Heroes at the Push of a Button: the Image of the Photojournalist in Videogames
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Department of English and American Studies English Language And
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Adam Tušer Depiction of Japanese Soldiers in American War Films Bachelor’s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Ph.D. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. ..................................................... Adam Tušer Acknowledgement I would like to thank my supervisor doc. PhDr. Tomáš Pospíšil, Ph.D. for his valuable comments and feedback. TABLE OF CONTENTS 1. Introduction.................................................................................1 2. Propaganda and Film...................................................................4 3. Guadalcanal Diary........................................................................6 3.1. Film Overview.............................................................................6 3.2. Plot Summary..............................................................................7 3.3. The Japanese Inferiority and Animal-like Nature...........................10 3.4. The Tactics of the Japanese Soldiers Shown in the Films...............16 3.5. The Savagery and Cruelty of the Japanese..................................20 3.6. The Dangerous Snipers..............................................................24 3.7. Summary...................................................................................25 4. Letters from Iwo Jima................................................................26 -
William H. Hall High School
WILLIAM H. HALL HIGH SCHOOL WARRIORS Program of Studies 2016-2017 WILLIAM HALL HIGH SCHOOL 975 North Main Street West Hartford, Connecticut 06117 Phone: 860-232-4561 Fax: 860-236-0366 CENTRAL OFFICE ADMINISTRATION Mr. Thomas Moore – Superintendent Mr. Paul Vicinus - Assistant Superintendent Dr. Andrew Morrow – Assistant Superintendent BOARD OF EDUCATION Dr. Mark Overmyer-Velazquez – Chairperson Ms. Tammy Exum – Vice-Chair Ms Carol A Blanks – Secretary Dr. Cheryl Greenberg Mr. Dave Pauluk Mr. Jay Sarzen Mr. Mark Zydanowicz HALL HIGH SCHOOL ADMINISTRATION Mr. Dan Zittoun – Principal Mr. John Guidry - Assistant Principal Dr. Gretchen Nelson - Assistant Principal Ms. Shelley A. Solomon - Assistant Principal DEPARTMENT SUPERVISORS Mrs. Lucy Cartland – World Languages Mr. Brian Cohen – Career & Technical Education Lisa Daly – Physical Education and Health Mr. Chad Ellis – Social Studies Mr. Tor Fiske – School Counseling Mr. Andrew Mayo – Performing Arts Ms. Pamela Murphy – Visual Arts Dr. Kris Nystrom – English and Reading Mr. Michael Rollins – Science Mrs. Patricia Susla – Math SCHOOL COUNSELORS Mrs. Heather Alix Mr. Ryan Carlson Mrs. Jessica Evans Mrs. Amy Landers Mrs. Christine Mahler Mrs. Samantha Nebiolo Mr. John Suchocki Ms. Amanda Williams 1 Table of Contents Administration ............................................................................................................................................. 1 Table of Contents ....................................................................................................................................... -
Heroes (TV Series) - Wikipedia, the Free Encyclopedia Pagina 1 Di 20
Heroes (TV series) - Wikipedia, the free encyclopedia Pagina 1 di 20 Heroes (TV series) From Wikipedia, the free encyclopedia Heroes was an American science fiction Heroes television drama series created by Tim Kring that appeared on NBC for four seasons from September 25, 2006 through February 8, 2010. The series tells the stories of ordinary people who discover superhuman abilities, and how these abilities take effect in the characters' lives. The The logo for the series featuring a solar eclipse series emulates the aesthetic style and storytelling Genre Serial drama of American comic books, using short, multi- Science fiction episode story arcs that build upon a larger, more encompassing arc. [1] The series is produced by Created by Tim Kring Tailwind Productions in association with Starring David Anders Universal Media Studios,[2] and was filmed Kristen Bell primarily in Los Angeles, California. [3] Santiago Cabrera Four complete seasons aired, ending on February Jack Coleman 8, 2010. The critically acclaimed first season had Tawny Cypress a run of 23 episodes and garnered an average of Dana Davis 14.3 million viewers in the United States, Noah Gray-Cabey receiving the highest rating for an NBC drama Greg Grunberg premiere in five years. [4] The second season of Robert Knepper Heroes attracted an average of 13.1 million Ali Larter viewers in the U.S., [5] and marked NBC's sole series among the top 20 ranked programs in total James Kyson Lee viewership for the 2007–2008 season. [6] Heroes Masi Oka has garnered a number of awards and Hayden Panettiere nominations, including Primetime Emmy awards, Adrian Pasdar Golden Globes, People's Choice Awards and Zachary Quinto [2] British Academy Television Awards. -
Appreciations of Richard Harding Davis
1 APPRECIATIONS Gouverneur Morris Booth Tarkington Charles Dana Gibson E. L. Burlingame Augustus Thomas Theodore Roosevelt Irvin S. Cobb 2 John Fox, Jr Finley Peter Dunne Winston Churchill Leonard Wood John T. McCutcheon R. H. D. BY GOUVERNEUR MORRIS "And they rise to their feet as He passes by, gentlemen unafraid." He was almost too good to be true. In addition, the gods loved him, and so he had to die young. Some people think that a man of fifty-two is middle-aged. But if R. H. D. had lived to be a hundred, he would never have grown old. It is not generally known that the name of his other brother was Peter Pan. Within the year we have played at pirates together, at the taking of sperm whales; and we have ransacked the Westchester Hills for gunsites against the Mexican invasion. And we have made lists of guns, and medicines, and tinned things, in case we should ever happen to go elephant-shooting in Africa. But we weren't going to hurt the elephants. Once R. H. D. shot a hippopotamus and he was always ashamed and sorry. I think he never killed anything else. He wasn't that kind of a sportsman. Of hunting, as of many other things, he has said the last word. Do you remember the Happy Hunting Ground in "The Bar Sinister"?--"where nobody hunts us, and there is nothing to hunt." Experienced persons tell us that a manhunt is the most exciting of all sports. R. H. D. hunted men in Cuba. -
Architecture, Race, and American Literature (New York: New York University Press, 2011)
Excerpted from William A. Gleason, Sites Unseen: Architecture, Race, and American Literature (New York: New York University Press, 2011). Published with the permission of New York University Press (http://nyupress.org/). ! Imperial Bungalow Structures of Empire in Richard Harding Davis and Olga Beatriz Torres What the map cuts up, the story cuts across. —Michel de Certeau, !e Practice of Everyday Life (!"#$) At $:%& in the morning on '# June !"!$, thirteen-year-old Olga Bea- triz Torres boarded the (rst of four trains that would take her from her home outside Mexico City to the militarized Gulf port of Veracruz, nearly %&& miles away. Amid patrolling U.S. Marines, who had seized the port on Presi- dent Woodrow Wilson’s orders only two and a half months earlier, Torres and her family—refugees from the escalating chaos of the Mexican Revolu- tion—waited for a ship to take them north to Texas, where they would seek a new home in exile. Several days later, a crude cargo vessel re(tted for passen- ger use (nally arrived. A)er four queasy days at sea—and another twenty- four exasperating hours under medical quarantine in the Galveston harbor— Torres (nally stepped onto American soil. It was *:&& in the a)ernoon on a blisteringly hot eighth of July, and what greeted Torres, as she recorded in a letter to an aunt who had remained behind in Mexico, greatly disillusioned her: Imagine a wooden shack with interior divisions which make it into a home and store at the same time. +e doors were covered with screens to keep the ,ies and mosquitos out. -
Adventures and Letters by Richard Harding Davis
Adventures and Letters by Richard Harding Davis Adventures and Letters by Richard Harding Davis This etext was prepared with the use of Calera WordScan Plus 2.0 ADVENTURES AND LETTERS OF RICHARD HARDING DAVIS EDITED BY CHARLES BELMONT DAVIS CONTENTS CHAPTER I. THE EARLY DAYS II. COLLEGE DAYS III. FIRST NEWSPAPER EXPERIENCES IV. NEW YORK V. FIRST TRAVEL ARTICLES VI. THE MEDITERRANEAN AND PARIS page 1 / 485 VII. FIRST PLAYS VIII. CENTRAL AND SOUTH AMERICA IX. MOSCOW, BUDAPEST, LONDON X. CAMPAIGNING IN CUBA, AND GREECE XI. THE SPANISH-AMERICAN WAR XII. THE BOER WAR XIII. THE SPANISH AND ENGLISH CORONATIONS XIV. THE JAPANESE-RUSSIAN WAR XV. MOUNT KISCO XVI. THE CONGO XVII. A LONDON WINTER XVIII. MILITARY MANOEUVRES XIX. VERA CRUZ AND THE GREAT WAR XX. THE LAST DAYS CHAPTER I THE EARLY DAYS Richard Harding Davis was born in Philadelphia on April 18, 1864, but, so far as memory serves me, his life and mine began together several years later in the three-story brick house on South Twenty-first Street, to which we had just moved. For more than forty years this was our home in all that the word implies, and I do not believe that there was ever a moment when it was not the predominating influence in page 2 / 485 Richard's life and in his work. As I learned in later years, the house had come into the possession of my father and mother after a period on their part of hard endeavor and unusual sacrifice. It was their ambition to add to this home not only the comforts and the beautiful inanimate things of life, but to create an atmosphere which would prove a constant help to those who lived under its roof--an inspiration to their children that should endure so long as they lived. -
Heroes Act: Revenue Provisions
Heroes Act: Revenue Provisions Updated October 26, 2020 Congressional Research Service https://crsreports.congress.gov R46358 Heroes Act: Revenue Provisions ongress continues to consider proposals intended to alleviate the economic effects associated with the Coronavirus Disease 2019, or COVID-19, pandemic. One such Cproposal, the Health and Economic Recovery Omnibus Emergency Solutions (HEROES) Act (H.R. 6800), was introduced in the House on May 12, 2020, and passed by the House on May 15, 2020.1 To date, the Senate has not considered H.R. 6800. A revised version of The Heroes Act (H.R. 8406) was introduced on September 29, 2020. The House adopted the revised version of the Heroes Act on October 1, 2020, as a House amendment to the Senate amendment to H.R. 925. Division F of H.R. 8406 (adopted as H.R. 925), or the COVID-19 Tax Relief Act of 2020, contains a number of individual and business tax provisions, including a one-time direct payment to eligible individuals; enhanced benefits and/or expanded eligibility for the earned income tax credit (EITC), child tax credit, and child and dependent care tax credit, and suspension of the limitation on the deduction for state and local taxes paid; expanded utilization options for certain employee health and dependent care benefits; expansions of tax credits for paid sick leave and paid family leave; tax benefits for businesses and employers, including tax credits for employers retaining and hiring employees in businesses subject to COVID-19-related interruptions and deductibility of expenses financed by forgiven Paycheck Protection Program loans; and a permanent limitation on using noncorporate business losses to offset nonbusiness income, and reduced ability to carry back recent net operating losses. -
Villains, Victims, and Heroes in Character Theory and Affect Control
Social Psychology Quarterly 00(0) 1–20 Villains, Victims, and Heroes Ó American Sociological Association 2018 DOI: 10.1177/0190272518781050 in Character Theory and journals.sagepub.com/home/spq Affect Control Theory Kelly Bergstrand1 and James M. Jasper2 Abstract We examine three basic tropes—villain, victim, and hero—that emerge in images, claims, and narratives. We compare recent research on characters with the predictions of an established tradition, affect control theory (ACT). Combined, the theories describe core traits of the vil- lain-victim-hero triad and predict audiences’ reactions. Character theory (CT) can help us understand the cultural roots of evaluation, potency, and activity profiles and the robustness of profile ratings. It also provides nuanced information regarding multiplicity in, and sub- types of, characters and how characters work together to define roles. Character types can be strategically deployed in political realms, potentially guiding strategies, goals, and group dynamics. ACT predictions hold up well, but CT suggests several paths for extension and elaboration. In many cases, cultural research and social psychology work on parallel tracks, with little cross-talk. They have much to learn from each other. Keywords affect control theory, character theory, heroes, victims, villains On October 9, 2012, 15-year-old Malala including one attack in December 2014 Yousafzai went to school, despite the Tali- that killed 132 schoolchildren and another ban’s intense campaign to stop female in January 2016 where 22 people were education in her region of Pakistan and gunned down at a university. Why did despite its death threats against her and Malala’s story touch Western audiences, her father. -
Super Heroes
BRP WRE Bizarro Day! (DC Super Friends) Crime Wave! (DC Super Friends) Super Hardcover B8555BR Brain Freeze! (DC Super Friends) Heroes H2934GO Going Bananas (DC Super Friends) S5395TR T. Rex Trouble (DC Super Friends) W9441CR Crime Wave! (DC Super Friends) Juvenile Fiction Beginning Readers Paperback JUV ASH Batman: The Brave and the Bold Paperback BRP ASH Batman and Friends JUV DCS The Flash: Shadow of the Sun Captain Cold’s Artic Eruption (The BRP BRI Batman Versus Man-Bat Flash) Gorilla Warfare (The Flash) BRP ELI Flying High (DC Super Friends) Shell Shocker (The Flash) BRP FIG Spider-Man Saves the Day The Attack of Professor Zoom! (The Flash) BRP HIL Spider-Man Versus the Scorpion Wrath of the Weather Wizard (The Flash) Spider-Man Versus the Lizard Battle of the Blue Lanterns (Green Spider-Man Amazing Friends Lantern) Beware Our Power (Green Lantern) BRP LEM Superman Versus the Silver Banshee Guardian of Earth (Green Lantern) Batman: Who is Clayface? The Last Super Hero (Green Lantern) The Light King Strikes! (Green Lantern) BRP ROS Friends and Foes (Superman) Man of Steel: Superman’s Superpowers JUV JAF Wonder Woman Team Spirit (Marvel Super Hero Squad) The Trouble with Thor JUV JUS In Darkest Night (Justice League) BRP SAZ Superman: Escape from the Phantom Secret Origins (Justice League) Zone The Gauntlet (Justice League) Wings of War (Justice League) BRP SHE T. Rex Trouble (DC Super Friends) Aliens Attack (Marvel Super Hero JUV LER Batman Begins: The Junior Novel Squad) JUV SUP Superman Returns: The Last Son of BRP STE I Am Wonder -
The Monument of the Eponymous Heroes in the Athenian Agora'
THE MONUMENT OF THE EPONYMOUS HEROES IN THE ATHENIAN AGORA' (PLATES 41-58) T175HE heroes who gave their names to the Athenian tribes provided the essential framework within which the Athenian democracy customarily functioned. In their persons, they linked historical present with immemorial past, the realities of government with the legends of remote antiquity. In their cults, they perpetuatedthat ancient marriage of ancestral religion and practical politics which formed so char- acteristic a feature of the Greek polis. The Athenian citizen enjoyed the privileges and responsibilities of his citizenship almost wholly under the protecting aegis of his tribal hero. It was by tribe that he voted in the annual elections, by tribe that he would be allotted to public office. As a representative of his tribe, he would serve in the Council and by rotation of the tribal delegations the Council formed its executive committee. On behalf of his tribe, the citizen competed in the sacred games or performed in the choral dances in the theater. As a youth he was mustered by tribe for military service. It was in the ranks of his tribal regiment that the Athenian drilled and marched to war, by tribe that he fought in battle, and by tribe that he listed the names of his comrades who fell fighting and did not return. The tribal structure of the Athenian state found its monumental embodiment in the precinct of the Eponymous Heroes in the Agora. Just as the neighboring Altar of the Twelve Gods was the central milestone from which the roads ran out to all parts of Athens, so the complex channels of civic authority ran out to every citizen from the monument of the Eponymoi. -
Dead Rising 2 Reviewer's Guide (Low Resolution)
Content Falls In FALL 2010 LET’S GET STARTED Your Letters Editor-In-Chief 4 CAPCOM Letter From The Editor Editorial Director Greg Off 8 Senior Editor KEEPING ENTERTAINED Stacy Burt The Hot List Associate Editor 10 David Brothers Night Time Visitors Assistant Editor 12 Lindsay Young All The Brains You Can Eat Contributing Medical Expert 14 Isabela Keyes Five Ways To Tell If Your Date Director of Photography Is Infected Frank West 16 Senior Designer Timothy Lindquist Wingin’ It Associate Designers 20 Cyrin Jocson, STYLE • LOOKING GOOD Sarah Gilbert, Alvin Domingo Save The World And Look Good National Advertising Director Doing It Brady Hartel 22 Security Does This Make Me Look Dead? Brad Garrison, Jessica McCarney 26 Janitor DIY: Affordable Mayhem Otis Washington 30 Transportation What’s Your Perfect Match? Ed DeLuca A PARTNERSHIP TO BENEFIT DEAD RIGHTS 34 FEATURE PRESENTATION The New Guy In Town 38 Fortune City’s Players 42 “ZQ” is trademark of Capcom. All rights reserved. No part of this magazine may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system without written permission from Capcom. When Time is of the Essence Capcom and the authors have made every effort to ensure Stacey Forsythe and Intercept have joined together to that the information contained in this magazine is accurate. However, the publisher makes no warranty, either expressed contribute to the Unnaturally Dead Defense Council. or implied, as to the accuracy, effectiveness, or completeness of the material in this magazine; nor does the publisher assume liability for damages, either incidental or consequential, « When you need to track your Zombrex intake, only the best time that may result from using the information in this magazine. -
Dangerousness and Criminal Justice
DANGEROUSNESS AND CRIMINAL JUSTICE Franklin E. Zimring* Gordon Hawkins** INTRODUCTORY The question of dangerousness arises in criminal law whenever de- cisions are taken in regard to the secure confinement of offenders: de- cisions about remand in custody, bail, criminal sentencing, parole, providing statutory terms of imprisonment for particular offenses, and prison building programs. Whether the likelihood of future harm should have a role in deci- sions about the use of imprisonment is the question we address in this article. This question is widely discussed in the literature on the juris- prudence of sentencing, and has inspired "a lot of rather uncritical and polemical literature" 1 and a good deal of muddled and emotive argu- ment, with which we are not concerned. At the same time, some seri- ously and deservedly respected scholars have, on this topic, advanced propositions and reached conclusions, which on consideration appear plainly illogical and untenable. Their contributions to the discussion are the focus of our attention here. The first section of this paper surveys some recent writings on the topic of dangerousness for major inconsistencies, which we regard as illuminating the special problem of dangerousness in the jurisprudence of criminal sentencing. The second section describes the "special problem of dangerous- ness," for, we believe, the first time. The special problem is the fear that any admission of calculations of dangerousness into sentencing decisions will lead to an overuse of dangerousness, which may be worse than the inefficiencies and hypocrisies we confront when deny- ing that future dangerousness is relevant to decisions about prisons. * Professor of Law and Director of the Earl Warren Legal Institute, University of Califor- nia, Berkeley.