Read the Spring 2020 Newsletter

Total Page:16

File Type:pdf, Size:1020Kb

Read the Spring 2020 Newsletter FRIENDS OF HOLLYWOOD CEMETERY NEWS FROM FRIENDS OF HOLLYWOOD CEMETERY NONPROFIT ORG. 412 South Cherry Street U.S. POSTAGE Richmond, Virginia 23220 PAID PERMIT NO. 671 23232 A Gateway Into History WWW.HOLLYWOODCEMETERY.ORG SPRING 2020 • VOLUME 11, NUMBER 1 Cabell Foundation Challenge Major Projects Advance with Generous Support riends of Hollywood Cemetery recently received a grant supporting two projects that add beautificationF and create new burial opportunities. In November, the Cabell Foundation awarded the cemetery a $150,000 grant, which comes with a 2:1 challenge. “This means that, if we can raise $300,000, we will receive their grant of $150,000,” said Kelly Wilbanks, Executive Director of Friends of Hollywood Cemetery. “It is an incredibly generous offer from the Cabell Foundation, and one that we think will inspire our other supporters to get involved and donate as An architect’s rendering of Overlook III with the Richmond skyline well—especially when they learn about what we have in the background planned.” said David Gilliam, Hollywood Cemetery General Manager. Here are some of the details of the two projects: “The overlooks provide a tranquil place for visitors to James River Overlook III the cemetery to sit and reflect and a space for friends and family to gather before and after funerals,” added The funds will allow for the completion of the third Wilbanks. and final James River Overlook, located near the Davis Circle. Hollywood has already completed the Overlook III will create a defined area with plantings, two other overlooks, which are located to the east of a walkway and benches. Native plantings will enhance this project. the natural setting while also addressing erosion, run-off, drainage and storm water management. “Hollywood has some of the best views of the James Additionally, the overlook at Davis Circle will be the River in the city. This will add one more space for the only one with cremation niches. “Adding inventory spectacular views of the river and downtown skyline,” (continued on page 2) Cabell University Tiffany Katharine Dugald Donors Challenge of Richmond Windows Lane Walker as of Pages 1-2 Plot Weems 4-20-20 Rose Volunteers A View of the James River and Downtown Richmond Page 2 Page 3 Page 4-5 Pages 6-7 Pages 8-9 Pages 10-11 from Presidents Circle Courtesy of Bill Draper Photography Challenge Grant (continued) Due to the COVID-19 Pandemic, we are only able to include an alphabetical list of 2020 Donors. Gifts In Kind, to the cemetery is important in prolonging the life of to remove the lakes and fountains. Liability was the Gifts In Memory, Gifts In Honor and Matching Gifts Hollywood as an active cemetery,” said Gilliam. primary factor,” said David Gilliam. will be published in our Fall 2020 newsletter. We are grateful for your continued support. The Glade Donations will support the revitalization of The Glade, including memorial walls to commemorate As you come down the hill from the entrance to the those buried in the scattering garden, including cemetery, there is a meadow-like area to the right. 10 individuals already buried there. There will be This area is known as The Glade, a scattering garden. benches, landscaping including trees, cobblestone Once a lake extended from here through adjacent paving, and, to connect with its historic past, a Long Bottom. Swans would often glide through the birdbath and fountain. calm waters of the lake, and there was an island with a birdbath. Hollywood also had a series of fountains “More and more people are selecting cremation throughout its rolling acres. Water features were as their final disposition. The Glade adds another an important part of the rural cemetery movement. option to those who select cremation,” said Gilliam. “Several factors played into the cemetery’s decision “The area is already used as a scattering garden for cremated remains and this will formalize the use of the area and provide a place for memorialization.” Your December 2020 deadline Perpetual Legacy Wilbanks appreciates the boost in fundraising support provided by the Cabell Foundation. “They’ve for Hollywood been so supportive of the work we’ve done in the past. Through other challenge grants, they were important partners in our Presidents Circle and digital Lots, crypts, & cremation niches are available throughout genealogy projects.” 135 acres of scenic hills, stately trees and architectural beauty. Contact us for an appointment. The projects will hold special appeal to all who love the cemetery, she said. “The Glade is the first thing Public Visiting Hours 412 South Cherry Street you see when you come down the hill in Hollywood. With the future in mind 8am - 6pm daily Richmond, VA 23220 And to complete the final overlook—that’s huge.” 804.648.8501 Historic Walking Tours [email protected] April-October Friends has until December 2020 to raise the www.hollywoodcemetery.org $300,000 necessary to secure the challenge grant. As fund raising continues, construction is underway on the If you are interested in donating, please contact Glade scattering garden at the entrance of Hollywood Kelly Wilbanks at (804) 648-8501 or kwilbanks@ HollywoodCemetery.org. 2020 2020 Administrative Staff Officers and Directors Officers and Directors Hollywood Cemetery Company Saturday, March 7, 2020 Rose Day Volunteers Friends of Hollywood Cemetery Hollywood Cemetery Company David L. Gilliam – General Manager Edward M. Farley, IV – Chair E. Bryson Powell – President Woodrow C. Harper – Assistant General David L. Gilliam – Secretary William R. Claiborne – Vice President Manager William R. Claiborne – Treasurer David L. Gilliam – Secretary and Mabel E. Toney – Administrative Assistant Clydeine Adamchick Grace LeRose Barbara Brancoli Kathleen Maitland General Manager Kristina Coonley – Assistant Joe Brancoli Suzanne Miladin Mary Lynn Bayliss, PhD Woodrow C. Harper – Treasurer Cheryl Knaut – Assistant Dennis Bussey Sharon Pajka Elizabeth Rawles Cronly Mabel E. Toney – Assistant Secretary and Carol Fox Lynn Pappas Joseph R. Herbert Assistant Treasurer Alesa Hemenway Elizabeth Ricart E. Bryson Powell Laurie Hevel Caroline Tisdale Elizabeth W. Talley Edward M. Farley, IV Kathy Hewins Richard Whitt Peter C. Toms Matthew D. Jenkins Connie Hilker Nanette Whitt Elizabeth Cabell Jennings Jennifer King Kelly Jones Wilbanks, Executive Director Nelson D. Lankford, PhD Thank You Nancy B. Rowe, Development Associate Evelina M. Scott Fred T. Tattersall E. Massie Valentine, Jr. FRIENDS OF HOLLYWOOD Page 2 SPRING 2020 FRIENDS OF HOLLYWOOD Page 11 SPRING 2020 2020 Contributors to The University of Richmond Section Friends of Hollywood Cemetery We are indeed grateful to the following donors for their generous support of Friends in 2020 through April 20, 2020. You have enabled us to raise awareness A Place for Scholars and Presidents of Hollywood and to continue vital monument and fence restoration. Thank you for helping us to preserve Hollywood Cemetery for generations to come. n between Cedar and Western Avenues is a plot that holds “Dr. Ryland left in 1866 to head up girls’ schools in Ia special place in the hearts of friends and family of the Kentucky for the next 33 years, but then he was brought Edward M. Farley, IV University of Richmond. back to Richmond to be buried,” said Dr. Edward Ayers, Chair, Friends of Hollywood Cemetery a University of Richmond history professor and President Lots 143, 144 and 144 A of Section B in Hollywood Emeritus, who once did a radio show about the special 2020 Donors Ms. June H. Guthrie Mrs. Parke D. Pendleton Cemetery is known as the University of Richmond section, burial section (see below). Richard and Caroline T. Gwathmey Trust Janice Walker Pogue which is marked by borders that include the university’s Anonymous (2) Mr. and Mrs. G. Bernard Hamilton Mr. and Mrs. E. Bryson Powell name. Boatwright, a professor of modern languages, became Mrs. David M. Abbott Mr. R. Stephen Hamilton Mr. and Mrs. Russell L. Rabb, Jr. President of Richmond College in 1895, at age 26. He Mr. Max R. Adam Mrs. Cheryl L. Harris Mr. and Mrs. Charles L. Reed, Jr. “In July 1857, trustees of what was then Richmond College served in this position until 1946, for a total of 51 years. Colonel and Mrs. Scott D. Aiken Mr. and Mrs. Robert E. Harvey Mr. and Mrs. Thomas A. Riopelle purchased a 606 square foot section in the cemetery. An Then, he became Chancellor from 1946 until his death Mr. and Mrs. Robert E. Anderson III Mr. and Mrs. Joseph R. Herbert River City Cemetarians additional 256 square feet were purchased in September, in 1951. During his tenure, in 1920, the institution was Dr. and Mrs. Frank L. Angus, Sr. Mrs. Penelope Billings Holladay Mr. and Mrs. Conrad F. Sauer IV 1983,” said Cheryl Knaut, Administrative Assistant at renamed the University of Richmond. Drs. J. T. and M. L. Bayliss Hollywood Cemetery Company Mr. Roger M. Scott Hollywood Cemetery. Dr. and Mrs. Wyatt S. Beazley III Mrs. J. Kimpton Honey Mr. and Mrs. William R. Shands, Jr. “He had the vision of creating a college for young, Baptist Mr. and Mrs. Waddy G. Bland Dr. and Mrs. J. Hubert Ms. Brantley Bache Shiflett In the section, three of the University’s past presidents are white women, and traveled around other parts of the Mr. Norman F. Board Dr. Douglas Hundley Lawrence W. and Susan I. Smith buried—Dr. Robert Ryland, Dr. Frederic Boatwright and country to visit co-called coordinate systems, like Harvard Mr. and Mrs. McGuire Boyd Emily S. and Coleman A. Hunter Trust Dr. and Mrs. Richard P. Sowers III Dr. George Matthews Modlin—along with family members. and Radcliffe, and decided that was going to be our model,” Mr. George H. Brauburger, Jr. Mr. and Mrs. Randolph Hutcheson Spider Management Co., LLC Sixteen individuals are buried in the plot, including said Ayers.
Recommended publications
  • USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #1 *********** (Rev
    USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #1 *********** (Rev. 8-86) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM NATIONAL HISTORIC LANDMARK NOMINATION FORM 1. Name of Property historic name: Atalaya and Brookgreen Gardens other name/site number: 2. Location street & number: U.S. Highway 17 not for publication: N/A city/town: Murrells Inlet vicinity: X state: SC county: Georgetown code: 043 zip code: 29576 3. Classification Ownership of Property: private Category of Property: district Number of Resources within Property: Contributing Noncontributing _10_ buildings _1_ sites _5_ structures _0_ objects 16 Total Number of contributing resources previously listed in the National Register: 9 Name of related multiple property listing: N/A USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #2 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this ___ nomination ___ req'uest for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. __ See continuation sheet. Signature of certifying official Date State or Federal agency and bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. __ See continuation sheet. Signature of commenting or other official Date State or Federal agency and bureau 5. National Park Service Certification I, hereby certify that this property is: entered in the National Register __ See continuation sheet.
    [Show full text]
  • SPRING 2014 the Shape of Things to Come
    CAPE ANN MUSEUM news&views SPRING 2014 The Shape of Things to Come View from the Central Gallery looking toward the reception area, January 21, 2014. MUSEUM NEWS BOARD OF DIRECTORS John Cunningham, President frOM ThE dirECTOr J.J. Bell, Vice President David Porper, Clerk Dear Members and Friends, Arthur Ryan, Treasurer Robert Bachelder The Cape Ann Museum exists because you – the writers and the painters, the fishermen and the fire- Kermit Birchfield men, the teachers and the business owners, people from all walks of life – have entrusted us with your Herbert Collins Bonnie Covington stories, your artifacts and your art. We take this responsibility very seriously. William Cross Stephanie Gaskins As I write, we are in the midst of replacing out- Henrietta Gates dated systems, updating galleries and improving Samuel Holdsworth Thomas Hovey the facilities for the safety of the collection and the William James comfort of our visitors. Closing the Museum for Paul Littlefield William Lynch six months plus has been an adjustment for all of Amy Moore us. The renovation has a broad reach. Every space Stevie Neal Ronald Nickerson in the Museum is impacted. The collections are Lisa Rich stored away, staff is working in confined quarters Hinda Simon Richard Tadler as we prepare for reopening and while program- ming is ongoing, it is abbreviated. We miss you! MUSEUM STAFF The renovation, while conservative, is costly. The good news is that we have just passed the $4.5 ADMINISTRATION Ronda Faloon, Director million mark of our $5 million Capital Campaign Jeanette Smith, Administrator Ronda Faloon leads Fitz Henry Lane fundraising goal.
    [Show full text]
  • Odds Were Against Me
    GLOUCESTER, MASSACHUSETTS Odds Were Against Me by Martha Oaks addition, as the Cape Ann Museum ap- Odds Were Against Me is a special exhibi- proaches the 150th anniversary of its tion through January 3, 2021, at the Cape he Cape Ann Museum is fortu- founding in 2023, the exhibition will also Ann Museum, 27 Pleasant Street, Glouces- T nate to have a strong collection feature artwork by women artists associat- ter, Massachusetts, 01930, 978-283-0455, of artwork and artifacts in its holdings re- ed with Cape Ann. www.capeannmuseum.org. lated to women, now and in the past. Anna Vaughn Hyatt Huntington While many of these items are regularly on (1876-1973) was born in Cambridge, New York, she always thought of herself as display throughout the galleries, this year Massachusetts. Her father, Alpheus Hyatt, a self-taught artist, crediting her older sis- as people across the country pause to rec- was a naturalist and mother, Audella Beebe ter, Harriet, with sparking her interest in ognize the 100th anniversary of women’s Hyatt, was a watercolorist whose name is sculpture when she was in her teens. suffrage, the Museum is highlighting many found in the circle of women who studied In 1902, Anna moved to New York of these works and inviting viewers to ex- on Cape Ann with William Morris Hunt. City to pursue her career as a sculptor—a plore the myriad of stories they reflect The Hyatts purchased a summer house in bold move for a woman at that time. She about women’s abilities and achievements.
    [Show full text]
  • Celebrating Community Winter 2009 Student
    CELEBRATING COMMUNITY WINTER 2009 STUDENT HOUSING FOR THE 21ST CENTURY New Apartments Mark First Phase of Comprehensive Plan Introducing the Lawson Academy of the Arts A Connecticut Yankee in King Cotton’s Court 1940s Letters Give Daughter Window into Mother’s Life at Converse Bette Hubbard Wakefield ’50 CELEBRATING COMMUNITY 2 President’s Message ________________________________________________________ 4 Student Housing for the 21st Century ________________________________________________________ 6 A Connecticut Yankee in King Cotton’s Court ________________________________________________________ 8 Introducing the Lawson Academy of the Arts ________________________________________________________ 9 Converse 101: Easing the Transition from High School to College ________________________________________________________ PAGE 2 10 Partnership Brings Exquisite Sculptures to Spartanburg ________________________________________________________ STUDENT HOUSING FOR THE 21ST CENTURY 11 Altruism at its Best ________________________________________________________ 12 Three Tall Women ________________________________________________________ 14 Converse News ________________________________________________________ 20 Honor and Memorial Gifts ________________________________________________________ 22 Alumnae News ________________________________________________________ 28 Life Events Editor ________________________________________________________ Beth Farmer Lancaster ’96 PAGE 4 32 Class Notes Guest Editor ________________________________________________________
    [Show full text]
  • The Turn of the Twentieth Century CHAPTER 4
    PORTRAIT of a PLACE CHAPTER 4 The Turn of the Twentieth Century CHAPTER 4 The Turn of the Twentieth Century The Second Industrial Revolution and the Gilded Age Gabrielle De Veaux Clements, Harvest, 1893. Oil on canvas. Gift of the Estate of Walter Hancock. [#2001.27.15] The Second Industrial Revolution In America, the last three decades of the nineteenth eyes. Mark Twain and Charles Dudley Warner named century were marked by rapid economic growth, es- the time “The Gilded Age”, meaning that very serious pecially in the North and West. This period, known as social problems were masked by only a thin coating of the Second Industrial Revolution, was characterized by gold gilt. Consequently, Americans’ sense of self-confi- the expansion of railroads and large-scale iron and steel dence and the innocence of the earlier decades of the production, widespread use of machinery in manufac- nineteenth century eroded during this time. turing, greatly increased use of steam power, and new The rise of the metropolis in the nineteenth century technologies, especially electricity, the internal combus- created a distinctive urban culture. Millions moved from tion engine, new materials and substances, including the countryside and overseas to the city. Between 1860 alloys and chemicals, and communication technologies and 1910, the urban population grew from 6 million to such as the telegraph, telephone and radio. 44 million, reflecting the rise in migrants from South- Living standards improved significantly for many be- ern and Eastern Europe—Italy, Poland, Russia—who cause productivity increased, causing the price of goods settled in the cities.
    [Show full text]
  • Odds Were Against Me
    Odds Were Against Me Featuring works by two renowned 20th century women sculptors: Anna Vaughn Hyatt Huntington and Katharine Lane Weems A special exhibition focusing on the accomplishments of women artists On view: March 3, 2020 through Jan. 3, 2021 Anna Hyatt Huntington (1876–1973), Diana of the Chase, 1922. Bronze. 96 inches high. The James Collection. Promised Gift of Janet & William Ellery James to the Cape Ann Museum. GLOUCESTER, MASS. (February 2020) – The Cape Ann Museum is pleased to pay special tribute to renowned local women artists in its new exhibition, Odds Were Against Me, featuring works by Anna Vaughn Hyatt Huntington (1876–1973) and Katharine Lane Weems (1899–1989). Opening March 3, the exhibition has been organized to recognize the 100th anniversary of American women winning the right to vote with the passage of the 19th Amendment. Other featured artists include Cecilia Beaux, Theresa Bernstein and Emma Fordyce MacRae. The exhibition will run through Jan. 3, 2021. “This yearlong showcase of works by Weems and Huntington is integral the Museum’s commitment to featuring the inspiring work of women artists both past and present through special and rotating gallery installations,” said the Museum’s Director Oliver Barker. “Weems and Huntington are part of a long line of Cape Ann artists whose work is fundamental to the compelling story of Cape Ann’s evolving artistic and cultural history which resonates with visitors young and old, from the local community and beyond.” Huntington’s larger than life-size bronze sculpture, Diana of the Chase, anchors the exhibition, with selections of Weems’ vivid animal sculptures from the Museum’s collection offering a contrast in subject and scale.
    [Show full text]
  • August 15, 2005
    A Guide to Related Archival Collections Outside of the DCR Archives Pertaining to the Metropolitan Parks System, the Metropolitan Water Works System, and the State Forests and Parks System Compiled by Sean M. Fisher, Archivist DCR Archives, Office of Cultural Resources, Bureau of Planning, Design and Resource Protection, Massachusetts Department of Conservation and Recreation April 8, 2009 (First Release) (June 9, 2015 Update) Introduction Approximately 21 years since the availability of the Internet and the associated World Wide Web to the general public (1994)1, DCR staff, including planners and park rangers and interpreters, DCR’s consultants, and the research public have the opportunity to be informed of and utilize archival records, reports, photographs and plans pertaining to the Metropolitan Parks System (MPS), the State Forests and Parks System (SFP), and the Metropolitan Water Works System (MWW) beyond what is available in the DCR Archives, DCR’s CCC Archives, the DCR Plans Archives, and in the collections of our predecessor agencies at the Massachusetts State Archives. Archivists representing all types and sizes of archival repositories, and librarians of local history collections are increasingly using the Internet to post information about their archival collections, ranging from a simple list of collection names to comprehensive archival finding aid guides that detail every folder in a collection. Increasingly, more and more archival repositories are posting digitally scanned images from their collections of historic photographs. Some repositories are also posting searchable digital facsimiles of documents, volumes and reports to the Internet Archive (http://archive.org/about/about.php). This level of access is transforming the ways in which we identify potential archival and historical records for research and use in our work.
    [Show full text]