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LUCHA DE BANDOS EN EL PAÍS VASCO: DE LOS PARIENTES MAYORES a LA HIDALGUÍA UNIVERSAL Guipúzcoa, De Los Bandos a La Provincia (Siglos XIV a XVI)
LA LUCHA DE BANDOS EN EL PAÍS VASCO: DE LOS PARIENTES MAYORES A LA HIDALGUÍA UNIVERSAL Guipúzcoa, de los bandos a la Provincia (siglos XIV a XVI) José Ramón Díaz de Durana Ortiz de Urbina (ed.) Servicio Editorial Argitalpen Zerbitzua UNIVERSIDAD DEL PAIS VASCO EUSKAL HERRIKO UNIBERTSITATEA La Lucha de Bandos en el País Vasco: de los Parientes Mayores a la Hidalguía Universal Guipúzcoa, de los bandos a la Provincia (siglos XIV a XVI) La Lucha de Bandos en el País Vasco: de los Parientes Mayores a la Hidalguía Universal Guipúzcoa, de los bandos a la Provincia (siglos XIV a XVI) José Ramón Díaz de Durana Ortiz de Urbina (ed.) eman ta zabal zazu Universidad Euskal Herriko del País Vasco Unibertsitatea servicio editorial argitalpen zerbitzua La LUCHA de bandos en el País Vasco, de los parientes mayores a la hidalguía univer- sal : Guipúzcoa, de los bandos a la provincia (siglos XIV a XVI) / José Ramón Díaz de Du- rana Ortiz de Urbina (ed) . — Bilbao : Servicio Editorial. Universidad del País Vasco/Eus- kal Herriko Unibertsitatea, 1998. — 618 p. ; 24 cm. ; (Historia Medieval y Moderna) D.L. BI-2.490-98 ISBN: 84-8373-085-5 1. País Vasco - Historia - 0500-1500 (Edad Media) 946.015"14/15" Ilustración de portada: Lope García de Salazar Ilustración autorizada por la Real Cofradía de los Caballeros del Santísimo y Santiago de Burgos © Servicio Editorial de la Universidad del País Vasco Euskal Herriko Unibertsitateko Argitalpen Zerbitzua ISBN: 84-8373-085-5 Depósito legal/Lege gordailua: BI-2.490-98 Fotocomposición/Fotokonposaketa: Ipar, S. Coop. Particular de Zurbaran, 2-4 - 48007 Bilbao Impresión/Inprimaketa: Itxaropena, S.A. -
Basque Studies
Center for BasqueISSN: Studies 1537-2464 Newsletter Center for Basque Studies N E W S L E T T E R Basque Literature Series launched at Frankfurt Book Fair FALL Reported by Mari Jose Olaziregi director of Literature across Frontiers, an 2004 organization that promotes literature written An Anthology of Basque Short Stories, the in minority languages in Europe. first publication in the Basque Literature Series published by the Center for NUMBER 70 Basque Studies, was presented at the Frankfurt Book Fair October 19–23. The Basque Editors’ Association / Euskal Editoreen Elkartea invited the In this issue: book’s compiler, Mari Jose Olaziregi, and two contributors, Iban Zaldua and Lourdes Oñederra, to launch the Basque Literature Series 1 book in Frankfurt. The Basque Government’s Minister of Culture, Boise Basques 2 Miren Azkarate, was also present to Kepa Junkera at UNR 3 give an introductory talk, followed by Olatz Osa of the Basque Editors’ Jauregui Archive 4 Association, who praised the project. Kirmen Uribe performs Euskal Telebista (Basque Television) 5 was present to record the event and Highlights 6 interview the participants for their evening news program. (from left) Lourdes Oñederra, Iban Zaldua, and Basque Country Tour 7 Mari Jose Olaziregi at the Frankfurt Book Fair. Research awards 9 Prof. Olaziregi explained to the [photo courtesy of I. Zaldua] group that the aim of the series, Ikasi 2005 10 consisting of literary works translated The following day the group attended the Studies Abroad in directly from Basque to English, is “to Fair, where Ms. Olaziregi met with editors promote Basque literature abroad and to and distributors to present the anthology and the Basque Country 11 cross linguistic and cultural borders in order discuss the series. -
Oral Tradition 22.2
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Missouri: MOspace Oral Tradition, 22/2 (2007): 33-46 Social Features Of Bertsolaritza Jon Sarasua Social Features of Bertsolaritza The Bertsolaritza Setting:1 The Basque Language Community Sung, extempore verse-making in Basque (hereafter referred to as bertsolaritza, as it is known in the Basque language) holds an important place in the culture of the Basque language, a speech community of about 600,000 people. This community is divided among four territories inside the Spanish state and three inside the French state; the population in these territories put together is around three million. The Basque language community is a small speech community and finds itself in a minority in its native land. Nevertheless, we are talking about a community that goes back a long way in history. The most recent findings by a number of scientific disciplines appear to confirm its Pre-Indo- European origin, since the community of Euskara, the Basque language, is regarded as one of the oldest in Europe. It is important to bear in mind the key characteristics in the development of our speech community: a firm determination to maintain its roots and its ability to adapt unceasingly in so many eras and contexts by preserving its essential nature in difficult balances. These key characteristics and behavior are linked to the way the present and future of bertsolaritza is understood and, in general, to the way that the evolution of the Basque language is experienced. Right now, the Basque language finds itself at an especially critical moment; on the one hand it is on the point of losing the battle for revival in some of its territories, and on the other it is going through a difficult normalization or development process. -
Female Improvisational Poets: Challenges and Achievements in the Twentieth Century
FEMALE .... improvisational - ,I: t -,· POETS ...~1 Challenges and Achievements in the Twentieth Century In December 2009, 14,500 people met at the Bilbao Exhibi tion Centre in the Basque Country to attend an improvised poetry contest.Forty-four poets took part in the 2009 literary tournament, and eight of them made it to the final. After a long day of literary competition, Maialen Lujanbio won and received the award: a big black txapela or Basque beret. That day the Basques achieved a triple triumph. First, thou sands of people had gathered for an entire day to follow a lite rary contest, and many more had attended the event via the web all over the world. Second, all these people had followed this event entirely in Basque, a language that had been prohi bited for decades during the harsh years of the Francoist dic tatorship.And third, Lujanbio had become the first woman to win the championship in the history of the Basques. After being crowned with the txapela, Lujanbio stepped up to the microphone and sung a bertso or improvised poem refe rring to the struggle of the Basques for their language and the struggle of Basque women for their rights. It was a unique moment in the history of an ancient nation that counts its past in tens of millennia: I remember the laundry that grandmothers of earlier times carried on the cushion [ on their heads J I remember the grandmother of old times and today's mothers and daughters.... • pr .. Center for Basque Studies # avisatiana University of Nevada, Reno ISBN 978-1-949805-04-8 90000 9 781949 805048 ■ .~--- t _:~A) Conference Papers Series No. -
The Bertsolariak Championship As Competitive Game and Deep Play Jexux Larrañaga Arriola University of the Basque Country
BOGA: Basque Studies Consortium Journal Volume 4 | Issue 1 Article 2 October 2016 The Bertsolariak Championship as Competitive Game and Deep Play Jexux Larrañaga Arriola University of the Basque Country Follow this and additional works at: http://scholarworks.boisestate.edu/boga Part of the Basque Studies Commons Recommended Citation Larrañaga Arriola, Jexux (2016) "The Bertsolariak Championship as Competitive Game and Deep Play," BOGA: Basque Studies Consortium Journal: Vol. 4 : Iss. 1 , Article 2. https://doi.org/10.18122/B2R99Z Available at: http://scholarworks.boisestate.edu/boga/vol4/iss1/2 The Bertsolariak Championship as Competitive Game and Deep Play1 Jexux Larrañaga Arriola, PhD 1. Introduction The objective of this article is to give an anthropological description of a ritual performance which has survived from the past and which has taken a renewed vitality during the past decades. It begins with the paradox which Joseba Zulaika discussed in his book Bertsolariaren jokoa eta jolasa (The Joko and Jolas of the Bertsolaria)(1985), where he distinguishes between the joko (competitive game) and jolas (play) dimensions of the bertsolaria’s performance. The first question is therefore whether the competition between the bertsolariak (improvisational poets) can be situated in a wider cultural context. Even more, could it perhaps be situated at the very center of cultural creativity and community production? Here we get to the core of the paradox: the bertsolariak do engage in a competitive game, yet winning the championship is not what matters most. This needs to be seen in the duality of mutually opposing perspectives that are accepted by the audience as reinforcing each other. -
Bertsolaritza Gaur Eta Bihar
Bertsolaritza gaur eta bihar Antton Haranburu Jose Mari Iriondo Sarrera Gure bertsolaritzari buruzko idazlan hau egin behar eta, edozein euskaldun eta bertsozalek ber- tsolaritzaz duen ikuspegi arruntetik abiatzen naiz. Denok dakigu zerbait bertsolaritzaz, denok ezagu- tzen ditugu gure bertsolariak eta gutxi edo gehiago denok dakigu zer den bertsolari bat. Baina behar- bada intuizioz bakarrik dakizkigu gauza guzti hauek. Ez dugu inoiz gure bertsolaritzaren feno- meno hori sakonki aztertu, ez dugu bertsoaren ana- lisirik egin eta ez dugu bertsolariaren barne proze- su hori arrazoitu. Bertsolaria-bertsoa-bertsolaritza gauza oso bat bezala ulertzen dugu. Horregatik idazlan honetan elementu hauetako bakoitzaren azterketa bat egitea litzateke nire as- moa, bertsolaria, bertsoa eta bertsolaritza bakarka hartuz. Hala ere irakurleak jakin behar du ez dela hau azterketa sakon eta sistematiko bat; gehienik ere oharpen batzuk egitera eta pista batzuk marka- tzera ausartzen naiz eta ondoren esango dudan guz- tia iritzi pertsonal baten kolokan ezarri nahi nuke, dogmakeria guztietatik urrun. BERTSOLABTTZA GAUR ETA BIHAR 39 I. — Bertsolariak Gure herri-kulturaren fenomeno eta adierazpenik berezie- netako bat gure ahozko bertsolaritza da. Baina oharpen honekin hasi nahi nuke: gure herria bertsozale baino lehenago bertsolari da. Zu eta ni, irakurle, bertsolari gara eta euskaraz ari garen unetik denok gara bertsolari. Orain zentzu konkretu batetara mugatuz, bertsoak egin eta jendaurrean kantatzen dituen horri deitzen diogu bertsolari. Ez du gehiago zehazterik merezi, denok izen eta abizenez ezagutzen ditugu gure bertsolariak. Ez goaz orain bertsolarien klasifikapen bat egitera bertsozaleak bertsolari bakoitzari etnan ohi dion mai- lari begira. Hala ere gaur egun bertsolarien sailkapen nagusi bat egiten hasita, bertsolari ikasi diren eta hizkuntza landua dutenen saila alde batetik eta gutxiago ikasiak diren eta hizkuntza landua ez dutenen saila bestetik berezi beharko lirateke. -
+ Press Dossier
NATIONAL BERTSOLARIS CHAMPIONSHIP 2017 The 17th edition of the National Bertsolaris Championship will be held between 23 September and 17 December. It is the ninth championship organised by the Association of the Friends of Bertsolaritza. The National Bertsolaris Championship 2017 will be divided into 14 sessions. The contest will start in Baigorri and, for the fourth year running, the final will be held in the Bilbao Exhibition Centre in Barakaldo. This year a total of 43 bertsolaris (verse singers) will be taking part. In addition, there will be a group made up of 18 theme presenters, as well as 20 judges. The National Bertsolaris Championship is held once every four years and is extremely popular. However, it is just as important to bear in mind what this movement is about. Bertso (improvised verse) is the basis of bertsolaritza and it hides the secret of the championship. Day after day, bertso spreads from village to village, town square to town square, school to school, reaching every spot in the Basque Country. Bertsolaritza is a broad and dynamic movement, and the work involves many people. This non-stop activity is reflected in the National Bertsolaris Championship. 1 Bertsozale Elkartea. Mintzola Etxea. Kale Nagusia 70. 20150 Villabona T. (00) (34) 943 69 41 29 / [email protected] www.bertsozale.com MAIN FEATURES Participation The finalists of the 2013 edition of the National Bertsolaris Championship and the people who have qualified in their respective provincial championships are eligible to participate in this year’s National Bertsolaris Championship. There will be a total of 43 bertsolaris. -
201602220955130.Recorrido ZIZURKIL-ASTEASU 06-03-2016
gipuzkoako txirrindularitza Título de la carrera: AITZONDO XIII. KLASIKA elkargoa Club organizador: AITZONDO KLASIKA BATZORDEA Teléfono: 617-442483 Fax: 943-468632 Fecha de celebración: 06-03-2016 Hora: 10:00 Categoría: ELITES y SUB-23 Anoetako belodromoa - 20014 DONOSTIA Carácter de la prueba: 1.12.1 (COPA DE ESPAÑA) (943) 46 05 40 (943) 46 86 32 Lugar de celebración: ZIZURKIL - ASTEASU Ref. Kilóm. Kilóm. M.H. M.H. LOCALIDAD P.K. Carretera Carrera A Meta 38 Km/h 40 Km/h ZIZURKIL (Pasus Enea)) Salida Neutralizada GI-3281 0 138,6 10:00 10:00 GASHOR (Salida oficial) SALIDA 0 138,6 10:00 10:00 PUENTE DE ADUNA GI-3610 0,8 137,8 10:01 10:01 BILLABONA (HIRU ALDETA) URBANO 1,8 136,8 10:02 10:02 N-1 N-1 3,1 135,5 10:04 10:04 IRURA GI-3650 4,7 133,9 10:07 10:07 ANOETA GI-3650 5 133,6 10:07 10:07 TOLOSA (GORRITI DCHA.) URBANO 7,9 130,7 10:12 10:11 TOLOSA (Pº San Francisco) URBANO 9 129,6 10:14 10:13 TOLOSA (BENTA HAUNDI) URBANO 10,5 128,1 10:16 10:15 ENTRADA A LA N-1 N-1 11 127,6 10:17 10:16 ALEGIA (Salida a la GI-2131) N-1 13 125,6 10:20 10:19 ALEGIA GI-2131 13,5 125,1 10:21 10:20 IKAZTEGIETA GI-2131 15,5 123,1 10:24 10:23 LEGORRETA GI-2131 18,5 120,1 10:29 10:27 ITSASONDO GI-2131 22,5 116,1 10:35 10:33 ORDIZIA (VIRAJE Bº SAN JUAN) GI-2131 23 115,6 10:36 10:34 ITSASONDO GI-2131 23,5 115,1 10:37 10:35 LEGORRETA GI-2131 27,5 111,1 10:43 10:41 IKAZTEGIETA GI-2131 30,5 108,1 10:48 10:45 ALEGIA GI-2131 32,5 106,1 10:51 10:48 ALEGIA (Entrada a la N-1) N-1 33 105,6 10:52 10:49 TOLOSA (CRUCE AMAROZ) Salida de la N-1 N-1 36 102,6 10:56 10:54 BOMBEROS URBANO TOLOSA (Gorriti Izda. -
HR16&17.Qxd (Page 1)
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Azentu Bariazioa Gipuzkoan
Azentu Bariazioa Gipuzkoan IÑAKI GAMINDE * 0. SARRERA Lan honetan1 Euskal Herri osoan burutzen gabiltzan azentuari buruzko lan orokor baten datuetan oinarrituta, Gipuzkoan jaso ditugun berba isola- tuen arabera, azentua ere kontutan hartuta, herrien aldentze maila aztertu nahi dugu. Alderaketak egin ahal izateko, mugatzaile singularrarekin jasotako berba isolatuak erabiliko ditugu. Argi dago zenbait barietatetan markatuen jokabi- dea neurtzeko ez dena nahikoa berbak isolatuki jasotzea, izan ere, berba hauen jokabidea ilun samarra izan daiteke, eta talde fonologikoan baino ezin iger daiteke euren izaera markatua (ikus bitez esatebaterako: Hualde 1995, Gaminde eta Hualde 1995). Guztiarekin ere, hemengo helburuetarako nahi- ko erizpide ona dela uste dugu. Lan honetarako jaso ditugun datuen artean 70 berba aukeratu ditugu, eurok 50 herritan dauzkaten bariazio mailak aztertzeko. Helburua herrien ar- teko desberdintasunak kuantifikatzea da. Honetarako aukeratu ditugun ber- bak ondokook dira: burua txoria intxaurra oilarra afaria aurpegia arratoia indaba oilaskoa alarguna ilea ilargia porrua arraultza semea bekokia eguzkia piperra txakurra alaba belarria euria aza katua gizona begia txingorra marrubia herria lehengusua bihotza trumoia mahatsa sukaldea aitona odola tximista behia mahaia amona kuntzurruna lurra idia ohea zuria eskua iturria astoa izara beltza * UPV. EHU. 1. Lanhau UPV051.354-EA107/95 ikerkuntza-proiektuaren barruan egin da. [1] 361 IÑAKI GAMINDE atzamarra pikoa ardia ogia horia atzazala udarea gazta ardoa gaztea alkondara sagarra -
[email protected] :: :: (+34) 943 693 870 Nazioarteko Inprobisatzaileen Bira International Improvisators Tour
[email protected] :: www.mintzola.eus :: (+34) 943 693 870 Nazioarteko Inprobisatzaileen Bira International Improvisators Tour The International Improvisators Tour is an initiative organised by Mintzola Ahozko Lantegia and Lanku Kultur Zerbitzuak. The aim of the tour is to continue gathering knowledge about the improvised verse singing in other cultures and languages. The tour of the improvisators from Cuba, Argentina and the Basque Country will take place from the 9th to the 14th of October. PROGRAMME Tuesday, October 9, PAMPLONA At 7.00pm, in the Zentral hall Guest improvisators: Tomasita Quiala (Cuba) and Araceli Argüello (Argentina) Bertsolaris: Maialen Lujanbio and Julio Soto Conductor: Iker Iriarte Organised by Pamplona City Council Wednesday, October 10, ERANDIO At 7.00pm, in the Merkatu Zaharra hall Guest improvisators: Tomasita Quiala (Cuba) and Araceli Argüello (Argentina) Bertsolaris: Amets Arzallus and Jone Uria Conductor: Iker Iriarte Organised by Erandio City Council Thursday, October 11, HERNANI At 7.00pm, at the Biteri cultural centre Guest improvisators: Tomasita Quiala (Cuba) and Araceli Argüello (Argentina) Bertsolaris: Maialen Lujanbio and Julio Soto Conductor: Iker Iriarte Organised by Hernani City Council Friday, October 12, VITORIA-GASTEIZ At 7.00pm, in the Beñat Etxepare theatre Guest improvisators: Tomasita Quiala (Cuba) and Araceli Argüello (Argentina) Bertsolaris: Maialen Lujanbio and Xabi Igoa Conductor: Maite Berriozabal Organised by Vitoria-Gasteiz City Council [email protected] :: www.mintzola.eus -
Demarcación Hidrográfica 016 CANTÁBRICO MASA DE AGUA
ENCOMIENDA DE GESTIÓN PARA LA REALIZACIÓN DE TRABAJOS CIENTÍFICO-TÉCNICOS DE APOYO A LA SOSTENIBILIDAD Y PROTECCIÓN DE LAS AGUAS SUBTERRÁNEAS Actividad 4: Identificación y caracterización de la interrelación que se presenta entre aguas subterráneas, cursos fluviales, descargas por manantiales, zonas húmedas y otros ecosistemas naturales de especial interés hídrico Demarcación Hidrográfica 016 CANTÁBRICO MASA DE AGUA SUBTERRÁNEA 016.309 TOLOSA IDENTIFICACIÓN Y CARACTERIZACIÓN DE LA INTERRELACIÓN QUE SE PRESENTA ENTRE AGUAS SUBTERRÁNEAS, CURSOS FLUVIALES, DESCARGA POR MANANTIALES, ZONAS HÚMEDAS Y OTROS ECOSISTEMAS NATURALES DE ESPECIAL INTERÉS HÍDRICO 0316.309 TOLOSA ÍNDICE 1. CARACTERIZACIÓN DE MASA DE AGUA SUBTERRÁNEA_________________________ 1 1.1 IDENTIFICACIÓN, MORFOLOGÍA Y DATOS PREVIOS....................................................................... 1 1.2 CONTEXTO HIDROGEOLÓGICO..................................................................................................... 3 1.2.1 Litoestratigrafía y permeabilidad........................................................................................ 3 1.2.2 Estructura geológica ............................................................................................................ 6 1.2.3 Funcionamiento hidrogeológico ....................................................................................... 10 2. ESTACIONES DE CONTROL ___________________________________________________ 13 2.1 ESTACIONES DE LA RED OFICIAL DE AFOROS ...........................................................................