The Vocaloids~!

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ALL THE VOCALOIDS~! BY D J DATE MASAMUNE NEED TO KNOWS • Panel will be available online + list of all my resources – Will upload .pdf of PowerPoint that will be available post-con • Contact info. – Take a business card • Especially if you have ANY feedback • Even if you leave mid-way, feel free to get one before you go • If you have any questions left, feel free to ask me after the panel or e-mail me DISCLAIMERS • Can only show so many Vocaloids – & which songs to show from each – Not even going to talk about costumes • B/c determining what’s popular/obscure btwn. Japanese/American culture can be difficult, sorry if you’re super familiar w/ any Vocaloid mentioned ^.^; – Based ‘popular’ ones off what I see (official) merch for the most (& even then) • Every iteration of this panel plan to feature/swap out different Vocaloids • Only going over Vocaloids, not the history of the software, appends, etc. • Format of panel… POPULAR ONES VOCALOIDS YUKARI YUZUKI AOKI LAPIS YOWANE HAKU CALNE CA (骸音シーエ Karune Shii-e) DAINA VY2 SeeU ANON & KANON MAIKA GALACO UTATANE PIKO ARSLOID HIYAMA KIYOTERU YOHIOloid V FLOWER Name: Don’t Say Lazy Lyrics: Sachiko Omori Composition: Hiroyuki Maezawa QUESTIONS? BEFORE YOU GO… • Help yourself to my business cards If you have any questions, comments, feedback, etc., contact me however – My blog, e-mail, comment on a relating blog post, smoke signals, carrier pigeons, whatever tickles your fancy – Feel free to suggest Vocaloids to add • If you really enjoyed this panel, would super appreciate if you mention so at the feedback session or on the forums post-con – It’s not like I care or anything >.> – All feedback appreciated OTHER PANELS • Diamonds in the Rough: Videogame Edition (side order of J-RPGs) – Fri., 3/25, 6:30p-8p @ Hynes Panel 202 • Let’s Go to ‘The World’: A Panel About the .Hack Games – Fri., 3/25, 10:30p-midnight @ Hynes Panel 206 • Bleach: Shunpou Edition – Sat., 3/26, 11a-12p @ Hynes Panel 202 • ALL THE VOCALOIDS! – Sat., 3/26, 7p-8:30p @ Hynes Panel 202 • 9 Persons, 9 Virtues, 9 D'bags: The Zero Escape series – Sun., 3/27, 12p-1:30p @ Sheraton Panel Constitution 2 THANKS FOR COMING~!.

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The Vocaloids~!
ALL THE VOCALOIDS~! BY D J DATE MASAMUNE NEED TO KNOWS • Panel will be available online + list of all my resources – Will upload .pdf of PowerPoint that will be available post-con • Contact info. – Blog: djdatemasamune.wordpress.com • Especially if you have ANY feedback • Even if you leave mid-way, feel free to get one before you go • If you have any questions left, feel free to ask me after the panel or e-mail me DISCLAIMERS • Can only show so many Vocaloids – & which songs to show from each – Not even going to talk about costumes • B/c determining what’s popular/obscure btwn. Japanese/American culture can be difficult, sorry if you’re super familiar w/ any Vocaloid mentioned ^.^; – Based ‘popular’ ones off what I see (official) merch for the most (& even then) • Additionally, will ask lvl of familiarity w/ every Vocaloid • Every iteration of this panel plan to feature/swap out different Vocaloids • Only going over Vocaloids, not the history of the software, appends, etc. • Format of panel… POPULAR ONES VOCALOIDS YUKARI YUZUKI AOKI LAPIS MERLI CALNE CA (骸音シーエ Karune Shii-e) DAINA DEX Sharkie P VY1 VY2 ANON & KANON FUKASE UTATANE PIKO YOWANE HAKU TETO KASANE ARSLOID HIYAMA KIYOTERU KAAI YUKI LILY YOHIOloid V FLOWER Name: Don’t Say Lazy Lyrics: Sachiko Omori Composition: Hiroyuki Maezawa SeeU MAIKA GALACO QUESTIONS? BEFORE YOU GO… • Help yourself to my business cards If you have any questions, comments, feedback, etc., contact me however – My blog, e-mail, comment on a relating blog post, smoke signals, carrier pigeons, whatever tickles
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The Race of Sound: Listening, Timbre, and Vocality in African American Music
UCLA Recent Work Title The Race of Sound: Listening, Timbre, and Vocality in African American Music Permalink https://escholarship.org/uc/item/9sn4k8dr ISBN 9780822372646 Author Eidsheim, Nina Sun Publication Date 2018-01-11 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Race of Sound Refiguring American Music A series edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles McGovern, contributing editor The Race of Sound Listening, Timbre, and Vocality in African American Music Nina Sun Eidsheim Duke University Press Durham and London 2019 © 2019 Nina Sun Eidsheim All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker and typeset in Garamond Premier Pro by Copperline Book Services Library of Congress Cataloging-in-Publication Data Title: The race of sound : listening, timbre, and vocality in African American music / Nina Sun Eidsheim. Description: Durham : Duke University Press, 2018. | Series: Refiguring American music | Includes bibliographical references and index. Identifiers:lccn 2018022952 (print) | lccn 2018035119 (ebook) | isbn 9780822372646 (ebook) | isbn 9780822368564 (hardcover : alk. paper) | isbn 9780822368687 (pbk. : alk. paper) Subjects: lcsh: African Americans—Music—Social aspects. | Music and race—United States. | Voice culture—Social aspects— United States. | Tone color (Music)—Social aspects—United States. | Music—Social aspects—United States. | Singing—Social aspects— United States. | Anderson, Marian, 1897–1993. | Holiday, Billie, 1915–1959. | Scott, Jimmy, 1925–2014. | Vocaloid (Computer file) Classification:lcc ml3917.u6 (ebook) | lcc ml3917.u6 e35 2018 (print) | ddc 781.2/308996073—dc23 lc record available at https://lccn.loc.gov/2018022952 Cover art: Nick Cave, Soundsuit, 2017.
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“Moving” War Narratives in Japanese Online Fan Videos
Volume 16 | Issue 15 | Number 5 | Article ID 5181 | Aug 01, 2018 The Asia-Pacific Journal | Japan Focus Kandō Conservatism – “Moving” war narratives in Japanese online fan videos Aleksandra Jaworowicz-Zimny Abstract recordings, or original animation, but all can be categorized as derivative works, rooted in Stories of kamikaze pilots thinking about their external narratives. The overall atmosphere of loved ones while flying their last mission, or of the videos is set by the music, which ranges wrecked toys and their missing owners in from fight songs from game soundtracks and Hiroshima, elicit an emotional response. This popular romantic ballads, to original scores essay analyses and provides examples of war- written by the video creators and performed by themed fan-produced videos, defining their the synthetized voices of the Vocaloid music conservatism in relation to Japanese war production software. history, and showing how it relates to the kandō experience of fan viewing practices. Despite the wide variety of music genres, themes and types of footage, almost all war- themed fan productions seem to share a certain narrative core. They touch upon themes of Keywords: Fan videos, war narratives, kandō sacrifice and bravery, heroic acts motivated by conservatism love, or narratives of civilian victimhood, especially tragic stories of children. What Wartime. A young boy dreams of being able to connects them most clearly is the creator’s goal fly. He dreams of flying his Zero fighter to the to evoke a deep emotional response among front, where he fights his country’s enemies. viewers. Stories of kamikaze pilots thinking We see a brief, touching memory of the boy’s about their loved ones while flying their last role model, presumably his father, who also mission or of wrecked toys and their missing served as a pilot.
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The World of Hatsune Miku
The World of Hatsune Miku A brief overview of the VOCALOID phenomena Hatsune Miku boxart illustration. Crypton Future Media Inc.© Philip Peng [email protected] http://www.stwing.upenn.edu/~pengp University of Pennsylvania, May 2012 [v1] The World of Hatsune Miku 2 Table of Contents The Diva ........................................................................................................................................................ 3 The Persona .............................................................................................................................................. 4 The Software ............................................................................................................................................. 4 The Community ............................................................................................................................................. 6 The Videos ................................................................................................................................................. 7 The Music .................................................................................................................................................. 9 The Fanart ............................................................................................................................................... 10 The Freeware .......................................................................................................................................... 11 The Product
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Images of the Asia-Pacific War in Japanese Youth and Fan Culture
Title Subcultures of war : Images of the Asia-Pacific War in Japanese youth and fan culture Author(s) Jaworowicz-Zimny, Aleksandra Wiktoria Citation 北海道大学. 博士(教育学) 甲第13187号 Issue Date 2018-03-22 DOI 10.14943/doctoral.k13187 Doc URL http://hdl.handle.net/2115/70733 Type theses (doctoral) File Information Aleksandra_Jaworowicz-Zimny.pdf Instructions for use Hokkaido University Collection of Scholarly and Academic Papers : HUSCAP Doctoral Thesis Subcultures of war. Images of the Asia‐Pacific War in Japanese youth and fan culture. 戦争のサブカルチャー。若者とファンの文化における太平洋戦争のイメージ。 Aleksandra Jaworowicz‐Zimny Department of Multicultural Studies Graduate School of Education Hokkaido University January 10, 2018 Abstract Memories of the Asia‐Pacific War (1937‐1945) are constantly present in Japanese popular culture. Despite much research concerning representations of the war in mainstream culture, little is known about representations in amateur works. This dissertation analyzes images of war in Japanese fan productions, defined via a modified concept of the 'circuit of culture'. I focus on four forms: music, dōjinshi (fan comic books), fan videos and military cosplay. I identify three main concepts necessary in the analysis of war‐themed fan productions: kandō, nostalgia, and pop nationalism. Kandō is a strong emotional reaction to given content. Nostalgia allows idealization of the past and its perception according to the needs of the present day. Finally, pop nationalism is a trend of 'loving Japan' expressed though small things like support for Japanese sports, national symbols and Japanese products, but without explicit reference to historical consciousness or politics of the contemporary state. These three elements are recurring aspects of the fan productions discussed.
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Analisis Metafora Ekosistem Medan Makna Berdasarkan Kode Budaya Pada Lirik Lagu Yang Dinyanyikan Oleh Hatsune Miku“
1 ANALISIS METAFORA EKOSISTEM MEDAN MAKNA BERDASARKAN KODE BUDAYA PADA LIRIK LAGU POP JEPANG YANG DINYANYIKAN OLEH HATSUNE MIKU 「初音ミクが歌っているJ-Popの歌詞の中の生態系にかかわる文化記号の隠喩の分析」 SKRIPSI Diajukan untuk Menempuh Ujian Sarjana Program Strata I dalam Ilmu Sastra Jepang Oleh: Nova Kurniawati NIM 13050110130027 JURUSAN SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS DIPONEGORO SEMARANG 2014 2 ANALISIS METAFORA EKOSISTEM MEDAN MAKNA BERDASARKAN KODE BUDAYA PADA LIRIK LAGU POP JEPANG YANG DINYANYIKAN OLEH HATSUNE MIKU 「初音ミクが歌っているJ-Popの歌詞の中の生態系にかかわる文化記号の隠喩の分析」 SKRIPSI Diajukan untuk Menempuh Ujian Sarjana Program Strata I dalam Ilmu Sastra Jepang Oleh: Nova Kurniawati NIM 13050110130027 JURUSAN SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS DIPONEGORO SEMARANG 2014 3 HALAMAN PERNYATAAN Dengan sebenarnya, penulis menyatakan bahwa skripsi ini disusun tanpa mengambil bahan hasil penelitian baik untuk memperoleh suatu gelar sarjana atau diploma yang sudah ada di universitas lain maupun hasil penelitian lainnya. Penulis juga menyatakan bahwa skripsi ini tidak mengambil bahan dari publikasi atau tulisan orang lain kecuali yang sudah disebutkan dalam rujukan dan dalam Daftar Pustaka. Penulis bersedia menerima sanksi jika terbukti melakukan plagiasi / penjiplakan. Semarang, September 2014 Penulis Nova Kurniawati 4 HALAMAN PENGESAHAN Diterima dan disahkan oleh Panitia Ujian Skripsi Program Studi Sastra Jepang Fakultas Ilmu Budaya Universitas Diponergoro Ketua Drs. M. Hermintoyo, M.Pd. NIP 196103141988031001 ………………..……………….. Anggota I Nur Hastuti, S.S, M.Hum.
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The Race of Sound Refiguring American Music a Series Edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles Mcgovern, Contributing Editor the Race of Sound
The Race of Sound Refiguring American Music A series edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles McGovern, contributing editor The Race of Sound Listening, Timbre, and Vocality in African American Music Nina Sun Eidsheim Duke University Press Durham and London 2019 © 2019 Nina Sun Eidsheim All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker and typeset in Garamond Premier Pro by Copperline Book Services Library of Congress Cataloging-in-Publication Data Title: The race of sound : listening, timbre, and vocality in African American music / Nina Sun Eidsheim. Description: Durham : Duke University Press, 2018. | Series: Refiguring American music | Includes bibliographical references and index. Identifiers:lccn 2018022952 (print) | lccn 2018035119 (ebook) | isbn 9780822372646 (ebook) | isbn 9780822368564 (hardcover : alk. paper) | isbn 9780822368687 (pbk. : alk. paper) Subjects: lcsh: African Americans—Music—Social aspects. | Music and race—United States. | Voice culture—Social aspects— United States. | Tone color (Music)—Social aspects—United States. | Music—Social aspects—United States. | Singing—Social aspects— United States. | Anderson, Marian, 1897–1993. | Holiday, Billie, 1915–1959. | Scott, Jimmy, 1925–2014. | Vocaloid (Computer file) Classification:lcc ml3917.u6 (ebook) | lcc ml3917.u6 e35 2018 (print) | ddc 781.2/308996073—dc23 lc record available at https://lccn.loc.gov/2018022952 Cover art: Nick Cave, Soundsuit, 2017. © Nick Cave. Photo by James Prinz Photography. Courtesy of the artist and Jack Shainman Gallery, New York. This title is freely available in an open access edition thanks to generous support from the ucla Library. This book is published under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 United States (cc by-nc-nd 3.0 us) License, available at https://creativecommons.org/licenses/by-nc-nd/3.0/us/.
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音楽のジャンルと印象を用いた VOCALOID クリエータの検索 VOCALOID Creator Search Using Music Genre and Impression
1 § ¤ ¦特集論文¥ 「Web インテリジェンスとインタラクション 2017」音楽のジャンルと印象を用いた VOCALOID クリエータの検索 VOCALOID Creator Search Using Music Genre and Impression 末吉優筑波大学情報学群知識情報・図書館学類 Yuu Sueyoshi College of Knowledge and Library Sciences, School of Informatics, University of Tsukuba 関洋平筑波大学図書館情報メディア系 Yohei Seki Faculty of Library, Information and Media Science, University of Tsukuba [email protected], http://cu.slis.tsukuba.ac.jp/˜seki/ keywords: VOCALOID, creator search, music genre, Niconico Summary This paper proposes the following methods to search VOCALOID creators who publish music videos in Nicon- ico video hosting service. For VOCALOID creator search, the user can utilize three clues: VOCALOID character name, music genre, and impressions. We deﬁned the music genre by extending generic digital music genre with considering social tags annotated on VOCALOID music videos. We also implemented SVM-based music impres- sion estimator utilizing viewer comments being over 0.8 points in F-values. We compared the proposal with three comparison methods in 12 search tasks and clariﬁed the effectiveness of music genres and impressions. 1. まえがき得しながらコンテンツを配信しており，YouTube においては，人気のある動画配信者が「トップユーチューバー」近年，株式会社ヤマハ ∗1が開発した歌声合成技術およびとして注目され，企業と提携して商品やサービスを生みその応用ソフトウェアである VOCALOID ∗2を使用した出すという現象が起こるなど，その存在は社会的にも大楽曲動画が，ニコニコ動画 ∗3や YouTube∗4などの動画投きくなっている．稿サービスに多数アップロードされている．VOCALOID このような背景を踏まえ，本研究では，クリエータが楽曲動画はこれらの動画サイトにおける人気コンテンツ VOCALOID 楽曲動画を公表する場となっているニコニとなっており，VOCALOID 楽曲動画を収録した音楽 CD コ動画において，投稿された楽曲動画に付与されたタグが市場に出回ったり，カラオケの人気曲として話題になっと視聴者コメントを利用して，VOCALOID
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The Vocaloids~!
ALL THE VOCALOIDS~! BY D J DATE MASAMUNE NEED TO KNOWS • Panel will be available online + list of all my resources – Will upload .pdf of PowerPoint that will be available post-con • Contact info. – Business cards • Especially if you have ANY feedback • Even if you leave mid-way, feel free to get one before you go • If you have any questions left, feel free to ask me after the panel or e-mail me DISCLAIMERS • Can only show so many Vocaloids – & which songs to show from each – Not even going to talk about costumes • B/c determining what’s popular/obscure btwn. Japanese/American culture can be difficult, sorry if you’re super familiar w/ any Vocaloid mentioned ^.^; – Based ‘popular’ ones off what I see (official) merch for the most (& even then) • Additionally, will ask lvl of familiarity w/ every Vocaloid • Every iteration of this panel plan to feature/swap out different Vocaloids • Only going over Vocaloids, not the history of the software, appends, etc. • Format of panel… POPULAR ONES VOCALOIDS YUKARI YUZUKI TETO KASANE HIYAMA KIYOTERU KAAI YUKI ARSLOID CALNE CA (骸音シーエ Karune Shii-e) MAIKA GALACO ANON & KANON AOKI LAPIS MERLI YOWANE HAKU LILY VY1 VY2 FUKASE UTATANE PIKO YOHIOloid V FLOWER Name: Don’t Say Lazy Lyrics: Sachiko Omori Composition: Hiroyuki Maezawa SeeU DAINA DEX Sharkie P QUESTIONS? BEFORE YOU GO… • Help yourself to my business cards Ii you have any questions, comments, feedback, etc., – My blog, e-mail, comment on a relating blog post, smoke signals, carrier pigeons, whatever tickles your fancy – Feel free to suggest Vocaloids
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19820020720.Pdf
A//Z_o',_i/.,_,/a3 NASA-CR-169103 ..-- 19820020720 A Reproduced Copy , Reproduced for NASA by the NASA Scientific and Technical Information Facility ,_",t:'"l':t', _i<_,r.v__ GOTz: 1%9 LANGLEY RESEARCH CENTER LIBRARY NASA HA_,J.PhT{O.VtRGIFLA • ....,, .. FFNo672 Aug 65 3 1176 01342 5849 LA--8872 DE82 007360 LA-8872 UC-32 Issued:August1981 VNAP2: A Computer Program for Computatlon of Two-Dlmenslonal, Tlme-Dependent, Compres_;'b!e, Turbulent Flow MichaelC.Cline O_SCLAlilleR • I I LosAlamos,NewMexico87545(_ : CONTEh'TS ABSTRACT ............................................. ! !. THE BASIC METHOD .................................... ! A. Introductioa ...................... ........... ..... I B. Dimmion ......................................... 2 c. _ovem_ F.qamom.................................... 2 D. PhyskalandOmimtatica,,!FlowSpaces ......................... 8 F.. Numes4csl Method ..................................... 10 F. Cornme_ on the Cakulation _ Steady Sub_ak Fknq ................. 19 G. _ and__ .................................... ,,-, II. DESCRIPTION AND USE OF THE VAHP2 PROGRAM ................. 24 A. S_ Deacrlp_a ................................... 24 lB. ComputationaGl rid Descdpt_ .............................. 27 c. tn_atDataDescriptim.................................. 28 D. OapuDt e_xk,. ..................................... 42 E. Cornering System Co_ ............................. 43 F. Artificial Viscmit7 Discusatoa ............................... 44 G. Sample Caicu_cm .................................... 44 ACKNOWLEDGMENTS
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Yamaha New Comprehensive Vocal Synthesis Software VOCALOID™5 Released Today Drag and Drop to Create a Singing Voice, Set Any Lyrics and Singing Style You Like
Yamaha New Comprehensive Vocal Synthesis Software VOCALOID™5 Released Today Drag and drop to create a singing voice, set any lyrics and singing style you like Hamamatsu, Japan July. 12, 2018 –Yamaha Corporation today released VOCALOID 5, a comprehensive solution for virtual vocal production. This new software can be downloaded, beginning today, from the official VOCALOID Shop (https://www.vocaloid.com/en/). Check out the video demos on the official VOCALOID shop ・VOCALOID5 Standard (Windows & Mac, 4 voicebanks, 25,000 yen) ・VOCALOID5 Premium (Windows & Mac, 8 voicebanks, 40,000 yen) “VOCALOID 5 adds virtual vocalists to your music production environment. They can sing your lyrics and melodies in your favorite voices and desired singing styles. Enjoy the experience of being able to edit singing voices however you like” says Yoichiro Saito, General Manager, DMI Division of Yamaha Corporation. The VOCALOID singing synthesizer makes it possible to easily produce any kind of singing voice you can imagine using just a computer. For this product, the first new version of the VOCALOID software range released in 4 years, production flow has been drastically overhauled in line with the aim of having today’s diverse music producers incorporate a wider line-up of virtual singers into their music. This new software helps increases speed and efficiency when producing singing voices. The all new production flow makes it possible to create singing voices as simply as dragging and dropping from a choice of over 2,000 audio and phrase presets. Adjusting singing styles and vocal expressions such as vibrato are also simple to master – just select the icons.
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July 04,1883
JOTTLAND DAILY v ESTABLISHED JUNE 23, 1862—YOL. 21. PORTLAND, WEDNESDAY MORNING, JULY 4, 1883, 8E2SSSitV5fMI PRICE THREE CENTS. SPECIAL NOTICES. COLBY COMMENCEMENT. ONE HUNDRED DROWNED. FOREIGN. W. C. T, u. and Maryland—have new senatorial terms Portland Daily Prcu Slock l.isl. March 4, 1886, when Messrs. Lap- BY beginning Coruoted by Woodbdbt * Moulton, Invest men TELEGRAPH. hom, Cameron and Groome will have been Bankers, Cor, Middle and Exchange Street*. The Liquor Agency. Meeting of the T-uateea—Prof. Lyford or will retire. New York elects Fatal River [Conducted by Members of tbe Portland Unlon.l re-elected, Descriptions. Par Value Offered. Ask Agency will bo closed on the afternoon of METEOROLOGICAL. Tenders Hla Resignation—Clean Day. Launching on the Oar Capsized and Two Persona Killed. five State officers, headed by (a Secretary of State of Maine Bonds. ...112 114 July 3d, and remain closed untill the usual Portland ..120 11IIE INDICATIONS FOR THR NEXT [Special Despatch to the Press.1 3.—At Huddersfield a • and a New Jersey, a gov- City Bonds, Municipal.100 hour of opening J uly 5th. Per order TWENTY-FOUR Clyde. London, July today State, Legislature; Portland City aid R.V. 106 ..121 steam Two were one-third of the Senate and a Bonds, E. B. WINSLOW, Chairman. HOURS. Watkkville, July 3.- At a meeting of the traui car capsized. people “For God, and Home, and Native Land." ener, House; Bath City Bonds ..100 ..102 jj3 dtdsn killed and thirty injured. Some of the latter only a State Treasurer; Mary- Bonds, 20 ..111 War Def’t Office Chief Signal trustees of Colby University this morning, the Pennsylvania, Bangor City year*.108 j it is feared will die.
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