DOCSLIB.ORG

For Students Toparticipate Inthe Anthology

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
For Students Toparticipate Inthe Anthology DOCUMENT RESUME HE 000 346 ED 025 224 24 By-Robertson, Robert T. Literature for AmericanCollege Students.Final Report. A Planned Survey Course inBritish Commonwealth Virginia Polytechnic Inst.,Blacksburg. Washington, D.C. Bureau ofResearch. Spons Agency-Office ofEducation (DHEW), Report No-CRP-S-471 Bureau No- BR-5-8302 Pub Date Mar 68 Contract- OEC-6- 10- 195 Note- 53p. HC-$2.75 EDRS Price MF-$0.25 Literature, *LiteraturePrograms, *LiteratureReviews, Descriptors-*English Literature,*Higher Education, Poetry, Short Stories,Student Participation,Surveys, *Teaching Identifiers-*British CommonwealthLiterature teaching of BritishCommonwealth literatureto American To encourage the designed in whichthe material university students, abroad ranging survey coursewas of literature fromthe 13 countries was wasthematically organized.A great body for an select 147 representativepoemsand short stories scrutinized in order to for students toparticipate inthe anthology. An effectivemethod was devised anthology: a of the literature.In addition tothe new selection and evaluation countries wascompiled and "Handbook" ofbackground materials onthe authors and incorporated into a newpublished college text onWorld both works willbe largely research concentratedmainly Literature in English.The course thatemerged from this countries--Canada, Australia,New Zealand,South Africa--and on theliteratures of 4 literature but a coursein the tended to become_not asurvey coursein British Although the projectcould have been more comparative studyof those literatures. body of writing inEnglish complete. much waslearned about thislarge but neglected teachingtool--thethematicanthologywas and aneffectivestudent-tested anthology selection, The appendicesinclude a preliminary developed and used. outlines, and classthemes, proposed thematicorganization, coursebook lists and tests and exams.(JS) f*- cA10..5'4111 0E-(312 FINAL REPORT Project No. S-471 Contract No. OE-6-10495 A PLANNED SURVEY COURSE IN BRITISHCOMMONWEALTH LITERATURE FOR AMERICAN COLLEGESTUDENTS £0025224 March 1968 U.S. DEPARTMENT OF HEALTH, EDUCATION &WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLYAS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICEOF EDUCATION POSITION OR POLICY. U. S. DEPARTMENT OF HEALTH, EDUCATION, AND WELFARE Office of Education Bureau of Research Final Report Project No. S-471 Contract No. 0E-6-10-195 A PLANNED SURVEY COURSE INBRITISH COMMONWEALTH LITERATURE FOR AMERICAN COLLEGESTUDENTS Robert T. Robertson Virginia Polytechnic Institute Blacksburg, Virginia March 1968 The research reported hevein was performedpursuant to a contract with the Office of Education, U.S. Departmentof Health, Education, and Welfare. Contractors undertaking such projectsunder Govern- ment sponsorship are encouraged to expressfreely their professional judgment in the conduct of the project. Points of view or opinions stated do not, therefore, necessarilyrepresent official Office of Education position or policy. U.S. DEPARTMENT OF HEALTH, EDUCATION, AND WELFARE Office of Education Bureau of Research PREFACE in British Common- Planning, teaching andevaluating a survey course of that subject. wealth Literature is of particularinterest to teachers and fewer abroad,but At present these are few innumber in this country contract), they.are increasing (as describedin Appendix A tothe project courses are now especially in secondary schoolswhere the World Literature the Humanities. strongly affected by developmentsin English that stress English Literatures This interest is being promotedby the Conference on teaching of worldliterature of the World (CELW) which exists topromote the about this in English in Americanschools; the membershipof CELW knows research project and has assisted inevaluating itsconclusions. teachers of Although the project is of primeinterest to college school British Commonwealth Literatureand in a modifiedform to secondary teachers of the teachers, it is also interesting toscholars and college The individual literatures which make upBritish CommonwealthLiterature. have encouraged strong interest expressed byCanadians, for instance, may in Canadian univer- the planning and teaching of"Commonwealth Lit." courses known to the sities. When the project began, onlythree such courses were Director; since then seven moresuch courses have beenregularly established the project on theintroduc- in Canadian universities. Since the impact of universities will notbe tion of these courses can nevtrbe estimated those meetings in 1965, named here. But it should be pointed outthat the national Written in English, 1966, and 1967 of what is nowEnglish 12:World Literature Association of America,have been kept a formal Groupin the Modern Language attended by Canadian informed of the progress of theproject, and have been scholar-teachers. scholars and teachersthe To a third and muchlarger group of English raising three large methods and progress of the project maybe of interest in questions: which we depend What principles organizethe teaching anthologies on 1. classes? so much forthe actual daily organizationof our survey (used in the 2. Can we extend the thematicprinciple of organization popularity anthology devised in thisproject) beyond its present anthologies in freshman rhetoric andintroduction-to-literature What are to the survey coursesin English andAmerican literature? the themes of thoseliteratures? and prove to Can we actually test oneanthology against another 3. If we another's satisfaction that oneis superior in theclassroom? commitOes we should could, how many fruitlessdebates in curriculum be able to dodge! is directed to Chap- The attention of scholarsinterested in these questions where it is shown how thethree ter 2, "Methods Used In The Project," psychology, and responsibility greater areas of personaltaste, educational original problem andeffected a to the body ofliterature impinged on the shift in the methodology anddirection of the project. Technical Note: by the shift The project has been alteredfrom its original direction 1966 to March, referred to above and by extendingthe time limit from June, justified in the 1968. These alterations aredescribed and to some extent June, 1967, but Technical Report, February, 1966,and the Interim Report, portions of those since this report surveys thewhole project the relevant is made to the pre- Reports are included in this,and no further reference liminary reports. still continuing Since the project, thoughofficially terminated, is Commonwealth," at VirginiaPoly- in English 309, "Literatureof the British be expected; the technic Institute, further resultsand publications may existence of this Report assistance of the Office ofEducation grant and the will be acknowledged in thosepublications. Acknowledgements: the completion of the pro- The following have bothhelped and hindered suggestions which inlarge ject by taking a livelyinterest in and offering since their suggestions and small detail havecontributed to its success; whole subject of teach- often occurred in informalconversation about the is made to recognizeall ing British CommonwealthLiterature, no attempt that those suggestions individual contributions, butthey may rest assured publication of theanthology not yet used willbe utilised in contemplated to in Chapter4, and the curriculum unit forsecondary schools referred "The Future of World LiteratureCourses." Dr. Wystan Curnow, Universityof Rochester South Wales, Sydney, Dr. Harry Payne Heseltine,University of New Australia Dr. Joseph Jones, Universityof Texas and ComparativeStudies, Dr. John P. Matthews,Institute of Commonwealth Queen's University, Canada Dr. Blair Rouse, Universityof Arkansas Dr. Bruce Sutherland,Pennsylvania StateUniversity Dr. R. E. Watters, RoyalMilitary College, Canada who took English 309in I am especially grateful tothe sixty-two students enthusiasm supported the the Spring Quarters of 1966and 1967, whose in Commonwealth director in his experiment, andwhose continuing interest I especially literature after the classesended has been mostuseful. Terra Incognita thank Miss Linda Staiger, whoundertook to help revise of Books, Strings for trade publication, and Ht.Richard Walters, manager additional texts forthe and Things, who has helped inthe selection of course in 1967 and1968. Robert T. Robertson, March 31, 1968 CONTENTS Preface Summary 1 Chapter One: THE NATURE OF THE PROBLEM 2 Chapter Two: METHODS USED IN THE PROJECT 7 Chapter Three:RESULTS OF THE PROJECT 15 Chapter Four: THE FUTURE OF WORLDLITERATURE COURSES 17 Appendices --- Appendix A Preliminary Anthology Selection 20 Proposed Thematic Organization 23 Consultants' Addenda 31 Appendix B Initial Press Release 33 Dr. Htseltine's Visit 34 NCTE Presentation 35 Appendix C Course book lists,outlines: 1963-5 36 1966 37 1967 38 1968 39 Appendix D Class Themes, Tests, Exams: 1966 40 1967 44 Appendix E Terra Incognita (not bound in the Report) Appendix F Handbook (not bound inthe Report) (iv) SUMMARY significantly the The problem wa8 to presentadequately, equably, and Literature" to a college body of literature known as"British Commonwealth Comparable sophomore class in a one-quarter(ten-week) survey course. for twenty universities have beenoffered in this country courses et reputable and its years but the organizationof the material hasbeen highly selective by country. The presentation piecemeal andgeographical --- i.e. country selected from the problem was resolved by
Load more

Recommended publications
  • Publication.Pdf
    1 NEWTON I, 1960–64 In 1960 McCahon and his family moved from Titirangi to the inner- city suburb of Newton, in those days a predominantly working-class and Polynesian neighbourhood. The award of the first Hay’s Art Prize to McCahon for Painting (1958), a radical abstract, caused a furore in newspapers and much unwelcome negative publicity for the artist. After a year of little painting, he embarked on the Gate series (including Here I give thanks to Mondrian, p. 10), an important new series of geometrical abstractions, exhibited at The Gallery (Symonds Street, Auckland) in 1961; a further extension of the series was the sixteen-panel The Second Gate Series (1962, pp. 51–53), a collaboration with John Caselberg (who supplied the Old Testament texts) which addressed the threat of nuclear annihilation; it was exhibited in Christchurch with other work in 1962. Lack of critical enthusiasm for this abstract/text work led McCahon to reconsider his direction, resulting in a ‘return’ (his word) to landscape painting in a large open Northland series (1962, p. 33, 59) and Landscape theme and variations (1963, pp. 60–61), two eight- panel series, exhibited at The Gallery simultaneously with a joint Woollaston/McCahon retrospective at Auckland City Art Gallery. In 1964, after twelve years at Auckland City Art Gallery, McCahon resigned to join the staff of Auckland University’s Elam School of Fine Arts, where he taught from 1964 to 1971. His first exhibition after joining Elam, Small Landscapes and Waterfalls (Ikon Fine Arts, 1964), proved to be both aesthetically and commercially successful.
    [Show full text]
  • Finding John Keats.Pdf
    FINDING JOHN KEATS ______________________ A Play in One Act by Nancy Maki 581 Hillcrest Road R.R. 2 Simcoe ON N3Y 4K1 Canada Phone: 519-428-1386 E-mail: [email protected] INTRODUCTION Early in 1929, Canadian writer Raymond Knister, at the age of thirty, published what would become his best-known novel, WHITE NARCISSUS. Later that same spring, Knister brought his bride of two years, Myrtle Gamble, back to her hometown of Port Dover, Ontario. They rented a small farmhouse, overlooking Lake Erie, on the Old Lakeshore Road a few miles east of the town. It was Knister’s intention to spend the next few months, with the assistance of his wife, researching the life of his favourite English poet, John Keats, and to write a biographical novel about him. The couple needed to escape the distractions of their life in Toronto and find a quiet, congenial place in which to work. NOTE A number of the speeches in this play contain phrases and sentences taken from the writing and the letters of the characters. Cast of Characters Raymond Knister: Canadian writer, age 30 Myrtle Gamble Knister: His wife, age 27 John Keats: English poet, age 23 Fanny Brawne: His beloved, age 18 Charles Brown: His close friend, age 32 Scene Scenes 1-3: A small farmhouse on Lake Erie, two and a half miles east of Port Dover, Ontario. Scenes 4-7: Wentworth Place, a double house in Hampstead, London, England. Time Scenes 1-3: July to mid-October 1929 Scenes 4-7: April 1819 to September 1820 I-1- 1 ACT I Scene 1 SETTING: The livingroom of a small farmhouse overlooking Lake Erie, near Port Dover, Ontario.
    [Show full text]
  • Down (But Not Out) in the City
    Down (but not Out) in the City JULIAN CROFT, UNIVERSITY OF NEW ENGLAND n 1921 when T. S. Eliot published 'The Waste Land', London had in Eliot's imagination turned spiritually and aesthetically into the prospect Macaulay had prophesied in 1840, except that the ruins of London Bridge and St Paul's were metaphysical rather than physical. On the other side of the world, where Macaulay'sI traveller had started from, the prospect was quite the reverse. Sydney was celebrating the new and the modern with an enthusiasm which was to last until the 1970s, and creating a life style in the city and the suburbs which was to provide a tension in poetry and the novel until much the same time. [t had not been always been so. Only a decade or so before Slessor wrote 'Pan in Lane Cove' in 1920, Christopher Brennan and Henry Lawson had seen a very different city. Lawson's 'Faces in the Street', or even Paterson's office-bound im­ aginer of Clancy, saw filth and squalor, heard noise and confusion, and felt the presence of evil. Brennan's Asaheurus-like persona of Poems 7973, experienced a more refined horror in the epilogue to his wanderings through the city of the Sydney. Even the tram up Broadway was an infernal version of Elijah's chariot, taking its passive victim up the hill not towards the bosom of Abraham, but to the flinty mercies of the Senate of Sydney University. In Brennan's poetry spiritual alienation and despair haunt not only the city streets of Sydney, but extend as far as the northern beaches, past the off-limits of Fairy Bower to the sandy impermanences of his house at Newport.
    [Show full text]
  • The Poetry of Raymond Souster and Margaret Avison
    THE POETRY OF RAYMOND SOUSTER AND MARGARET AVISON by Francis Mansbridge Thesis presented to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Ph.D. in English literature UNIVERSITY OF OTTAWA OTTAWA, CANADA, 1975 dge, Ottawa, Canada, 1975 UMI Number: DC53320 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53320 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 TABLE OP CONTENTS INTRODUCTION 1 CHAPTER I. POETIC ROOTS OP MARGARET AVISON AND RAYMOND SOUSTER 8 CHAPTER II. CRITICAL VIEWS ON AVISON AND SOUSTER . 46 CHAPTER III. MARGARET AVISON 67 CHAPTER IV. RAYMOND SOUSTER 154 CHAPTER V. SUMMARY AND CONCLUSIONS 225 BIBLIOGRAPHY 241 LIST OP ABBREVIATIONS BCP The Book of Canadian Poetry, ed. by A.J.M. Smith CT The Colour of the Times D The Dumbfounding PM Place of Meeting PMC Poetry of Mid-Century, ed. by Milton Wilson SF So Par So Good SP 1956 Selected Poems (1956 edition) SP 1972 Selected Poems (1972 edition) TE Ten Elephants on Yonge Street WS Winter Sun Y The Years 111 ACKNOWLEDGMENTS Special thanks to Raymond Souster for his generous hospi­ tality on my trips to Toronto, and his interest and perceptive comnusnts that opened up new perspectives on his work; to the Inter- Library Loan department of the University of Ottawa Library, whose never-failing dependability saved much time; and finally to my Directress, Dr.
    [Show full text]
  • THE NEW OXFORD BOOK of AUSTRALIAN VERSE Chosen by Les a Murray
    THE NEW OXFORD BOOK OF AUSTRALIAN VERSE Chosen by Les A Murray Melbourne Oxford University Press Oxford Auckland New York CONTENTS Foreword xxi Sam Woolagoodjah Lalai (Dreamtime) 1 Barron Field (1786-1846) The Kangaroo 6 Richard Whately (1787-1863) There is a Place in Distant Seas 7 Anonymous A Hot Day in Sydney 8 The Exile of Erin 11 Hey Boys' Up Go We' 12 The Lime juice Tub 13 John Dunmore Lang (1799-1878) Colonial Nomenclature 14 Anonymous Van Diemen s Land 15 The Convicts Rum Song 16 Hail South A ustraha' 16 The Female Transport 17 The Lass m the Female Factory 18 Francis MacNamara (Frank the Poet) (b 181P) A petition from the chain gang 19 For the Company underground 22 A Convict s Tour to Hell 23 Robert Lowe (1811-1892) Songs of the Squatters I and II 28 Charles Harpur (1813-1868) A Basket of Summer Fruit 31 Wellington 32 A Flight of Wild Ducks 33 Anonymous The Song of the Transportationist 34 Children s Ball bouncing Song 35 Louisa Meredith (1812-1895) Tasmanian Scenes 36 Aboriginal Songs from the 1850s Kilaben Bay song (Awabakal) 36 Women s rondo (Awabakal) 37 CONTENTS Two tongue pointing (satirical) songs (Kamilarot) 38 The drunk man (Wolaroi) 38 Anonymous Whaler s Rhyme 38 The Diggms oh 39 WilhamW Coxon (') The Flash Colonial Barman 41 Charles R Thatcher (1831-1882) Dick Bnggs from Australia 42 Taking the Census 45 Moggy s Wedding 46 Anonymous The Banks of the Condamme 48 The Stnngybark Cockatoo 49 Henry Kendall (1839-1882) Bell birds 50 Beyond Kerguelen 51 Anonymous John Gilbert was a Bushranger 53 Jack McGuire (>) The Streets
    [Show full text]
  • Culture and Customs of Australia
    Culture and Customs of Australia LAURIE CLANCY GREENWOOD PRESS Culture and Customs of Australia Culture and Customs of Australia LAURIE CLANCY GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Clancy, Laurie, 1942– Culture and customs of Australia / Laurie Clancy. p. cm. Includes bibliographical references and index. ISBN 0–313–32169–8 (alk. paper) 1. Australia—Social life and customs. I. Title. DU107.C545 2004 306'.0994 —dc22 2003027515 British Library Cataloguing in Publication Data is available. Copyright © 2004 by Laurie Clancy All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2003027515 ISBN: 0–313–32169–8 First published in 2004 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 To Neelam Contents Preface ix Acknowledgments xiii Chronology xv 1 The Land, People, and History 1 2 Thought and Religion 31 3 Marriage, Gender, and Children 51 4 Holidays and Leisure Activities 65 5 Cuisine and Fashion 85 6 Literature 95 7 The Media and Cinema 121 8 The Performing Arts 137 9 Painting 151 10 Architecture 171 Bibliography 185 Index 189 Preface most americans have heard of Australia, but very few could say much about it.
    [Show full text]
  • Selected English-Canadian Fiction 1925-1932
    THE MELODRAMATIC IMAGINATION: SELECTED CANADIAN FICTION THE MELODRAMATIC IMAGINATION: SELECTED ENGLISH-CANADIAN FICTION 1925-1932 By MARILYN J. ROSE, M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University April 1979 DOCTOR OF PHILOSOPHY (1979) McMASTER UNIVERSITY TITLE: The Melodramatic Imagination: Selected English-Canadian Fiction 1925-1932 AUTHOR: Marilyn J. Rose, B.A. (McMaster University) M.A. (Sir George Williams University) SUPERVISOR: Dr. Joan Coldwell NUMBER OF PAGES: x, 193 ii ABSTRACT The decade of the nineteen-twenties has generally been recognized as a dynamic period in English-Canadian literature, but so far as fiction is concerned its achievement is widely assumed to be the introduction of social realism into the Canadian novel. Those novels which employ other than realistic conventions have been assumed by many critics to be inferior because of their non-realistic aspects. 'lllis dissertation examines four such novels, supposedly flawed by melodramatic excess~ Raymond Knister's White Narcissus (1929), Martha Ostenso's Wild Geese (1925), Morley Callaghan's A Broken Journey (1932), and Frederick Philip Grove's The .!2!!_ of Life (1930) - in order to discover the function and significance of melodramatic conventions and the sort of vision they project. The first part of the dissertation defines such terms as "realism" and ''melodrama." and explains the critical approach to be used. In the central four chapters, this critical approach is applied to each novel in turn. When the novels are compared, following the detailed analysis of each, significant similarities emerge.
    [Show full text]
  • New Century Antiquarian Books Catalogue Sixty ~ ~ Spring 2012 CATALOGUE NUMBER SIXTY SPRING 2012
    New Century Antiquarian Books Catalogue Sixty ~ ~ Spring 2012 CATALOGUE NUMBER SIXTY SPRING 2012 Cover illustration: see no. 20. Books are offered subject to prior sale at the nett prices in Australian dollars. All prices include Australian Federal Government Goods and Services Tax. Freight and insurance are extra and will be added to your invoice. Overseas customers will be invoiced in Australian dollars and are requested to remit payment in Australian dollars only. Books will be sent by airmail. Orders may be left at any time on our 24-hour answer phone (03) 9853 8408 (International +613 9853 8408) or by email – [email protected] or [email protected] or by mail to PO Box 325 KEW VICTORIA 3101 AUSTRALIA We accept Mastercard and Visa. Please advise card number, ccv number, expiry date, and name as it appears on your card. Payment is due on receipt of books. Customers not known to us may be sent a pro forma invoice. Any item may be returned within five days of receipt if we are notified immediately. Normal trade courtesies are observed where a reciprocal arrangement exists. Australian and New Zealand Association of Antiquarian Booksellers Printed, typeset and bound in Australia for New Century Antiquarian Books. Copyright © Jonathan Wantrup 2012. All rights reserved. No part of this publication my be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, or otherwise, without the prior permission of New Century Antiquarian Books. [1] ALLEN, Mrs. John S.O. Memories of My Life: from my early days in Scotland till the present day in Adelaide.
    [Show full text]
  • Chapter 1 Douglas Stewart
    CHAPTER 1 DOUGLAS STEWART: THE EARLY YEARS 1925-1938 Throughout the many scholarly works that focus on Stewart’s place in Australian literature, the word that recurs in respect of Douglas Stewart’s creative work is ‘versatile’. One of its first appearances is in Nancy Keesing’s Douglas Stewart, which begins with the precise statement: ‘Douglas Stewart is the most versatile writer in Australia today ⎯ perhaps the most versatile who ever lived in this country. He is a poet whose poetry and nature as a poet are central to everything in which he excels’.93 Stewart was not only a poet whose early philosophy that the closer one moves towards nature the closer one moves towards the spirit of the earth, developed as a line of continuity which contributed to his total philosophy; this chapter focuses on Stewart’s life and poetic ambition in New Zealand until his move to Australia as an expatriate in 1938. As a mature poet he was then concerned to apply this pantheism to modern responses regarding humans and their experiences. The purpose of the introductory part of this chapter is to clarify the theme of the dissertation ⎯ Douglas Stewart’s creative impulse; the second part involves a discussion of the poet’s visit to England where he met poets Powys and Blunden. At this time he also journeyed to his ancestral home in Scotland. Upon his return to Australia in 1938 he was offered a position with Cecil Mann at the Bulletin. Stewart was also a distinguished verse dramatist, a successful editor, particularly of the Red Page of the Bulletin from 1940 to 1960,94 and a participant of some repute in journalism and publishing.
    [Show full text]
  • Mid-Century Responses to Modernism
    Chapter 4.'A Tradition of Conservatism': Mid-Century Responses to Modernism While a number of early to mid-century Australian poets can be shown to have engaged in some of the central debates of modernism, few can be said to have advocated the kind of radical stylistic experimentation and innovation characteristic of European and American modernism. This lack of radical stylistic innovation and experimentation has been noted by numerous critics, and tends to support Tranter's view that Australian poetry before the New Poetry period had been dominated by a 'tradition of conservatism.'1 Martin Harrison has described the work of Australian poets before the New Poetry, noting in their poetry: The certainty of persona-voice, the clarity of ostensive reference, the sup• pression of metaphor and image-reference in the central thought, [and] the resolution of that thought in conclusiveness... ? Alexander Craig, in his introduction to the Twelve Poets anthology in 1971, also pointed to a 'general conservatism or lack of experiment in Australian poetry' which he saw as being 'accompanied by a discursive, over-explanatory dullness in many poems. '3 Harrison's and Craig's views are supported by other critics. According to Julian Croft, neither Slessor, nor Wilmot - the two poets most often associated with modernist innovations - responded to the new stylistic directions for poetry in the twenties.4 While suggesting that Bertram Higgins' poem, '"Mordecaius" Overture' (1933) as Australia's first 'modernist' poem,5 Croft argues that it was not until the late thirties and early forties, with Slessor's 'Five Bells' and R D FitzGerald's poems 'The Hidden Bole,' 'Essay on Memory' and 'The Face on the Waters' that Tranter, The Xew Australian Poetry: xvii.
    [Show full text]
  • Rhythm and Sound in Contemporary Canadian
    RHYTHM AND SOUND IN CONTEMPORARY CANADIAN POETRY by DOROTHY LIVESAY MACNAIR B.A., The University of Toronto, 1931 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR TEE DEGREE OF Master of Education in the Faculty of Education We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA November, I965. In present i ng this thesi s in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, i agree that the Library shall make it freely available for reference and study. I further agree that per• mission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representat ives. It is understood that copying or publi• cation of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date I1* > 6 ^ > ACKNOWIEDGEMENTS The writer wishes to thank all those poets who assisted in the recording of their poems on tape: Alfred Purdy, Milton Acorn, Phyllis Webb, George Bowering, Lionel Kearns, Jamie Reid, and John Newlove. It is a matter of regret that space did not permit the'use of similar tapes made by other B. C. poets. She also wishes to acknowledge with thanks the guidance given her by Miss Ruth McConnell and Dr. D. G. Stephens in the preparation of this material. ii ABSTRACT Since World War II Canadian literary criticism has tended to be either historical or aesthetic In its emphasis. Little or no in• terest has been shown In the linguistic approach to criticism; no work has been done on Canadian poets comparable to the writing of Donald David and David Abercrombie on English poets, or of Chatman or Miles on American poets.
    [Show full text]
  • Australian Verse
    THE NEW OXFORD BOOK OF AUSTRALIAN VERSE Chosen by Les A. Murray Melbourne OXFORD UNIVERSITY PRESS Oxford Auckland New York CONTENTS Foreword xxi Sam Woolagoodjah Lalai (Dreamtime) 1 Barron Field (1786—1846) The Kangaroo 6 Richard Whately (1787-1863) There is a Place in Distant Seas 7 Anonymous A Hot Day in Sydney 8 The Exile of Erin 11 Hey, Boys! Up Go We! 12 The Limejuice Tub 13 John Dunmore Lang (1799-1878) Colonial Nomenclature 14 Anonymous Van Diemen's Land 15 The Convicts' Rum Song 16 Hail South Australia! 16 The Female Transport 17 The Lass in the Female Factory 18 Francis MacNamara (Frank the Poet) (b. 1811?) A petition from the chain gang 19 - For the Company underground 22 A Convict's Tour to Hell 23 Robert Lowe (1811-1892) Songs of the Squatters, I and II 28 Charles Harpur (1813-1868) A Basket of Summer Fruit 31 Wellington 32 A Flight of Wild Ducks 33 Henry Parkes (1815-1896) Our Coming Countrymen 34 Aboriginal Songs from the 1850s Kilaben Bay song (Awabakal) 36 VI CONTENTS Women's rondo (Awabakal) 37 Two tongue-pointing (satirical) songs (Kamilaroi) 38 The drunk man (Wolaroi) 38 Anonymous Whaler's Rhyme 38 The Diggins-oh 39 William W. Coxon (?) The Flash Colonial Barman 41 Charles R. Thatcher (1831-1882) Dick Briggs from Australia 42 Taking the Census 45 Moggy's Wedding 46 Anonymous The Banks of the Condamine 48 The Stringybark Cockatoo 49 Henry Kendall (1839-1882) Bell-birds 50 Beyond Kerguelen 51 Anonymous John Gilbert was a Bushranger 53 Jack McGuire (?) The Streets of Forbes 55 E.
    [Show full text]