Ebook Download the Pre-Raphaelites: from Rossetti To

Total Page:16

File Type:pdf, Size:1020Kb

Ebook Download the Pre-Raphaelites: from Rossetti To THE PRE-RAPHAELITES: FROM ROSSETTI TO RUSKIN PDF, EPUB, EBOOK Dinah Roe | 432 pages | 08 Apr 2011 | Penguin Books Ltd | 9780141192406 | English | London, United Kingdom The Pre-Raphaelites: From Rossetti to Ruskin PDF Book Was Ruskin the most important man of the last years? Best book on their lives. My favorite general introduction to the Pre- Raphaelites, and it is sometimes on sale. Famously, the model nearly died after the candles warming the water went out and she caught pneumonia. Below are some great starting points, from both Marsh and others:. Kehinde Wiley: Empowering the Present The artistic revolution represented by the Pre- Raphaelite Brotherhood offers a resounding answer to the question, Where and how do artists find inspiration? Morris became a committed socialist in and became a primary influence on the founding of the Arts and Crafts movement, which emphasized the use of unadorned natural materials and hand crafting in the decorative arts and architecture. This Botticelli painting was once owned by Dante Gabriel Rossetti. Pre- Raphaelitism in poetry had major influence upon the writers of the Decadence as well as upon Gerard Manley Hopkins and W. Ways to support us. Preaching and Sermons. Collinson resigned in , Woolner emigrated to Australia in an event memorialized in Madox Brown's modern life painting The Last of England, — , and it had effectively ceased to exist by the time of Holman Hunt's departure in search of religious subject matter in Palestine in These young women have become icons of Pre-Raphaelite beauty. Although Ruskin feared that public opinion had been permanently tainted by the critics, his words found an appreciative public. Far from being an irrelevant, entirely British movement, Pre-Raphaelitism was the crucible for European Symbolism and artists such as Khnopff, Delville and Puvis de Chavannes owed much to them. Of these, Solomon had the most distinctive voice. In , however, the reaction to the PRB was very different. Unto this last - years of John Ruskin. You Might Also Like pre-schooler. Pre-Socratic Philosophy. They painted nature in great detail and focus, using a minimum of shadows and often working on the spot for hours on end. The Pre-Raphaelite Movement began in , and experienced its heyday in the s and s. Ruskin commissioned a portrait of himself from Millais, painted in a landscape at Glenfinlas. Rossetti, who eventually became obese and addicted to chloral, was dashing in his youth. The Reviews Mixed. The Pre-Raphaelites: From Rossetti to Ruskin Writer The Pre-Raphaelites took these ideas to heart, producing a stream of art that depicted detailed and celebratory images of nature and the human body. If you love Rossetti, here is the book for you. Rossetti was famous for his paintings of medieval subjects, nature, and women, and his relationships with the models who sat for them. They also had a penchance for painting about powerful ideas and themes so they were drawn to literature, the Bible, and Medieval intrigues. According to Ruskin, however, Turner surpassed the Frenchman, writing that "Claude possesses some species of sterling excellence, but it follows not that he may not be excelled by Turner. Learn more about citation styles Citation styles Encyclopedia. He was an advocate for new styles of painting, the protection of historic buildings, the conservation of natural landscapes, the education of women, and the improvement of conditions for the working classes. Something important is happening. Learn about Hispano- Philippine ivories on Wed. The Brotherhood, however, was slowly dissolving. Get A Copy. Lord Byron. Elizabeth Siddall, a cutlery-maker's daughter whose unusual looks were highly regarded by Pre-Raphaelite artists, modeled the figure of Ophelia, whose death is described in Shakespeare's Hamlet by Queen Gertrude. See details for additional description. See all 4 brand new listings. Although there was never a single Pre-Raphaelite style, the earliest works to be exhibited with "P. The early days of the brotherhood were marked more by youthful exuberance than by a coherent program, but an admiration for art from the period before the High Renaissance pre-Raphael gave the group its name. I think you will find that both the art and the lives of these artists are endlessly fascinating. Donald Phillips rated it it was amazing Oct 03, She lives and works in London. It was these early experiences that ignited his lifelong love of nature. Retrieved January 12, from Encyclopedia. Reasonable illustrations for a paperback, but many are only in black and white, but there is a sprinkling of color too. Elements of Drawing. Pre-Columbian Music of South America. The Pre-Raphaelites: From Rossetti to Ruskin Reviews The artistic revolution represented by the Pre-Raphaelite Brotherhood offers a resounding answer to the question, Where and how do artists find inspiration? Morris became a committed socialist in and became a primary influence on the founding of the Arts and Crafts movement, which emphasized the use of unadorned natural materials and hand crafting in the decorative arts and architecture. Caleb rated it really liked it May 30, Your views could help shape our site for the future. Robert B. They especially admired Botticelli for his close observation of nature. Go to Nature in all singleness of heart. They were looking for a kind of sincerity and purity in art. Morris in particular excelled in the design of wallpapers, textiles, and hand-printed books. Cite this article Pick a style below, and copy the text for your bibliography. The figure in front of her is likely to be Aeneas, a future love interest. Choose Yes please to open the survey in a new browser window or tab, and then complete it when you are ready. He made numerous prints and drawings, fearing that, if he did not, Venice might vanish undocumented like 'a lump of sugar in hot tea'. Ophelia, having gone mad from Hamlet's rejection, sinks slowly into the river while singing. Queen Victoria and Prince Albert, You Might Also Like pre-schooler. Influences on John Ruskin. Millais entered the Royal Academy at age eleven as the youngest student in its history. Consider this picture well. Then surely shall I seem as one who stands Exiled from home in unfamiliar lands, And strains across the weary sea and long His desolate sad eyes, and wrings his hands, While round him press an undiscerning thong Of strange men talking in an alien tongue. Goodreads helps you keep track of books you want to read. The Pre-Raphaelites: From Rossetti to Ruskin Read Online Community Reviews. By mid-Victorian times some of the artists of the Pre-Raphaelite Brotherhood, and several new artists associated with the movement, had become well known, albeit quite controversial. Rossetti did so with particular success. He said that Renaissance architects created for their own glory, while Gothic architects created for the glory of God, and that the Gothic style expressed man's humility in the face of the divine. John Ruskin and Important Artists and Artworks. The Pre-Raphaelites' uncompromising work initially shocked the public and critics, but by , 1, people a day were queuing to admire Hunt's The Finding of the Saviour in the Temple. Great book. There is no doubt that a second generation of Pre-Raphaelite artists, who had a powerful influence on the future of Western painting, did grow out of the Brotherhood itself. Such men as the carpenters might be undressed in any hospital where dirty drunkards, in a high state of varicose veins, are received. Rachel rated it liked it Jul 22, John Everett Millais , who had already developed a reputation as a artist, now tried to put Pre-Raphaelite ideas into practice. Charles Allston Collins is one of the lesser known of the Pre-Raphaelites he was never a member of the brotherhood but this work was nonetheless singled out by Ruskin in a letter to The Times. Rosie rated it liked it Sep 29, Want to learn new teaching and learning strategies? At their most successful, the PRB produced a magic or symbolic realism, often using devices found in the poetry of Tennyson and Browning. And by the closing of Victorian times, as the trenches of World War I waited in the future for an unwary Europe, the artists of the Pre-Raphaelite Brotherhood and their works had quietly settled into the dust of obscurity. Literary subjects, such as Millais's Ophelia and Hunt's Valentine Rescuing Sylvia from Proteus , were painted in the open air with meticulous attention to natural detail. When their meaning became known in the group was subjected to violent criticism and abuse. Marsh, J. Jenkins Books. Of these, Solomon had the most distinctive voice. These lessons were also taken up in America where artists at the frontier began to produce epic images of the great American West. https://files8.webydo.com/9583685/UploadedFiles/452D13D9-055C-7B16-5BD1-59381FE1FB7D.pdf https://files8.webydo.com/9583026/UploadedFiles/F86CABDA-F58C-A9E5-2841-4A8E8DB0EF10.pdf https://files8.webydo.com/9582771/UploadedFiles/72CDD50B-5FCA-469E-0833-A084EBD9B4BE.pdf https://files8.webydo.com/9582999/UploadedFiles/11D78B8D-2230-347C-DC2C-40337ABA3FEA.pdf https://files8.webydo.com/9582789/UploadedFiles/A06FE9C0-901E-4C67-C227-03EEA03FB9B2.pdf https://files8.webydo.com/9583717/UploadedFiles/F78261C3-3456-BEB8-FE3C-5FCD6310157C.pdf.
Recommended publications
  • The Complexity of Love by Dr
    This paper was presented at the Barbican Centre London on March 8th 2014, as part of the panel about the film ‘Effie Gray’. The original presentation included DVD clips from the film. The Complexity of Love by Dr. Judith Woodhead Strivings of the soul, that include innocence and betrayal are about the dynamics of relating with others. The film ‘Effie Gray’ opens with a twelve-year old girl telling of a fairy story of how a hard-working young man wrote the story for her, for his angel come down to earth. She narrates: ‘Once, a beautiful girl lived in a very cold house in Scotland. The house was cold because someone’s grandfather killed himself there. One day his grandson came and visited the house. He thought the beautiful girl was an angel come down to earth. The grandson worked very hard. He read and thought and drew and wrote. He wrote a fairy story just for her. She was twelve years old. Her mother and father were kind. But his were wicked. When she grew up he married her.’ The story, called 'The King of the Golden River’ was about the battle between good and evil - a popular story for generations of children to come. It is a symbol that prefigures the other story of the real life relationship within marriage. Both stories depict polar opposites: aesthetic ideals and human reality, goodness and badness, coldness and warmth, life and death, kindness and cruelty played out in the nightmare of the six years of their marriage. The film, as a third story, draws us excruciatingly into the imagined interiors of lives within the relationship that developed between the angel, Effie Gray and the grandson, John Ruskin.
    [Show full text]
  • Ruskin Unleashed: Towards a Revised Political Economy of Art Or Joy for Ever: How to Use Art to Change the World (And Its Price Beyond the Market)
    Ruskin unleashed: towards a revised political economy of art or Joy for ever: How to use art to change the world (and its price beyond the market) Alistair Hudson Figure 1 The Whitworth, University of Manchester, with advertisements for its exhibition ‘Joy for ever: How to use art to change the world (and its price in the market)’ held from 29 March to 9 June 2019. Photo: author Joy for ever: How to use art to change the world (and its price in the market) was an exhibition held at the Whitworth, University of Manchester, from 29 March to 9 June 2019 (fig. 1). It was held to coincide with the 200th anniversary of the birth of John Ruskin, the British artist, writer, commentator and educationalist, who was the principal voice campaigning throughout the nineteenth century against the ills of an increasingly industrial and dehumanising world. The exhibition also marked the beginning of a new chapter in the history of the Whitworth in a post-Postindustrial era of ecological, political, financial and social crisis. The institution is now seeking to evolve as a museum that is relevant Journal of Art Historiography Number 22 June 2020 Alistair Hudson Ruskin unleashed … or … How to use art to change the world and useful in our context and one that takes an active role in society, promoting art as a tool for social change. With this goal in mind, our aim is to reconnect with our founders’ intentions, to create an institute, art gallery and park that can help realise the full potential of the city and its residents.
    [Show full text]
  • 'The Sancity of Womanhood': John Ruskin and the Medieval Madonna
    Columbus State University CSU ePress Theses and Dissertations Student Publications 2015 'The Sancity Of Womanhood': John Ruskin And The Medieval Madonna Katherine M. Hinzman Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the History Commons Recommended Citation Hinzman, Katherine M., "'The Sancity Of Womanhood': John Ruskin And The Medieval Madonna" (2015). Theses and Dissertations. 181. https://csuepress.columbusstate.edu/theses_dissertations/181 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. COLUMBUS STATE UNIVERSITY 'THE SANCTITY OF WOMANHOOD': JOHN RUSKIN AND THE MEDIEVAL MADONNA A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF REQUIREMENTS OF THE CSU HONORS PROGRAM FOR HONORS IN THE DEGREE OF BACHELOR OF ARTS DEPARTMENT OF ART DEPARTMENT OF HISTORY AND GEOGRAPHY BY KATHERINE M. HINZMAN COLUMBUS, GEORGIA 2015 nas Copyright © 2015 Katherine M. Hinzman All Rights Reserved. lumwuHWuimujuiiuimiuinnjiwuiuniiiiini Hanaro BBS 'The Sanctity of Womanhood': John Ruskin and the Medieval Madonna by {Catherine Margaret Hinzman A Thesis Submitted in Partial Fulfilment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Arts in Art History and History College of Arts College of Letters and Sciences Columbus State University Thesis Advisor: Date: Y/ao/fr>/J* Dr. ClaireMcCoy Xdt&gSL-/^ p&MyQJ^\ _ Date: y/~2~o/-g>( f Dr. Barlfefa Johnston Committee Member: r 1,-J/hs^ Date: ^ - Zo~( 5~~ Professor Michele McCrillis s Honors Committee Member Date 3-d&rij24>ir Dr.
    [Show full text]
  • Unto This Last a Paraphrase
    Unto This Last A Paraphrase * by M. K. Gandhi Unto This Last by John Ruskin was first published in 1860 as a series of articles in Cornhill Magazine. In 1908 Gandhi serialized a nine-part paraphrase of Ruskin’s book into Gujarati in Indian Opinion and later published it as a pamphlet under the title Sarvodaya (The Welfare of All). Valji Govind Desai retranslated Gandhi’s paraphrase into English in 1951 under the title Unto This Last: A Paraphrase. It was revised in 1956. The 1956 text is re-issued here. © The Navajivan Trust Translator’s Note In a chapter in his Autobiography (Part IV, Chapter XVIII) entitled ‘The Magic Spell of a Book’ Gandhiji tells us how he read Ruskin’s Unto This Last on the twenty-four hours’ journey from Johannesburg to Durban. ‘The train reached there in the evening. I could not get any sleep that night. I determined to change my life in accordance with the ideals of the book.…I translated it later into Gujarati, entitling it Sarvodaya.’ Sarvodaya is here re-translated into English, Ruskin’s winged words being retained as far as possible. At the end of that chapter Gandhiji gives us a summary of the teach- ings of Unto This Last as he understood it: 1. The good of the individual is contained in the good of all. 2. A lawyer’s work has the same value as the barber’s, as all have the same right of earning their livelihood from their work. 3. A life of labour, i.e. the life of the tiller of the soil and the handi- craftsman is the life worth living.
    [Show full text]
  • Movie Remakes and Adaptations Can Land Movies in Copyright Lawsuits
    Law Firm Newswire Attorney Press Releases and Legal News http://www.lawfirmnewswire.com Movie Remakes and Adaptations Can Land Movies in Copyright Lawsuits Los Angeles, CA (Law Firm Newswire) November 28, 2011 - Movie remakes and new interpretations happen all the time. But such popular topics should not detract from thoroughly researching copyrights, examining how a new work meets fair use laws, and seeking to enter into any appropriate licenses and/or contracts that are needed to ensure the production can continue on. Otherwise, a movie studio, director, and other relevant parties can be subject to litigation during filming, or even worse, after profits have started to come in. In the current case of Effie Film LLC v Gregory Murphy, Effie Film wanted to ensure that Emma Thompson’s script did not infringe on Murphy’s play, “The Countess,” about the love scandal between art critic John Ruskin, his wife Effie Gray, and the painter John Everett Millais in 19th century England. Effie Film sued Murphy to obtain a declaration that the script had no copyright issues. Then, Effie Film also sued Eve Pomerance, who has a screenplay, “The Secret Trials of Effie Gray.” Anthony Spotora “It is smart to be proactive before a film gets completed and preemptively seek a resolution,” said Los Angeles copyright attorney Anthony Spotora, who is also a Los Angeles entertainment attorney. “A film’s financing, distribution, and other key business transactions can rest on the validity of the film’s originality, which obviously includes its copyright and intellectual property assets.” Acquiring and clearing copyrights is a pivotal, initial step in the movie-making process.
    [Show full text]
  • NGA | Pre-Raphaelites: Victorian Art and Design, 1848-1900
    National Gallery of Art Pre-Raphaelites Victorian Art and Design, 1848 – 1900 February 17 – May 19, 2013 4 Introduction 6 Origins 11 Literature and History 17 Nature 22 Salvation 29 Beauty 35 Paradise 42 Mythologies 49 Biographies Pre-Raphaelites Introduction Queen Victoria had been on the throne for little more than a decade when seven fervent young men formed a secret society in London in 1848 with the aim of rejuvenating the arts in industrial-age Britain. Bonding over their mutual passion for medieval art and disdain for contemporary painting practices, they called their group the Pre- Raphaelite Brotherhood (PRB) in acknowledgment of their admiration of art prior to Raphael (1483 – 1520). The three most talented members were John Everett Millais, Dante Gabriel Rossetti, and William Holman Hunt — ages nineteen, twenty, and twenty-one, respectively. Along with other artists in their circle, most significantly their men- tor Ford Madox Brown, they sowed the seeds of a self-consciously avant-garde movement, one whose ideals they published in a short-lived journal, The Germ. Pre-Raphaelite paintings often addressed subjects of moral seriousness, whether pertaining to history, literature, religion, or modern society. While the artists emulated the pure colors, spatial flatness, and linear draftsmanship of late Gothic and early Renaissance art, their unconventional style — with its hyperrealism and brilliant palette — looked shocking to the public when their first paintings were exhibited in 1849. As an official group, the Pre-Raphaelites stayed together for only five years. But a second generation of artists, centered on Rossetti and led by Edward Burne-Jones and William Morris, arose in the 1860s with the aim of cultivating beauty in everyday life.
    [Show full text]
  • Desperately Romantic? the Scandal of Effie Ruskin
    Portrait of Effie Millais by John Everett Millais, oil on canvas, 1873 © Perth Museum and Art Gallery, Perth & Kinross Council, Scotland By Merryn Williams Desperately Romantic? The scandal of Effie Ruskin ffie Gray married in the Highlands. Their off. They yielded eventually, but they John Ruskin on 10 wedding night would did not go to the wedding. The young couple (accompanied by his valet) drove EApril 1848, the day of go down in history. to an inn at Blair Atholl - and then there the great London Chartist Ruskin had first known Effie as a little was some sort of disaster. Ruskin told demonstration. She was girl when she stayed with his parents his new wife that he was not going to on her way home from boarding school; consummate the marriage yet because nineteen, friendly, charming her three younger sisters had all died he disliked children and wished to and very intelligent; he was of scarlet fever in the summer of 1841 spend the next few years taking her and he had written an original fairy tale round Europe. Effie, who ‘had never twenty-nine and already to cheer her up. This was The King of the been told the duties of married persons’, celebrated for his ground- Golden River, a classic much loved by was baffled, but did not complain. breaking book of art generations of children. Afterwards they The real reason, as Effie would write kept in touch and Effie would say that six years later in extreme distress, was criticism, Modern Painters. he had been ‘influencing my mind and that he had imagined women overlooking my education for years’.
    [Show full text]
  • Case 1:11-Cv-00783-TPG Document 41 Filed 03/20/13 Page 1 of 42
    Case 1:11-cv-00783-TPG Document 41 Filed 03/20/13 Page 1 of 42 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK EFFIE FILM, LLC, Plaintiff, 11 Civ. 783 v. OPINION GREGORY MURPHY, Defendants. This is an action for declaratory judgment brought by Effie Film, LLC against Gregory Murphy. Effie Film is a company formed to produce a film based on a screenplay (both entitled “Effie”) written by Emma Thompson and her husband, Greg Wise, based on the infamous, unhappy marriage of Effie Gray and John Ruskin, a highly influential Victorian- era art critic. Murphy is also the author of a screenplay, as well as a play for the stage, (both entitled “The Countess”) based upon the same historical events. Murphy has made repeated claims, both to Effie Film and in the media, that the “Effie” screenplay infringes on his copyright in “The Countess.” Effie Film therefore has brought this action seeking a declaration that “Effie” does not infringe Murphy’s copyright in “The Countess.” Effie Film moves for judgment on the pleadings. The motion is granted. -1- Case 1:11-cv-00783-TPG Document 41 Filed 03/20/13 Page 2 of 42 Procedural History When this action began, on February 4, 2011, the film “Effie” was in its earliest stages. The film had not yet secured funding and the cast had not been finalized. On March 1, 2011, Murphy moved to dismiss the complaint on the grounds that the dispute between Effie Films and Murphy was not sufficiently concrete to satisfy the “actual controversy” prerequisite to this court’s jurisdiction.
    [Show full text]
  • 1 United States District Court Southern District of New
    Case 1:11-cv-07087-JPO Document 34 Filed 12/18/12 Page 1 of 61 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK --------------------------------------------------------------X : EFFIE FILM, LLC, : Plaintiff, : : 11 Civ. 7087 (JPO) -against- : : AMENDED EVE POMERANCE, a/k/a EVE MOSSEK, : MEMORANDUM AND Defendant. : ORDER : ------------------------------------------------------------- X J. PAUL OETKEN, District Judge: This copyright case, involving a film and three screenplays, presents questions about the protection of historical fiction under American intellectual property law. Eve Pomerance owns a copyright in two screenplays about the dramatic and intertwined lives of John Ruskin, John Everett Millais, and Euphemia (“Effie”) Gray—two stars of the Victorian art world and the intriguing woman who was married to each of them. Emma Thompson has written a screenplay about the same historical figures; her screenplay has since been turned into a film that stars Thompson, Dakota Fanning, and Robbie Coltrane. In response to a threat of litigation, Effie Film sued for a declaration of non-infringement and, five months later, moved for judgment on the pleadings under Rule 12(c). For the reasons that follow, that motion is granted. I. Background A. Factual Background and Procedural Posture Victorian England, famed for its cultural achievements, high political drama, and sexual mores, remains a rich source of inspiration for historians and artists. For generations, authors, composers, dramatists, and scholars have been drawn to the story at the heart of this case—a story that involves two major figures of the Victorian art world, John Ruskin and John Everett 1 Case 1:11-cv-07087-JPO Document 34 Filed 12/18/12 Page 2 of 61 Millais, and a woman, Euphemia Gray, who married Millais after annulling her notoriously unhappy marriage to Ruskin on the scandalous ground of non-consummation.
    [Show full text]
  • The Bibliography of Ruskin
    u7o5 S54 1881 RAH OlE&O a2i THE BIBLIOGRAPHY OF BUSKIN : THE iSibliograpf)j of ^^uskin A BIBLIOGRAPHICAL LIST ARRANGED IN CHRONOLOGICAL ORDER PUBLISHED WRITINGS IN PROSE AND VERSE JOHN RUSKIN, M.A. (from 1834 TO 1881). FIFTH EDIT/ON. REVISED AND ENLARGED. LONDON ELLIOT STOCK, 62, PATERNOSTER ROW. — THE BIBLIOGRAPHY OF RUSKIN. Enquiries on the Causes of the Colour of the Water of the Ehine, signed J. K., and dated " March, 1834." Facts and Considerations on the Strata of Mont Blanc ; and on some instances of Twisted Strata observable in Switzerland, by J. R., dated "March, 1834." (With three drawings by the author.) Printed in the Magazine of Natural History, con- ducted by J. C. Loudon. Vol. vii., Sept. 1834 (No. 41), pp. 438-439 ; and Dec. 1834 (No. 44), pp. 644-645. " Mr. Loudon was the first literary patron who sent words of mine to be actually set up in print, in his Magazine of Natural History, when I was sixteen." Instructions in the. Use of Budi- menlary Serifs, Oxford, p. 35. 1 — — 2 THE BIBLIOGRAPHY [1835- 2 Poems in Friendship's Offering:— 1835. Saltzburg, pp. 37-38, signed J. E. Fragments from a Metrical Journal (Ander- nacht, St. Goar, dated 1833), pp. 317-319, signed J. R. " My first verse-writing in Friendship's Offering at fifteen."- — University Magazine, April, 1878. %My First Editor. [These two pieces are not included in the collected volume of Poems. ] 3 Short paper relative to the induration of soft sand- stone, as exemphfied in the Cathedral of Basle, &c., signed "J.
    [Show full text]
  • Desperate Romantics
    1 Desperate Romantics Reviewed by Garry Victor Hill Produced by Ben Evans, Franny Moyle, Hilary Salmon and Angie Daniell (line producer). Directed by Paul Gay & Diarmuid Lawrence. Series created by Peter Bowker & Franny Moyle. Written by Peter Bowker. Based on the book Desperate Romantics: The Private Lives of the Pre-Raphaelites by Franny Moyle. Cinematography by Alan Almond & Kieran McGuigan. Production Design by Melanie Allen. Editing by David Head & Paul Knight. Music by Daniel Pemberton. Art Direction by Paul Ghiradani. A BBC Production. Original television release July 2009. DVD version release 2010. Rated MA for strong sex scenes and nudity. Length: 368 minutes in six episodes; This DVD version also contains a behind the scenes featurette and an interview with executive producer and writer Fanny Moyle. Pictures are from the Public Domain 2 Cast Dante Gabriel Rossetti: Aidan Turner Fred Waters: Sam Crane Holman Hunt: Rafe Spall John Everett Millais: Samuel Barnett Lizzie Siddal: Amy Manson Effie Gray: Zoё Tapper John Ruskin: Tom Hollander Annie Miller: Jenny Jacques Jane Burden: Natalie Thomas Mr Siddal: Ian Puleston-Davies Mrs Siddal: Polly Kemp Mr Stone of the Royal Academy: Phil Davis Charles Dickens: Mark Heap Fanny Cornforth: Rebecca Davies William Morris: Dyfrig Morris Edward Burne-Jones: Peter Sandys-Clarke Ruskin’s mother: Georgie Glenn Other characters appear in one or two episodes 3 Review How much a viewer will like or dislike this series depends on if they want to know more about the Pre-Raphaelite Brotherhood or if they want to be entertained with a well-made and original story. For entertainment value this works as a fine show and is a well-crafted, generally well-acted series.
    [Show full text]
  • John Ruskin - Wikipedia
    10/1/2019 John Ruskin - Wikipedia John Ruskin John Ruskin (8 February 1819 – 20 January 1900) was the leading John Ruskin English art critic of the Victorian era, as well as an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. His writing styles and literary forms were equally varied. He penned essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, and architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. He was hugely influential in the latter half of the 19th century and up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960s with the publication of numerous Ruskin in 1863 academic studies of his work. Today, his ideas and concerns are widely Born 8 February 1819 recognised as having anticipated interest in environmentalism, 54 Hunter Street, sustainability and craft. Brunswick Square, London Ruskin first came to widespread attention with the first volume of Modern Died 20 January 1900 Painters (1843), an extended essay in defence of the work of J. M. W. (aged 80) Turner in which he argued that the principal role of the artist is "truth to Brantwood, Coniston, nature." From the 1850s, he championed the Pre-Raphaelites, who were Lancashire, England influenced by his ideas.
    [Show full text]