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The Female Athlete and Spectacle in Bollywood: Reading Mary Kom and Dangal
ISSN 2249-4529 www.pintersociety.com GENERAL SECTION VOL: 9, No.: 2, AUTUMN 2019 REFREED, INDEXED, BLIND PEER REVIEWED About Us: http://pintersociety.com/about/ Editorial Board: http://pintersociety.com/editorial-board/ Submission Guidelines: http://pintersociety.com/submission-guidelines/ Call for Papers: http://pintersociety.com/call-for-papers/ All Open Access articles published by LLILJ are available online, with free access, under the terms of the Creative Commons Attribution Non Commercial License as listed on http://creativecommons.org/licenses/by-nc/4.0/ Individual users are allowed non-commercial re-use, sharing and reproduction of the content in any medium, with proper citation of the original publication in LLILJ. For commercial re- use or republication permission, please contact [email protected] 68 | The Female Athlete and Spectacle in Bollywood… The Female Athlete and Spectacle in Bollywood: Reading Mary Kom and Dangal Shweta Sharma Abstract: This paper engages with the representation of the female athlete in Indian cinema. Specific references will be made to the cinematic portrayal of female boxers and wrestlers in Bollywood to argue that female boxers and wrestlers are portrayed as ‘masculine’. However, the sportswoman’s assertion of her femininity in a space exclusively occupied by men leads to ‘gender trouble’. To enunciate this argument two biopics, Mary Kom (2014) and Dangal (2016), will be analyzed. It would be observed that when a female boxer/wrestler tries to reinforce her identity, she is either subjected to criticism or faces failure. However, the argument that sportswomen are termed as ‘masculine’ does not necessarily imply that female athletes aren’t objects of the male gaze. -
(Aamir Khan) Adalah Mantan Atlet Gulat Yang Mengingink
BAB IV DESKRIPSI OBJEK PENELITIAN 4.1. Sinopsis Film Mahavir Singh Phogat (Aamir Khan) adalah mantan atlet gulat yang menginginkan anak laki-laki untuk dapat mewujudkan impiannya menjadikan anaknya sebagai pegulat agar memperoleh medali emas untuk Negara India, tetapi istrinya Daya Shobha Kaur (Sakshi Tanwar) melahirkan empat anak perempuan, sejak itu Mahavir Singh Phogat mengubur impiannya memiliki anak laki-laki. Keajaiban muncul ketika Geeta Kumari Phogat (anak pertama) dan Babita Kumari Phogat (anak kedua) memukul anak laki-laki tetangganya hingga luka parah, hal ini membuat Mahavir Singh Phogat kembali menjadikan kedua anaknya sebagai pegulat walaupun perempuan. 76 Mahavir Singh mulai melatihan gulat secara rutin kedua anak perempuannya, Geeta Kumari Phogat dan Babita Kumari Phogat, harus bangun jam 5 pagi latihan kemudian kembali dari sekolah lanjut latihan hingga malam bahkan Ayahnya berpesan pada istrinya untuk tidak melibatkan kedua putrinya dalam membantu pekerjaan rumah karena hanya akan fokus pada latihan gulat.77 Suatu ketikan kedua anak perempuan itu merasa jenuh dengan latihan terus-menerus dan dirampas dunia masa anak-anaknya untuk bermain bersama 76https://sinopsisfilmbioskopterbaru.com/dangal-2016-sinopsis-lengkap-film-dan/ diakses pada 26 Desember 2017 pkl 18.50 WIB. 77https://sinopsisfilmbioskopterbaru.com/dangal-2016-sinopsis-lengkap-film-dan/ diakses pada 26 Desember 2017 pkl 18.50 WIB. 46 teman-teman perempuannya bahkan rambut panjangnya dipotong agar tidak mengganggu dalam latihan gulat, dengan itu mereka mencari -
Deconstructing Gender Binaries: Representations in Select Bollywood Movies
================================================================= Language in India www.languageinindia.com ISSN 1930-2940 Vol. 18:4 April 2018 India’s Higher Education Authority UGC Approved List of Journals Serial Number 49042 ================================================================ Deconstructing Gender Binaries: Representations in Select Bollywood Movies Devika Sharma & Isha Malhotra ================================================================== Courtesy: http://t0.gstatic.com/images?q=tbn:ANd9GcQTblXre6r30BazYkTGv5MEbEoOnDBHi2qYE noTAY0dZx6vSfRc Abstract The present paper examines a paradigm shift in the stereotypical gender roles in two Bollywood movies, focusing upon their deconstruction of gender binaries. NH10 traces the evolution of a professional independent woman who after the death of her husband takes the “agency” into her hands and becomes an agent of change. She not only avenges the murder of her husband but also tries to bring justice in the highly regressive patriarchal rural setup. ================================================================= Language in India www.languageinindia.com ISSN 1930-2940 18:4 April 2018 Devika Sharma & Isha Malhotra Deconstructing Gender Binaries: Representations in Select Bollywood Movies 49 Dangal deals with the real life story of Phogat family, a family of wrestlers belonging to Haryana, India. It presents the successful attempt made by Mahvir Singh Phogat, a masculine man. Breaking the gender stereotypes, he trains his daughters in a masculine game, wrestling. The paper -
Father's Character Analysis in Dangal
Journal of Literature and Art Studies, February 2018, Vol. 8, No. 2, 282-287 doi: 10.17265/2159-5836/2018.02.014 D DAVID PUBLISHING Father’s Character Analysis in Dangal XU Jian-gang, ZHENG Xiao-yu China Three Gorgeous University, Yichang, China A work’s theme, significance, thought and influence are embodied by the characters’ personality and behavior. Thus, the protagonists appear to be particularly important. They represent the main ideas of the work and the author’s intention. Dangal (English: Wrestling competition) is a 2016 Indian Hindi-language biographical sports drama film directed by Nitesh Tiwari. Produced by Walt Disney Pictures, Aamir Khan Productions and UTV Motion Pictures, it stars Aamir Khan as Mahavir Singh Phogat, an amateur wrestler, who trains his daughters Geeta Phogat and Babita Kumari to be world-class wrestlers, both of who go on to win medals at the 2010 Commonwealth Games. The paper will enhance people’s comprehension to the Indian film—Dangal and the paternal love under the patriarchal domination through the analysis of the father Mahavir Singh Phogat. Keywords: Dangal, paternity, paternal love Introduction Aamir Khan, played the father Mahavir Singh Phogat in Dangal, is the hallmark of Indian film. His several representative works all point out problems and speak for the people. For example, Three Idiots’ satire to the educational system, P. K’s query and criticism to Indian religion and Rang De Basanti’s denounce to Indian political system. His new work—Dangal still reflects the social problems of India. The main idea of Dangal: Mahavir Singh Phogat (Aamir Khan) is a former amateur wrestler and national champion based in Balali, a village in Haryana. -
7 Greatest Biographical Movies of All Time
PVR MOVIES FIRST VOL. 15 YOUR WINDOW INTO THE WORLD OF CINEMA DECEMBER 2016 TOTAL RECALL: 7 GreateST BIograPHIcal MOVIES OF ALL TIME TIC FANTAS FIVE S 5 Star IN THE MAKIng THE BEST NEW MOVIES PLAYING THIS MONTH: KAHPVRAAN MOVIESI 2,FIRST BE FIKRE, COLLATERAL BEAUTY AND ASSASSIN’S CREED PAGE 1 GREETINGS ear Movie Lovers, Emma Stone revive their chemistry as lovers in Damien Chazelle’s La La Land. Here’s the December edition of Movies First, your exclusive window to the world of cinema. A long wait ends: Sujoy Ghosh and Vidya Balan reboot their gritty thriller Kahaani with a sequel. Aamir Khan is back with the highly anticipated sports drama Dangal. Based on the life of former Indian wrestler Doused in the spirit of Paris, Aditya Chopra celebrates Mahavir Singh Phogat and his two wrestler daughters’ contemporary romance in Befikre, a free-spirited love story. struggle for glory in the face of societal oppression. We really hope you enjoy the issue. Wish you a fabulous George Lucas’ fabled Star Wars universe gets an expansion month of movie watching. with a series of anthology films. The first instalment, Rogue Regards One: A Star Wars Story hits the screens this month. Chris Pratt and Jennifer Lawrence star in Morten Gautam Dutta Tyldum’s sci-fi epic Passengers, while Ryan Gosling and CEO, PVR Limited USING THE MAGAZINE We hope you’ll find this magazine easy to use but here’s a handy guide to the icons used throughout. You can tap the page once at any time to access full contents at the top of the page. -
BRAIN TEASERS English Proverbs and Meanings 1 Q
“You Are Never Too Old To Set Another Goal Or To Dream September 20, 2020 A New Dream.” ––– C.S. Lewis [email protected] 3 THE FACT CORNER BRAIN TEASERS English Proverbs and Meanings 1 Q. Replace the ? by the correct Mathematics 4 Q. By using numbers 7,3,7,3 and with any * All cats are grey in the dark. disappear. symbol to make the expression true maths signs can you make number as 24 People are undistinguished 18 ? 12 ? 4 ? 5 = 59 until they have made a name. * An ounce of prevention is 5 Q. If 1 + 9 + 11 = 1, Then what is the value worth a pound of cure. 2 Q. Solve this logic number sequence puzzle of 12 + 11 + 9 = ? * All's well that ends well. It is easier to prevent by the correct digit There is a solution to something from happening 8080 = 6 6 Q. Let us say that a table tennis tournament everything even though than to repair the damage 1357 = 0 was going on with knock out terms which there are doubts. or cure the disease later. 2022 = 1 means the one who loses the match is out 1999 = 3 of the tournament. 100 players took part in * All work and no play makes * Anger is the one thing made 6666 = ? that tournament. Jack a dull boy. better by delay. How many matches were played?. Everybody needs a certain When you are angry, it is best 3 Q. I know a three positive numbers that will amount of relaxation. It is not not to speak or act results the same when multiplied together 7 Q . -
Religious, Caste, Gender Inequalities and the Making of Akhāṛās
Religious, Caste, Gender Inequalities and the Making of Akhāṛās (Wrestling Gymnasiums) as a Social Space in North India REKHA YADAV Centre for Historical Studies, School of Social Sciences Jawaharlal Nehru University Abstract Religion, caste and gender are the fundamental axes of social inequality in India. These three categories can be defined in Bourdieuan terms as “structuralist constructivism,” which establishes notions of social categories and dynamics of power relation in social spaces through a symbolic system organised on the basis of “logic of difference.” The akhāṛā (wrestling gymnasium), a social and spatial congregation organised for the practice of a specific Indian martial art of wrestling popularly known as khusti, is one such symbolic social space. Despite having a shared “moral universe” whose attitudes, practices, and orientations overlap significantly, akhāṛās are beset with tendencies of social divisions that manifest themselves along religious, caste and gender lines. Most akhāṛās have a strong Hindu element in both their membership and their symbols. The sanctity of the akhāṛās heavily relies on the Hindu notions of “purity” and “pollution.” The notion of akhāṛās has also been shaped with the articulation of concepts like brahmacharya (abstinence), masculinity and physical prowess. The strength invigorated in akhāṛās through wrestling epitomises “virility” and “ideal masculinity,” qualities ascribed to men. These notions reinforce the exclusion of women and low castes from akhāṛās. However, “massage,” “dangals” (wrestling bouts) and “inter-dining” practised among wrestlers in akhāṛās act as an agency for transcending the bounds of caste hierarchy based on “purity” and “pollution.” Secondly, the last decades of the twentieth century saw female wrestlers from north India turning gender equations upside down by entering the “male-sacred” space of akhāṛās and taking part in this supposedly “all-male” sport of wrestling. -
Computer (Health Services Department) Adv. No 5/2016, Cat
Computer (Health Services department) Adv. No 5/2016, Cat. No 27 Question Paper Evening Slot Q1. What is the product of the largest four digit number and the smallest three digit number? A. 99,900 B. 99,000 C. 999,990 D. 999,900 Correct Ans: D Q1. चार अकं ᘂ कᘂ सबसे बड़ी सं氅या और तीन अकं ᘂ कᘂ सबसे छोटᘂ सं氅या का गणु नफल ȅया है? A. 99,900 B. 99,000 C. 999,990 D. 999,900 Correct Ans: D Q2. If 43 is subtracted from 53 and added to the square root of 144, we will get: A. 61 B. 77 C. 21 D. 73 Correct Ans: D 3 3 Q2. य耂द 4 को 5 से घटाया और 144 के वगम ूल के साथ जमा 耂कया जाए तो हम 찄ा调त होगा: A. 61 B. 77 C. 21 D. 73 Correct Ans: D Q3. What is the value if the largest two digit prime number is subtracted from the smallest three digit prime number? A. 6 B. 7 C. 5 D. 4 Correct Ans: D Q3. य耂द दो अकं ᘂ के सबसे बड़ी अभाȅय सं氅या को तीन अकं ᘂ कᘂ सबसे छोटᘂ अभाȅय सं氅या से घटाया जाए तो ȅया मान 찄ा调त होगा? A. 6 B. 7 C. 5 D. 4 Correct Ans: D Q4. can also be written as A. 4 B. 9 C. 3 D. 2 Correct Ans: D Q4. को इस 찄कार भी 耂लखा जा सकता है: A. -
THE VERY BEST for Your CSE-PRELIM-2017
RADIAN IAS ACADEMY (UPSC,TNPSC,BANK,SSC,TRB EXAMS) -1- www.radiannews.pbworks.com 2016FOR ALLRTION&REASON TYPE QUESTIONS CURRENT AFFAIRS PART -1 This PART-1 - Current Affairs for the period July-2016 to Jan-2017 PART-2 File for the period Jan-2017 to First Week of June 2017. ALL THE VERY BEST for your CSE-PRELIM-2017 Rajaboopathy R Founder RADIAN IAS ACADEMY Tamil Translation helped by Mr.Suresh Sampath of Krishnagiri-RAIAN COACHING : BOTH IN CLASS ROOM & LIVE/RECORDED STREAMING ONLINE UPSC CSE-2018 (Get into Civil Services in Very First Attempt) & RADIAN's JUNIOR IAS (Coaching for Under-20) (Competitive Exams Training for School & College Students) FREE WHATSAPP ALERS FOR IAS EXAM To get UPSC CSE related Whatsapp Messages & Voice Files , Whatsapp < UPSC, Your Name, Place > to 9840433955. (As we are sending messages in broadcast mode, to receive messages you Must save 9840433955 in your mobile) 1) Sameer Mon is associated with which sports? [A]Boxing [B]Wrestling [C]Sprint D]Long Jump சமேமா எத வைளயாட ெதாடைடயவ? [A] சைட [B] மத [C] ப [D] நள தாத Sameer Mon, the famous sprinter from Manipur, has recently won gold in 100 metre dash in 10.60 seconds at the 56th National Inter-state Senior Athletics Championships in Hyderabad. With this, he became the fastest male athlete in India. 2) Which online grievance redressal portal has been launched by Union Railway ministry for railway employees? [A]Aakalan [B]Sahyog [C]Nivaran [D]Sahayata ரயேவ ஊழியகள ைறகைள நிவதி ெசய எத ஆைல ேபாடைல மதிய ரயேவ அைமசக ெதாடகிய? [A] ஆகாள [B] சாேயா [C] நிவார [D] சஹாயாடா Answer:Nivaran 711, EVR Road, Anna Arch, NSK Nagar, Arumbakkam, CHENNAI – 600106. -
Glocalization of Place, Body and Narrative in Dangal: Analyzing the Blockbuster Phenomenon in Popular Hindi Cinema Chanchal Phalswal
1 Glocalization of Place, Body and Narrative in Dangal: Analyzing the Blockbuster Phenomenon in Popular Hindi Cinema Chanchal Phalswal Abstract: The study of popular culture has deservedly gained predominance in the domain of cultural studies. There is a snowballing recognition of the force that popular culture exerts through popular literature, cinema, and social media on a majority of people around the world, their day-to-day lives, opinions, and decision making processes, while also being an indicator of the same. Like all cultural forces, popular culture is dynamic and forever evolving. This change can often be recorded in the change in popular art forms like cinema and literature. In the domain of popular Hindi cinema, such a change can be noticed in the change in the composition of the ‘blockbuster’ film in the 21st century.i For a film to be qualified as a ‘blockbuster’, the conditions of being ‘popular’ and ‘financially successful’ have to be met. The blockbuster film in Indian cinema has been discussed at length by academicians as a chiefly reductive and formulaic film concoction, often being specifically attributed to its epicenter in the Bollywood film industry situated in Mumbai.ii Yet, in the 21st century Indian cinema, a new phenomenon is raising its head across the horizon, making its thunderous presence felt on the blockbuster charts. This phenomenon which plays out both globally and locally, and socio-critically and commercially, is born of a hybridity that has changed the very chemistry of what comprises ‘Popular Indian cinema in the 21st century’. This article aims to study this ‘blockbuster phenomenon’ through a detailed analysis of the film Dangal(2016), a film that achieved record-breaking commercial success and critical appreciation, both locally and globally, while balancing popular entertainment with socio- critical responsibility, thereby retaining a unique sense of hybridism. -
Patriarchal Hegemony in Dangal Abstract Keywords
http://www.epitomejournals.com, Vol. 2, Issue 11, November 2016, ISSN: 2395-6968 Patriarchal Hegemony in Dangal Dr. Pramod Ambadasrao Pawar Assistant Professor & Head, Dept. of English, Sant Dnyaneshwar Mahavidyalaya, Soegaon, Dist. Auranagabad, MS, India Email : [email protected] Abstract In Dangal, the dialogue like ―tum jo bolegi ham wo sab karenge, bas hame is pailwani se bacha le‖ shows a tremendous psychological pressure of a father upon daughters and a male-dominated society. The dialogue like ―sal bhar ke liye bhul ja ki tumari koi maa hai‖ shows patriarchal hegemony and socio-cultural status of a woman who got stuck within the four walls, Another dialogue ―aaj se tum dono pehelwani ki zindagi jiyo‖ show gender equity, the dialogue ―rukna nahi hai‖ demonstrate male domination. The famous song ―bapu sehad ke liye, tu to hanikarak hai; ham pe thodi daya karo, ham to nanha balak hai‖ show patriarchal hegemony in this film. But the film rises above all such criticism and proves itself to be the best in terms of generating gender sensitizations and equity. Keywords Aamir Khan, Dangal, women‘s wrestling, male-dominated society, patriarchal hegemony 109 PAP Dr. Pramod Ambadasrao Pawar, Editor-in-Chief ©EIJMR, All rights reserved. http://www.epitomejournals.com, Vol. 2, Issue 11, November 2016, ISSN: 2395-6968 Research Paper Dangal (2016) is one of the best films of Aamir Khan. Different perspectives reaching the core of the film can interpret it thoroughly. It is a real story about women‘s wrestling and consequences thereafter in India in a socio-cultural context. This film demonstrates the man who is maddened by his male ego with stubborn temperament and gladdened by victory. -
2.30 Lakh Cr in 2021-22
c m y k c m y k THE LARGEST CIRCULATED ENGLISH DAILY IN SOUTH INDIA HYDERABAD I FRIDAY I 19 MARCH 2021 deccanchronicle.com, facebook.com/deccannews, twitter.com/deccanchronicle Vol. 84 No. 77 Established 1938 | 20 PAGES | `6.00 HC ORDERS LAND VANI, PALLA CASE LITIGANTS PM blames Didi LEAD IN STATE Harish seeks to spend TO BE HEARD for Maoist terror MLC ELECTIONS VUJJINI DC CORRESPONDENT VAMSHIDHARA I DC RAJIB CHOWDHURI | DC HYDERABAD, MARCH 18 `2.30 lakh cr in 2021-22 HYDERABAD, MARCH 18 KOLKATA, MARCH 18 TRS candidates were in The Telangana High Accusing the Mamata the lead on the second Announces emergence of Telangana as a major economic power Court has pulled up rev- Banerjee government of day of counting of votes enue special tribunals for “encouraging” Maoist vio- polled for the legislative BALU PULIPAKA | DC issuing orders in over lence and creating their council graduate con- HYDERABAD, MARCH 18 15,000 pending cases with- “new generation” in West stituencies. BUDGET VOWS TO out giving the litigants a Bengal on the eve of the Surabhi Vani Devi from Telangana state on Thurs- hearing. Assembly polls, Prime Hyderabad-Ranga Reddy- day unveiled a `2,30,825.66 GIVE A FACELIFT Taking a serious note of Minister Narendra Modi Mahbubnagar was lead- crore budget for the finan- this, a division bench on Thursday asserted that ing by 4,444 votes after cial year 2021-22. Presented TO GOVT SCHOOLS comprising Chief Justice the countdown for the rul- the fourth round. In by finance minister T. Har- Hima Kohli and Justice ing Trinamul Congress’ Warangal-Khammam- ish Rao, this is the largest L.