Blind Faith and Reasonable Doubts: Investigating Beliefs in the Rule of Law
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Guitar Center Partners with Eric Clapton, John Mayer, and Carlos
Guitar Center Partners with Eric Clapton, John Mayer, and Carlos Santana on New 2019 Crossroads Guitar Collection Featuring Five Limited-Edition Signature and Replica Guitars Exclusive Guitar Collection Developed in Partnership with Eric Clapton, John Mayer, Carlos Santana, Fender®, Gibson, Martin and PRS Guitars to Benefit Eric Clapton’s Crossroads Centre Antigua Limited Quantities of the Crossroads Guitar Collection On-Sale in North America Exclusively at Guitar Center Starting August 20 Westlake Village, CA (August 21, 2019) – Guitar Center, the world’s largest musical instrument retailer, in partnership with Eric Clapton, proudly announces the launch of the 2019 Crossroads Guitar Collection. This collection includes five limited-edition meticulously crafted recreations and signature guitars – three from Eric Clapton’s legendary career and one apiece from fellow guitarists John Mayer and Carlos Santana. These guitars will be sold in North America exclusively at Guitar Center locations and online via GuitarCenter.com beginning August 20. The collection launch coincides with the 2019 Crossroads Guitar Festival in Dallas, TX, taking place Friday, September 20, and Saturday, September 21. Guitar Center is a key sponsor of the event and will have a strong presence on-site, including a Guitar Center Village where the limited-edition guitars will be displayed. All guitars in the one-of-a-kind collection were developed by Guitar Center in partnership with Eric Clapton, John Mayer, Carlos Santana, Fender, Gibson, Martin and PRS Guitars, drawing inspiration from the guitars used by Clapton, Mayer and Santana at pivotal points throughout their iconic careers. The collection includes the following models: Fender Custom Shop Eric Clapton Blind Faith Telecaster built by Master Builder Todd Krause; Gibson Custom Eric Clapton 1964 Firebird 1; Martin 000-42EC Crossroads Ziricote; Martin 00-42SC John Mayer Crossroads; and PRS Private Stock Carlos Santana Crossroads. -
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
Visitor Use Density and Wilderness Experience: Proceedings; 2000 June 1Ð3; Missoula, MT
United States Department of Agriculture Visitor Use Density and Forest Service Rocky Mountain Wilderness Experience: Research Station Proceedings Proceedings RMRS-P-20 August 2001 Missoula, Montana June 1–3, 2000 Abstract Freimund, Wayne A.; Cole, David N., comps. 2001. Visitor use density and wilderness experience: proceedings; 2000 June 1–3; Missoula, MT. Proceedings RMRS-P-20. Ogden, UT: U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station. 67 p. The workshop was convened to assess progress and offer further ideas regarding scientific contributions to (1) understanding relationships between visitor use density and wilderness experiences and (2) applying such knowledge to decisions about use limitation in wilderness and parks. The first paper provides an overview of the topic and the papers presented at the workshop. Subsequent papers include reviews of previous research, discussion of issues related to use limitation, exploration of the solitude concept and of visitor conflict, and explications of alternative research methodologies. Keywords: carrying capacity, recreation management, solitude, use limits, visitor density, wilderness experience, research methods The Compilers Wayne A. Freimund is Arkwright Associate Professor of Wilderness Studies and Director of the Wilderness Institute at the University of Montana. He holds a B.S. degree in outdoor recreation from the University of Minnesota, a Masters degree in wildland management from West Virginia University, and a Ph.D. degree in recreation resource management from the University of Minnesota. His research interests are in the management of visitor use, the role of technology on wilderness values, and the application of planning frameworks in wilderness and park management. David N. -
Yarrow Man out I-Xxii 1-312.Indd
CHAPTER 1 American Men on the Sidelines The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation. — Henry David Thoreau, “Economy” No one knows my struggle, they only see the trouble. — Tupac Shakur, “Thugz Mansion” Twenty to twenty- five million men— the population of Florida or Texas— are on the sidelines of American life.1 They have the same Y chromosomes as the men you see at work, the men who play with their children, go out with their wives or partners, are involved in their communities, and earn a living to save for their children’s education and their families’ retirement. But these “men out” are doing few if any of these things. They are still counted by the U.S. Census, but for all practical purposes they are absent from much of mainstream life. What they do doesn’t register in either the gross domestic product (GDP) or in the glimmer of a child’s eye. They aren’t engaged in their communities or country. Viscerally, we know these sidelined men are out there. But they don’t fit old stereotypes of failure. We haven’t been able to name them or come to grips with who they are. We haven’t identified the problem or its dimensions. Why is this happening? What can we do? We see separate problems like white men who aren’t working, who are angry, whose education ended long before 1 2 Man Out a bachelor’s degree. We see black men whose lives don’t seem to matter. -
Blockchain Practices, Potentials, and Perspectives in Greening Supply Chains
sustainability Article Blockchain Practices, Potentials, and Perspectives in Greening Supply Chains Mahtab Kouhizadeh and Joseph Sarkis * Worcester Polytechnic Institute, Robert A. Foisie School of Business, 100 Institute Road, Worcester, MA 01609, USA; [email protected] * Correspondence: [email protected] Received: 6 September 2018; Accepted: 4 October 2018; Published: 12 October 2018 Abstract: Blockchain technology is an inchoate technology whose current popularity is peaking. Some of the most pervasive blockchain technology use cases exist for supply chains. Sustainable, and especially green, supply chains can benefit from blockchain technology, but there are also caveats. The sustainability and environmental management research and academic literature is only starting to investigate this emergent field. This paper seeks to help advance the discussion and motivate additional practice and research related to green supply chains and blockchain technology. This viewpoint paper provides insight into some of the main dimensions of blockchain technology, an overview of the use cases and issues, and some general research areas for further investigation. Keywords: blockchain; supply chain; green supply chain; use cases; applications 1. Introduction Technological advancements have caused a revisiting of sustainability practices. According to ecological modernization theory, technology can help decouple environmental degradation from economic growth [1]. In some cases, technology can benefit both dimensions. As the triple-bottom-line sustainability definition includes social dimensions, whether technology can contribute to all dimensions of sustainability is unclear. Advances in technology are broad-based and include a variety of production, information, and social technologies. These technologies include current and future developments in such disparate, but possibly interrelated, areas such as additive manufacturing, micro-factories, nanotechnology, Internet of Things (IoT), self-driving vehicles, sharing economies, and blockchain technology [2]. -
The Portrayal of African American Women in Hip-Hop Videos
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-2005 The Portrayal of African American Women in Hip-Hop Videos Ladel Lewis Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Sociology Commons Recommended Citation Lewis, Ladel, "The Portrayal of African American Women in Hip-Hop Videos" (2005). Master's Theses. 4192. https://scholarworks.wmich.edu/masters_theses/4192 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE PORTRAYAL OF AFRICAN AMERICAN WOMEN IN HIP-HOP VIDEOS By Ladel Lewis A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts Department of Sociology Western Michigan University Kalamazoo, Michigan June 2005 Copyright by Ladel Lewis 2005 ACKNOWLEDGEMENTS I wish to thankmy advisor, Dr. Zoann Snyder, forthe guidance and the patience she has rendered. Although she had a course reduction forthe Spring 2005 semester, and incurred some minor setbacks, she put in overtime in assisting me get my thesis finished. I appreciate the immediate feedback, interest and sincere dedication to my project. You are the best Dr. Snyder! I would also like to thank my committee members, Dr. Douglas Davison, Dr. Charles Crawford and honorary committee member Dr. David Hartman fortheir insightful suggestions. They always lent me an ear, whether it was fora new joke or about anything. -
Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
White House Compliance with Committee Subpoenas Hearings
WHITE HOUSE COMPLIANCE WITH COMMITTEE SUBPOENAS HEARINGS BEFORE THE COMMITTEE ON GOVERNMENT REFORM AND OVERSIGHT HOUSE OF REPRESENTATIVES ONE HUNDRED FIFTH CONGRESS FIRST SESSION NOVEMBER 6 AND 7, 1997 Serial No. 105–61 Printed for the use of the Committee on Government Reform and Oversight ( U.S. GOVERNMENT PRINTING OFFICE 45–405 CC WASHINGTON : 1998 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2250 Mail: Stop SSOP, Washington, DC 20402–0001 VerDate Jan 31 2003 08:13 May 28, 2003 Jkt 085679 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 E:\HEARINGS\45405 45405 COMMITTEE ON GOVERNMENT REFORM AND OVERSIGHT DAN BURTON, Indiana, Chairman BENJAMIN A. GILMAN, New York HENRY A. WAXMAN, California J. DENNIS HASTERT, Illinois TOM LANTOS, California CONSTANCE A. MORELLA, Maryland ROBERT E. WISE, JR., West Virginia CHRISTOPHER SHAYS, Connecticut MAJOR R. OWENS, New York STEVEN SCHIFF, New Mexico EDOLPHUS TOWNS, New York CHRISTOPHER COX, California PAUL E. KANJORSKI, Pennsylvania ILEANA ROS-LEHTINEN, Florida GARY A. CONDIT, California JOHN M. MCHUGH, New York CAROLYN B. MALONEY, New York STEPHEN HORN, California THOMAS M. BARRETT, Wisconsin JOHN L. MICA, Florida ELEANOR HOLMES NORTON, Washington, THOMAS M. DAVIS, Virginia DC DAVID M. MCINTOSH, Indiana CHAKA FATTAH, Pennsylvania MARK E. SOUDER, Indiana ELIJAH E. CUMMINGS, Maryland JOE SCARBOROUGH, Florida DENNIS J. KUCINICH, Ohio JOHN B. SHADEGG, Arizona ROD R. BLAGOJEVICH, Illinois STEVEN C. LATOURETTE, Ohio DANNY K. DAVIS, Illinois MARSHALL ‘‘MARK’’ SANFORD, South JOHN F. TIERNEY, Massachusetts Carolina JIM TURNER, Texas JOHN E. -
RLB Letterhead
6-25-14 White Paper in support of the Robert II v CIA and DOJ plaintiff’s June 25, 2014 appeal of the June 2, 2014 President Reagan Library FOIA denial decision of the plaintiff’s July 27, 2010 NARA MDR FOIA request re the NARA “Perot”, the NARA “Peter Keisler Collection”, and the NARA “Robert v National Archives ‘Bulky Evidence File” documents. This is a White Paper (WP) in support of the Robert II v CIA and DOJ, cv 02-6788 (Seybert, J), plaintiff’s June 25, 2014 appeal of the June 2, 2014 President Reagan Library FOIA denial decision of the plaintiff’s July 27, 2010 NARA MDR FOIA request. The plaintiff sought the release of the NARA “Perot”, the NARA “Peter Keisler Collection”, and the NARA “Robert v National Archives ‘Bulky Evidence File” documents by application of President Obama’s December 29, 2009 E.O. 13526, Classified National Security Information, 75 F.R. 707 (January 5, 2010), § 3.5 Mandatory Declassification Review (MDR). On June 2, 2014, President Reagan Library Archivist/FOIA Coordinator Shelly Williams rendered a Case #M-425 denial decision with an attached Worksheet: This is in further response to your request for your Mandatory Review request for release of information under the provisions of Section 3.5 of Executive Order 13526, to Reagan Presidential records pertaining to Ross Perot doc re report see email. These records were processed in accordance with the Presidential Records Act (PRA), 44 U.S.C. §§ 2201-2207. Id. Emphasis added. The Worksheet attachment to the decision lists three sets of Keisler, Peter: Files with Doc ## 27191, 27192, and 27193 notations. -
BEHIND CLOSED DOORS Torture and Detention in Egypt Torture And
BBBEHIND CCCLOSED DDDOORS Torture and Detention in Egypt A Middle East Watch Report Human Rights Watch New York !!! Washington !!! Los Angeles !!! London Human Rights Watch Human Rights Watch is composed of Africa Watch, Americas Watch, Asia Watch, Helsinki Watch, Middle East Watch, and the Fund for Free Expression. The executive committee comprises Robert L. Bernstein, chair; Adrian DeWind, vice chair; Roland Algrant, Lisa Anderson, Peter Bell, Alice Brown, William Carmichael, Dorothy Cullman, Irene Diamond, Jonathan Fanton, Jack Greenberg, Alice H. Henkin, Stephen Kass, Marina Kaufman, Jeri Laber, Aryeh Neier, Bruce Rabb, Harriet Rabb, Kenneth Roth, Orville Schell, Gary Sick, and Robert Wedgeworth. The staff includes Aryeh Neier, executive director; Kenneth Roth, deputy director; Holly J. Burkhalter, Washington director; Ellen Lutz, California director; Susan Osnos, press director; Jemera Rone, counsel; Joanna Weschler, Prison Project director; and Dorothy Q. Thomas, Women's Rights Project director. Executive Directors Africa Watch Americas Watch Asia Watch Rakiya Omaar Juan E. Méndez Sidney Jones Helsinki Watch Middle East Watch Fund for Free Expression Jeri Laber Andrew Whitley Gara LaMarche Addresses for Human Rights Watch 485 Fifth Avenue 1522 K Street, NW, Suite 910 New York, NY 10017-6104 Washington, DC 20005-1202 Tel: (212) 972-8400 Tel: (202) 371-6592 Fax: (212) 972-0905 Fax: (202) 371-0124 10951 West Pico Blvd., #203 90 Borough High Street Los Angeles, CA 90064 London, UK SE1 1LL Tel: (213) 475-3070 Tel: (071) 378-8008 Fax: (213) 475-5613 Fax: (071) 378-8029 Copyright 8 July 1992 by Human Rights Watch All rights reserved. Printed in the United States of America. -
The Pennsylvania State University the Graduate School College of The
The Pennsylvania State University The Graduate School College of the Liberal Arts CITIES AT WAR: UNION ARMY MOBILIZATION IN THE URBAN NORTHEAST, 1861-1865 A Dissertation in History by Timothy Justin Orr © 2010 Timothy Justin Orr Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2010 The dissertation of Timothy Justin Orr was reviewed and approved* by the following: Carol Reardon Professor of Military History Dissertation Advisor Chair of Committee Director of Graduate Studies in History Mark E. Neely, Jr. McCabe-Greer Professor in the American Civil War Era Matthew J. Restall Edwin Erle Sparks Professor of Colonial Latin American History, Anthropology, and Women‘s Studies Carla J. Mulford Associate Professor of English *Signatures are on file in the Graduate School ii ABSTRACT During the four years of the American Civil War, the twenty-three states that comprised the Union initiated one of the most unprecedented social transformations in U.S. History, mobilizing the Union Army. Strangely, scholars have yet to explore Civil War mobilization in a comprehensive way. Mobilization was a multi-tiered process whereby local communities organized, officered, armed, equipped, and fed soldiers before sending them to the front. It was a four-year progression that required the simultaneous participation of legislative action, military administration, benevolent voluntarism, and industrial productivity to function properly. Perhaps more than any other area of the North, cities most dramatically felt the affects of this transition to war. Generally, scholars have given areas of the urban North low marks. Statistics refute pessimistic conclusions; northern cities appeared to provide a higher percentage than the North as a whole. -
By John Milward
By John Milward ... HE WORD TRAFFIC IS FREQUENTLY FOLLOWED BY JAM. FOR shedding with Winwood were guitarist Dave Mason, the British rock band Traffic, the musical jam ses drummer Jim Capaldi and the horn-blowing Chris Woovd. sion began in the spring of 1967 at a country cot The resulting album, Mr. Fantasy, fit right into a year that tage in Berkshire, England. As the quartet wrote saw the release of Sgt. Pepper and the rise of San Francisco and rehearsed, member Steve Winwood’s soulful psychedelic bands Jefferson Airplane and Grateful Dead. voice and wailing organ could be heard on the ra And the song “Dear Mr. Fantasy” was a monster jam of key dio via “Gimme Some Lovin’ ” and “I’m a Man,” monster hits boards and guitars that could go on pretty much forever. from his previous band, the Spencer Davis Group. Now wood- In 1994, two decades after the original band broke up, Winwood and Capaldi re-formed Traf- Above: Jim Capaldi, fic and toured with the king of the jam Dave Mason, Chris bands, the Grateful Dead, who played Wood and Steve “Dear Mr. Fantasy” when Traffic did Winwood (from le ft) not. In 2002, Winwood attended the annual gathering of jam bands, the Bonnaroo Music Festival, and sat in with Widespread Panic and the String Cheese Inci dent, making his “long strange trip” slightly more typical than that of his buddies, the Dead. His journey was that of a gifted singer and musician. By expanding rock’s instrumental palette, Traffic broke new ground in popular music.