Oberlin Digital Commons at Oberlin Honors Papers Student Work 2011 Shakin' Exploitation: Black Female Bodies in Contemporary Hip- Hop and Pornography Amber Walker Oberlin College Follow this and additional works at: https://digitalcommons.oberlin.edu/honors Part of the African American Studies Commons Repository Citation Walker, Amber, "Shakin' Exploitation: Black Female Bodies in Contemporary Hip-Hop and Pornography" (2011). Honors Papers. 428. https://digitalcommons.oberlin.edu/honors/428 This Thesis is brought to you for free and open access by the Student Work at Digital Commons at Oberlin. It has been accepted for inclusion in Honors Papers by an authorized administrator of Digital Commons at Oberlin. For more information, please contact
[email protected]. Shakin’ Exploitation: Black Female Bodies in Contemporary Hip-Hop and Pornography Amber Walker Honors Candidate African American Studies Spring 2011 1 “In hindsight, I realized that models, like the strip club dancers and video vixens…and even female rappers…occupy a particular place of cultural antipathy. We are all in the business of selling illusions, as we move various products—including our own sexuality—but we often stand accused of selling out. Blamed for participating in the exploitation of women, these women and their stories, like mine, are always much more complicated…nothing is ever so clear cut.1 -T. Denean Sharpley-Whiting Introduction In 2005, Karrine Steffans’ memoir Confessions of a Video Vixen debuted on bookstore shelves across the country. Steffans book was the first of its kind. She used her knowledge of privileged information contained inside the “Good Ol’ Boys Club” of hip- hop to transform herself from video vixen to a self-proclaimed “modern day Mata Hari.”2 With the publication of her book, Steffans violated an unspoken but well-known rule in hip-hop by “refusing to curb her tongue.”3 She aired her rendezvous with some of hip- hop’s power players, and she did not spare any details.