SPRING 2014 the Shape of Things to Come
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USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #1 *********** (Rev
USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #1 *********** (Rev. 8-86) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM NATIONAL HISTORIC LANDMARK NOMINATION FORM 1. Name of Property historic name: Atalaya and Brookgreen Gardens other name/site number: 2. Location street & number: U.S. Highway 17 not for publication: N/A city/town: Murrells Inlet vicinity: X state: SC county: Georgetown code: 043 zip code: 29576 3. Classification Ownership of Property: private Category of Property: district Number of Resources within Property: Contributing Noncontributing _10_ buildings _1_ sites _5_ structures _0_ objects 16 Total Number of contributing resources previously listed in the National Register: 9 Name of related multiple property listing: N/A USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #2 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this ___ nomination ___ req'uest for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. __ See continuation sheet. Signature of certifying official Date State or Federal agency and bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. __ See continuation sheet. Signature of commenting or other official Date State or Federal agency and bureau 5. National Park Service Certification I, hereby certify that this property is: entered in the National Register __ See continuation sheet. -
Read the Spring 2020 Newsletter
FRIENDS OF HOLLYWOOD CEMETERY NEWS FROM FRIENDS OF HOLLYWOOD CEMETERY NONPROFIT ORG. 412 South Cherry Street U.S. POSTAGE Richmond, Virginia 23220 PAID PERMIT NO. 671 23232 A Gateway Into History WWW.HOLLYWOODCEMETERY.ORG SPRING 2020 • VOLUME 11, NUMBER 1 Cabell Foundation Challenge Major Projects Advance with Generous Support riends of Hollywood Cemetery recently received a grant supporting two projects that add beautificationF and create new burial opportunities. In November, the Cabell Foundation awarded the cemetery a $150,000 grant, which comes with a 2:1 challenge. “This means that, if we can raise $300,000, we will receive their grant of $150,000,” said Kelly Wilbanks, Executive Director of Friends of Hollywood Cemetery. “It is an incredibly generous offer from the Cabell Foundation, and one that we think will inspire our other supporters to get involved and donate as An architect’s rendering of Overlook III with the Richmond skyline well—especially when they learn about what we have in the background planned.” said David Gilliam, Hollywood Cemetery General Manager. Here are some of the details of the two projects: “The overlooks provide a tranquil place for visitors to James River Overlook III the cemetery to sit and reflect and a space for friends and family to gather before and after funerals,” added The funds will allow for the completion of the third Wilbanks. and final James River Overlook, located near the Davis Circle. Hollywood has already completed the Overlook III will create a defined area with plantings, two other overlooks, which are located to the east of a walkway and benches. -
Odds Were Against Me
GLOUCESTER, MASSACHUSETTS Odds Were Against Me by Martha Oaks addition, as the Cape Ann Museum ap- Odds Were Against Me is a special exhibi- proaches the 150th anniversary of its tion through January 3, 2021, at the Cape he Cape Ann Museum is fortu- founding in 2023, the exhibition will also Ann Museum, 27 Pleasant Street, Glouces- T nate to have a strong collection feature artwork by women artists associat- ter, Massachusetts, 01930, 978-283-0455, of artwork and artifacts in its holdings re- ed with Cape Ann. www.capeannmuseum.org. lated to women, now and in the past. Anna Vaughn Hyatt Huntington While many of these items are regularly on (1876-1973) was born in Cambridge, New York, she always thought of herself as display throughout the galleries, this year Massachusetts. Her father, Alpheus Hyatt, a self-taught artist, crediting her older sis- as people across the country pause to rec- was a naturalist and mother, Audella Beebe ter, Harriet, with sparking her interest in ognize the 100th anniversary of women’s Hyatt, was a watercolorist whose name is sculpture when she was in her teens. suffrage, the Museum is highlighting many found in the circle of women who studied In 1902, Anna moved to New York of these works and inviting viewers to ex- on Cape Ann with William Morris Hunt. City to pursue her career as a sculptor—a plore the myriad of stories they reflect The Hyatts purchased a summer house in bold move for a woman at that time. She about women’s abilities and achievements. -
Celebrating Community Winter 2009 Student
CELEBRATING COMMUNITY WINTER 2009 STUDENT HOUSING FOR THE 21ST CENTURY New Apartments Mark First Phase of Comprehensive Plan Introducing the Lawson Academy of the Arts A Connecticut Yankee in King Cotton’s Court 1940s Letters Give Daughter Window into Mother’s Life at Converse Bette Hubbard Wakefield ’50 CELEBRATING COMMUNITY 2 President’s Message ________________________________________________________ 4 Student Housing for the 21st Century ________________________________________________________ 6 A Connecticut Yankee in King Cotton’s Court ________________________________________________________ 8 Introducing the Lawson Academy of the Arts ________________________________________________________ 9 Converse 101: Easing the Transition from High School to College ________________________________________________________ PAGE 2 10 Partnership Brings Exquisite Sculptures to Spartanburg ________________________________________________________ STUDENT HOUSING FOR THE 21ST CENTURY 11 Altruism at its Best ________________________________________________________ 12 Three Tall Women ________________________________________________________ 14 Converse News ________________________________________________________ 20 Honor and Memorial Gifts ________________________________________________________ 22 Alumnae News ________________________________________________________ 28 Life Events Editor ________________________________________________________ Beth Farmer Lancaster ’96 PAGE 4 32 Class Notes Guest Editor ________________________________________________________ -
The Turn of the Twentieth Century CHAPTER 4
PORTRAIT of a PLACE CHAPTER 4 The Turn of the Twentieth Century CHAPTER 4 The Turn of the Twentieth Century The Second Industrial Revolution and the Gilded Age Gabrielle De Veaux Clements, Harvest, 1893. Oil on canvas. Gift of the Estate of Walter Hancock. [#2001.27.15] The Second Industrial Revolution In America, the last three decades of the nineteenth eyes. Mark Twain and Charles Dudley Warner named century were marked by rapid economic growth, es- the time “The Gilded Age”, meaning that very serious pecially in the North and West. This period, known as social problems were masked by only a thin coating of the Second Industrial Revolution, was characterized by gold gilt. Consequently, Americans’ sense of self-confi- the expansion of railroads and large-scale iron and steel dence and the innocence of the earlier decades of the production, widespread use of machinery in manufac- nineteenth century eroded during this time. turing, greatly increased use of steam power, and new The rise of the metropolis in the nineteenth century technologies, especially electricity, the internal combus- created a distinctive urban culture. Millions moved from tion engine, new materials and substances, including the countryside and overseas to the city. Between 1860 alloys and chemicals, and communication technologies and 1910, the urban population grew from 6 million to such as the telegraph, telephone and radio. 44 million, reflecting the rise in migrants from South- Living standards improved significantly for many be- ern and Eastern Europe—Italy, Poland, Russia—who cause productivity increased, causing the price of goods settled in the cities. -
Odds Were Against Me
Odds Were Against Me Featuring works by two renowned 20th century women sculptors: Anna Vaughn Hyatt Huntington and Katharine Lane Weems A special exhibition focusing on the accomplishments of women artists On view: March 3, 2020 through Jan. 3, 2021 Anna Hyatt Huntington (1876–1973), Diana of the Chase, 1922. Bronze. 96 inches high. The James Collection. Promised Gift of Janet & William Ellery James to the Cape Ann Museum. GLOUCESTER, MASS. (February 2020) – The Cape Ann Museum is pleased to pay special tribute to renowned local women artists in its new exhibition, Odds Were Against Me, featuring works by Anna Vaughn Hyatt Huntington (1876–1973) and Katharine Lane Weems (1899–1989). Opening March 3, the exhibition has been organized to recognize the 100th anniversary of American women winning the right to vote with the passage of the 19th Amendment. Other featured artists include Cecilia Beaux, Theresa Bernstein and Emma Fordyce MacRae. The exhibition will run through Jan. 3, 2021. “This yearlong showcase of works by Weems and Huntington is integral the Museum’s commitment to featuring the inspiring work of women artists both past and present through special and rotating gallery installations,” said the Museum’s Director Oliver Barker. “Weems and Huntington are part of a long line of Cape Ann artists whose work is fundamental to the compelling story of Cape Ann’s evolving artistic and cultural history which resonates with visitors young and old, from the local community and beyond.” Huntington’s larger than life-size bronze sculpture, Diana of the Chase, anchors the exhibition, with selections of Weems’ vivid animal sculptures from the Museum’s collection offering a contrast in subject and scale. -
August 15, 2005
A Guide to Related Archival Collections Outside of the DCR Archives Pertaining to the Metropolitan Parks System, the Metropolitan Water Works System, and the State Forests and Parks System Compiled by Sean M. Fisher, Archivist DCR Archives, Office of Cultural Resources, Bureau of Planning, Design and Resource Protection, Massachusetts Department of Conservation and Recreation April 8, 2009 (First Release) (June 9, 2015 Update) Introduction Approximately 21 years since the availability of the Internet and the associated World Wide Web to the general public (1994)1, DCR staff, including planners and park rangers and interpreters, DCR’s consultants, and the research public have the opportunity to be informed of and utilize archival records, reports, photographs and plans pertaining to the Metropolitan Parks System (MPS), the State Forests and Parks System (SFP), and the Metropolitan Water Works System (MWW) beyond what is available in the DCR Archives, DCR’s CCC Archives, the DCR Plans Archives, and in the collections of our predecessor agencies at the Massachusetts State Archives. Archivists representing all types and sizes of archival repositories, and librarians of local history collections are increasingly using the Internet to post information about their archival collections, ranging from a simple list of collection names to comprehensive archival finding aid guides that detail every folder in a collection. Increasingly, more and more archival repositories are posting digitally scanned images from their collections of historic photographs. Some repositories are also posting searchable digital facsimiles of documents, volumes and reports to the Internet Archive (http://archive.org/about/about.php). This level of access is transforming the ways in which we identify potential archival and historical records for research and use in our work.