Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Music Performance Commons Recommended Citation Smith, Brent M., "A graduate recital in voice" (2014). Dissertations and Theses @ UNI. 258. https://scholarworks.uni.edu/etd/258 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Copyright by BRENT M. SMITH 2014 All Rights Reserved A GRADUATE RECITAL IN VOICE A Recital Abstract Submitted in Partial Fulfillment of the Requirements for the Degree Master of Music Brent M. Smith University of Northern Iowa May 2014 THIS RECITAL ABSTRACT BY: Brent M. Smith ENTITLED: A Graduate Recital in Voice has been approved as meeting the thesis requirement for the Degree of Master of Music ___________ _____________________________________________________ Date Dr. John Hines, Chair, Thesis Committee ___________ _____________________________________________________ Date Dr. Jean McDonald, Thesis Committee Member ___________ _____________________________________________________ Date Dr. Korey Barrett, Thesis Committee Member ___________ _____________________________________________________ Date Dr. Michael J. Licari, Dean, Graduate College THIS RECITAL BY: Brent M. Smith ENTITLED: A Graduate Recital in Voice DATE OF RECITAL: March 3, 2014 has been approved as meeting the recital requirement for the Degree of Master of Music ___________ _____________________________________________________ Date Dr. -
Manifestations S01 E14: Change
Manifestations S01 E14: Change Intro Music - Breathe, by Chill Carrier https://chillcarrier.bandcamp.com/ Voiceover: Manifestations is a podcast of the Ostium Network Voiceover: Time is not linear, but our story is. Please join us ... on our journey. We, are Manifestations. Music becomes dramatic then fades out Episode background music is a fast and percussive electric piano - Burst, by Chill Carrier https://chillcarrier.bandcamp.com/ https://www.chillcarrier.de/ Alan - I took some time to get a shower and have a fresh change of clothes. [two beat alarm sound begins] I’m just tying my boots when I’m startled by a strange noise. It’s not loud, but it’s shrill and repeating. If this is their idea of an alarm, it certainly has my attention. Alan - I check the phone for any notices. The only thing I see is a glyph marked “QILA.” I touch it and a message opens, it tells me there’s an incident in the medical section. [alarm sound ends] The anomalies are awake. Security measures have been taken. There’s also a map and instructions on how I can get there. Alan - I grab Thomas’ shoulder bag and head for the door. There’s no one in the hall. I make it to the elevator, down to the main floor and across to a set of stairs. I’m 3 floors down before I see anyone else. They look at me strange, but keep going about their business. I’m a fellow employee afterall. Episode background music is tense, synth, somewhat muted - Nova, by Chill Carrier https://chillcarrier.bandcamp.com/ https://www.chillcarrier.de/ Alan - One more level down and I take a door out into a long hallway. -
Nicholas A. Virgilic 1092 Niagara Road Camden 4, New Jersey
Nicholas A. Virgilic 1092 Niagara Road Camden 4, New Jersey Two little girls spinning on stools} singing, Its tiny paws hold the child counting the same f ir e fly one acorn, and only one ever and over in this gnawing cold. The broken hoe handle \ before the old tree,,* that served as the scarecrow saplings in the wind and sun holds the hobo's cloth es• practice calligraphy. \ ■' .The old house's e ave s In the tw ilight fie ld - whiakering with icicles: a child counts the same firefly the Chinese laundry, over and o v e r ... In the twilight fie ld - innt a child counts the same firefjLy in the old stable - arain and again... the horse's leg twitches a fly A butterfly A white butterfly fanning a wilting flower bouncing on the ball diamond marking the base-line The summer heat: A butterfly a fluttering butterfly playing a melody on the base-liae fanning a flower The b a ll diamond; X \ a butterfly-melody The clouded sun; follows the base-line wiping the window she polishes her siaile My spring-cleaning neighbor These pampas plumes waving in the autumn wind, would a rake a tine broom Nicholas A* Virgilic 1092 Niagara Road Camden 4, New Jersey Heavy, summer day*** how does o The armies a scarecrows p ihe old muddy shoes and the rusty tackle box a hobo shouldering of my fishing youth. The armless scarecrow a hobo shoulders the hoe handle and a bundle of clothes. renting the roff of storm clouds Crisscrossing sunbeams renting the overcasts city sky lin e . -
Winter Weather Awareness Day 2010
Nebraska Winter Weather Awareness Day Winter Weather Awareness Day - November 4, 2010 With Fall upon the Great Plains, now is the time to focus attention to winter weather and the dangers it can pose to life and property. November 4th, 2010 has been declared as Winter Weather Awareness Day for the state of Nebraska. Each year, dozens of Americans die due to exposure to the cold. Winter weather accounts for vehicle accidents and fatalities, and results in fires due to dangerous use of heaters and other winter weather fatalities. Other hazards, such as hypothermia and frostbite, can lead to the loss of fingers and toes or cause permanent internal injuries and even death. The very young and the elderly are among those most vulnerable to the potentially harsh winter conditions. Recognizing the threats and knowing what to do when they occur could prevent the loss of extremities or save a life. A winter storm can last for several days and be accompanied by high winds, freezing rain or sleet, heavy snowfall and cold temperatures. People can be trapped at home or in a car with no utilities or assistance, and those who attempt to walk for help could find themselves in a deadly situation. The aftermath of a winter storm can have an impact on a community or region for days, weeks, or possibly months. Wind - Some winter storms have extremely strong winds which can create blizzard conditions with blinding, wind driven snow, drifting, and dangerous wind chills. These intense winds can bring down trees and poles, and can also cause damage to homes and other buildings. -
Snow and Ice Techniques for Stampers
Interactive Table of Contents (Click on topic to go to page. Main sections = black, Technique / Resource pages = navy, Art pages = cyan, Sponsor pages = green) Snow & Ice Techniques . 3 Crayon Resist . 21 Nancie Waterman’s Artwork . 36 Marilyn Sweeney’s Artwork . 53 Color Choices . 4 Nancie Waterman’s Artwork . 22 Nancie Waterman’s Artwork . 37 Learn More From VSN . 54 Ducks in A Row’s Page . 6 Masking Fluid Resist . 23 Shona Erlenborn’s Artwork . 38 Other VSN eArticles . 54 Snow Ideas & Techniques . 7 Nancie Waterman’s Artwork . 24 Nancie Waterman’s Artwork . 41 Dye, Pigment & Paper Blog . 55 Masked Snow Drifts . 7 Embossing Powder Resist . 25 Ice Ideas & Techniques . 43 Birdseed & Binoculars Blog . 55 Nancie Waterman’s Artwork . 9 Rubber Hedgehog’s Page . 26 Coloring Icicles . 43 Please Spread the Word . 56 Stamped Snow . 10 Gelli Plate Snow Background . 27 Embossed Layers Ice . 44 Find VSN Online . 56 StampScrapArtTour’s Page . 12 Marilyn Sweeney’s Artwork . 28 Nancie Waterman’s Artwork . 45 Odds & Ends . 57 Double Stamped Images . 13 Coloring Snow . 29 Clear Dimensional Glue Ice . 46 Art Drawing . 57 Nancie Waterman’s Artwork . 16 Nancie Waterman’s Artwork . 30 Stamped Reflections . 47 Printing this eArticle . 57 Repeat Impressions’ Page . 17 White Gel Pen . 31 Nancie Waterman’s Artwork . 48 eArticle Copyright Statement . 57 White Ink or Paint . 18 Nancie Waterman’s Artwork . 32 Absolutely Everything’s Page . 49 Marilyn Sweeney’s Artwork . 19 About Art Accents’ Page . 33 Epsom Salt Crystals . 50 Clear Medium Resist . 20 Dimension, Texture & Sparkle . 34 Plastic & Vinyl Ice . 51 Page 2 Go to Contents VSN eArticle (www.vampstampnews.com) ©Copyright Nancie Waterman 2013 All Rights Reserved Snow & Ice Techniques As I write this eArticle, the Mid Atlantic where I live is in the middle of a snow and ice storm. -
Jennings Randolph and a New Deal for Harpers Ferry
THE “Junction of the Potomac Spring 2019 and Shenandoah, Virginia,” by William Roberts, dating Page 3 - Learn more about from 1808-1809. This is one our 75th Anniversary Speak- of the oldest known prints er Series of Harpers Ferry. In 1783, Page 5 - See upcoming Thomas Jefferson declared Park events that this view was “worth a Page 6 - Learn about our voyage across the Atlantic.” upcoming Historical Trades (Museum of Early Southern Workshop Decorative Arts, Winston- Page 7 - Become a 75th Salem, North Carolina) Anniversary sponsor Jennings Randolph and a New Deal for Harpers Ferry “Problems are truly wonderful because we have the opportunity to solve them.” —Senator Jennings Randolph, quoted in the Washington Star, November 6, 1978. THE YEAR 2019 DAWNS BITTERSWEET IN Harpers Ferry, the stillness of a pristine view marked by the silence of a gov- ernment shutdown. Pretty Shenandoah Street, with its cheerful, carefully repli- cated facades, is a veritable ghost town. Museum doors are locked tight, while snow drifts unchecked against staircases and porches. Winter’s breeze bites more deeply, gnawing at our own uncertainty. How long will this last? Those of us who call the Ferry home search the stones, the bricks, the creaking signs, the hill- sides looming over our heads for some Senator Jennings Randolph and Superintendent Joseph Prentice talk to reporters in Septem- answer, some sign that all will soon be ber 1965. (Harpers Ferry NHP Modern Photo Collection, HAFE-1359_NHF2811) well. We are not the first to stand in this all of them are sadder, the shuttered Preposterous. place and ask such questions. -
PDF (V. 86:13, January 18, 1985)
THE CALIFORNIA VOLUME 86 PASADENA, CALIFORNIA I FRIDAY, JANUARY 18, 1985 NUMBER 13 SURF Applications Marcus Wins Now Available Wolf Prize by Lily Wu made during the school year to by Lily Wu The Summer Undergraduate groups such as the Caltech Alum Rudolph A. Marcus, the Noyes Research Fellowship (SURF) ap ni Board and an IBM technical Professor ofChemistry at Caltech, plications are now available for the group. Also, a total of 41 papers will be awarded the $100,000 Wolf summer. have been published by SURFers Prize in Chemistry for 1984-85. The SURF program is and their sponsors as a result of Marcus was selected in operating this year with additional their research project work. recognition ofhis career-long con contributions and a new ad Later this month, a two-time tributions to chemical kinetics. He ministrative committee. SURFer, Tak Leuk Kwok helped to pioneer work iri reaction Last April, President Marvin (1982,1983) will receive the Apker rate theories with the RRKM Goldberger created a new Ad Award from the American Physical theory in 1951, which he ministrative Committee for SURF. Society. The national prize will be co-authored. The committee is chaired by Pro awarded to Kwok for the most pro Marcus also worked on models fessor Fred Shair and it includes 15 mising undergraduate research in <: to describe molecular break-up members of the faculty and ad physics, which he performed in a ~:;, rates of uni-molecular reactions ministration. The purpose for the surf. ~ and electron transfer reactions. committee is to plan and administer The stipends for this year will ~ Such information helps chemists SURF every year, as well as to again be $2800. -
The Christmas Revels Program Book
The 48th annual production With David Coffin Merja Soria The Kalevala Chorus The Solstånd Children Infrared listening devices and The Briljant String Band large print programs are available The Northern Lights Dancers at the Sanders Theatre Box Office. The Midnight Sun Mummers The Pinewoods Morris Men for Please visit our lobby table Karin’s Sisters Revels recordings, books, cards Cambridge Symphonic Brass Ensemble and more. Our new CD, The Gifts of Odin: A Nordic Christmas Revels, features much of the music from Lynda A. Johnson, Production Manager this year’s show! Jeremy Barnett, Set Design Jeff Adelberg, Lighting Design Heidi Hermiller, Costume Design Bill Winn, Sound Design Ari Herzig, Projection Design Thanks to our generous Corporate Partners With support and Media Sponsors: from: TM www.cambridgetrust.com CONTENTS Introduction Please join us in “All Sings” on pages 5, 10, 12, 14 and 16! Welcome to the 48th annual Christmas Revels! Sven is a dreamer and his father’s patience is wearing THE PROGRAM page 4 thin. It is Christmas and the big house is bustling with preparations for a party that will bring together ministers PARTICIPANTS page 17 and dignitaries from all the Scandinavian countries to meet the new Ambassador of Finland. The seasonal festivities do little to reduce Sven’s moodiness that FEATURED ARTISTS page 22 seems to be tied to the loss of his favorite uncle. Change comes in the guise of three unusual Christmas presents. They usher Sven into an alternative universe populated by witches, A NOTE ON THE KALEVALA snakes and superheroes, where he is reunited with his late uncle Finland Finds Its National Identity page 35 in a series of life-changing adventures. -
Art & Early Childhood: Personal Narratives & Social Practices
Occasional Paper Series 31 BAnk Street College of Education Art & Early Childhood: Personal Narratives & Social Practices Introduction by Kris Sunday, Marissa McClure, Christopher Schulte Young children are explorers of their worlds—worlds filled with unfamiliar things, first experiences, and tentative explanations. As Lowenfeld (1957) recognized, art originates with children’s experiences of their immediate surroundings. Young children’s encounters with art provide a means to explore ideas and materials, invent worlds, and set them in motion. As a language and mode of communication, art offers children the opportunity to play with ideas and generate conclusions about themselves and their experiences. The communicative nature of children’s artwork suggests their desire to be heard and understood by those around them. In this issue of Bank Street’s Occasional Paper Series, we explore the nature of childhood by offering selections that re/imagine the idea of the child as art maker, inquire about the relationships between children and adults when they are making art, and investigate how physical space influences our approaches to art instruction. We invite readers to join a dialogue that questions long-standing traditions of early childhood art—traditions grounded in a modernist view of children’s art as a romantic expression of inner emotional and/or developmental trajectories. We have also selected essays that create liminal spaces for reflection, dialogue, and critique of the views that have heretofore governed understandings of children and their art. We draw from current perspectives on children’s art making as social practice (Pearson, 2001). In framing our understanding of children’s art within larger conversations about contemporary art, we move beyond the modernist view.