Exmpealft4ify6te Abl6ae4ydet4
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ella Fitzgerald Collection of Sheet Music, 1897-1991
http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Pete Kelly's Blues See Pages 8, 35 HALLMARK Will Pay
DOWN RECORDS HIGH-FIDELITY INSTRUMENTS FILMLAND UP BEAT RADIO Pete Kelly's Blues See Pages 8, 35 HALLMARK will pay to LES BAXTER'S Song Moró&a * AN ALL-EXPENSE TRIP TO HOLLYWOOD and * CO-COMPOSER'S FUTURE ROYALTIES! CAN YOU tell the story of “Monika"—a bad girl — in |ust so many words, to fit LES BAXTER'S music? The music is already on a CAPITOL disc! It's already published by STARLIGHT SONGS! But — without words! HALLMARK wants lyrics — good lyrics, for “Monika". HALLMARK will pay an all-time record price for them! TEN THOU SAND in cash, plus co-composer'$ royalties which could reach $40,000 or $50,000 more, plus an all-expense trip to Hollywood and appearance on a national TV network show. Open to profession als and amateurs alike Lyrics must be postmarked by midnight, Nov. 1, 1956. Winner announced during December, 1956. Get busy, get rich! The PHONE YOUR LOCAL THEATRE MANAGERS TODAY! GET FULL particulars from your local theatre which shows “MON IKA". Telephone your leading theatres right now. Ask for THE MANAGER! Learn if and when he expects to show HALLMARK'S sensational Swedish story of a bad girl, “MONIKA". Keep calling them for the play-date. See the HALLMARK movie, “MONIKA". Hear Les Baxter's brilliant musical score and title song. Get a copy of the sheet music, to guide you. Get a CAPITOL record to aid you. Fit lyrics that describe this bad girl to Baxter's music. JUDGES — Let Baxter, Hollywood; Dr. Cleo Dawson, U. of Kentucky, Lexington; Steve Allen, New York City MAIL 4 YOUR LYRICS toi MONIKA Song Contest Dept., care — HALLMARK PRODUCTIONS, Inc. -
Hifi/Stereo Review JUNE 1959
• June .. Improve Your Own Stereo til ClassicS - Compose or Improvise '1 • New Stereo components THIS IS THE YEAR OF THE NEW HAROMAN-KARDON STEREO FESTIVAL the new STEREO FESTIVAL, model TA230 Once again Harman-Kardon has made the creative leap which distinguishes engineering leadership. The new Stereo Festival represents the successful crystallization of all stereo know-how in a single superb instrument. Picture a complete stereophonic electronic center: dual preamplifiers with input facility and control for every stereo function including the awaited FM multiplex service. Separate sensitive AM and FM tuners for simulcast reception. A great new thirty watt power amplifier (60 watts peak). This is the new Stereo Festival. The many fine new Stereo Festival features include: new H-K Friction-Clutch tone controls to adjust bass and treble separately for each channel. Once used to correct system imbalance, they may be operated as conventionally ganged controls. Silicon power supply provides excellent regulation for improved transient response and stable tuner performance. D.C. heated preamplifier filaments insure freedom from hum. Speaker phasing switch corrects for improperly recorded program material. Four new 7408 output tubes deliver distortion-free power from two highly conservative power amplifier circuits. Additional Features: Separate electronic tuning bars for AM and FM; new swivel high Q ferrite loopstick for increased AM sensitivity; Automatic Frequency Control, Contour Selector, Rumble Filter, Scratch Filter, Mode Switch, Record-Tape Equalization Switch, two high gain magnetic inputs for each channel and dramatic new copper escutcheon. Ideal for limited space (only 151%6" wide, 678" high, 12%" deep-excluding enclosure) the TA230 is simplicity itself to operate. -
Jo October 2020 Very Black.PPP
An alphabetical listing of her studio recordings, including recording dates, matrix numbers and, when known, dates first issued. Compiled by Jim Marshall, and updated October 2020 I first produced a Jo Stafford discography ‘way back in 1995, encouraged by the late Tom Colborn who probably knew more about Jo’s career than the lady herself. Tom had already done much of the groundwork and, knowing that I’d acquired a computer - an early Amstrad - suggested that I take over the task. I was well into my research when the indispensable "In Tune" magazine started publishing its own in-depth listing of Jo’s huge catalogue of recordings. The work put into that by Brian Henson, Colin Morgan, Robert W. Rice and others was an immeasurable help. My thanks also go to Ken Seavor, John Ridgeway, Lucas Tuinstra, Tim Weston, Jeff Lasbury and Ray Purslow plus, of course Jo Stafford and Paul Weston, all of whom contributed to Tom’s original research. More recently I’ve had important help from Michel Ruppli, Robert Rice, Richard Weize and Adrian Daff resulting in what I like to think is an almost “complete" alphabetical listing of Jo’s commercial recordings, including her work with the Pied Pipers and her alter egos, Cinderella G. Stump and Darlene Edwards! (Apologies if I’ve forgotten anyone!) Apart from a handful of never-ever issued Capitol and Columbia tracks, almost all Jo’s studio recordings seem to have been reissued on CD and are probably still in print. In fact, the seemingly relentless reissue of Stafford CDs, mainly in the UK, is proof, if proof was needed, of the lady’s long-lasting popularity. -
BARNEY KESSEL by to Swing Or Not to Swing CONTEMPORARY C3521 Barnev Kessel Vol
Barnewe're proud to say... y KesseMM l• & first place 1956,1957 and 1958 Down Beat, Metronome and Playboy polls recordexclusivelsy for Contemporary I -and has since 1953! J0 MUSIC TO LISTEN TO BARNEY KESSEL BY to swing or not to swing CONTEMPORARY C3521 Barnev Kessel Vol. 3 Barney's first CR album, with Barney & quintet featuring Barney in a free-wheeling ses- Barney and his arrangements Bud Shank or Buddy Collette Bob Cooper, oboe & tenor sax, sion with"Sweets" Edison, Bill of standards for woodwind or- featured on alto sax & flute, on 12 favorites like My Old Perkins, Georgie Auld, Red chestra. Laura, Makin' Whoo- Red Mitchell,Claude William- Flame, Speak Low, Love Is Mitchell, Jimmie Rowles, pee, Carioca, Indian Summer, son, Shelly Manne, etc. C3511 Here To Stay, etc. C3512 Shelly Manne, etc. C3513 etc. C3521 & Stereo S7001 THE POLL WINNERS RISE AGADt! BARNEY KESSEL WITH SHELLY MANNE & BAY BROWN eWmatPOfttBY C 3181 SSJJB; Barney, with Shelly Manne & Barney, Shelly and Ray again Great standards from the hit The first modern jazz album Ray Brown (who also were 1st demonstrate their supremacy. movie done in modern jazz ... of an opera—Barney's adapta• in the '56, '57, and '58 Down Volare, Be Deedle Dee Do, The Runnin' Wild, Sweet Sue, etc., tion of Bizet's music with or• Beat, Metronome, Playboy Merry Go Round Broke Down, with Art Pepper, Joe Gordon, chestra & stars like Previn, polls). C3535 and Stereo S7010 etc. C3556 and Stereo S7029 etc. M3565 and Stereo S7565 Manne. M3563, Stereo S7563 monophonic albums, $4.98; stereophonic albums, $5.98 —at dealers everywhere (nationally advertised manufacturer's suggested list prices) 8481 MELROSE PLACE CONTEMPORARY RECORDS LOS ANGELES 46, CALIFORNIA sion, his harmonic vision was more traditional qualities of swing, strongly related to the use of the earthiness and a blues tinged im• LETTERS upper partials of conventionally tri- provisatory base. -
Life Member of Delta Sigma Pi •
OF DELTA SIGMA PI NOVEMBER I 9 4 0 THE INTERNATIONAL FRATERNITY OF DELTA SIGMA PI Professional Commerce and Business Administration Fraternity Delta Sigma Pi was founded at New York University, School of Commerce, Accounts and Finance, on November 7, 1907, by Alexander F. Makay, Alfred Moysello, Harold V. Jacob? and H. Albert _Ti~nken. The fraternity ~as organized to foster the study of business in universities; to encourag~ s~holarship and the associa~IOn of students for their mutual advancement by research and practice; to promot~ close~ affiliation between the COJ?J?ercial world aJ?d students of commerce; ?nd to further a high standard of commercial ethics and culture, and the CIVIC and commercial welfare of the commumty. The Central Office 222 W. Adams Street, Chicago, Illinois. Telephone: Franklin 3476. The Grand Council JoHN L. McKEWEN, Chi, Johns Hopkins ... ... Grand Preside~t. .... Baltimore Trust Bldg., Baltimore, Md. H. G. WRIGHT, Beta, Northwestern ........ Grand Secretary-Treasurer . ..... 222 W. Adams St., Chicago, Ill. FRANK C. BRANDES, Kappa, Georgia (Atlanta) . .. ... .. .... ..... ..... .. ... 90 Fairlie St., Atlanta, Ga. FREDERICK W. FLOYD, Beta Nu, Pennsylvania . .... ..... .. ... ..... 102 S. Sussex St., Gloucester City, N.J. EuGENE D. MILENER, Chi, Johns Hopkins .... .. .. .. .... 420 Lexington Ave., Suite 550, New York, N.Y. RuDOLPH C. ScHMIDT, Theta, Detroit .... .. .... .. ... .. .. .... ..... 350 E. Congress St., Detroit, Mich. EDWIN L. ScHUJAHN, Psi, Wisconsin .. ...... ....... .... .. .. .. 1200 Marine Trust Bldg., Buffalo, N.Y. HERBERT W. WEHE, Lambda, Pittsburgh . ... ..... ... ... .. .. .. .... ... Overly Mfg. Co., Greensburg, Pa. KENNETH B. WHITE, Gamma, Boston ...... .. ... ... .... .. .. .. 1ll4 Magnolia Bldg., Dallas, Tex. Past Grand Presidents Committee on Life Memberships WALTER N. DEAN, Alpha, New York U .... -
Sryl: . Broar .T:R Ydor Ua:Al NG "%1J $T4 Cyrt,Io Suo=.Tsir¿
SEPTEMBER 26, 1955 35c PER COPY gg8 Ie d sryL:_. BROAr .t:r yDOr ua:aL NG "%1j $t4 cyrT,Io suo=.Tsir¿. .T,, !3-T6.In ` F IL,IQ,1 Tun .rTf..aycn T E 1.e44 vihifria..... Complete Index Page 10 W110 IS IOWA'S FAVORITE RADIO STATION Wants " ore V's, Forget the U's FOR Page 27 FARM PROGRAMS! Advice on Spot Radio BBDO's Anderson Page 30 n l n- -1 I . v Has Saturated WHO WMT Wgl'i NAX WOW KMA KICD KGLO KSCJ KXEL 0% of City Homes `,. 44.6% 18.8 %A ° 4.3 % x,4.1 3.9 1.5% 1.3 1.3% 1.1% Page 32 o rnu 4o More Film Firms' Drop Tv Boycott THE data i_n 4 tre otre crt Oi Dr. Forest L. Whañ s owa Radi. evision Audience Survey -the of this famed study. Farming is big business in Iowa, and Iowans' overwhelming preference for WHO farm program is FEATURE SECTiON far from a freak. It's the result of heads -up planning Begins on Page 37 -in programming, personnel and research . in Public Service and audience promotion. BUY ALL of IOWA - Write direct or ask Free & Peters for your copy of the 1954 I.R.T.A. Survey. It will tell you more about Plus `Iowa Plus" -with radio and television in Iowa than you could glean from weeks of personal travel and study. WHO Des Moines . 50,000 Waits & PETERS, INC., Col. )}. J. Palmer, President National Representatives THE NEWSWEEKLY P. A. Loyet, Resident Manager OF RADIO AND TV "The South's First Television Station" ELE ISION ICHMOND RICHMOND, VA. -
(P) Red Mitchell
TJD-Online: Red Mitchell Page 1 of 58 [F4693] Add Tony Fruscella Debut : Tony Fruscella (tp) Chick Maures (as) Bill Triglia (p) Red Mitchell (b) Dave Troy (d) New York, December 10, 1948 151A Foo's Spotlite (E)SPJ126 153B Flues - 154B Oh yeah - 155A Little Orgg - 155B Little Orgg - 156A Out of nowhere - 156B Out of nowhere - 163A Flues - Note: All above titles also on Cool N' Blue (Swi)C&B-CD107 [CD] titled "Tony's blues" see 1955 and November 7, 1955 for the rest of this CD. All above titles also on The Jazz Factory JFCD22808 [CD] titled "Tony Fruscella - Complete Studio Recordings"; see various flwg sessions to April 1955 and Stan Getz for rest of this 2 CD set. All above titles also on The Jazz Factory (Sp)JFCD44401 [CD] titled "Tony Fruscella - The Complete Works"; see various flwg sessions to November 7, 1955 and Stan Getz for rest of this 4 CD set. [R5274] Add Joe Roland Joe Roland Quintet : Ray Turner (ts) Joe Roland (vib) Red Mitchell (p) Joe Puma (g) Paul Sziglay (b) Paula Castle (vcl) New York, July 21, 1949 Leaving town tonight (unissued) Derby Harry the eight Rainbow LP708 Free of charge - A fool and his love (unissued) Note: Rainbow issued as by "Chubby Jackson's All Stars" but is is in fact a Joe Roland Group. [V1382] Add Charlie Ventura Charlie Ventura And His Orchestra : Teddy Kaye (p) Red Mitchell (b) replace Roy Kral, Kenny O'Brien, Betty Bennett (vcl) Beverley Brooks (vcl) Jimmy Vanelli (vcl) added New York, August 12, 1949 D9VB284 Boptura (cc,bg,cv vcl) Vic 20-3552, LP3046, RCA (F)NL46031, Fresh Sound (Sp)NL46031 D9VB2144 Feather's den (bb,bb vcl) Vic 20-3635, LPM1135, Fresh Sound (Sp)LPM1135, RCA (F)NL46031, Fresh Sound (Sp)NL45958 D9VB2145 Yankee clipper (betty b vcl) Vic 20-3552, LPM1135, Fresh Sound (Sp)LPM1135, NL45958 D9VB2146 Lotus blue Vic 20/50-0103, LPM1135, Fresh Sound (Sp)LPM1135, RCA (F)NL46031, Fresh Sound (Sp)NL46031 D9VB2147 Honey (jv vcl) RCA (F)NL46031, Fresh Sound (Sp)NL46031 Note: All above titles also on Classics (F)1215 [CD]. -
Hifi/Stereo Review JUNE 1959
June 1 REVIEW' .. !0 i.\. Stereo ,i o V .\\ Improve Your Own -d..00... 6 0 04 0 O 00b4% ``oovoa1\.`,\\.o poo ai4\ CompoSe or improvise? 0 ,\ ;, Classics - , \\\dOoOp \y s o G 0'.0 \! oboe.* 4 Is` \t.- n.00so0D0'l+, II I` Components I. t N\0o001, New Stereo '\ccO000l9 0000 - Ij< : /"i/ ;,..= .c,I,r r, *18 'k ,,~. ', I,. J I .. \, Ldr r lii j'- ouTPUT- - -. __' I ' rp I I o '="4` " 2, ao J -2i¿ O - - 3 l i n _ ti y7 .. Út''`s :-r- 1 a - 31V ON76;`JIKy1;OH =a Qzf95t4 THIS IS THE YEAR OF THE NEW HARMAN - KAR DON STEREO FESTIVAL r too - the new STEREO FESTIVAL, model TA230 Once again Harman-Kardón has made the creative leap which distinguishes engineering leadership, The new Stereo Festival represents the successful crystallization of all stereo know-how in a single superb instrument. Picture a complete stereophonic electronic center: dual preamplifiers with input facility and control for every stereo function including the awaited FM multiplex service. Separate sensitive AM and FM tuners for simulcast reception: A great new 'thirty watt power amplifier (60 watts peak). This is the new Stereo Festival. The many fine new Stereo Festival features include: new H -K Friction -Clutch tone controls to adjust bass and treble separately for each channel. Once used to correct system imbalance, they may be operated as conventionally ganged controls. Silicon power supply provides excellent regulation for improved transient response and stable tuner performance. D.C. heated preamplifier filaments insure freedom from ,hum. -
Music As a Tool in Christian Education
Digital Commons @ George Fox University Western Evangelical Seminary Theses Western Evangelical Seminary 5-1976 Music as a Tool in Christian Education Carl Jon Duhrkoop Follow this and additional works at: https://digitalcommons.georgefox.edu/wes_theses Part of the Christianity Commons APPROVED BY Major Professor: Cooperative Reader: Cooperative Reader: Cooperative Reader: MUSIC AS A TOOL IN CHRISTIAN EDUCATION A Research Paper Presented to the Faculty of Western Evangelical Seminary In Partial Fulfillment of the Requirements for the Degree Master of Divinity by Carl Jon Duhrkoop May1976 :y S/"3 PREFACE As one enters a typical Sunday School, he will hear music. This is not surprising, for music is a prominent part of the education of the Church. Questions, however, are surfacing today. Is music a valuable part of the education of the Church or is it simply an appendage, used out of indifference, convention or even the need to fill up the time allotted? Is music being planned with the lesson or is it more commonly picked upon arrival? Is music chosen for its beauty, familiarity, intended use or for its rhythmic style? These questions are not easy to answer nor are they only being asked of music. Unfortunately such questions often go unanswered. The intent of this paper is to answer some of these questions and give instruction to the teacher that will enable him not only to answer these questions but also to use music effectively in his teaching. Many teachers of our Sunday Schools wish to know how to use music to teach Bible truth and although this paper is not presented as a final authority it may give some desired direction. -
Lew TABACKIN: Tatsuya TAKAHASHI
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Lew TABACKIN: "Lew Tabackin" Lew Tabackin -ts,fl; Bob Dougherty -b; Bill Goodwin -d; recorded December 19, 1974 in Tokyo 11925 BYE BYE BLUES 7.22 RCA 6271 11926 SOLILOQUI 6.00 --- 21816 COME RAIN OR COME SHINE 7.36 --- 21817 MORNING 6.12 --- 21818 HOW DEEP IS THE OCEAN 5.52 --- 21821 LET THE TAPE ROLL 5.42 --- Lew Tabackin -ts; recorded December 19, 1974 in Tokyo 21822 GHOST OF A CHANCE 5.52 --- "Dual Nature" Lew Tabackin -fl,afl,ts[2]; Don Friedman -p; Bob Daugherty -b; Shelly Manne -d, perc; recorded August 31 and September 03, 1976 in Hollywood 69549 EUTERPE 7.15 Empathy EMP1001 69550 YELLOW IS MEOOW 5.48 --- 69551 OUT OF THIS WORLD 9.40 --- 69552 NO DUES BLUES (2) 9.22 --- 69553 MY IDEAL (2) 6.52 --- 69554 RUSSIAN LULLABY (2) 5.47 --- "Trackin'" Lew Tabackin -ts,fl; Toshiko Akiyoshi -p; Bob Daugherty -b; Shelly Manne -d; recorded September 03, 1976 in Hollywood 17075 I'M ALL SMILES 6.35 RCA RDC-3 17076 COTTON TAIL 5.49 --- 17077 TRACKIN' 6.16 --- 17078 SUMMERTIME 4.42 --- "Rites of Pan" Lew Tabackin -fl; Toshiko Akiyoshi -p; John Heard -b; Shelly Manne -d; recorded September 26 and 27, 1977 in Los Angeles 64263 BE-BOP 2.24 Inner City IC6052 64264 JITTERBUG WALTZ 6.39 --- 64265 RITES OF PAN 5.09 --- 64266 NIGHT NYMPH 2.17 --- 64267 ELUSIVE DREAM 4.05 --- Lew Tabackin -fl; Toshiko Akiyoshi -p; Bob Dougherty -b; Shelly Manne -d; recorded February 1978 in Los Angeles 64261 -
THE JERRY GRAY STORY – 1955-1960 [Updated Jun 15, 2018 – Version JG.008E]
THE JERRY GRAY STORY – 1955-1960 [Updated Jun 15, 2018 – Version JG.008e] Circa 1955: Jerry Gray and his Band of Today, with Linda Lee. AFRS/AFRTS Series EN-315. Jerry Gray appeared on at least six programs of this Series. He was interviewed on at least three of these programs, likely at the Hollywood Palladium. Bud Widom was a disc jockey/interviewer on this Series. It is unknown whether the versions of the Jerry Gray recordings used were the original Decca commercial releases or other versions. Buds Bandwagon was a 30-minute record program produced and hosted by Bud Widom. There were approximately 655 programs distributed by AFRS/AFRTS. The Billboard, Jun 4, 1955, Page 18: 3 AFRS Live Segs Axed for Economy HOLLYWOOD, May 28. – A move to eliminate all Armed Forces Radio Service productions that emanate live this week resulted in the termination of contracts of three civilian AFRS employees, disc jockey Bud Widom, sports announcer Fred Hessler, and Dave Young, announcer-narrator. Move reportedly came as a result of a recent government order to “effect a drastic budget cut,” with possible future plans of eliminating commercial AFRS shows. Widom, best known of the trio, conducted a successful disk jockey show for AFRS for the past four years, “Bud’s Bandwagon.” _______________ The Billboard, Jul 23, 1955, Page 3: Bernstein, Widom Set Up B&W Outfit HOLLYWOOD, July 16. – B&W Productions was formed here this week by packager Bud Widom and producer Richard Bernstein. First show, “Bud’s Bandwagon,” a five-day, 15-minute Hollywood interview and news strip, is now being packaged.