Abigail Washburn & the Sparrow Quartet

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Abigail Washburn & The Sparrow Quartet Abigail Washburn & The Sparrow Quartet mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Abigail Washburn & The Sparrow Quartet Country: US Released: 2008 MP3 version RAR size: 1150 mb FLAC version RAR size: 1188 mb WMA version RAR size: 1985 mb Rating: 4.2 Votes: 202 Other Formats: TTA AUD VQF MMF WAV DMF DXD Tracklist 1 Overture 2 A Fuller Wine 3 Strange Things 4 Great Big Wall In China 5 Taiyang Chulai 6 Oh Me, Oh My 7 Captain 8 A Kazakh Melody 9 Banjo Pickin' Girl 10 Kangding Qingge / Old-Timey Dance Party 11 Sugar & Pie 12 It Ain't Easy 13 Journey Home Companies, etc. Phonographic Copyright (p) – Nettwerk Productions Copyright (c) – Nettwerk Productions Manufactured By – Nettwerk Records LLC Marketed By – Nettwerk Records LLC Credits Performer – Abigail Washburn, Ben Sollee, Béla Fleck, Casey Driessen Notes Card sleeve. Other versions Category Artist Title (Format) Label Category Country Year Abigail Abigail Washburn Washburn & & The Sparrow none Nettwerk none 2008 The Sparrow Quartet (CD, Quartet Album) Abigail Abigail Washburn Washburn & & The Sparrow USA & 0 6700 30792 2 8 Nettwerk 0 6700 30792 2 8 2008 The Sparrow Quartet (CD, Canada Quartet Album, Dig) Abigail Abigail Washburn Washburn & & The Sparrow 5037703079229 Nettwerk 5037703079229 Europe 2008 The Sparrow Quartet (CD, Quartet Album) Related Music albums to Abigail Washburn & The Sparrow Quartet by Abigail Washburn & The Sparrow Quartet Washburn - Sassy Erin McKeown - Sing You Sinners BT - Emotional Technology Heralders' Quartet - His Eye Is On The Sparrow The Chords / Jalopy Five - Reach Out Of The Darkness / D. W. Washburn Hey Ocean! - Is Béla Fleck & Abigail Washburn - Echo In The Valley Abigail - Herd & Fitz Feat. Abigail Bailey - I Just Can't Get Enough Abigail Browne - Guava Jelly.

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Béla Fleck & Abigail Washburn
BÉLA FLECK & ABIGAIL WASHBURN ADELAIDE TOWN HALL 12 AUGUST 8PM USA ADELAIDE PREMIERE 16 - time Grammy winner Béla Fleck and his critically lauded partner Abigail Washburn bring together, in a seemingly mystical union, Fleck’s revered modern compositions for banjo with Washburn’s equally respected old-school take on the instrument. Their 2014 debut duo album revealed new musical possibilities found in their combined styles, heralded by Washburn’s angelic voice. The triumph of their collaboration was recognised when the record won the 2016 Grammy Award for Best Folk Album. “A stunning collection of eloquent duets” – THE NEW YORKER “the couple has mined various intimate intricacies of the banjo duet, using an aesthetic of front-porch minimalism to play an eclectic mix of country blues, Appalachian mountain songs and expansive chamber folk…. The duo's eponymous debut is filled with understated force” – WASHINGTON POST “two monsters of the banjo” – NPR All Things Considered BÉLA FLECK & ABIGAIL WASHBURN Sure, in the abstract, a banjo duo might seem like a musical concept beset by limitations. But when the banjo players cast in those roles are Abigail Washburn and Béla Fleck—she with the earthy sophistication of a postmodern, old-time singer-songwriter, he with the virtuosic, jazz-to-classical ingenuity of an iconic instrumentalist and composer with bluegrass roots— it’s a different matter entirely. There’s no denying that theirs is a one-of-a-kind pairing, with one-of- a-kind possibilities. Fleck and Washburn have collaborated in the past, most visibly in their Sparrow Quartet with Casey Driessen and Ben Sollee.
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Béla Fleck & Abigail Washburn
FOR IMMEDIATE RELEASE CAP UCLA presents Béla Fleck & Abigail Washburn December 6 at Royce Hall "As musicians and as songwriters, Fleck and Washburn are predisposed to embrace the entire world — its sounds and its occupants alike. Echo in the Valley ties the many threads of their interests into a work that dazzles without sacrificing a shred of approachability.” - NPR Music “Echo in the Valley is to bluegrass as Charlie Parker was to New Orleans in the ’20s: respectful of its roots, untethered in its ambitions and triumphant in bringing it all together.” – Downbeat UCLA’s Center for the Art of Performance (CAP UCLA) presents husband and wife duo, Béla Fleck and Abigail Washburn on Thursday, Dec. 6 at 8 p.m. at Royce Hall. Tickets for $26–$66 are available now at cap.ucla.edu, via Ticketmaster, by phone 310-825-2101, and at the UCLA Central Ticket Office. Béla Fleck and Abigail Washburn will perform songs from their new album, Echo in the Valley (Rounder). Serving as a follow-up to their acclaimed self-titled debut earning the 2016 Grammy for Best Folk Album. This performance is a reflection of the times, including the single “Come All You Coal Miners,” written by coal miner advocate Sarah Ogan Gunning. “‘Come All You Coal Miners,” a vintage agitprop lament about coal mining as wage slavery, opens this track in unexpected form, a long way from traditionalism, with Abigail Washburn's near a cappella vocal over eerie electronic tones that may involve banjos in reverse,” writes The New York Times. With seven banjos between them, Béla Fleck and Abigail Washburn joined forces in 2013 for a very banjo-centric touring project.
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Time's the Revelator
Time’s the Revelator: Revival and Resurgence in Alt.country and Modern Old-Time American Music Ashley Denise Melzer A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of American Studies (Folklore). Chapel Hill 2009 Approved by: Dr. William Ferris Dr. Robert Cantwell Dr. Patricia Sawin © 2009 Ashley Denise Melzer ALL RIGHTS RESERVED ii ABSTRACT ASHLEY MELZER: Time’s the Revelator: Revival and Resurgence in Alt.country and Modern Old-Time American Music (Under the directions of Dr. William Ferris, Dr. Robert Cantwell, and Dr. Patricia Sawin) This thesis investigates the relationship between the modern old-time and alt.country movements through the comparison of four different female musicians: Abigail Washburn, Rayna Gellert, Gillian Welch, and Neko Case. These four women often pull from the same wellspring of old-time songs/structures/sounds, but their instincts come from exceptionally different places. The disparity between the ways they approach their music, reveals how the push toward modern capitalist industrialism has affected how different artists and communities access and transmit those old-world icons and sounds. Furthermore, their engagement specifically with the topic of gender exposes key tactical differences. Old-time musicians, Washburn and Gellert, work within the strictures of tradition so as to remain in dialogue with their community. Welch and Case play into the experimental bent of alt.country to emotionally affect listeners in order to create discreet, personal connections between themselves and their audience. iii To the ones who listen and love me anyway iv PREFACE In the summer, Florida is so hot the home becomes some dark prison of necessary air conditioning.
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Theoba Why Create the OBA? and Ask What Was on the Minds of One Had Heard of the ?Internet
Volume 28 • Number 4 ‘08 Summer Calendar Pullout! July - August Peanut Butter Cookies! Stevenson Festival! 2008 Pickathon 2008! Bluegrass Expresswww.oregonbluegrass.org “To promote, encourage, foster and cultivate the preservation, appreciation and understanding, enjoyment, support and performance of bluegrass and other closely related music of the United States.” - The purpose of the Oregon Bluegrass Association, from the articles of incorporationIncorporation Why Create Story by Claire Levine theOBA Why create the OBA? and ask what was on the minds of one had heard of the ?Internet. “To promote, encourage, foster and those who started the organization. In the early 80s, bluegrass was just ?cultivate the preservation,? apprecia- Although the OBA? began more than beginning ?to take off in Oregon and tion and understanding, enjoyment, 25 years ago, many of its founders are Southwest Washington. Stew Dodge support and performance of bluegrass still active in bluegrass music and in was running a festival in Clark Coun- and other closely related music of the the larger musical community. The ty and George Rellis was putting on United States.” Express talked to two of those found- events in Eugene, but there was little The purpose of the Oregon Bluegrass ers: Steve Reischman, the first presi- continuity. From Steve Waller’s per- Association, from the articles of In- dent, who was a long-time member of spective, the OBA was all about com- corporation Eugene’s Good n’ Country and begin- munication. Besides picking, singing and listen- ning to promote musical events, and “We’d see each other at festivals, and ing to music, it seems that Oregon Steve Waller, who has performed clas- there were some pickin’ parties, I had bluegrass fans have two favorite pas- sic bluegrass for nearly 40 years as some of the earliest.
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Béla Fleck and Abigail Washburn
Echo in the Valley Béla Fleck and Abigail Washburn Béla Fleck / Banjo Abigail Washburn / Banjo and Vocals Thursday Evening, February 7, 2019 at 7:30 Hill Auditorium Ann Arbor 28th Performance of the 140th Annual Season Traditions & Crosscurrents This evening’s performance is supported by Leslee and Michael Perlstein and by Old National Bank. Media partnership provided by WEMU 89.1 FM, WDET 101.9 FM, and Ann Arbor’s 107one. Special thanks to Libby DeCamp and Teagan Faran for their participation in events surrounding this evening’s performance. Béla Fleck and Abigail Washburn appear by arrangement with The Kurland Agency. In consideration for the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM This evening’s program will be announced by the artists from the stage and is performed with one intermission. Photo (next spread): Béla Fleck and Abigail Washburn; photographer: Jim McGuire. 3 5 Old National proudly supports UMS. Strengthening the fabric of our community. As much as we are a financial institution, Old National is a group of parents, volunteers, artists, athletes, neighbors and friends. By making investments of our time, talent and treasure, we work with you to strengthen the fabric of our community. Member FDIC | oldnational.com Ann Arbor 2723 S State St Ste 110 734-887-2600 | 355 S Zeeb Rd 734-887-0600 UMS ARCHIVES This evening’s performance marks Béla Fleck’s third performance under UMS auspices, following his UMS debut in February 2010 in Hill Auditorium with Bassekou Kouyaté and Ngoni Ba.
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Béla Fleck & Abigail Washburn
MUSIC 91 BÉLA FLECK & ABIGAIL WASHBURN TD Arena at College of Charleston June 1 at 7:30pm SPONSORED BY CERTUSBANK ARTISTS ABIGAIL WASHBURN: If BÉLA FLECK: Premier banjo player Béla Fleck is considered one American old-time music of the most innovative pickers in the world and has done much is about taking earlier, to demonstrate the versatility of his instrument, which he uses simpler ways of life and to play everything from traditional bluegrass to progressive music-making as one’s jazz. He was named after composer Béla Bartok and was born in model, Abigail Washburn New York City. Around age 15, Fleck became fascinated with the has proven herself to banjo after hearing Flatt & Scruggs’ “Ballad of Jed Clampett” be a bracing revelation and Eric Weissberg and Steve Mandell’s “Dueling Banjos,” and to that tradition. She— his grandfather soon gave him one. While attending the High a singing, songwriting, School of Music and Art in New York, Fleck worked on adapting Illinois-born, Nashville-based clawhammer banjo player— bebop music for the banjo. is every bit as interested in the present and the future as she Fleck always had diverse musical interests, and his own style is in the past, and every bit as attuned to the global as she is was influenced by Tony Trischka, Earl Scruggs, Chick Corea, to the local. She pairs venerable folk elements with far-flung Charlie Parker, John Coltrane, the Allman Brothers, Aretha sounds, and the results feel both strangely familiar and unlike Franklin, the Byrds, and Little Feat. anything anybody’s ever heard before.
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BÉLA FLECK and ABIGAIL WASHBURN 8:00Pm, March 23, 2017 Oshman Family JCC-Schultz Cultural Arts Hall
OSHMAN FAMILY JCC PRESENTS AN EVENING WITH AWARD-WINNING MUSICAL DUO BÉLA FLECK AND ABIGAIL WASHBURN 8:00pm, March 23, 2017 Oshman Family JCC-Schultz Cultural Arts Hall PALO ALTO, CA (24 January 2017) — Audiences will find their toes a-tapping when the Oshman Family JCC presents the Grammy award-winning musical duo, Béla Fleck and Abigail Washburn . A 15-time Grammy award-winning virtuoso, Béla Fleck is widely considered the world’s premiere banjo player. Fleck has been called “the reigning star of the banjo” ( The New York Times ), “one of the greatest banjo players in the world” ( The Guardian ), and “the greatest virtuoso of the instrument since Earl Scruggs” ( Knoxville News Sentinel ). Abigail Washburn is also an acclaimed banjo player who has been recording and touring for a number of years. Washburn’s music ranges from the “all-g’earl” string band sound of Uncle Earl to her bilingual solo release Song of the Traveling Daughter (featuring songs in both English and Chinese). Fleck and Washburn’s duo CD won a Grammy for the Best Folk Album in 2016. This one-night-only musical event takes place 8pm, Thursday, March 23, 2017 at the Oshman Family JCC Schultz Cultural Arts Hall, 3921 Fabian Way, Palo Alto . For tickets, ($70 Premium for first six rows, $60 General, $55 Members and J-Pass® holders) and more information visit www.paloaltojcc.org/belafleck or call (650) 223-8649 . Billed as the unofficial first family of the banjo by bluegrass writers and banjo royalty, Béla Fleck and Abigail Washburn will deliver a concert that brings audiences to their feet with “dazzling display and seemingly never-ending variety of music” (Albany’s Times Union ).
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Folkworks V7n3
THE SOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING MAY - JUNE 2007& OTHER RELATED FOLK ARTSFolkWorks IN THE GREATER LOS ANGELES AREA Page FREE BI-MONTHLY Volume 7 Number 3 May-June 2007 Walking on Bilgewater: Eefing, bilabial fricatation, and the “strum” and “twang” of the Bilgewater Brothers By Joel Okida he act of grinning comes naturally when INSIDE THIS ISSUE you hear the very tongue-in-cheek tune, FANTASTIC FUN Give It to Mary with Love. And when Da- FOLK FESTIVALS vid Barlia resurrects the lost art known as “eefing,” the grin becomes a chuckle. THE NAUTICAL TRAIL OF PINT For those not in the know, eefing is the vocal ability to na- AND DALE T Seafaring Songs sally impersonate a coronet, oddly named by uke old timer, Cliff “Ukulele Ike” Edwards. John chirps in with a melodic PLUS... whistling solo and you know there’s a spectacle of rare en- Tied to the Tracks tertainment to be had. Over the course of an evening with the Bilgewater Brothers, you get a very lively variety show Look Who's Talking without having to change channels. Mostly you get uke Keys to the Highway strummer, David and plectrum banjo and National guitar wiz, CD Reviews John Reynolds, having a good time for your listening and view- Special Events Listing ing pleasure. They are often supported by other local musicians ... and More! continued on page 22 Page 2 FolkWorks MAY - JUNE 2007 EDITORIAL DEAR READERS: Beach copies down to LB drop DO YOU WANT THE PRINT off. PUBLISHERS & EDITORS EDITION OF FOLKWORKS 4 Either a fourth person, or one of Leda & Steve Shapiro NEWSPAPER? those three is responsible for put- LAYOUT & PRODUCTION IT DEPENDS ON YOU ting up all the required informa- Alan Stone Creative Services his May/June copy may be tion at Van Nuys for the rest of the FEATURED WRITERS the last print issue due to distributors to pick up their copies.
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Biographical Theatrical Work, Post-American Girl, As Well As in Her Musical Ambassadorship with China, a Country with Which She Has a Long, Profound History
Echo in the Valley Béla Fleck & Abigail Washburn BELAFLECK.COM | ABIGAILWASHBURN.COM With one eye on using the banjo to showcase America’s rich heritage and the other pulling the noble instrument from its most familiar arena into new and unique realms, Béla Fleck and Abigail Washburn’s second album Echo in the Valley is simultaneously familiar and wildly innovative. “Some of the most interesting things in the world come together in strange and unique ways and show our diversity,” reflects Béla, a fifteen-time Grammy award winner who is often considered the world’s premier banjo player. “The banjo is just one of those things. It’s a great example of how the world can combine things and create surprising hybrids,” a reference to the ancestral African roots of the banjo combining with Scotch-Irish music in Appalachia. Echo in the Valley is the follow up to Béla and Abigail’s acclaimed, self-titled debut that earned the 2016 Grammy for Best Folk Album. This time around, the mission was to take their double banjo combination of three finger and clawhammer styles “to the next level and find things to do together that we had not done before,” says Béla. “We’re expressing different emotions through past techniques and going to deeper places.” The results are fascinating, especially considering their strict rules for recording: all sounds must be created by the two of them, the only instruments used are banjos (they have seven between them, ranging from a ukulele to an upright bass banjo), and they must be able to perform every recorded song live.
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Bio (Shortened)
Echo in the Valley Béla Fleck & Abigail Washburn BELAFLECK.COM | ABIGAILWASHBURN.COM Béla Fleck & Abigail Washburn, “the king and queen of the banjo” (Paste Magazine), have a musical partnership like no other. Béla Fleck is a ﬁfteen-time Grammy Award winner who has taken the instrument across multiple genres, and Abigail Washburn a singer-songwriter and clawhammer banjo player who re-radicalized it by combining it with Far East culture and sounds. The two met at a square dance, began collaborating musically and eventually fell in love. Over the years, they played together most visibly in the Sparrow Quartet alongside Ben Sollee and Casey Driessen and informally at a pickin’ party here, a beneﬁt there, or occasionally popping up in each other’s solo shows. Fans of tradition-tweaking acoustic fare eagerly anticipated that Béla & Abigail would begin making music together as a duo. Fleck has the virtuosic, jazz-to-classical ingenuity of an iconic instrumentalist and composer with bluegrass roots. His collaborations range from his ground-breaking standard-setting ensemble Béla Fleck and the Flecktones to a staggeringly broad array of musical experiments. From writing concertos for full symphony orchestra, exploring the banjo’s African roots, to jazz duos with Chick Corea, many tout that Béla Fleck is the world’s premier banjo player. Washburn has the earthy sophistication of a postmodern, old-time singer-songwriter who has drawn critical acclaim for her solo albums. She has done fascinating work in folk musical diplomacy in China, presented an original theatrical production, and has contributed to singular side groups Uncle Earl and The Wu-Force.
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Shortened Bio for Concert Program
Echo in the Valley Béla Fleck & Abigail Washburn BELAFLECK.COM | ABIGAILWASHBURN.COM Béla Fleck & Abigail Washburn, “the king and queen of the banjo” (Paste Magazine), have a musical partnership like no other. Béla Fleck is a ﬁfteen-time Grammy Award winner who has taken the instrument across multiple genres, and Abigail Washburn a singer-songwriter and clawhammer banjo player who re-radicalized it by combining it with Far East culture and sounds. The two met at a square dance, began collaborating musically and eventually fell in love. Over the years, they played together most visibly in the Sparrow Quartet alongside Ben Sollee and Casey Driessen and informally at a pickin’ party here, a beneﬁt there, or occasionally popping up in each other’s solo shows. Fans of tradition-tweaking acoustic fare eagerly anticipated that Béla & Abigail would begin making music together as a duo. Fleck has the virtuosic, jazz-to-classical ingenuity of an iconic instrumentalist and composer with bluegrass roots. His collaborations range from his ground-breaking standard-setting ensemble Béla Fleck and the Flecktones to a staggeringly broad array of musical experiments. From writing concertos for full symphony orchestra, exploring the banjo’s African roots, to jazz duos with Chick Corea, many tout that Béla Fleck is the world’s premier banjo player. Washburn has the earthy sophistication of a postmodern, old-time singer-songwriter who has drawn critical acclaim for her solo albums. She has done fascinating work in folk musical diplomacy in China, presented an original theatrical production, and has contributed to singular side groups Uncle Earl and The Wu-Force.
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Download Via Tunecore Piece That Seems Ripe for Development
DB0609_001_COVER.qxd 4/16/09 4:17 PM Page 1 DOWNBEAT BÉLA FLECK KEN VANDERMARK NELSBÉLA ROBERTS 32 & ALEX CLINE MARCUS FLECK KEN VANDERMARK ND ANNUAL STUDENT MUSIC AWARDS ANNUAL DownBeat.com $4.99 06 JUNE 2009 0 09281 01493 5 JUNE 2009 U.K. £3.50 DB0609_002-005_MAST.qxd 4/15/09 12:24 PM Page 2 DB0609_002-005_MAST.qxd 4/15/09 12:24 PM Page 3 DB0609_002-005_MAST.qxd 4/15/09 12:24 PM Page 4 June 2009 VOLUME 76 – NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
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