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La Traviata GIUSEPPE VERDI Temporada 2020-2021

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La traviata GIUSEPPE VERDI Temporada 2020-2021 Temporada Con la colaboración de: 1 La traviata - Giuseppe Verdi Patronato de la Fundación del Gran Teatre del Liceu Comisión ejecutiva de la Fundación del Gran Teatre del Liceu Presidente de honor Presidente President de la Generalitat de Catalunya Salvador Alemany Mas Presidente del patronato Vocales representantes de la Generalitat de Catalunya Salvador Alemany Mas Àngels Ponsa Roca, Lluís Baulenas Cases Vicepresidenta primera Vocales representantes del Ministerio de Cultura y Deporte Àngels Ponsa Roca Amaya de Miguel Toral, Antonio Garde Herce Vicepresidente segundo Vocales representantes del Ayuntamiento de Barcelona Andrea Gavela Llopis Joan Subirats Humet, Marta Clarí Padrós Vicepresidente tercero Vocal representant de la Diputació de Barcelona Joan Subirats Humet Joan Carles Garcia Cañizares Vicepresidenta cuarta Vocales representantes de la Societat del Gran Teatre del Liceu Núria Marín Martínez Javier Coll Olalla, Manuel Busquet Arrufat Vocales representantes de la Generalitat de Catalunya Vocales representantes del Consejo de Mecenazgo Lluis Baulenas Cases, Irene Rigau Oliver, Angels Barbara Fondevila Luis Herrero Borque, Elisa Durán Montolío Vocales representantes del Ministerio de Cultura y Deporte Secretario Javier García Fernández, Amaya de Miguel Toral, Joan Francesc Joaquim Badia Armengol Marco Conchillo, Santiago de Torres Sanahuja Director general Vocales representantes del Ayuntamiento de Barcelona Valentí Oviedo Cornejo Marta Clari Padrós, Josep Maria Vallès Casadevall Vocal representante de la Diputación de Barcelona Joan Carles Garcia Cañizares Vocales representantes de la Societat del Gran Teatre del Liceu Javier Coll Olalla, Manuel Busquet Arrufat, Ignasi Borrell Roca, Josep Maria Coronas Guinart, Àgueda Viñamata y de Urruela Vocales representantes del Consejo de Mecenazgo Luis Herrero Borque, Elisa Durán Montolío, José Manuel Casas Aljama, Alfonso Rodés Vilà Patronos de honor Josep Vilarasau Salat, Manuel Bertrand Vergès Secretario no patrón Joaquim Badia Armengol Director general Valentí Oviedo Cornejo 2 Gracias por hacerlo posible Patrocinadores del 20 aniversario Mecenas 3 Medios de comunicación Patrocinadores 4 Protectores Benefactores Carlos Abril Guzmán Clavel Calamanda Grifoll Pedro Roca-Cusachs Muntsa Alcañiz M. Dolors i Francesc Poppy Grijalbo Josep Sabé Salvador Alemany Francisco Egea Francesca Guardiola Francisco Salamero Fernando Aleu Joan Esquirol Maria Guasch Lluís Sans José Aljaro Magda Ferrer-Dalmau Pepita Izquierdo Maria Soldevila Lidia Arcos Albert Foraster Gabriel Jené Jordi Soler Josep Balcells Mercedes Fuster Mónica Lafuente Karen Swenson Joaquim Barraquer José Gabeiras Sofia Lluch Manuel Terrazo David Barroso Jorge Gallardo Ma. Teresa Machado August Torà Núria Basi Pau Gasol Rocio Maestre Ernestina Torelló Manuel Bertran Francisco Gaudier Ángel Martínez Joan Uriach Manuel Bertrand Anna Gener Jaume Mercant Marta Uriach Agustí Bou Lluís M. Ginjaume Josep Milian Manuel Valderrama Josep M. Bové Ezequiel Giró José M. Mohedano Josep Viader Carmen Buqueras Enric Girona Juan Molina-Martell Josep Vilarasau Marc Busquets M. Inmaculada Gómez Joan Molins Maria Vilardell † Cucha Cabané Andrea Gömöry Josep Oliu Oriol Vilardell Jordi Calonge Casimiro Gracia M. Carmen Pous Salvador Viñas Joan Camprubi Jaume Graell Francisco Reynés Montserrat Cardelús Francisco A. Granero Blanca Ripoll Ramon Centelles Pere Grau Miquel Roca 5 Colaboradores Gracias por hacerlo posible 66 La traviata - Giuseppe Verdi Volver al índice No tires las cartas de amor Ellas no te abandonarán. El tiempo pasará, se borrará el deseo -esta flecha de sombra- y los sensuales rostros, bellos e inteligentes, se ocultarán en ti, al fondo de un espejo. Caerán los años. Te cansarán los libros. Descenderás aún más e, incluso, perderás la poesía. El ruido de ciudad en los cristales acabará por ser tu única música, y las cartas de amor que habrás guardado serán tu última literatura. Aiguaforts, 1995 Joan Margarit 7 La traviata - Giuseppe Verdi Volver al índice 12 22 Ficha técnica A telón corrido 16 34 Orquesta Sobre la producción 13 30 Ficha artística La traviata Víctor Garcia 18 de Gomar 38 14 Coro Argumento de la obra Reparto 42 Comentarios musicales 8 La traviata - Giuseppe Verdi Volver al índice 44 74 English synopsis Playlist La traviata Víctor Garcia 60 de Gomar La traviata 48 en el Liceu Jaume Tribó La huella profunda de un amor verdadero Javier Pérez Senz 77 67 Biografías 54 Cronología Entrevista a Speranza Scappucci 9 La traviata - Giuseppe Verdi Volver al índice Temporada 2020 / 21 10 Volver al índice C M Y CM MY CY CMY K 11 La traviata - Giuseppe Verdi Volver al índice Entreacto: I: Acto aproximada: Duración La traviata 30 min GIUSEPPE VERDI 20 min Entreacto: Ópera en tres actos III: Acto Libreto de Francesco Maria Piave basado en La dame 20 min aux camélias de Alexandre Dumas hijo 35 min 2h 50 min Del 4 al 30 de diciembre II: Acto 6 de marzo de 1853: estreno absoluto en el Teatro la Fenice de Venecia 65 min 6 mayo 1854: estreno de la segunda versión, definitiva, en el teatro San Benedetto de Venecia 25 de octubre de 1855: estreno en Barcelona, en el Gran Teatre del Liceu 18 de julio de 2015: última representación en el Liceu Total de representaciones en el Liceu: 251 Diciembre 2020 Turno 4 19 h - 5 19 h B 7 19 h Under35 8 18 h - 9 19 h B 10 19 h PA 12 18 h F 13 17 h PD 14 19 h A 15 19 h G 16 18 h - 17 19 h E 19 19 h PB 20 18 h T 21 19 h D 27 17 h - 28 19 h PC 29* 19 h - 30 19 h H (*): Con audiodescripción 12 La traviata - Giuseppe Verdi Volver al índice Ficha artística Dirección musical Coro del Gran Teatre del Liceu Speranza Scappucci Conxita Garcia, directora Daniel Montané 7, 14, 16, 19 y 29 de diciembre Orquesta Sinfónica del Gran Teatre del Liceu Dirección de escena David McVicar Asistencia a la dirección musical Daniel Montané Reposición Marie Lambert Asistentes musicales Véronique Werklé, Vanessa García, Escenografía y vestuario Rodrigo de Vera, David-Huy Ngu- Tanya McCallin yen-Phong, Jaume Tribó Coreografía Andrew George Iluminación Jennifer Tipton Asistencia a la coreografía Colm Seery Asistencia a la iluminación Nicolas Fischtel Producción Gran Teatre del Liceu, Scottish Opera (Glasgow), Welsh Na- tional Opera (Cardiff), Teatro Real (Madrid) 13 La traviata - Giuseppe Verdi Volver al índice Reparto Violetta Valéry Giuseppe Kristina Mkhitaryan: 4, 9, 12, 14, 17, 20 Joan Prados: 4, 7, 9, 12, 14, 16, 19, 21, 28 y 29 diciembre y 29 de diciembre Pretty Yende: 5, 7, 13, 16, 21 i 28 diciembre José Luís Casanova: 5, 8, 10, 13, 15, 17, 20, Lisette Oropesa: 8, 10, 15, 19 y 27 diciembre 27 y 30 de diciembre Ermonela Jaho: 30 de diciembre Criado de Flora Flora Bervoix Lucas Groppo: 4, 7, 9, 12, 14, 16, 19, 21, 28 Laura Vila y 29 de diciembre Plamen Papazikov: 5, 8, 10, 13, 15, 17, 20, Annina 27 y 30 de diciembre Gemma Coma-Alabert Un mensajero Alfredo Germont Dimitar Darlev: 4, 7, 9, 12, 14, 16, 19, 21, 28 Pavol Breslok: 4, 8, 10, 12, 14, 16, 20, 27 y 29 de diciembre y 29 diciembre Ivo Mischev: 5, 8, 10, 13, 15, 17, 20, 27 Dmitry Korchak: 5, 7, 9, 13, 15, 17, 19, 21, 28 y 30 de diciembre y 30 diciembre Giorgio Germont George Gagnidze: 4, 8, 10, 12, 14, 27 y 29 diciembre Giovanni Meoni: 5, 7, 9, 13, 15, 19, 21, 28 y 30 diciembre Àngel Òdena: 16, 17 y 20 diciembre Gastone Antonio Lozano Barón Douphol Gerardo Bullón Marqués d’Obigny Tomeu Bibiloni Dotor Grenvil Felipe Bou Con la colaboración de: Participan: 14 La traviata - Giuseppe Verdi Volver al índice ¿Quién eres tú para hablar de amor? ¿Qué son estas nuevas palabras? ¿Solo mira el reflejo de tu pasado? ¿Qué hombre te llamará esposa? ¿Qué niño querría llamarte madre? Alexandre Dumas, hijo La dama de las camelias 15 La traviata - Giuseppe Verdi Volver al índice La Orquesta Sinfónica del Gran Teatre Sinfónica del Gran La Orquesta del Liceu con su director titular, Josep Pons. Josep Pons. titular, su director con del Liceu Orquesta Sinfónica del Gran Teatre del Liceu La Orquesta Sinfónica del Gran Teatre del Liceu es la orquesta más antigua de España. Durante casi 170 años de historia, la Orquesta del Gran Teatre del Liceu ha sido dirigida por las batutas más prestigiosas, de Arturo Toscanini a Erich Kleiber, de Otto Klemperer a Hans Knapperstsbusch, de Bruno Walter a Fritz Reiner, Richard Strauss, Alexander Glazunov, Ottorino Respighi, Pietro Mas- cagni, Igor Stravinsky, Manuel de Falla o Eduard Toldrà, hasta llegar a nuestros días con Riccardo Muti o Kirill Petrenko. Ha sido la protagonista de los estrenos del gran repertorio operístico en la península ibérica desde el barroco hasta nuestros días y a lo largo de su historia ha dedicado también una Especial atención a la creación lírica catalana. Hizo su debut en 1847 con un concierto sinfónico dirigido por Marià Obiols, siendo la primera ópera Anna Bolena, de Donizetti. Desde entonces ha actuado de forma continuada durante todas las temporadas del Teatro. Internacionalmente cabe destacar el Concierto por la Paz y los Derechos Humanos, organizado por la Fundación Onuart, retransmitido desde la sede de las Naciones Unidas en Ginebra el pasado 9 de diciembre de 2017. Después de la reconstrucción de 1999, han sido directores titulares Bertrand de Billy (1999-2004), Sebastian Weigle (2004–2008), Michael Boder (2008–2012) y, desde septiembre de 2012, Josep Pons. 16 La traviata - Giuseppe Verdi Volver al índice Intérpretes Banda en escena Violín I Flauta Arpa Liviu Morna Aleksandra Miletic Aida Aragoneses Olga Aleshinsky Sandra Luisa Batista Birgit Euler Oboe Aleksandar Krapovski Barbara Stegemann Sergey Maiboroda Raúl Pérez Oleg Shport Oksana Solovieva Clarinete Raul Suárez Juanjo Mercadal Yana Tsanova Dolores Payá Joan Andreu Bella Renata Tanellari Fagot Oriol Algueró Bernardo Verde M. José Rielo Violín II Liu Jing Trompa Rodica Monica Harda Ionut Pogdoreanu Andrea Ceruti Pablo Cadenas Charles Courant Carles Chordà E.
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    TEMPORADA 2016-2017 Breguet, creador. Classique Phase de Lune Dame 9088 MADAMA BUTTERFLY GIACOMO PUCCINI ALICANTE: SUÁREZ BARCELONA: RABAT, SUÁREZ, UNIÓN SUIZA CEUTA: CHOCRÓN GIRONA: PERE QUERA MADRID: RABAT, SUÁREZ PUERTO BANÚS: BOUTIQUE TOURBILLON TENERIFE: IDEAL, PAGODA VALENCIA: RABAT T9088-MadButterProg_150x210.indd 1 03.05.17 09:27 ¿Por qué la música abre nuestro corazón? Porque la música es energía. La energía que transmite el artista cuando sus emociones conectan con las nuestras manteniendo activa la cultura. Por eso, patrocinamos desde hace más de una década el Teatro Real. Porque, cuando abrimos nuestra energía, el progreso es posible para todos. endesa.com Página_15x21_S&S_Endesa2017_BAILARINA_TR_P_M_ES_v6.indd 1 9/5/17 11:39 MÁS DE HOY MÁS DE TODOS MÁS TEATRO REAL 1 PATROCINADORES DEL BICENTENARIO MECENAS PRINCIPAL MECENAS ENERGÉTICO TEMPORADA 2016-2017 PATROCINADORES DEL BICENTENARIO MADAMA BUTTERFLY GIACOMOPUCCINI (1858-1924) Tragedia giapponese en tres actos Libreto de Giuseppe Giacosa y Luigi Illica, basado en la obra de teatro Madame Butterfly, de David Belasco, inspirada en un relato de John Luther Long Estrenada en el Teatro alla Scala de Milán el 17 de febrero de 1904 Producción del Teatro Real Patrocina: 27, 28, 30 de junio 1, 3, 4, 6, 7, 9, 12, 13, 15, 16, 19, 20, 21 de julio ADMINISTRACIONES PÚBLICAS ADMINISTRACIÓN PÚBLICA FUNDADORAS COLABORADORA 3 «Son casi países conquistados, que tienen que adaptar su cultura a las formas de vida occidental. La civilización occidental tiene recursos, sucursales, soldados y misioneros
  • Homage to Two Glories of Italian Music: Arturo Toscanini and Magda Olivero

    Homage to Two Glories of Italian Music: Arturo Toscanini and Magda Olivero

    HOMAGE TO TWO GLORIES OF ITALIAN MUSIC: ARTURO TOSCANINI AND MAGDA OLIVERO Emilio Spedicato University of Bergamo December 2007 [email protected] Dedicated to: Giuseppe Valdengo, baritone chosen by Toscanini, who returned to the Maestro October 2007 This paper produced for the magazine Liberal, here given with marginal changes. My thanks to Countess Emanuela Castelbarco, granddaughter of Toscanini, for checking the part about her grandfather and for suggestions, and to Signora della Lirica, Magda Olivero Busch, for checking the part relevant to her. 1 RECALLING TOSCANINI, ITALIAN GLORY IN THE TWENTIETH CENTURY As I have previously stated in my article on Andrea Luchesi and Mozart (the new book by Taboga on Mozart death is due soon, containing material discovered in the last ten years) I am no musicologist, just a person interested in classical music and, in more recent years, in opera and folk music. I have had the chance of meeting personally great people in music, such as the pianist Badura-Skoda, and opera stars such as Taddei, Valdengo, Di Stefano (or should I say his wife Monika, since Pippo has not yet recovered from a violent attack by robbers in Kenya; they hit him on the head when he tried to protect the medal Toscanini had given him; though no more in a coma, he is still paralyzed), Bergonzi, Prandelli, Anita Cerquetti and especially Magda Olivero. A I have read numerous books about these figures, eight about Toscanini alone, and I was also able to communicate with Harvey Sachs, widely considered the main biographer of Toscanini, telling him why Toscanini broke with Alberto Erede and informing him that, contrary to what he stated in his book on Toscanini’s letters, there exists one letter by one of his lovers, Rosina Storchio.
  • ARSC Journal

    ARSC Journal

    HISTORIC VOCAL RECORDINGS STARS OF THE VIENNA OPERA (1946-1953): MOZART: Die Entfuhrung aus dem Serail--Wer ein Liebchen hat gafunden. Ludwig Weber, basso (Felix Prohaska, conductor) ••.• Konstanze ••• 0 wie angstlich; Wenn der Freude. Walther Ludwig, tenor (Wilhelm Loibner) •••• 0, wie will ich triumphieren. Weber (Prohaska). Nozze di Figaro--Non piu andrai. Erich Kunz, baritone (Herbert von Karajan) •••• Voi che sapete. Irmgard Seefried, soprano (Karajan) •••• Dove sono. Elisabeth Schwarzkopf, soprano (Karajan) . ..• Sull'aria. Schwarzkopf, Seefried (Karajan). .• Deh vieni, non tardar. Seefried (Karajan). Don Giovanni--Madamina, il catalogo e questo. Kunz (Otto Ackermann) •••• Laci darem la mano. Seefried, Kunz (Karajan) • ••• Dalla sua pace. Richard Tauber, tenor (Walter Goehr) •••• Batti, batti, o bel Masetto. Seefried (Karajan) •.•• Il mio tesoro. Tauber (Goehr) •••• Non mi dir. Maria Cebotari, soprano (Karajan). Zauberfl.Ote-­ Der Vogelfanger bin ich ja. Kunz (Karajan) •••• Dies Bildnis ist be­ zaubernd schon. Anton Dermota, tenor (Karajan) •••• 0 zittre nicht; Der Holle Rache. Wilma Lipp, soprano (Wilhelm Furtwangler). Ein Miidchen oder Weibchen. Kunz (Rudolf Moralt). BEETHOVEN: Fidelio--Ach war' ich schon. Sena Jurinac, soprano (Furtwangler) •••• Mir ist so wunderbar. Martha Modl, soprano; Jurinac; Rudolf Schock, tenor; Gottlob Frick, basso (Furtwangler) •••• Hat man nicht. Weber (Prohaska). WEBER: Freischutz--Hier im ird'schen Jammertal; Schweig! Schweig! Weber (Prohaska). NICOLAI: Die lustigen Weiher von Windsor--Nun eilt herbei. Cebotari {Prohaska). WAGNER: Meistersinger--Und doch, 'swill halt nicht gehn; Doch eines Abends spat. Hans Hotter, baritone (Meinhard von Zallinger). Die Walkilre--Leb' wohl. Hotter (Zallinger). Gotterdammerung --Hier sitz' ich. Weber (Moralt). SMETANA: Die verkaufte Braut--Wie fremd und tot. Hilde Konetzni, soprano (Karajan). J. STRAUSS: Zigeuner­ baron--0 habet acht.
  • JC Williamson (Opera, Comic Opera, Operetta)

    JC Williamson (Opera, Comic Opera, Operetta)

    AUSTRALIAN EPHEMERA COLLECTION FINDING AID J.C. WILLIAMSON OPERA, COMIC OPERA, OPERETTA PROGRAMS PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA AUGUST 2017 James Cassius Williamson was an American actor who immigrated to Australia in the 1870s. Along with business partners, such as William Musgrove, his theatre company became one of the most dominant in colonial Australia. After his death in 1913 the company, now named J.C. Williamson Ltd. continued under the direction of George Tallis and the Tait brothers (who remained involved in the company until the 1970s). J.C. Williamson continued to be one of the biggest theatre companies in Australia throughout the first three quarters of the 20th century. J.C. Williamson held the license for theatres in Melbourne, Sydney, Brisbane, Adelaide and New Zealand (at times more than one theatre in each city). In 1976 the company closed, but the name was licensed until the mid 1980s. This list includes productions of Gilbert and Sullivan operettas held in J.C. Williamson theatres, as well as those produced by J.C. Williamson and performed in other theatres under venue hire arrangements. CONTENT Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance staged by the J.C. Williamson company. In a few cases however, the only evidence of a performance is a piece of printed ephemera. In these cases the type of piece is identified, eg, brochure. The list is based on imperfect holdings and is updated as gaps in the Library’s holdings for these artists are filled.