DOCSLIB.ORG

Concert by Mrs

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Concert by Mrs i 4o;! t 0' , e~ 0' THE AMICA NEWS BULLETIN- Published by the Automatic Musical Instrument Collectors' AMICA MEMBERSHIP RATES: Association, a non-profit club devoted to the restoration, distri­ bution and enjoyment of musical instruments using perforated Continuing Members: $15 Dues paper music rolls. New Members, add $5 processing fee Lapsed Members, add $3 processing fee Contributions: All subjects of interest to readers of the bulletin are encouraged and invited by the publisher. Alf articles must be received by the 15th of the preceding month. Every attempt will be made to publish all articles of general interest to AMICA members at the earliest possible time and at the discretioo of the publisher. Advertisements: Personal ads by members are accepted and inserted in the Bulletin Board section at a rate of 6stper word, $1.20 minimum. Businesses and persons wishing more space may OFFICERS use the foHowing guidelines: INTERNATIONAL CHAPTER - Advertising rate is $12.50 per quarter page or multiple thereof. OFFICERS OFFICERS Camera-ready copy must reach the publisher by the 15th of the preceding month. PRESIDENT NO. CALIFORNIA Bob Rosencrans Pres.: - Ad copy will be typeset (at nominal additional cost) only Vice Pres: Nick Jarrett if requested. VICE·PRESIDENT Sec.: Tom Hawthorne - All ads will appear on the last pages of the Bulletin, at the Treas.: Bob Bartlett discretion of the publisher. SECRETARY Reporter: Dick Reutlinger Isadora Koff Publication of business advertising in no way implies AMICA's SO. CALIFORNIA endorsement of any commercial operation. However, AMICA BULLETIN Pres.: Richard Rigg '. reserves the right to refuse any ad that is not in keeping with Thomas G. Beckett Vice Pres.: Bobby Mintz -:- .' AMICA's general standards or if complaints are received indicating 6817 Cliffbrook Driv:e Sec.: Bill Toeppe . that said business does not serve the best interests of the members Dallas, Texas 75240 Reporter: Evelyn Meeder of AMICA, according to its goals and by-laws. MEMBERSHIP SECRETARY TEXAS (New Memberships and Pres.: Tom & Carol Beckett Mailing Problems) Vice Pres.: Wade &.Becky Newton Anita Nickels JohnSon' Sec./Treas.: Jim Meadows P. O. Box 666 Reporter: James Guinn Grand Junction, Colorado 81501 MIDWEST Pres.: Bill Ackman TREASURER Vice Pres.: Bob Fortier Jack and Mary Riffle Treas.: Molly Yeckley AUCTION Sec.: Al Theil PHILADELPHIA AREA Convention Highlights 138-145 BOARD REPRESENTATIVES Pres.: Bob Rosencrans Annual Meeting 146 Bill Johnson, N. California Vice Pres.: Jesse Macartney Financial Statement 147 Sally Lawrence Alternate Sec.: Mrs. Lawrence Cornell President's Message 147 Cecil Dover, S. California SOWNY (So. Ontario, West N.Y.) Winnipeg News 149 Jim Hollingsworth, Texas Pres.: Richard Drewniak, Questions, Answers, Comments 150 Charlie Johnson, Alternate Vice Pres.: William lfatzenbuhler Jim Weisenborne, Midwest. Sec.: Janet Drewniak Southern California 151 Alfred C. BusSe, Philadelphia Treas.: Stan Aldridge Texas 152 Alan MueDer, S. Ont. W. N.Y. Reporter: Edythe Aldridge SOWNY 152 Felix Klempka Roll and Record Comparison 153 BOSTON Pending Biography - Percy Grainger 160 BOSTON CHAPTER Technicalities 163 Pending THE AMICA BULLETIN SEPTEMBER, 1975 PAGE 138 July 23, 1975 Dear AMICAns, I would like to take this opportunity to thank everyone who participated in the Fourth International AMICA Convention in Buffalo, N. Y. June 26th - 29th. Attendance exceeded all of our expectations. It gave the SOWNY members quite a boost to know that the new chapter in the East could draw so may wonderful people to the confer­ ence. A special thank you is extended to the hard working committee who gave so much of their time to making the convention a suc­ cess: JANET DREWNIAK COORDINATOR EDYTHE ALDRIDGE MEALS MARY LOU MATTIOLI MEALS ALAN MUELLER GUESTS FELIX KLEMPKA TOURS & PROGRAMME STAN ALDRIDGE TECHNICAL SESSIONS BILL HATZENBUHLER INSTRUMENTS CHARLES HANNEN EXHIBITS RICHARD SIMPSON CHAPTER PRESIDENT Earl and Stella Gilbert are commended for opening their horne and offering their fine collection to bus load upon bus load of AMICAns. Also commended are the people who lent their fine musical instruments to the festivities. They are John Farnsworth, Bill Hatzenbuhler, Ted Wood and Doug Hershberger. Also the musical talents of Mrs. Ruth Bingaman Smith, Mrs. Ursula Dietrich Hollinshead and Mr. Doug Roe de­ lighted everyone who attended the lovely Friday Banquet. I would be remiss not to mention the be­ nevolent gift of QRS Music Rolls, Inc. and Ramsi Tick for the outstanding evening with Bolcom and Morris at the Riveria Theater and for the factory tour. Looking back on the work and sometime head­ aches involved with being Chairman, I must say, it was worth every moment. I have received a wealth of experience and the pleasure of meeting some marvelous people. Thank you again AMICAns, for the success of the convention. Best regards, / '/ Richard Drewniak Convention Chairman Dave and Bernadette Gaudieri, Ursula Dietrich Hollinshead and Convention Chairman Rick Drewniak photo by Stan Aldridge PAGE 139 SEPTEMBER, 1975 THE AMICA BULLETIN GENERAL REPORT OF THE AMICA CONVENTION said for Mr. Bolcom and Miss Morris. They brought the BY EDYTHE ALDRIDGE house to its feet for encore after encore by demand of the audience. After Sunday Brunch, a business meeting with elec­ The Fourth International Convention of AMICA was tion of officers was held. Placques and certificates held June 26, 27, 28, and 29, 1975 at the Statler were awarded to everyone who participated in the pro­ Hilton Hotel in Buffalo, New York with SOWNY, the gram. Private homes displayed their instruments to Southern Ontario, Western New York Chapter, as hosts. many interested members in the afternoon. Registration began Thursday, June 26th at 6:00 PM. The display room was open and available for viewing as the exhibits had already begun to accumulate. Regis­ tration and hospitality was on the Mezzanine outside the Embassy Room where everyone picked up their con­ vention packets and instructions for bus tours the following day. Bill Flynt entertained us for an hi­ larious while with some silent movies he brought along and accompanied on the piano. All in all, everyone seemed to become acquainted with each other, and why not? Everyone had something in common! Of great in­ terest, was becoming personally acquainted with some of the honored guests and guest artists. Mr. J. Lawrence Cook was even found to be autographing rolls upon request. It was great to meet Rudy Martin as well. On Friday, June 27th, tours lasted throughout the morning and afternoon to the QRS Music Roll Factory and to Earl and Stella Gilbert's home. The Gilbert's boast a beautiful Wurlitzer pipe organ and a Wurlitzer Theater Organette which is tied into it so the organ will play both by hand and with a roll on the Organette. All this is in the home that Earl and Stella built to house the organ and its pipes and accessories. A buf­ fet lunch was served at the hotel, between tours so to speak. The tours were so popular that several people visited the Gilbert's the next day at 8:00 A.M. in lieu of breakfast. While the tours were in operation, technical sessions took place in the Buffalo Room of the Statler Hilton. The guest speakers were Mr. Harvey Roehl of the Vestal Press, Mike Montgomery, Bill Flynt, Ray Vincent, and Alan Pier. Friday evening consisted of the Guest Artist Banquet with a thoroughly enjoyable Banquet Chairman - Edythe Aldridge piano concert by Mrs. Ursula Dietrich Hollinshead, Mrs. photo by Stan Aldridge Ruth Bingaman Smith and Mr. Doug Roe. Later there was generally a fun time get-together with dancing to a live band. On Saturday, June 28th, everyone left at 11:15 A.M. and enjoyed a box lunch on the bus tour to view one of the Seven Wonders of the World. No, not a reproducing grand, but Niagara Falls! This was a great thrill for everyone; in fact some people returned the next day to go up in the Skylon Tower, or ride the Maid of the Mist in the rapids, or just view the Falls in all their splendor. The age old debate still goes on ­ which is the more beautiful? The American side of the Falls viewed from Canada, or the Canadian side of the Falls view from America. At least everyone agreed that the Niagara Falls trip was fantastic and the gardens on the Canadian side were simply magnificent. Saturday evening after dinner, everyone went to Tonawanda, New York to the Riviera Theater. Preceeding the concert, everyone thrilled to hear the Mighty Wurlitzer Organ played played by a member of the American Theatre Organ Society (ATOS). The concert itself consisted of Mr. William Bolcom, pianist; and Miss Joan Morris, so­ Bob Rosencrans, Diana and Lesley Nieviarouski prano vocalist. Mr. Bolcom accompanied Miss Morris as photo by Stan Aldridge she sang and also played some selections alone. The concert was simply magnificent and enough cannot be THE AMICA BULLETIN SEPTEMBER, 1975 PAGE 140 Player Piano Tinkles a Comeback nro L\T\t';F:, si::ny bL~,'k objt.....·t~ \'.e:\:, \.'":',1.: !':" ~:t('!::>n in the?' ~l1:':\Y ,~: ::',2 E\':("'; S:a::t':­ For Devotees at Convention Here Hilwn ('In F:·:,~.1Y :,~i'lr:i:n;z hur By RALPH DIBBLE more interesting t han t b e it was prt?':;y (l~)\-:\.':1!' tha: one mO"ing keys. They stOOd, some If you think the player piano is a ririky-tink lost exhibits they've set up, . had t:1(, e"::,f:e 0\ I?r !;:e o;Jer. with heads cocked, and their The Detroit inventor, Mr: The fin:!, a ~·.i'r:'~:;:(\:l~:Y re­ expressions ga\'e no visible in­ art, you would get a jolting surprise at the current Vincent, stumbled into the' s10red 1904 Con·air S;Jydcr coo.
Load more

Recommended publications
  • 311 Creatures
    311 Creatures (For A While) 10 Years After I'd Love To Change The World 10,000 Maniacs Because The Night 10,000 Maniacs Candy Everybody Wants 10,000 Maniacs Like The Weather 10,000 Maniacs More Than This 10,000 Maniacs These Are Days 10,000 Maniacs Trouble Me 10cc I'm Not In Love 10cc The Things We Do For Love 112 Come See Me 112 Cupid 112 It's Over Now 112 Only You 112 Peaches & Cream 112Super Cat Na Na Na 1910 Fruitgum Co. 1 2 3 Red Light 1910 Fruitgum Co. Simon Says 20 Fingers Short Dick Man 2Pac California Love 2Pac Changes 2Pac Dear Mama 2Pac How Do You Want It 2Pau Heart And Soul 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down Duck And Run 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down The Road I'm On 3 Doors Down When I'm Gone 3 Of Hearts Arizon Rain 311 All Mixed Up 311 Amber 311 Down 311 I'll Be Here Awhile 311 You Wouldn't Believe 38 Special Caught Up In You 38 Special Hold On Loosely 38 Special Rockin' Into The Night 38 Special Second Chance 38 Special Wild Eyed Southern Boys 3LW I Do 3LW No More Baby 3LW Playas Gon' Play 3rd Strike Redemption 3rd Stroke No Light 4 Non Blondes What's Up 4 PM Sukiyaki 4 Runner Cain's Blood 4 Runner Ripples 4Him Basics Of Life 5 Stairsteps Ooh Child 50 cent pimp 50 Cent In Da Club 50 Cent Wanksta 5th Dimension Aquarius 5th Dimension Last Night I Didn't Get To Sleep At All 5th Dimension One Less Bell To Answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up And Away 5th Dimension Wedding Bell Blues 69 Boyz Tootie Roll 702 Get It Together 702 Steelo 702 Where My
    [Show full text]
  • Download Booklet
    PIANISTS, PSYCHIATRISTS AND PIANO CONCERTOS Sergei Rachmaninov (1873-1943) Piano Concerto No. 2 in C minor, Op. 18 “I play all the right notes, but not necessarily in the right order.” That flat-G-C-G, whereas his right could easily encompass C (2nd finger!)-E 1 Moderato 11. 21 2 Adagio sostenuto 12. 03 was how Eric Morecambe answered the taunt of conductor ‘Andrew (thumb)-G-C-E. 3 Allegro scherzando 11. 51 Preview’ (André Previn), who was questioning his rather ‘unusual’ treat- Yet although Rachmaninoff appeared to be a born pianist, he had ment of the introductory theme of Edvard Grieg’s Piano Concerto. set his heart on a career as composer and conductor. Only after fleeing Edvard Grieg (1843-1907) Nowadays, the sketch from the 1971 Christmas show of the famous from Russia following the outbreak of the revolution, did he realise that Piano Concerto in A minor, Op. 16 comedy duo Morecambe and Wise has attained cult status and can be he would not be able to earn a living as a composer, that his lack of tech- 4 Allegro molto moderato 13. 43 viewed on the Internet. Many years later, Previn let slip that taxi-drivers nique would impede a career as a conductor, and that the piano could 5 Adagio 6. 34 still regularly addressed him as ‘Mr Preview’. In fact, the sketch was not well play a much larger role in his life. The many recordings (including 6 Allegro moderato molto e marcato 10. 51 the first to parody Grieg’s indestructible concerto: that honour belongs all his piano concertos and his Paganini Rhapsody) that form a resound- to Franz Reizenstein, with his Concerto Popolare dating from 1959.
    [Show full text]
  • Lincolnshire Posy Abbig
    A Historical and Analytical Research on the Development of Percy Grainger’s Wind Ensemble Masterpiece: Lincolnshire Posy Abbigail Ramsey Stephen F. Austin State University, Department of Music Graduate Research Conference 2021 Dr. David Campo, Advisor April 13, 2021 Ramsey 1 Introduction Percy Grainger’s Lincolnshire Posy has become a staple of wind ensemble repertoire and is a work most professional wind ensembles have performed. Lincolnshire Posy was composed in 1937, during a time when the wind band repertoire was not as developed as other performance media. During his travels to Lincolnshire, England during the early 20th century, Grainger became intrigued by the musical culture and was inspired to musically portray the unique qualities of the locals that shared their narrative ballads through song. While Grainger’s collection efforts occurred in the early 1900s, Lincolnshire Posy did not come to fruition until it was commissioned by the American Bandmasters Association for their 1937 convention. Grainger’s later relationship with Frederick Fennell and Fennell’s subsequent creation of the Eastman Wind Ensemble in 1952 led to the increased popularity of Lincolnshire Posy. The unique instrumentation and unprecedented performance ability of the group allowed a larger audience access to this masterwork. Fennell and his ensemble’s new approach to wind band performance allowed complex literature like Lincolnshire Posy to be properly performed and contributed to establishing wind band as a respected performance medium within the greater musical community. Percy Grainger: Biography Percy Aldridge Grainger was an Australian-born composer, pianist, ethnomusicologist, and concert band saxophone virtuoso born on July 8, 1882 in Brighton, Victoria, Australia and died February 20, 1961 in White Plains, New York.1 Grainger was the only child of John Harry Grainger, a successful traveling architect, and Rose Annie Grainger, a self-taught pianist.
    [Show full text]
  • Percy Aldridge Grainger
    About Music Celebrations MCI is a full-service concert and festival We are musicians serving musicians organizing company MCI staff has a combined 200+ years John Wiscombe founded MCI in 1993. experience in designing and operating As a youth, he spent several years as a concert tours tour manager throughout Europe. He has now been in the music travel business for over 45 years. Our Staff is composed of a unique blend of musicians and travel industry professionals ...in the folk-song there is to be found the complete history of a people, recorded by the race itself, through the heart outbursts of its healthiest output. It is a history compiled with deeper feeling and more understanding than can be found among the dates and data of the greatest historian... -PERCY ALDRIDGE GRAINGER The 10th annual Percy Grainger Wind Band Festival will feature four outstanding wind ensembles conducting standalone performances of Percy Grainger literature in an afternoon matinee performance in Chicago’s Historic Orchestra Hall at Symphony Center on March 23, 2019. ‘ All band selections are made through Music Celebrations, and every effort will be made to ensure that each ensemble’s program will not overlap onto one another. Ensembles will be accepted on a first-come, first-serve, rolling basis. Early applicants are given preference and priority. Mallory Thompson is director of bands, professor of music, coordinator of the conducting program, and holds the John W. Beattie Chair of Music at Northwestern University. In 2003 she was named a Charles Deering McCormick Professor of Teaching Excellence. As the third person in the university's history to hold the director of bands position, Dr.
    [Show full text]
  • Discography Percy Grainger Compiled by Barry Peter Ould Mainly Piano
    Discography Percy Grainger compiled by Barry Peter Ould mainly piano Percy Grainger (Percy Grainger, piano) – includes: PRELUDE AND FUGUE IN A MINOR (Bach); TOCCATA AND FUGUE IN D MINOR (Bach); FANTASY AND FUGUE IN G MINOR (Bach); SONATA NO.2 IN B-FLAT MINOR op. 35 (Chopin); ETUDE IN B MINOR op. 25/10 (Chopin); SONATA NO.3 IN B MINOR op. 58 (Chopin). Biddulph Recordings LHW 010 (12 tracks – Total Time: 76:08) Percy Grainger (Percy Grainger, piano) – includes: SONATA NO.2 IN G MINOR op.22 (Schumann); ROMANCE IN F-SHARP op. 28/2 (Schumann); WARUM? (from op. 12) (Schumann); ETUDES SYMPHONIQUES (op. 13) (Schumann); WALTZ IN A-FLAT op. 39/15 (Brahms); SONATA NO.3 IN F MINOR op. 5 (Brahms). Biddulph Recordings LHW 008 (25 tracks – Total Time: 69:27) Percy Grainger plays (Percy Grainger, piano) – includes: TOCCATA & FUGUE IN D MINOR (Bach); PRELUDE & FUGUE IN A MINOR (Bach); FANTASIA & FUGUE IN G MINOR (Bach); ICH RUF ZU DIR (Bach arr. Busoni); SONATA NO.2 IN G MINOR op. 22 (Schumann); ETUDE IN B MINOR op. 25/10 (Chopin); ETUDE IN C MINOR op. 25/12 (Chopin); WEDDING DAY AT TROLDHAUGEN (Grieg); POUR LE PIANO [Toccata only](Debussy) (Grainger talks on Pagodes, Estampes [Pagodes only]); GOLLIWOG'S CAKEWALK (Debussy); MOLLY ON THE SHORE. Pavilion Records PEARL GEMM CD 9957 (19 tracks – Total Time: 78:30) Percy Grainger plays – Volume II (Percy Grainger, piano) – includes: PIANO SONATA NO.2 IN B-FLAT MINOR op. 35 (Chopin); PIANO SONATA NO.1 IN B MINOR op. 58 (Chopin); ETUDES SYMPHONIQUES op.
    [Show full text]
  • Revised Abstract
    Abstract SUMMARY OF DISSERTATION RECITALS THREE PROGRAMS OF PIANO MUSIC by Cole Anderson Chair: Logan Skelton Three piano recitals were given in lieu of a written dissertation. In this series of programs I have demonstrated various ways that American composers have organized their music into large-scale structures in the twentieth century, whether following or differing from recognizable European models. The first recital presented Beethoven’s Piano Sonata op. 106 as a European model of large-scale formal construction. The second lecture-recital explored the music of Australian-American Percy Grainger, juxtaposing shorter works and transcriptions with his multi-movement suite, In a Nutshell. The third recital presented Charles Ives’s Concord Sonata, paired with a short arrangement which provided an introduction to simple bitonality, useful for understanding Ives’s musical language. Sunday, October 18, 2015, 5:00 p.m., Walgreen Drama Center, Stamps Auditorium, The University of Michigan. John Luther Adams, Nunataks; Franz Schubert, Drei Klavierstücke D. 946, no. 2, in E-flat major; Ludwig van Beethoven, Sonata in B-flat Major, op. 106. Saturday, February 20, 2016 5:30 p.m., Earl V. Moore building, Britton Recital Hall, The University of Michigan. Lecture and recital on Percy Grainger, Blithe Bells; In a Nutshell; Irish Tune from County Derry; Ramble on the Last Love-Duet in Richard Strauss’s Opera “The Rose-Bearer”; “One more day, my John” from Sea Chanty SettinGs; In Dahomey “Cakewalk Smasher.” Sunday, April 10, 2016, 5:00 p.m.; Walgreen Drama Center, Stamps Auditorium, The University of Michigan. Stephen Foster (arr. Cole Anderson), Old Folks at Home; Charles Ives, Piano Sonata no.
    [Show full text]
  • Percy Grainger and New Worlds of Concert Pianism
    Percy Grainger and New Worlds of Concert Pianism: A Study of Repertoire and Programming (1914-1926) Natalie Stephanie Bellio Dissertation submitted in partial fulfillment of the requirements of the degree of Master of Music (By Research) October 2013 Melbourne Conservatorium of Music The University of Melbourne Produced on archival quality paper Abstract This thesis presents an overview of Percy Grainger’s piano repertoire and programming on his tours in the United States and elsewhere in the period 1914-1926. In the United States, Percy Grainger encountered a new and wider audience, which gave him the recognition he desired to become well established as a concert pianist, and allowed him the freedom to explore a wider range of piano repertoire, as well as perform his own piano works. He developed an individual approach to programming his piano recitals and committed himself to a role as ambassador for the piano works of selected modern composers throughout America, Scandinavia and Australia. This thesis briefly explores Grainger’s performing career in London from 1901 to 1914, to provide background on Grainger’s roles as a pianist, the diversity of the piano repertoire he performed, and the restrictive circumstances surrounding his early career whilst under the management of his mother Rose. Through new research conducted on concert programmes and other relevant archival material available at the Grainger Museum, this thesis examines Grainger’s transformation as a pianist, the evolution of his selection of piano repertoire and his innovative and maturing approach to recital programming in the United States from 1914 to 1926. In addition, this study explores Grainger’s developing professional role as an educator and promoter of his preferred piano repertoire in the United States.
    [Show full text]
  • The Piano Music of Percy Grainger: a Pianist's Perspective on Pedalling Glen Carruthers
    Document généré le 1 oct. 2021 02:45 Canadian University Music Review Revue de musique des universités canadiennes The Piano Music of Percy Grainger: A Pianist's Perspective on Pedalling Glen Carruthers Volume 21, numéro 2, 2001 Résumé de l'article L’éminent pianiste et compositeur Percy Aldridge Grainger (1882–1961) a URI : https://id.erudit.org/iderudit/1014486ar couvert les pages de ses arrangements de musique inédite et de chansons de DOI : https://doi.org/10.7202/1014486ar folklore d’instructions détaillées, quoique idiosyncratiques, à l’intention des interprètes. Il est à la fois inhabituel et révélateur que sa technique Aller au sommaire du numéro consciencieuse de la pédale se révèle autant dans ses minutieuses directives à l’intention des pianistes. Les partitions de Grainger font ici l’objet d’un examen sous l’angle des pédales forte, de prolongation et douce. Les nombreux Éditeur(s) exemples musicaux remplissent deux objectifs : 1) ils renseignent sur la complexité de la technique de pédale de Grainger ; et 2) ils démontrent Canadian University Music Society / Société de musique des universités l’éventail des méthodes de notation que le compositeur a employées à divers canadiennes moments de sa carrière, pour permettre aux interprètes de reproduire le plus fidèlement possible ses propres utilisations scrupuleuses de la pédale. De plus, ISSN l’examen approfondi de cet aspect particulier de la riche maîtrise de Grainger jette un éclairage sur la relation entre compositeurs et interprètes, ou notation 0710-0353 (imprimé) et interprétation, que Grainger a cherché à comprendre et à énoncer toujours 2291-2436 (numérique) plus clairement au cours de sa carrière.
    [Show full text]
  • CLASSIFIED ADS Experience Has Not Been Forgotten Or Mis­ Vox Humana, Saxophone,Violed'orchestra, Laid in These Two Albums
    Porter tune that gives George a chance to display some of the fine shading of the Organ. Next is the novelty number . ''The Trouble with Harry'', which dis­ pla)[s some very tricky piano work. Listen for the sustained · cymbal, and try and figure out how it is done. Incidentally, the )?£Ogram notes state that no recording or other electronic gim­ THE SONG IS YOU - The Music of Jer - RAY BOHR AND THE RADIO CITY MU­ mic ks were used to enhance or change ome Kern. Jesse Crawford, Organist. SIC HALL ORGAN - Design DLP-128 Mono. the natural organ sound, and this we can Decca D L8861 Mono. believe, because it sounds right. Wright SONGS OF LOVE - The Music of Sig­ Here is a straight-forward recording concludes Side One with an artful : in­ mund Romberg. Jesse Crawford, Organ• of the small Wurlitzer organ in the broad­ terpretation or''Temptation''. ist. Decca, DL8841 Mono. Available in casting studio of Radio City Music Hall, Side Two starts off with the oldie, Stereo. a 3/14 organ which has been recorded "I'm Forever Blowing Bubbles", which many times. Bohr does a nice workman­ How do you review a Jesse Craw­ features some of the cleanest cascading like job on this record, playin~ the fol­ ford album? How do you act as a critic be 11 and percussive sounds to which this lowing numbers: The Wedding of the of Rembrandt? How do you review Kreis­ reviewer has ever had the pleasure of Painted Doll; Whiffenpoof So.qs; · I'll See ler? Indeed, how do you? This reviewer listening.
    [Show full text]
  • Percy Grainger and Ralph Vaughan Williams
    University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2009-01-01 Percy Grainger and Ralph Vaughan Williams: A Comparative Study of English Folk-Song Settings for Wind Band Shawna Meggan Holtz University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Folklore Commons, and the Music Commons Recommended Citation Holtz, Shawna Meggan, "Percy Grainger and Ralph Vaughan Williams: A Comparative Study of English Folk-Song Settings for Wind Band" (2009). Open Access Theses & Dissertations. 2710. https://digitalcommons.utep.edu/open_etd/2710 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. PERCY GRAINGER AND RALPH VAUGHAN WILLIAMS: A COMPARATIVE STUDY OF ENGLISH FOLK-SONG SETTINGS FOR WIND BAND SHAWNA MEGGAN HOLTZ Department of Music APPROVED: _________________________________ Ron Hufstader, Ph. D., Chair ________________________________ David Ross, D.M.A. _________________________ Kim Bauer, M.F.A. ________________________ Patricia D. Witherspoon, Ph.D. Dean of the Graduate School Copyright © By Shawna Holtz 2009 To Joshua Coleman PERCY GRAINGER AND RALPH VAUGHAN WILLIAMS: A COMPARATIVE STUDY OF ENGLISH FOLK-SONG SETTINGS FOR WIND BAND by SHAWNA MEGGAN HOLTZ, B.M.E. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF MUSIC Department of Music THE UNIVERSITY OF TEXAS AT EL PASO December 2009 TABLE OF CONTENTS Page TABLE OF CONTENTS.……...………………………………………………………………..…v LIST OF FIGURES………………………………………………………………………………..vi CHAPTER I.
    [Show full text]
  • Gonzo Weekly
    2 Another happened last year when the Rolling Stones dragged Mick Taylor away from undeserved obscurity, and played a series of barnstorming gigs including Glastonbury Festival, and another is going on at the moment and started last night. King Crimson have been, unarguable, one of the most idiosyncratic and artistically interesting bands for forty five years now, since they formed in 1968. Leader Robert Fripp left the music business some years ago, and King Crimson seem to have been on indefinite hiatus since about 2008. However, last year Fripp announced that the band will return, and this week, the new seven piece line-up played their first shows. The silence surrounding these shows is deafening. I spoke to Jakko Jakszyk who is the second guitarist and vocalist with the new King Crimson, last week on Facebook. He was understandably cagey about Dear Friends, what was happening. I asked how the rehearsals were going, and he said that they seemed OK but Welcome to another issue of the Gonzo Weekly. told me to ask him again after they had done a show or two. We are always being told how the music industry is in crisis and how record sales are plummeting. He will be back in the UK in October, apparently, However, once or twice a year there are still major so I will be doing my best to nail him down for a artistic and cultural events which take the western proper interview then. world by storm. The only review that I have found yet of the new One such has been Kate Bush’s renaissance band (and remember that this is being written on following her ongoing series of concerts in London.
    [Show full text]
  • Percy Grainger: Australia's Greatest Composer? Transcript
    Percy Grainger: Australia's greatest composer? Transcript Date: Monday, 11 July 2011 - 6:00PM Location: Barnard's Inn Hall Monday 11 July 2011 Percy Grainger: Australia's Greatest Composer? Malcolm Gillies Early in the year I was invited to give this Gresham Lecture, as part of the 2011 City of London Festival, with its strong accent on Australian and New Zealand music. I hurriedly penned the abstract: We can think of world-leading Australians in sport (Don Bradman), media ownership (Rupert Murdoch) and film (Nicole Kidman). In music, some great performers come to mind, especially female singers (Nellie Melba, Joan Sutherland). But how many people can even name an Australian composer? In his Gresham Lecture, Malcolm Gillies probes this elusive category of greatness. Percy Grainger (1882-1961), the composer of Country Gardens, is often mentioned as a contender. But, despite his birth, was he really Australian, was he primarily a composer, and what was so great about him, anyway? If I had been writing that abstract today, I might have begun like this: "It is hard to avoid world-leading Australians: in media ownership (Rupert Murdoch), in media ownership (James Murdoch) and in media ownership (Rebekah Brooks)" – who seems over the last one hundred hours to have gained the pariah status of an "honorary Australian". Mind you, the Australian press during these days – at least the bit that is not owned by the Murdochs – is stressing very heavily that Rupert Murdoch actually now carries an American passport, and that his son (born in Wimbledon) has been corrupted by "the speak of the North American business school".
    [Show full text]