Message for Sunday, April 30, 2006
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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
James Taylor & Jackson Browne
James Taylor & Jackson Browne - Aug 27, 2021 James Taylor will set sail on his Great American Standard Songbook Tour where he will be joined by fellow singer-songwriter Jackson Browne with a stop at Jones Beach Aug 27, 2021 - tix: http://JAMESTAYLOR.jonesbeach.com The coast-to-coast spring-into-summer run will give Taylor the chance to possibly debut new material from his forthcoming studio album & 19th studio recording, American Standard, which was also announced on Thursday and set to arrive on February 28th via Fantasy Records. Additionally, for Taylor’s 19th studio album, American Standard, the veteran guitarist and singer chose to take on a smattering of classic Americana tunes, including “My Blue Heaven”, “You’ve Got To Be Carefully Taught”, “Sit Down, You’re Rocking The Boat”, “Pennies From Heaven”, and more. Taylor shared his cover of Gene De Paul and Sammy Cahn‘s “Teach Me Tonight” with the album’s announcement. James Taylor will take on the Great American Songbook on the singer’s upcoming album American Standard, due out February 28th. The LP is Taylor’s first since 2015’s Before This World and 19th overall. “I’ve always had songs I grew up with that I remember really well, that 1 / 2 James Taylor & Jackson Browne - Aug 27, 2021 were part of the family record collection — and I had a sense of how to approach, so it was a natural to put American Standard together,” Taylor said in a statement. “I know most of these songs from the original cast recordings of the famous Rodgers and Hammerstein musicals, including My Fair Lady, Oklahoma, Carousel, Showboat and others.” Taylor also unveiled the first single from American Standard, a take on the Gene De Paul-Sammy Chan jazz classic “Teach Me Tonight,” previously popularized by Dinah Washington and Frank Sinatra. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Jay Graydon Discography (Valid July 10, 2008)
Jay Graydon Discography (valid July 10, 2008) Jay Graydon Discography - A (After The Love Has Gone) Adeline 2008 RCI Music Pro ??? Songwriter SHE'S SINGIN' HIS SONG (I Can Wait Forever) Producer 1984 258 720 Air Supply GHOSTBUSTERS (Original Movie Soundtrack) Arista Songwriter 1990 8246 Engineer (I Can Wait Forever) Producer 2005 Collectables 8436 Air Supply GHOSTBUSTERS (Original Movie Soundtrack - Reissue) Songwriter 2006 Arista/Legacy 75985 Engineer (I Can Wait Forever) Producer Air Supply DEFINITIVE COLLECTION 1999 ARISTA 14611 Songwriter (I Can Wait Forever) Producer Air Supply ULTIMATE COLLECTION: MILLENNIUM [IMPORT] 2002 Korea? ??? Songwriter (I Can Wait Forever) BMG Entertainment 97903 Producer Air Supply FOREVER LOVE 2003 BMG Entertainment, Argentina 74321979032 Songwriter (I Can Wait Forever) FOREVER LOVE - 36 GREATEST Producer Air Supply HITS 1980 - 2001 2003 BMG Victor BVCM-37408 Import (2 CDs) Songwriter (I Can Wait Forever) Producer Air Supply PLATINUM & GOLD COLLECTION 2004 BMG Heritage 59262 Songwriter (I Can Wait Forever) Producer Air Supply LOVE SONGS 2005 Arista 66934 Songwriter (I Can Wait Forever) Producer Air Supply 2006 Sony Bmg Music, UK 82876756722 COLLECTIONS Songwriter Air Supply (I Can Wait Forever) 2006 Arista 75985 Producer GHOSTBUSTERS - (bonus track) remastered UPC: 828767598529 Songwriter (I Can Wait Forever) Producer Air Supply 2007 ??? ??? GRANDI SUCCESSI (2 CD) Songwriter (I Can Wait Forever) ULTIMATE COLLECTION Producer Air Supply 2007 Sony/Bmg Import ??? [IMPORT] [EXPLICIT LYRICS] [ENHANCED] Songwriter (I Can Wait Forever) Producer Air Supply ??? ??? ??? BELOVED Songwriter (I Can Wait Forever) Producer Air Supply CF TOP 20 VOL.3 ??? ??? ??? Songwriter (Compilation by various artists) (I Can Wait Forever) Producer Air Supply COLLECTIONS TO EVELYN VOL. -
I Have Been a Longtime Fan of Singer-Songwriter Jackson Browne. I
Ezk 37.1-14; Ps 104:25-35,37; Acts 2:1-21; Jn 15:26-27; 16:4b-15 I have been a longtime fan of singer-songwriter Jackson Browne. I particularly love his song: “Running on Empty”: Looking out at the road, rushing under my wheels; Looking back at the years gone by, like, so many summer fields; I look around for the friends that I used to turn to, to pull me through; Looking into their eyes ….I see them running too! Running on empty;…. Running blind Running into the sun;…. But, I’m running behind. What makes this song so compelling is that, sadly, all too many of us are, “Running on empty.” The song describes a lot of us in this world, both literally and figuratively. As an aviator, gas is very important to me. Gas is good; no gas is simply, “airplane becomes big metal falling object.” And, as a carrier pilot, with lots of wet, ocean all around, you always want full gas tanks. So, you “top-off” from the airborne “tanker” aircraft every chance you get. Much like a lot of people trying to “top-off” their car’s gas tanks the past few weeks! I can honestly say that, as a pilot, I have never run out of gas… in the air that is. On the ground is another subject. My husband, Mike, and I were driving to his parent’s home in Prosperity, South Carolina late one Friday night. And we had one of those ‘married couple’ discussions. I kept recommending that we should stop for gas; and he insisted that we could make it. -
Chapter 4: INFORMAL FALLACIES I
Essential Logic Ronald C. Pine Chapter 4: INFORMAL FALLACIES I All effective propaganda must be confined to a few bare necessities and then must be expressed in a few stereotyped formulas. Adolf Hitler Until the habit of thinking is well formed, facing the situation to discover the facts requires an effort. For the mind tends to dislike what is unpleasant and so to sheer off from an adequate notice of that which is especially annoying. John Dewey, How We Think Introduction In everyday speech you may have heard someone refer to a commonly accepted belief as a fallacy. What is usually meant is that the belief is false, although widely accepted. In logic, a fallacy refers to logically weak argument appeal (not a belief or statement) that is widely used and successful. Here is our definition: A logical fallacy is an argument that is usually psychologically persuasive but logically weak. By this definition we mean that fallacious arguments work in getting many people to accept conclusions, that they make bad arguments appear good even though a little commonsense reflection will reveal that people ought not to accept the conclusions of these arguments as strongly supported. Although logicians distinguish between formal and informal fallacies, our focus in this chapter and the next one will be on traditional informal fallacies.1 For our purposes, we can think of these fallacies as "informal" because they are most often found in the everyday exchanges of ideas, such as newspaper editorials, letters to the editor, political speeches, advertisements, conversational disagreements between people in social networking sites and Internet discussion boards, and so on. -
Once a Day”--Connie Smith (1964) Added to the National Registry: 2020 Essay by Barry Mazor (Guest Post)*
“Once a Day”--Connie Smith (1964) Added to the National Registry: 2020 Essay by Barry Mazor (guest post)* Bill Anderson, Connie Smith and Bob Ferguson in the studio Just months before Connie Smith would step up to the microphone at RCA Records’ Music Row Studio B for her very first recording session, she was a virtually unknown Ohio housewife who’d performed at nearby fairs and on local television. Then, fatefully, at an August 1963 talent contest near Columbus, the contest judge proved to be recording star and country songwriting master Bill Anderson. He would note in his memoir, “None of us could believe such a big voice was coming out of such a petite lady.” He’d told her that if she ever came to Nashville to pursue a country career, he’d be there for her. It took her months to decide to give that a try. RCA’s Nashville label head, Chet Atkins, was impressed by her demo tapes, and when Anderson assured him that he’d have new songs for her that could help get her established, she was signed to the label and in the studio within three weeks. Constance June Meador Smith was 23 as her recording career began that day--July 16, 1964--a young wife and mother. The third song she recorded at that first session, Bill Anderson’s “Once a Day,” in which the singer tells us how the loss of a love to another can be devastating, and as a matter of fact, there’s no denying it has been, would become a country music phenomenon. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Christmas Comes but Once a Day
Christmas Comes But Once A Day Jim Reed CHRISTMAS COMES BUT ONCE A DAY CHRISTMAS COMES BUT ONCE A DAY Jim Reed BLUE ROOSTER PRESS Birmingham, Alabama USA www.blueroosterpress.com BOOKS BY JIM REED Christmas Comes But Once A Day Dad’s Tweed Coat: Small Wisdoms Hidden Comforts Unexpected Joys How to Become Your Own Book: The Joy of Writing for You and You Alone (The Importance of Space Ships, Time Capsules and Messages in Bottles) Not Another Poetry Book (Another Poetry Book) Inward Tales: Dancing Around Race, Racism and Racists Small-Town Red Clay Tales, Both Actual and True Not Enough Sleep: Insomniac Tales BOOKS BY JIM REED AND OTHERS I Wish I Was In Dixie edited by Marie Stokes Jemison and Jim Reed Superrelations by Gina Boyd and Jim Reed Horace the Horribly Hoarse Horse by Jim Reed and T.R. Reed OTHER WRITINGS BY JIM REED Christmas Comes But Once A Day story by Jim Reed in An Alabama Christmas: 20 Heartwarming Tales by Truman Capote, Helen Keller, and More One of Those Thanksgiving Days in Verbena, Alabama poem by Jim Reed in Whatever Remembers Us: An Anthology of Alabama Poetry edited by Sue Brannan Walker & J. William Chambers Private Lessons story by Jim Reed in Alabama Scrapbook by Ellen Sullivan and Marie Stokes Jemison Beards Beards Beards by Helen Bunkin with foreword by Jim Reed Grove of the Dolls story by Jim Reed in The Alalitcom/2001 edited by Donna Jean Tennis and John Curbow A Box of Trinkets by Allen Johnson Jr. with foreword by Jim Reed CHAP BOOKS BY JIM REED: Sticky Novels: Tales Jotted Down on Sticky Notes by Jim Reed Stickier Novels: Yet More Tales Jotted Down on Sticky Notes by Jim Reed Marilyn of the Uncreased Elbow by Jim Reed Glugged Not Stirred by Jim Reed CHRISTMAS COMES BUT ONCE A DAY Jim Reed CHRISTMAS COMES BUT ONCE A DAY. -
$>Tate of \!Tennessee
$>tate of \!tennessee SENATE JOINT RESOLUTION NO. 561 By Senators Johnson, Kyle, Beavers, Bell, Bowling, Burks, Campfield, Crowe, Dickerson, Finney, Ford, Gardenhire, Green, Gresham, Haile, Harper, Henry, Hensley, Kelsey, Ketron, Massey, McNally, Niceley, Norris, Overbey, Southerland, Stevens, Summerville, Tate, Tracy, Watson, Yager, Mr. Speaker Ramsey and Representatives Matthew Hill, Ryan Williams A RESOLUTION to recognize Connie Smith on the fiftieth anniversary of her illustrious country music career and her forty-ninth anniversary as a member of the Grand Ole Opry. WHEREAS, it is fitting that this General Assembly should recognize those gifted artists who have experienced great success in the world of country music; and WHEREAS, Constance June Meador, better known to her legions of fans as Connie Smith, was born August 14, 1941 , to parents Hobart and Wilma Meador in Elkhart, Indiana; she grew up in Ohio where she fell in love with country music listening to the Louvin brothers, George Jones, and Loretta Lynn on Grand Ole Opry broadcasts from Nashville, Tennessee; and WHEREAS, her love of singing was discovered in 1963 by singer-songwriter Bill Anderson. Connie was a housewife and mother with a four-month-old son in Warner, Ohio, when she and her husband went to see a country music show at Frontier Ranch near Columbus, Ohio. She was talked into entering a talent contest, which she won, enabling her to meet Bill, who invited her to sing on the Ernest Tubb Midnight Jamboree in March 1964. A few months later Bill invited her back to Nashville to record some demo records; and WHEREAS, in June 1964 Connie was signed to a contract with RCA Victor Records by Chet Atkins, who called her "the greatest girl singer he'd ever heard." She soon cut her very first recording entitled, "Once a Day," which would be a phenomenon in country music history. -
Dj Vladi Playlist Christmas Songs 2014
DJ VLADI PLAYLIST CHRISTMAS SONGS 2014 Dean Martin - Let It Snow! Let It Snow! Let It Snow! Judith Durham - White Christmas Al Martino - Silver Bells Jo Stafford - Winter Wonderland Bing Crosby - Have Yourself A Merry Little Christmas Vera Lynn - Away In A Manger Wayne Newton - Hark! The Herald Angels Sing Ella Fitzgerald - God Rest Ye Merry Gentlemen John Farnham - The First Noel Anne Murray - It's Beginning To Look A Lot Like Christmas Dion - Rockin' Around The Christmas Tree Crystal Gayle - I'll Be Home For Christmas Jan & Dean - Frosty The Snowman Les Paul - Jingle Bells The Spinners - The Twelve Days Of Christmas Lou Rawls - Merry Christmas, Baby Carnie & Wendy Wilson - Jingle Bell Rock Ferrante & Teicher - Sleigh Ride Stacie Orrico - O Come, All Ye Faithful Matt Monro - Mary's Boy Chi ld Eternal - Amazing Grace Kenny Rogers - When A Child Is Born Jamelia - Last Christmas Celtic Woman - O Holy Night Sin ad O'Connor - Silent Night Aled Jones - Walking In The Air Shirley Bassey - Ave Maria {Disc 2} Cliff Richard - Mistletoe And Wine Sarah Brightman - I Believe In Father Christmas the bird and the bee - Carol Of The Bells Amy Grant - Grown-Up Christmas List Glen Campbell - Blue Christmas Deniece Williams - Do You Hear What I Hear? Willie Nelson feat. Norah Jones - Baby It's Cold Outside Bobby Goldsboro - Look Around You Andy Williams - Christmas Holiday Barry Blue - Christmas Moon 11.Keith Marshall - Another Christmas Aaron Neville - Christmas Prayer Dianne Reeves - Christmas Time Is Here Bebe & Cece Winans - Joy To The World Faith Evans