Canadian Media and a Changing Industry
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Canada's Public Space
CBC/Radio-Canada: Canada’s Public Space Where we’re going At CBC/Radio-Canada, we have been transforming the way we engage with Canadians. In June 2014, we launched Strategy 2020: A Space for Us All, a plan to make the public broadcaster more local, more digital, and financially sustainable. We’ve come a long way since then, and Canadians are seeing the difference. Many are engaging with us, and with each other, in ways they could not have imagined a few years ago. Our connection with the people we serve can be more personal, more relevant, more vibrant. Our commitment to Canadians is that by 2020, CBC/Radio-Canada will be Canada’s public space where these conversations live. Digital is here Last October 19, Canadians showed us that their future is already digital. On that election night, almost 9 million Canadians followed the election results on our CBC.ca and Radio-Canada.ca digital sites. More precisely, they engaged with us and with each other, posting comments, tweeting our content, holding digital conversations. CBC/Radio-Canada already reaches more than 50% of all online millennials in Canada every month. We must move fast enough to stay relevant to them, while making sure we don’t leave behind those Canadians who depend on our traditional services. It’s a challenge every public broadcaster in the world is facing, and CBC/Radio-Canada is further ahead than many. Our Goal The goal of our strategy is to double our digital reach so that 18 million Canadians, one out of two, will be using our digital services each month by 2020. -
Cbc Radio One, Today
Stratégies gagnantes Auditoires et positionnement Effective strategies Audiences and positioning Barrera, Lilian; MacKinnon, Emily; Sauvé, Martin 6509619; 5944927; 6374185 [email protected]; [email protected]; [email protected] Rapport remis au professeur Pierre C. Bélanger dans le cadre du cours CMN 4515 – Médias et radiodiffusion publique 14 juin 2014 TABLE OF CONTENT ABSTRACT ......................................................................................... 2 INTRODUCTION .................................................................................. 3 CBC RADIO ONE, TODAY ...................................................................... 4 Podcasting the CBC Radio One Channel ............................................... 6 The Mobile App for CBC Radio One ...................................................... 7 Engaging with Audiences, Attracting New Listeners ............................... 9 CBC RADIO ONE, TOMORROW ............................................................. 11 Tomorrow’s Audience: Millennials ...................................................... 11 Fishing for Generation Y ................................................................... 14 Strengthening Market-Share among the Middle-aged ............................ 16 Favouring CBC Radio One in Institutional Settings ................................ 19 CONCLUSION .................................................................................... 21 REFERENCES .................................................................................... -
ANNUAL INFORMATION FORM Fiscal Year Ended August 31, 2015 Corus
ANNUAL INFORMATION FORM Fiscal year ended August 31, 2015 Corus Entertainment Inc. November 9, 2015 ANNUAL INFORMATION FORM ‐ CORUS ENTERTAINMENT INC. Table of Contents FORWARD‐LOOKING STATEMENTS ........................................................................................................ 3 INCORPORATION OF CORUS .................................................................................................................. 4 Organization and Name ............................................................................................................................ 4 Subsidiaries ............................................................................................................................................... 5 GENERAL DEVELOPMENT OF THE BUSINESS ........................................................................................... 5 Significant Acquisitions and Divestitures ................................................................................................. 5 DESCRIPTION OF THE BUSINESS ............................................................................................................. 6 Strategic Priorities .................................................................................................................................... 6 Radio ......................................................................................................................................................... 7 Description of the Industry ............................................................................................................... -
CBC/Radio-Canada Needs More Funding and True Independence: CMG Proposals
CBC/Radio-Canada needs more funding and true independence: CMG proposals The cuts to CBC this year alone amount to one of the biggest layoffs of content creators and journalists in Canadian history. This must be stopped and the longer-term trend at CBC reversed so that our public broadcaster can continue to produce local and national programming on all platforms that is in the public interest. The reckless dismantling of a major cultural resource in a vast, diverse country like ours – next to the U.S. powerhouse with its big commercial broadcasters – is one of the issues people in communities across Canada are seriously concerned about. Here is what CMG is urging all of Canada’s federal political parties to do to reverse the damage: 1. Reverse the $115-million Deficit Reduction Action Plan (DRAP) cut to CBC 2. Increase CBC funding to about half the average of what other developed countries invest in their public broadcaster or $43.5 per capita annually over the next five years, and adjust CBC's parliamentary appropriation for inflation. 3. Ask the CRTC to establish a fund that is dedicated to public service media programming (CBC, TVO, APTN, Tfo, community and independent media) – including local news – on all platforms that meets the diverse and evolving programming needs of Canadians. 4. Repeal Clause 17 of omnibus budget bill C-60 – in the interest of our country and of our reputation as a mature democracy – to remove government’s interference in CBC’s day-to-day operations. 5. Protect CBC/Radio-Canada’s independence by instituting a more public mechanism for selecting the national public broadcaster’s Board and CEO. -
Canadian Association of Broadcasters
January 11, 2019 The Broadcasting and Telecommunications Legislative Review Panel c/o Innovation, Science and Economic Development Canada 235 Queen Street, 1st Floor Ottawa, Ontario K1A 0H5 [email protected] Dear Review Panel Members: Re: Call for Comments on the Questions set out in the Broadcasting and Telecommunications Legislative Review Panel Terms of Reference The Canadian Association of Broadcasters CEO Radio Council (CAB Radio Council or Council) is pleased to provide the enclosed written submission in response to the Review Panel’s Call for Comments on Canada’s Communications Legislative Framework. The CAB Radio Council is a special committee of the CAB whose primary purpose is to advocate on behalf of the private commercial radio industry on matters of national interest which affect radio’s competitiveness and ability to serve Canadians. The council is comprised of representatives from more than 500 AM and FM radio stations across Canada which comprise in aggregate over 95% of total radio industry revenues. The attached submission represents the consensus view of the CAB Radio Council in respect of legislative and policy matters raised by the questions relating to the Broadcasting Act and relevant to radio. We trust that our comments are of value to the Panel and would be pleased to provide any additional input should it be requested. As the CRTC is an important stakeholder in this process and our submission raises radio policy issues not dependent on legislative review, we are also providing a copy of our submission to the Secretary General. Yours truly, Ian Lurie Chair, CAB CEO Radio Council cc. -
Our Stories, Our Voice Campaign
Our Stories, Our Voice Campaign to create and share educational and entertaining Canadian content to a bi-national audience Canadians have important stories to tell about our own remarkable history, our first class cultural institutions, and who we are as a people. But who will support this storytelling, and how should it be disseminated? Bringing Canadian narratives to a broader audience is of utmost importance. A creative strategy is required to develop, inform, and promote what is distinctly Canadian not only to Canada but beyond geographic borders. The potential exists for CCPTA to promote richer, more meaningful content about the Canadian experience, as well as use its history of collaboration with Buffalo Toronto Public Media to distribute that content through affiliated NPR and PBS stations. Funding is needed to support the necessary research, development, and production costs that will make this content a reality. 1 You can help to give Canadians a voice! By creating and delivering uniquely Canadian content, we can more effectively educate the world about what it means to be Canadian. Through compelling partnerships with organizations such as Buffalo Toronto Public Media, CCPTA has valuable access to PBS, NPR and other educational television and radio outlets. Why partner with PBS and NPR affiliates to disseminate Canadian stories beyond our borders? 2 The Our Stories, Our Voice Campaign The Central Canadian Public Television Association (CCPTA), has launched the Our Stories, Our Voice $5 million dollar endowment campaign that will strengthen our educational objectives and expand our gateway for Canadian content producers. The annual income disbursed from the endowment will support the research and development of Canadian focused television productions as well as fund writers and producers to assist in bringing that content to a broad audience. -
Channel Listing Fibe Tv Current As of June 18, 2015
CHANNEL LISTING FIBE TV CURRENT AS OF JUNE 18, 2015. $ 95/MO.1 CTV ...................................................................201 MTV HD ........................................................1573 TSN1 HD .......................................................1400 IN A BUNDLE CTV HD ......................................................... 1201 MUCHMUSIC ..............................................570 TSN RADIO 1050 .......................................977 GOOD FROM 41 CTV NEWS CHANNEL.............................501 MUCHMUSIC HD .................................... 1570 TSN RADIO 1290 WINNIPEG ..............979 A CTV NEWS CHANNEL HD ..................1501 N TSN RADIO 990 MONTREAL ............ 980 ABC - EAST ................................................... 221 CTV TWO ......................................................202 NBC ..................................................................220 TSN3 ........................................................ VARIES ABC HD - EAST ..........................................1221 CTV TWO HD ............................................ 1202 NBC HD ........................................................ 1220 TSN3 HD ................................................ VARIES ABORIGINAL VOICES RADIO ............946 E NTV - ST. JOHN’S ......................................212 TSN4 ........................................................ VARIES AMI-AUDIO ....................................................49 E! .........................................................................621 -
Canadian Content in the Media C
9.1.5 Canadian Content in the Media c A cartoon that appeared in 1998 in the Regina Leader-Post during the free trade debate showed a sloppy, middle-aged Canadian wearing a Miami Vice T-shirt, walking down a street adorned with McDonald’s arches, Coke machines, GM and Ford dealerships, and a movie billboard advertising Rambo XI. “What’s really scary,” he says to his wife, “is that we Canadians could lose control of our culture.” From The Mass Media in Canada by Mary Vipond. Canadian content rules considered insufficient by Graham Fraser, Toronto Star, August 29, 2002 <www.friends.ca/News/Friends_News/archives/articles08290205.asp> A recent survey found Canadians are confident the country's culture and identity are stronger now than they were five years ago in terms of distinctiveness from the United States. However, they worry about the ability to control domestic affairs from U.S. pressure in the future. A strong majority believes in Canadian content requirements and do not consider them vigorous enough. They say the Canadian Broadcasting Corporation is important for maintaining and building culture and identity. This support for Canadian culture and the CBC emerged in a poll by Ipsos-Reid for Friends of Canadian Broadcasting that was conducted between Aug. 6 and 11, 2002. The poll questioned 1,100 Canadians, and it can be considered accurate within plus or minus 3 percent, 19 times out of 20, Chris Martyn of Ipsos-Reid said. When questioned about agreement with the statement "I am proud of Canadian culture and identity," 94 percent said they agreed, while 92 percent said Canadian culture and identity should be promoted more, and 89 percent agreed it was important that the Canadian government work to maintain and build a culture and identity distinct from the U.S. -
Canadian Content Regulations and the Canadian Charter of Rights and Freedoms
CANADIAN JOURNAL OF COMMUNICATION, 1986, 11 (I),41 - 53. CANADIAN CONTENT REGULATIONS AND THE CANADIAN CHARTER OF RIGHTS AND FREEDOMS Brenda M. McPhail The University of Calgary This article examines the Canadian content regulations for television in the context of s. 2(b) of the Charter of Riahts and Freedoms. It araues that on the basis of s. 1, these regulations may be demonstrably justified. Cet article examine les reglements concernent le contenu canadien de la thlevision canadienne dans le contexte de la s. 2(b) de la Charte Canadienne des Droits et LibertBs. I1 demontre que les rhglements sont justifiable B la lumihre de la s. 1. On 17 April 1982 Queen Elizabeth I1 proclaimed the Constitution Act 1982 the supreme law of Canada. Its coming into force was heralded by many as the long-awaited and dramatic severance of the colonial mbi lical cord with Britain. Others, however, were more circumspect, for included in the act was the Canadian Charter of Rights and Free- doms. This novel element in Canada's constitution led to much specu- lation about its effects on Canadian jurisprudence and on the nation as a whole. This article investigates the possible implications of the Charter in one significant sphere of government regulatian . More specifically: do the Canadian television content regulations, as prescribed by the Canadian Radio-television and telecommunications Commission under the authority granted it by the Parliament of Canada in the Broadcasting Act 1968, violate s.2(b) of the Charter, the guarantee of freedom of thought, belief, opinion and expression, includ- ing freedom of the press and other media of comnunication? Second, if they do, can these regulations be justified by invok ing s The Canadian Charter of Rights and Freedoms guarantees the rights and freedoms set out in it subject to only such reasonable limits prescribed by law as can be demonstrably justified in a free and democratic society. -
Content Everywhere (2): Securing Canada’S Place in the Digital Future
Content Everywhere (2): Securing Canada’s Place in the Digital Future White Paper by Duopoly February, 2015 1 1 Table of Contents – Content Everywhere 2 1. Content Everywhere 2: Securing Canada’s Place in the Digital Future Introduction: a. Scope of the White Paper b. 'Videofication' of the Internet Takes Hold c. The Great Unbundling d. Canada Follows Suit e. What’s Different? Note: This paper has been prepared with the input of many entertainment and 2. What are the Major Trends? media industry leaders, listed in Appendix B. The authors thank these a. The US Leads the Way individuals for their contribution to this study. b. OTTs Surging Buying Power c. More Players Jump Into the Digital-First Game Funding for this study was provided by Ontario Media Development d. Smaller Players Pioneer Original Content Corporation, the Canada Media Fund and the Independent Production e. Old Media Races to Catch Up Fund. Any opinions, findings, conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the 3. Preliminary Findings From Industry Reviews views of Ontario Media Development Corporation, Canada Media Fund, the Government of Ontario or the Government of Canada, or the Independent 4. Case Studies Production Fund. The funders, the Governments of Ontario and Canada and a. Canada: Annedroids; Out With Dad; Bite on Mondo; CBC ComedyCoup; their agencies are in no way bound by the recommendations contained in b. US: East Los High; Frankenstein MD; Marco Polo this document. c. UK: Ripper Street; Portal; The Crown Version disponible en français dans trends.cmf-fmc.ca/fr 5. -
Protecting Canadian Culture and Identity F
6.4.1 Protecting Canadian Culture and Identity f The Canadian Radio-television and Telecommunications Commission (CRTC) was established by Parliament in 1968. It is an independent body that reports to Parliament and is responsible for all radio and television broadcasting in Canada. One of its main goals is to make sure that Canadian artists and stories reach the Canadian public. Parliament believes that it is important that the broadcasting system in Canada gives voice to the talents and shared experiences of Canadians in order to preserve our culture and identity. Making sure there is Canadian content on the airwaves also means jobs for thousands of Canadians. The CRTC enforces the following rules about Canadian content in broadcasting: Radio - All radio stations must ensure that 35 percent of the music they air each week is Canadian. In addition: - Commercial radio stations must ensure that 35 percent of the music they air between 6 a.m. and 6 p.m., Monday through Friday, is Canadian. - Ethnic radio stations must ensure that at least 7 percent of the music they air each week during ethnic programming periods is Canadian. (page 1 of 2) 6.4.1 Protecting Canadian Culture and Identity f - French-language radio stations must ensure that at least 65 percent of the music they broadcast each week is in the French language. As well, at least 55 percent of the music aired between 6 a.m. and 6 p.m., Monday through Friday, must be in the French language. Television Private television stations and networks (e.g., CTV, Global) and ethnic TV stations must achieve a yearly Canadian content level of: o 60 percent overall, measured during the day (i.e., between 6 a.m. -
Unsettling the White Noise: Deconstructing the Nation-Building
Unsettling the White Noise: Deconstructing the Nation-Building Project of CBC Radio One’s Canada Reads By Emily M. Burns A thesis submitted to the Graduate Program in the Department of Gender Studies in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada August, 2012 Copyright @ Emily M. Burns, 2012 Abstract The Canadian Broadcasting Corporation’s Canada Reads program, based on the popular television show Survivor, welcomes five Canadian personalities to defend one Canadian book, per year, that they believe all Canadians should read. The program signifies a common discourse in Canada as a nation-state regarding its own lack of coherent and fixed identity, and can be understood as a nationalist project. I am working with Canada Reads as an existing archive, utilizing materials as both individual and interconnected entities in a larger and ongoing process of cultural production – and it is important to note that it is impossible to separate cultural production from cultural consumption. Each year offers a different set of insights that can be consumed in their own right, which is why this project is written in the present tense. Focusing on the first ten years of the Canada Reads competition, I argue that Canada Reads plays a specific and calculated role in the CBC’s goal of nation-building: one that obfuscates repressive national histories and legacies and instead promotes the transformative powers of literacy as that which can conquer historical and contemporary inequalities of all types. This research lays bare the imagined and idealized ‘communities’ of Canada Reads audiences that the CBC wishes to reflect in its programming, and complicates this construction as one that abdicates contemporary responsibilities of settlers.