DOCSLIB.ORG

Rates Listed Are Daily Rates Please Inquire About

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rates Listed Are Daily Rates Please Inquire About RATES LISTED ARE DAILY RATES PRODUCTION CONSULTANTS AND EQUIPMENT 2235 Defoor Hills Road, Atlanta, GA, 30318 PLEASE INQUIRE ABOUT WEEKLY RATES (t) 404.609.9001 www.pce-atlanta.com DIGITAL CAMERA PACKAGES (Last Updated: 07/12/2017) ARRI ALEXA XT $2,000 PHANTOM FLEX 4K $2,000 RED DRAGON (PL or EF Mount) $1,200 ARRI Alexa (XT) Camera Body Phantom Flex 4K Body w/ PL or PV mount Epic-Dragon Body, BOMB, REDMOTE Alexa Electronic Viewfinder Astro OLED viewfinder Epic 5" Touch w/stylus pen TV Logic 5.6' On Board Monitor PCU2 Camera Controller 2 x 128GB SSD Drives w/ card reader 4 x Anton Bauer Cine 150 Batteries Remote On/Off Trigger Pickle Switch 4 x Anton Bauer Cine 150 Batteries Codex Single Dock Card Reader Macbook Pro 15" w/ Séance Software RED Epic-Dragon Side Handle $50 Dual Dock Card Reader $250 CineStation Card Reader FSND Filter Set (set of 8) $90 AC Power Supply RED ONE MX (SSD or CF Module) $400 ARRI Alexa RCU-4 $200 4 x Anton Bauer Cine 150 Batteries Red One MX Camera Body ARRI ALEXA PLUS $1,000 Red On Board Monitor& Viewfinder ARRI ALEXA EV $750 SONY PXW-FS7 (PL, Nikon, or EF) $350 4 x Anton Bauer Dionic 160 Batteries 2 x 32GB SxS Pro Cards SONY PXW-FS7 Camera Body 2 x 128GB SSD Drives {or} 4 x 8GB CF Cards Includes High Speed License (1-120fps) 2 x 64GB Sony XQD Media Cards 3 x Sony BP-U60 Batteries CANON C300 (EF or PL Mount) $450 ARRI ALEXA MINI (PL or EF) $1,500 Handhelp grip remote CANON C300 MKII (EF Only) $500 ARRI Alexa Mini Camera Body USB 3.0 XQD Card Reader Canon C300 Camera Body Amira Electronic Viewfinder SONY PXW-FS7 w/ Extension Module $400 2 x 120GB Cfast 2.0 Cards 2 x 120GB Cfast 2.0 Cards 4 x Anton Bauer Cine 150 Batteries CFast Card Reader 4 x Anton Bauer Cine 150 Batteries 3 x Canon BP-955 Batteries Codex Cfast Card Reader USB 3.0 SONY a7S II (E, EF, or PL Mount) $150 AC Power Supply 3 x Sony NP-FW50 Batteries C300 Anton Bauer Battery Plate $20 ARRI AMIRA PREMIUM (PL or EF) $1,200 2 x 64GB SDXC Cards RedRock Micro Cage for C300 $20 ARRI Amira Camera Body Tilta Cage w/ side handle $25 Zacuto Z-Handle w/ Grip Extender $40 Amira Electronic Viewfinder 2x 120GB Cfast 2.0 Cards SONY NEX-FS700 (PL or EF Mount) $350 CANON 5D MARK IV $150 4 x Anton Bauer Cine 150 Batteries Sony NEX-FS700 Camera Body 3 x Canon LP-E6 Batteries Codex Cfast Card Reader USB 3.0 2 x 128GB Flash Memory Drives 2 x 32GB Compact Flash Cards 2 x 32GB SD Cards PANASONIC AG-AF100 $275 Remote, USB cable, Microphone Digital Media AG-AF100 Camera Body (PL or EF Mount) 3 x Sony NP-F970 Batteries 32GB P2 or SxS Pro Cards $75 2 x 32GB SD Cards 64GB P2 or SxS Pro Cards $100 Remote Control SONY EX3 $400 16GB CF Card $10 3 x Panasonic VW-VBG6 Batteries EX3 Body with Stock Fujinon Lens 32GB CF Card $15 3 x Sony BP-U60 Batteries 64GB CF Card $20 PANASONIC AJ-HDX900 $800 2 x 16GB SxS cards 16GB SD Card $10 PANASONIC AJ-HPX2700 $1,000 Remote & USB Cable Sandisk 120/128GB Cfast 2.0 $50 HPX2700 Camera Body w/Fujinon Lens 2TB Phantom Cinemag IV $500 On Board Monitor, Microphone SONY PMW-F3 (PL or EF Mount) $300 128GB Redmag SSD $75 4 x Anton Bauer Dionic 160 Batteries SONY PMW-F3 Camera Body 240/256GB Redgmag SSD $100 2 x 32GB P2 Cards Microphone, Remote, USB Cable 64GB XQD Media $20 3 x Sony BP-U60 Batteries 128GB XQD Media $40 2 x 32GB SxS Pro Media Card 128GB Flash Memory Unit $30 PMW-F3 Anton Bauer Battery Plate $20 SxS/P2/CF/SD/XQD Card Readers $20 S-LOG 4:4:4 Upgrade $75 1 RATES LISTED ARE DAILY RATES PRODUCTION CONSULTANTS AND EQUIPMENT 2235 Defoor Hills Road, Atlanta, GA, 30318 PLEASE INQUIRE ABOUT WEEKLY RATES (t) 404.609.9001 www.pce-atlanta.com FILM CAMERA PACKAGES, 16MM LENSES & AUDIO ARRICAM ST $1,500 ARRIFLEX 235 $800 ARRIFLEX 435 $900 ARRICAM LT $1,500 Extension Eyepiece Available in 3 or 4 perf Available in 3 or 4 perf IVS Color Video Assist Extension Eyepiece Extension Eyepiece 4 x On Board Batteries IVS Color Video Assist IVS Color Video Assist Shoulder Pad, Riser, Baseplate Battery, Power Baseplate Battery, Power Baseplate 200' Shoulder Magazine $65 Lens Light Lens Light 400' Magazine (435) $75 400' Magazine $65 400' Magazine ST $75 Additional On Board Battery $20 400' Steadicam Magazine $85 400' Shoulder Magazine LT $75 1000' Magazine $110 400' Steadicam Magazine LT $75 ARRIFLEX 535B $1,000 RCU $100 1000' Magazine ST/LT $90 Extension Eyepiece 100% Video Top $100 Extension Eyepiece $50 2 x Batteries 100% Video Top $100 Follow Focus, Mattebox ARRIFLEX 35-3 $600 Low Mode Bracket $55 2 x Magazines Extension Eyepiece Speed Control Box $100 Right Hand Grip 2 x Batteries Head & Sticks, High Hat Follow Focus, Mattebox VIDEO ASSIST 400' Magazine $80 2 x Magazines Video Assist HD-IVS ( ST, LT & 435) $500 1000' Magazine $85 Right Hand Grip RCU $100 Head & Sticks, High Hat 16MM STANDARD PRIMES Iris Control Unit $150 200' Magazine $20 Angenieux 5.9mm T1.9 $35 400' Magazine $40 Century 6mm T1.9** $100 EYEPIECE ACCESSORIES 1000' Magazine $65 Zeiss 8mm T2.1 $75 9" Extender $25 Handheld Door $50 Double Aspheron $40 12" Extender $30 Hi-Speed Base $100 Eyepiece Leveler $8 16MM ZOOM LENSES Heated Eyepiece $40 AUDIO RECORDER/MIXERS Canon 7-63mm T2.6** $210 FE-5 Variable Finder $30 Marantz PMD660 CF Recorder $55 Canon 8-64mm T2.4** $200 ** is compatible with super 16mm Format Zoom H4n Audio Recorder $35 Zeiss 11-110mm T2.2** $160 Shure FP33 Sound Mixer $55 Canon 11-165mm T2.5 $230 Sound Devices 3 CH Sound Mixer $55 Zeiss 10-100mm T2.1 $110 MICROPHONES 16MM ZEISS SUPER SPEEDS Lectronsonic Wireless UCR 190 $55 9.5mm T1.3 $65 Sennheiser G2 Wireless Lav Set $55 12mm T1.3** $65 Sennheiser G3 Wireless Lav Set $55 16mm T1.3** $65 Sennheiser 416 Boom Kit $45 25mm T1.3** $65 Hardwire Lavalier $10 50mm T1.3** $65 Shure SM 58 Beta $10 Set of 5 $275 Shure SM 57 $10 Wide Angle Attachment $30 Aspheron for 9.5, 12mm $70 2 RATES LISTED ARE DAILY RATES PRODUCTION CONSULTANTS AND EQUIPMENT 2235 Defoor Hills Road, Atlanta, GA, 30318 PLEASE INQUIRE ABOUT WEEKLY RATES (t) 404.609.9001 www.pce-atlanta.com LENSES 35MM ARRI MASTER PRIMES ARRI MASTER ANAMORPHIC PRIMES 35MM UNCOATED ZEISS SUPER SPEEDS 14mm T1.3 $300 28mm T1.9 $550 18mm T1.3 (UNCOATED)* 16mm T1.3 $300 35mm T1.9 $550 25mm T1.3 (UNCOATED)* 18mm T1.3 $300 40mm T1.9 $550 35mm T1.3 (UNCOATED)* 21mm T1.3 $300 50mm T1.9 $550 50mm T1.3 (UNCOATED)* 25mm T1.3 $300 60mm T1.9 $550 85mm T1.3 (UNCOATED)* 32mm T1.3 $300 75mm T1.9 $550 Set of 5 $450 40mm T1.3 $300 100mm T1.9 $550 * Not available for rental individually 50mm T1.3 $300 135mm T1.9 $550 65mm T1.3 $300 Flare Set Available for all lenses ZEISS COMPACT PRIMES (PL or EF MOUNT) 75mm T1.3 $300 Cooke TLS Rehoused Speed Panchros 15mm T2.9 $100 100mm T1.3 $300 18mm T2.2* 18mm T3.6* $75 150mm T1.3 $300 25mm T2.2* *18mm not compatible with Canon 5D Mark II/III 32mm T2.3* 21mm T2.9 $75 35MM LEICA SUMMILUX-C LENSES 40mm T2.3* 25mm T2.9 $75 16mm T1.4 $300 50mm T2.3* 28mm T2.1 $75 18mm T1.4 $300 75mm T2.3* 35mm T2.1 $75 21mm T1.4 $300 100mm T2.8* 50mm T2.1 $75 25mm T1.4 $300 Set of 7 $725 85mm T2.1 $75 29mm T1.4 $300 * Not available for rental individually 100mm T2.1 $75 35mm T1.4 $300 Set of 7 (18, 21, 25, 28, 35, 50, 85) $450 40mm T1.4 $300 35MM ZEISS SUPER SPEEDS 50mm T1.4 $300 18mm T1.3 $85 ARRI MACRO LENSES 65mm T1.4 $300 25mm T1.3 $85 16mm T2.1 $100 75mm T1.4 $300 35mm T1.3 $85 24mm T2.1 $100 100mm T1.4 $300 50mm T1.3 $85 32mm T2.1 $100 35MM COOKE S4 LENSES 65mm T1.3 $85 40mm T2.1 $100 12mm T2.0 $260 85mm T1.3 $85 50mm T2.1 $100 14mm T2.0 $180 Set of 5 (18, 25, 35, 50, 85) $375 60mm T3 $90 16mm T2.0 $160 100mm T3 $150 18mm T2.0 $160 35MM ZEISS STANDARD PRIMES 200mm T4.3 $150 21mm T2.0 $160 Nikkor 8mm T2.8 $200 25mm T2.0 $160 10mm T2.1 $210 SONY CINEALTA 4K LENS 27mm T2.0 $160 12mm T2.1 $150 20mm T2.0 $80 32mm T2.0 $160 14mm T2.1 $150 25mm T2.0 $80 35mm T2.0 $160 16mm T2.1 $70 35mm T2.0 $80 40mm T2.0 $160 24mm T2.1 $70 50mm T2.0 $80 50mm T2.0 $160 28mm T2.1 $70 85mm T2.0 $80 65mm T2.0 $160 32mm T2.1 $70 135mm T2.0 $80 75mm T2.0 $160 50mm T2.1 $70 Set of 6 $400 100mm T2.0 $160 85mm T2.1 $70 135mm T2.0 $185 100mm T2.1 $90 150mm T2.1 $275 135mm T3.2 $90 180mm T2.0 $375 180mm T3 $90 65mm Soft Focus Adapter $40 Set of 5 (16, 24, 32, 50, 85) $275 3 RATES LISTED ARE DAILY RATES PRODUCTION CONSULTANTS AND EQUIPMENT 2235 Defoor Hills Road, Atlanta, GA, 30318 PLEASE INQUIRE ABOUT WEEKLY RATES (t) 404.609.9001 www.pce-atlanta.com LENSES & ACCESSORIES 35MM ZOOM LENSES SPECIALTY LENSES B4 MOUNT LENSES Fujinon Cabrio 19-90 T2.9 $450 Cinemagic "Revolution" T7.5 $1,200 Fujinon 4.9-59 Zoom Lens $450 Canon Cine 17-120mm T2.95 $450 Dual Swivel, Boroscope, and Periscope Fujinon 22x7.8 BERM Zoom Lens $450 Optimo 15-40mm T2.6 $575 9.8, 12, 16, 20, 24, 32, 40, 60 Fujinon 13x4.5 BERM Zoom Lens $450 Optimo 28-76mm T2.6 $575 Preston Tracking System $300 Canon HJ 11x4.7 CineZoom $500 Optimo 17-80mm T2.2 $575 Innovision Probe 2+ $600 Canon HJ 21x7.5 CineZoom $500 Optimo 24-290mm T2.8 $575 Cinemagic Cinewand T5.6 $400 Optimo 45-120mm T2.8 $575 Boroscope & 5.8, 10, 12, 16, 24, 32, 40 35MM TELEPHOTO LENSES Optimo DP 30-80mm T2.8* $375 Clairmont Swing/Shift Lenses Nikkor 200mm T2 $160 Optimo DP 16-42mm T2.8* $375 3 LENS MINIMUM $330 Canon 300mm T2.8 $125 Optimo 2x Extender $150 ADDITIONAL LENSES $100 Zeiss 300mm T3 $175 Optimo 1.4x Extender $150 14, 18, 20, 24, 28, 35, 45, 55, 75, 90, 105, 135, 150 Nikkor 400mm T2.8 $200 Angenieux 17-102mm T2.9 $350 Century Tilt Focus Lenses Canon 800mm T5.6 $150 Angenieux 25-250HR T3.5 $275 24mm T4 $80 Canon 150-600mm T5.6 $400 Cooke 18-100mm T3 (UNCOATED) $300 45mm T2.8 $80 Cooke 20-100mm T3.1 $275 90mm T2.8 $80 LENS ACCESSORIES Century 17-35mm T3 $225 Lens Baby PL Mount
Load more

Recommended publications
  • F65 Digital Motion Picture Camera Elevating Digital Imaging to the Next Level
    F65 Digital Motion Picture Camera Elevating Digital Imaging to the Next Level In 1999, Sony released the first 24p digital motion picture production system. Over the years, we have refined the technology based on precious inputs from producers, cinematographers, colorists, and engineers. Just to name a few, full RGB imaging, S-Log, Super 35 mm imager, variable frame rate, 3D, and 60p. All these creative features that are commonplace today were pioneered by Sony CineAlta™ products. As we enter a new paradigm in digital imaging technology, we have decided to give a new look to the prestigious CineAlta logo. Deployment of 4K digital cinema projection systems around the globe has increased the demand for high quality digital content that retains beyond-HDTV resolution. The ever accelerating speed and capacity of IT technology has facilitated people to manipulate high-resolution image files at an unprecedented scale of economy. Regardless of any changes in technology or economy, our mission is to satisfy the ever escalating demands from the creative minds. Sony is committed to further elevate the image quality and improve the visual experience. The new CineAlta logo symbolizes “infinity”, which can be translated into “unlimited creative possibility”, or “endless pursuit in perfecting technology”. 2 F65 – True 4K and Beyond Its debut has been long-awaited, and now Sony proudly introduces a state-of-the-art digital motion picture camera, the F65 – the next-generation CineAlta camera for digital motion picture production. Equipped with Sony’s newly developed 8K CMOS sensor, the F65 offers higher resolution, increased exposure latitude, and a wider color gamut than any previous digital motion picture camera, delivering brilliant HD, 2K, and true 4K images today.
    [Show full text]
  • Digital Cinematography Camera F35 F23
    Digital Cinematography Camera F35 F23 www.sony.com/professional SONY54696_F-Series 1 9/26/08 12:08:42 PM ADVANCING THE ART OF DIGITAL IMAGING CineAlta – a name that proudly symbolizes the bond between cinematography and high-resolution digital imaging, distinguishes Sony’s family of 24P acquisition products and systems. The emergence of Sony’s CineAlta™ products marked the beginning of a new era in movie, commercial and television production applications. Since their introduction, CineAlta products – beginning with the groundbreaking HDW-F900, Sony’s first 24P-capable HDCAM™ camcorder, and the HDC-F950 full-bandwidth 4:4:4 (RGB) portable camera – have been globally accepted as a viable creative alternative to 24-frame film origination. Working closely with the creative community over time, Sony has created CineAlta acquisition systems designed specifically to meet the Cinematographer’s needs. This collaboration has lead to array of highly sophisticated digital acquisition systems that offer comprehensive feature sets and workflows specifically designed to maximize on-set efficiencies, flexibility and creative freedom. Consequently, the name CineAlta has come to define the industry standards for quality and flexibility in 24-frame digital cinematography. 2 2 SONY54696_F-Series 2 9/26/08 12:08:45 PM Expand Your Creative Possibilities With a Choice of Film-style Digital Cinematography Cameras Sony has proudly introduced two new powerful film-style Both the F35 and F23 provide an uncompromising design digital cinematography cameras to the CineAlta acquisition that allows direct docking with Sony’s SRW-1 portable lineup. The F35 and F23 cameras combine the proven HDCAM-SR™ recorder. It’s also possible to use the F23 or the technology used in previous CineAlta acquisition models F35 in combination, for even more creative freedom.
    [Show full text]
  • PROFESSIONAL VIDEO 315 800-947-1175 | 212-444-6675 Blackmagic • Canon
    PROFESSIONAL VIDEO 315 800-947-1175 | 212-444-6675 Blackmagic • Canon VIDEO TAPE Fuji Film PRO-T120 VHS Video Cassette (FUPROT120)............................3.29 XA10 Professional HD Camcorder DVC-60 Mini DV Cassette (FUDVC60) .......................................3.35 Pocket Cinema Camera Ultra-compact, the XA10 DVC-80 Mini DV Cassette (FUDVC80)........................................7.99 shares nearly all the Pocket Cinema Camera is a HDV Cassette, 63 Minute (FUHDVDVM63) .................................6.99 functionality of the XF100, true Super 16 digital film DV141HD63S HDV (FUDV14163S) ............................................7.95 but in an even smaller, camera that’s small enough run-and-gun form factor. to keep with you at all times. Maxell 64GB internal flash drive Remarkably compact (5 x 2.6 DV-60 Mini DV Cassette (MADVM60SE) .................................3.99 and two SDXC-compatible x 1.5”) and lightweight (12.5 M-DV63PRO Mini DV Cassette (MADVM63PRO)......................5.50 card slots allow non-stop oz) with a magnesium alloy chassis, it features 13 stops of T-120 VHS Cassette (MAGXT120) ..........................................2.39 recording. Able to capture dynamic range, Super 16 sensor size, and and records 1080HD STD-160 VHS Cassette (MAGXT160).....................................2.69 AVCHD video at bitrates up to lossless CinemaDNG RAW and Apple ProRes 422 (HQ) files to fast STD-180 VHS Cassette (MAGXT180)......................................3.09 24Mbps, the camcorder’s native 1920 x1080 CMOS sensor also SDXC cards, so you can immediately edit or color correct your HG-T120 VHS Cassette (MAHGT120) .....................................1.99 lets you choose 60i, 24p, PF30, and PF24 frame rates for media on your laptop. Active Micro Four Thirds lens mount can HG-T160 VHS Video Cassette (MAHGT160) ............................2.59 customizing the look of your footage.
    [Show full text]
  • IF HD IS COMING TOMORROW, WHY DO YOU NEED HDCAM TODAY? HDCAM 1080/60I: JUST LOOK at the FACTS
    IF HD IS COMING TOMORROW, WHY DO YOU NEED HDCAM TODAY? HDCAM 1080/60i: JUST LOOK AT THE FACTS. It’s a fact that Sony’s HDCAM® 1080/60i system has This enhanced SDTV programming will increase your established itself as the world’s first proven, practical, revenue today. You’ll have an HD master for additional standardized, and field-tested approach to high defini- revenue tomorrow. You’ll even have built-in legacy play- tion program origination for digital broadcasting. back of your entire BETACAM archive -- including analog It’s a fact that Sony HDCAM camcorders and decks have BETACAM®, BETACAM SP®, BETACAM SX®, DIGITAL BETACAM® been out in the field for nearly five years. Thousands and MPEG IMX™ 1/2" format recordings. have been deployed worldwide. They’ve handled hun- And you’ll have all the tools you need: a complete all- dreds of sophisticated, multi-camera productions -- and Sony system, or select Sony HDCAM components that created uncompromising masters to form the basis of a integrate seamlessly with other systems. valuable digital HD archive for the future. It’s a fact that Sony HDCAM equipment is built on the M OVING AHEAD, OR MISSING HDW-750 industry-leading 1/2" platform, with robust performance and plenty of headroom -- plus the crucially important AN OPPORTUNITY? ability to protect a 15-year legacy of 1/2" BETACAM® Budgets are tight for everyone -- broadcasters, produc- format recordings. ers, corporations, rental houses. Sony understands. So And it’s a fact that now, Sony’s HDCAM 1080/60i your 2nd-generation HDCAM 1080/60i system is specifi- approach is already in its 2nd generation.
    [Show full text]
  • Australian Cinematographers Society V2.1 Now Releasedfirmware
    australian cinematographer ISSUE #60 DECEMBER 2013 RRP $10.00 Quarterly Journal of the Australian Cinematographers Society www.cinematographer.org.au V2.1 Now ReleasedFirmware shootingHigh &frame much rate more! The future, ahead of schedule Discover the stunning versatility of the new F Series Shooting in HD and beyond is now available to many more content creators with the launch of a new range of 4K products from Sony, the first and only company in the world to offer a complete 4K workflow from camera to display. PMW-F5 PMW-F55 The result of close consultation with top cinematographers, the new PMW-F5 and PMW-F55 CineAlta cameras truly embody everything a passionate filmmaker would want in a camera. A flexible system approach with a variety of recording formats, plus wide exposure latitude that delivers superior super-sampled images rich in detail with higher contrast and clarity. And with the PVM-X300 monitor, Sony has not only expanded the 4K world to cinema applications but also for live production, business and industrial applications. Shoot, record, master and deliver in HD, 2K or 4K. The stunning new CineAlta range from Sony makes it all possible. PVM-X300X300 For more information, please email us at [email protected] pro.sony.com.au MESM/SO130904/AC CONTENTS BY DEFINITION of the Australian Cinematographers Society’s Articles of Association “a cinematographer is a person with technical expertise who manipulates light to transfer visual information by the use of a camera into aesthetic moving 38 images on motion picture film
    [Show full text]
  • Solid-State Memory Camcorder
    5-011-867-12 (1) GB Solid-State Memory Camcorder Operating Instructions PXW-FX9V/PXW-FX9VK PXW-FX9T/PXW-FX9TK © 2019 Sony Corporation 2 Table of Contents 1. Overview Clip Operations ...............................................64 Updating E-mount Lens Software ..................134 Licenses..........................................................135 System Configuration........................................ 3 6. Menu Display and Settings Specifications .................................................138 Location and Function of Parts ..........................4 Setup Menu Configuration and Hierarchy .......65 Screen Display ................................................. 10 Setup Menu Operations .................................. 67 2. Preparation User Menu .......................................................69 Edit User Menu ................................................ 70 Power Supply ...................................................16 Shooting Menu ................................................71 Attaching Devices ............................................18 Project Menu ...................................................80 Configuring Basic Camcorder Operation ......... 24 Paint Menu ......................................................86 Using XQD Memory Cards ............................... 25 TC/Media Menu ..............................................90 Using a UTILITY SD/MS Card ...........................28 Monitoring Menu ............................................92 3. Shooting Audio Menu ....................................................95
    [Show full text]
  • Mobiililaitteen Tallennusmuistin Laajentaminen Ja Suorituskyky
    Opinnäytetyö AMK Tieto- ja viestintätekniikka MICTIS15 2017 Petteri Hanhimäki MOBIILILAITTEEN TALLENNUSMUISTIN LAAJENTAMINEN JA SUORITUSKYKY OPINNÄYTETYÖ AMK | TIIVISTELMÄ TURUN AMMATTIKORKEAKOULU Tieto- ja viestintätekniikka, tietotekniikka 2017 | 86 sivua Tiina Ferm Petteri Hanhimäki MOBIILILAITTEEN TALLENNUSMUISTIN LAAJENTAMINEN JA SUORITUSKYKY Monien kannettavien laitteiden tallennusmuisti on rajallinen. Eri käyttötarkoitusten asettamien suorituskykyvaatimukset täyttävän tallennusmuistin tunnistaminen on hankalaa. SD-muistikortit ovat tuettuja useimmissa älypuhelimissa ja taulutietokoneissa. SD-muistikorttien standardi määrittelee nopeusluokituksen. Mikäli muistikorttia tai laajennusmuistia käytetään monipuolisesti, on muistien suorituskyvystä oltava tarkempaa tietoa. Näiden ongelmien ratkaisemiseksi tässä opinnäytetyössä paneuduttiin tallennusmuisti- ratkaisuihin ja suorituskyvyn mittaamiseen sekä riittävän suorituskykyisen muistin tunnistamiseen. Tallennusmuistien väliset erot pyrittiin löytämään kokeilemalla eri mittaustapoja käyttäviä sovelluksia sekä tavallista käyttöä kuvaavia testejä. Opinnäytteessä tutkittiin eri vaihtoehtoja tallennusmuistin laajentamiseksi sekä muistikorttien merkintöjä ja niiden vastaavuutta todelliseen suorituskykyyn. Suorituskyvyn mittaamisessa käytettiin eri suorituskykysovelluksia eri mobiililaitteessa. Testattujen SD-muistikorttien välillä ilmeni suuria suorituskykyeroja. Sisäisen tallennusmuistin ja lisätyn SD-muistikortin välillä ilmeni suorituskykyeroja. Hankittavan tallennusmuistin lisäksi suorituskykyyn
    [Show full text]
  • Sony's VENICE Cinealta FF and S35 Camera the Light of Venice
    Jon Fauer ASC www.fdtimes.com Special Report - Sept 2017 Art, Technique, and Technology in Motion Picture Production Worldwide Sony's VENICE CineAlta FF and S35 Camera The Light of Venice Giovanni Antonio Canal # (“Canaletto”) Entrance to the Grand Canal Venice c. 1730 Oil on canvas 49.6 cm × 73.6 cm (19.5 in × 29.0 in) Museum of Fine Arts, Houston J. M. W. Turner " San Giorgio Maggiore at Dawn 1819 Watercolor 224 × 287 mm (8.82 × 11.3 in). Tate Britain 2 Sept 2017 • Issue 84 The Light of Venice # Claude Monet San Giorgio Maggiore by Twilight 1908 Oil on canvas 65.2 × 92.4 cm (25.7 × 36.4 in) National Museum Cardiff ! Claude Monet The Grand Canal 1908 Oil on canvas 73.7 × 92.4 cm (29 × 36.4 in) Museum of Fine Arts, Issue 84 • Sept 2017 3 A Camera called VENICE “When I went to Venice, I discovered that my dream had become incredibly, but quite simply, my address,” Marcel Sony’s VENICE Proust uncharacteristically succinct, described the city. Full Frame Sensor 24x36 mm “VENICE is the first camera I want to own,” Claudio Miranda ASC, uncharacteristically loquacious in his enthusiasm, described Painterly Look VENICE, Sony’s new Full Frame camera, after shooting its 6K Full Frame 6048 x 4032 maximum resolution product launch demo. “I can light tabletop pop tarts or a giant 4K Super35 window night exterior. I can easily work with VENICE on any job.” Full Frame, full 6048 photosite width of the sensor This is the Full Frame 24x36 camera that Sony signaled in June.
    [Show full text]
  • Sony PMW 200 November 2012
    Sony PMW 200 November 2012 EBU – Tech 3335 : Methods of measuring the imaging performance of television cameras for the purposes of characterising and setting Alan Roberts, November 2012 SUPPLEMENT 005 : Assessment of a Sony PMW 200 camera Tests have been conducted in line with EBU R.118. This document is a report of the results of the tests defined in Tech3335 and is not an endorsement of the product. Tests were made on a production model of the Sony PMW-200 HDTV camcorder (serial number 400033) and its manual. Outwardly it appears to be very similar to the PMW EX1, and shares many features with it. The camera has an integral lens (Fuji, F/1.9, 14:1 5.8~81.2mm) and records onto solid-state storage SxS cards (or other card types via adaptors). The lens has conventional 3-ring control, with manual or automatic operation, but the rings are ‘real’ in that they directly control the lens and have calibration markings. It has 3 ½” CMOS sensors of 1920x1080 pixels, and therefore should qualify fully as an HDTV camera. Recording HDTV uses MPEG2, 10-bit 4:2:2 1920x1080 at 50Mb/s, 8-bit 4:2:0 1920x1080 at 35Mb/s (with variable bit rate, maximum 35Mb/s), 8-bit 1440x1080 4:2:0 at 35Mb/s (VBR), 8-bit 1280x720 at 35Mb/s VBR, and 8-bit 1440x1080 at 25Mb/s VBR. All the 1080-line modes can be progressive or interlaced at frame rates from 23.976 to 29.97Hz, and 720P up to 60Hz. It can also record in standard SDTV modes, DVCAM.
    [Show full text]
  • SONY PMW-F3 Special Report Sony Affordable 35
    Jon Fauer’s www.fdtimes.com The Journal of Art, Technique and Technology in Motion Picture Production Worldwide SONY PMW-F3 Special Report Sony Affordable 35... Sony’s Alec... First unveiled at NAB 2010 by Alec Shapiro, Senior VP of Sony Two months afer IBC 2010, on a cold, sleety November 8th, Alec Professional Sales and Marketing, it was quickly put under glass. was back—this time on the lofy 35th foor of Sony’s New York Te camera remained under glass at IBC, attracted much interest, Madison Avenue headquarters, ready to introduce the new camera more speculation, and only non-disclosable smiles from Sony staf to the press, and the world. about the sign that said, “Afordable 35mm Camera.” Te evolution was complete: the new camera is called PMW-F3, Te IBC press release was short: “Sony plans to introduce an the third 35mm Cinealta Digital Camera. “Afordable” was an ‘Afordable 35mm Camera’ to join the F35 and the SRW-9000PL. understatement. Te demonstration of an R&D prototype will re-afrm the goal of Te PWM-F3L package be will shipping end of January or early establishing a 35mm line-up to cover applications from high budget February as a basic camera with PL adaptor (no lenses): list price to lower budget production.” Another big sign above the afordable will be around $16,000. Yes, the comma is in the correct place: prototype and its 2 Sony Cinealta PL camera siblings (F35 and $16K. Te PMW-F3K package consists of the camera, PL adaptor, SRW-9000PL) proclaimed, “It’s a 35mm World.” Absolutely.
    [Show full text]
  • RENTALS RATE CARD All Prices Excluding Vat
    2019 RENTALS RATE CARD all PRIces EXclUDING Vat. DIscOUnts APPLY visualimpactsa www.visuals.tv SALES | RENTALS | ENGINEERING | TRAINING ERRORS & OMISSIONS EXCLUDED ERRORS & OMISSIONS EXCLUDED VISUAL IMPACT GROUP JOHANNESBURG SOUTH AFRICA Visual Impact Johannesburg +27 (0) 11 788 9879 Visual Impact Cape Town +27 (0) 21 468 6000 EUROPE 32 Bompas road Visual Impact UK LTD | Head Office +44 (0) 20 8977 1222 Dunkeld Visuals Scotland +44 (0) 141 427 0434 Johannesburg Visuals Cardiff +44 (0) 2920 464656 GPS Visual Impact Bristol +44 (0) 177 939 3333 Lat: -26.133127 Visual Impact Belfast +44 (0) 28 9023 6611 Lon: 28.039719 Visual Impact Ireland +353 (0) 1 668 1699 SWITZERLAND Visuals Switzerland Geneva +41 (0) 22 561 0707 Visuals Switzerland Zurich +41 (0) 43 255 5900 FRANCE Visual Impact France +33 (0) 1 42 2202 05 CAPE TOWN SERBIA Visual Impact Beograd +381 (0) 11 369 0043 ROMANIA O-Video Moldova +40 (0) 268 311 195 1 Glynville Terrace CROATIA Gardens Cape Town Visual Impact Croatia +385 (1) 777 9022 GPS Lat: 33.931688 24-7 Drama +44 (0) 208 614 8560 Lon: 18.416559 24-7 North +44 (0) 161 868 3444 O-Video Slovenia +386 (0) 590 17772 O-Video Czech +420 (0) 222 541 190 O-Video Brasov +40 (0) 268 311 195 O-Video Bucharest +40 (0) 21 2328945 2 All prices are exclusive of VAT and insurance. All prices are exclusive of VAT and insurance. 3 ERRORS & OMISSIONS EXCLUDED ERRORS & OMISSIONS EXCLUDED INDEX PAGE 1. CAMERAS 5 LARGE SENSOR HD CAMERS 6 - 15 EXTERNAL RECORDERS 16 - 17 DIGITAL SLR CAMERAS 18 - 22 SPECIALIST CAMERAS 23 - 29 2.
    [Show full text]
  • 4K Digital Cinema Projection System Which Has Increased Demand for High-Quality Digital Content Retaining 4K Resolution
    Unlimited Creative Possibility For almost its entire history, cinema has used film as its recording medium. But recently this has changed drastically. In 1999, Sony released the first 24p digital motion picture production system, which was an important step in the shift toward digital production. In 2006, Sony launched the world’s first 4K digital cinema projection system which has increased demand for high-quality digital content retaining 4K resolution. And now, following the introduction of Sony’s F65 – an epoch-making digital cinema camera, Sony is launching some outstanding new products to strengthen its 4K toolset. We have designed CineAlta™ 4K acquisition tools as ‘total imaging systems’ from sensor to codec for capturing the image rendered by lens with the utmost fidelity. Various cutting-edge technologies, such as a Super 35 mm imager, wider dynamic range and color gamut, high sensitivity, and high-speed recording systems, have been used in these camera systems, so that cinematographers can freely express their creative vision. Regardless of any changes in technology or economy, our mission remains the same: to satisfy the ever-increasing demands of creative minds. Sony is committed to further elevating image quality and improving the visual experience. With this in mind, the CineAlta logo symbolizes ’infinity’, which can also be thought of as ‘unlimited creative possibility’ and ‘endless pursuit of perfecting technology’. 2 ©Thierry Lewenberg-Sturm 3 CineAlta 4K Cameras F65 CineAlta Premium 4K Camera 4 F5 CineAlta 4K Camera F55 CineAlta 4K Camera 5 Technology Our top engineers have spent years creating breakthroughs in sensors, image processors, and recording media, and now we introduce new CineAlta 4K cameras that deliver unprecedented image quality.
    [Show full text]