object / envelope distort / make with warp. then use open selection tool to pull points Australian and New Zealand Cinema 6 Shortcuts Tina Kaufman 8 Making it Real: The Home Song Stories Michael Kitson 12 To Love More: Clubland Director Cherie Nowlan Rjurik Davidson 18 Going Walkabout: Lucky Miles Dave Hoskin 22 A Road Movie Without a Road: An Interview with Michael James Rowland Brian McFarlane 30 This Boy's Life: Romulus, My Father Rjurik Davidson 34 Sex, Drugs and No Control: West Rani Kellock 38 Silence, Please: Dr Plonk Brian McFarlane Special Feature: 42 Some Takes on the Meaning of 'Noise': Noise Awakening the Past D. Bruno Starrs 86 Taking the 'Nation' Out of Gallipoli: Tolga 48 Their Brothers' Keepers: Bra Boys Bruce Andrews Örnek's Gallipoli: The Frontline Catherine Simpson 54 It All Begins at Home: Accelerating Local Film 92 Bonds of War: Tolga Örnek on Gallipoli: The Talent Lior Albeck-Ripka Frontline and Australian–Turkish Relations 58 In Danger of Great Film: The Tenth Revelation Catherine Simpson Perth International Film Festival Darren Jorgensen 96 The Shape of Light – Australian 62 Vibrant and Varied: The Melbourne International Cinematographers: Part One: Setting the Animation Festival Elizabeth Markham Scene; Russell Boyd Dave Hare 102 The Picture That Might Have Been: Focus on Asia and the Middle East The Story of the Kelly Gang Mike Walsh 66 The Curse of the Golden Flower and the Two Trends in Chinese Cinema Mike Walsh Industry Perspectives 72 Palestine Uncut: The Inaugural Melbourne– 106 Filmonomics: An Introduction to the Palestine Film Festival Dmetri Kakmi Economics of the Box Office Jordi McKenzie 112 The Big Picture: Australian Box Office Wrap The Atlab/Kodak Cinema Collection Matthew Hancock 118 From the Big Screen to the Computer 76 Introduction Brian McFarlane Screen: australianscreen Goes Online 78 Newsfront Rose Lucas Tina Kaufman 126 Get Your Shorts Out Angela Zivkovic 129 Vale Richard Franklin Kevin Adams 130 A Pathway for Low Budget Filmmakers: IndiVision Monique Hohnberg object / envelope distort / make make / distort envelope / object with warp. warp. with then use open selection tool to to tool selection open use then Contributors for this issue (L-R): 1. Bruce andrews. 2. Lior Albeck-Ripka. 3. Monique HohnbErg. 4. rjurik davidson. 5. jordi mckenzie 6. Mike walsh. points pull Editor ISSN 0312 2654 Published June 2007 Peter Tapp assistant Editors Metro is produced by the Australian Teachers Natalie Book and Rjurik Davidson of Media Inc. (ATOM) with assistance from the SUB-EDITORS Australian Film Commission, ACMI and the NSW Dmetri Kakmi and Aiden O’Hehir Film and Television Office. Metro is a partly- Commissioning Editors refereed journal, for those authors who request Tina Kaufman and Geoff Lealand that their pieces be refereed. Manuscripts, of a Art Director maximum of 3,000 words, should be submitted for blind review with identification of author(s) on a Proofreaders separate page, including author details. Manuscripts Zak Hamer, Dmetri Kakmi should be typed, double-spaced, on A4 paper and Aiden O’Hehir (one side only), and three copies supplied. If the SUBSCRIPTIONS MANAGER manuscript is accepted for publication you will be Zak Hamer asked to email the article as an attachment in Word. PRINTING Accompanying photographs or graphics are Adams Printers prefered. Electronic images: preferably 300dpi ADVERTISING COVER IMAGE: Joan Chen in Tony Ayres' feature ph 61 3 9525 3907 EPS, TIFF, JPEG or Photoshop (for Macintosh), film The Home Song Stories. (See full article in the Australian and New Zealand Cinema section.) membership/distribution not too small, and please do not embed in Word ATOM, PO Box 2040 document. A METRO style sheet is available from our St Kilda West Post Office, web site (below). St Kilda, VIC, 3182, Australia email [email protected] www.metromagazine.com.au

Associate editors for refereed articles

Chris Berry Associate Professor, Film Studies and Cultural Studies, Victoria University of Technology State University • Dana Polan Professor, Critical Programme, University of California, Berkeley • Ina • Brian McFarlane Honorary Associate Studies, School of Cinema-TV, University of Southern Bertrand Principal Fellow, School of Fine Arts, Professor, English Department, Monash University California • David Rowe Director, Centre for Classical Studies and Archaeology, University of • dr Geoff Mayer Reader and Associate Cultural Research, University of Western Sydney • Melbourne • Kate Bowles Lecturer, Department Professor, Head, School of Communication, Arts & Rick Thompson Senior Lecturer, Department of Communication and Cultural Studies, University Critical Enquiry, La Trobe University • Jane Mills of Cinema Studies, La Trobe University • Sue of Wollongong • Felicity Collins Lecturer, Associate Senior Research Fellow, Australian Film, Turnbull Senior Lecturer, Department of Media Department of Cinema Studies, La Trobe University Television & Radio School • Meaghan morris Studies, La Trobe University • Con Verevis • Jackie Cook Senior Lecturer, School of Professor, Department of Cultural Studies, Lingnan Lecturer, Department of Visual Culture, Monash Communication and Information Studies, University University, Hong Kong • Lorraine Mortimer University • Michael Walsh Lecturer, Department Senior Lecturer, Department of Sociology and of South Australia • JEANETTE DELAMOIR Senior of Screen Studies, Flinders University • Deane Anthropology, La Trobe University • gabrielle Lecturer, School of Contemporary Communication, Williams Lecturer, Department of Visual Culture, Murray Lecturer in Cinema Studies, La Trobe Central Queensland University • Anna Dzenis Monash University • Brian Yecies Lecturer in Cinema Lecturer, Department of Cinema Studies, La Trobe University • LEONIE NAUGHTON Communication and Cultural Studies, Faculty of Arts, Studies Fellow, University of Melbourne • Harry University • Freda Freiberg Independent Film University of Wollongong • Audrey Yue Lecturer, Oldmeadow Senior Lecturer, Department of Scholar • Roger Horrocks Professor Emeritus, Department of English and Cultural Studies, University Arts, La Trobe University (Bendigo) • Leland University of Auckland • John Langer Associate of Melbourne. Professor, Department of Communication, Language Poague Professor, Department of English, Iowa

The views expressed in signed articles and reviews do not necessarily represent the views of the editors or ATOM. © Copyright 2007 Australian Teachers of Media (ATOM). Metro Magazine is indexed by the following organizations: FIAF in the International Index to Film/TV Periodicals • BFI in their CD-ROM Film Index Inter- national • International Education (ERIC) • Film & TV Documentation Centre's Film Literature Index • Australian Council of Educational Research (ACER) in Australian Education Index available on the 'Austrom CD-ROM' • Informit online • APAIS fully indexes Metro • Bibliographic Services in Guidelines object / envelope distort / make with warp. then use open selection tool to Critical Views 166 Two Westerns That Weren't?: The Tracker and The Proposition D. Bruno Starrs pull points 173 Translating Identities: The Italian as AustralianTV 'Other' in Two Early American Films 136 Your Typical Mini-Series: Bastard Boys Dennis Barone Rjurik Davidson 178 Showing Some Fight: Kemira's Challenge to 142 Our Digital Aunty – The ABC's New Industrial Relations Rebecca Coyle and Lisa Milner Media Future: Part One: Now We Are Two: ABC2 Marissa Cooke Regular Features Media 184 tv eye 148 Performing History: The Circa Theatre at the 190 idiot's box National Museum of Australia Kylie Message 198 wires up 152 Invasion of the iPod People: Music and 202 book reviews Radio Kate Matthews 158 Done by Law: Australia's New Media Ownership Laws Cynthia Karena 162 Reading the Signs: An Interview with Andy Carmichael Nicholas Searle

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