2015/16 Season

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April 8th Lympstone Film Society Cycling with Molière 2015/16 Season (France 2013) French comedy Join as a member and enjoy film, conversation and a with claws, as two ageing drink at the Village Hall each month from September to actors plan a production of The Misanthrope. April. A short walk away and only £20 for the season. Our 6th May 2016 AGM and bonus film September Our AGM is a chance to (briefly) review the year and film society finances and then to round off the year with a 11 September bonus film. We will announce details in the New Year. The evening is for members only, and includes the oppor- tunity to pre-book membership for the next season at a The Grand reduced rate (this year only £15; 40% less than in 2007!) Budapest Hotel About Lympstone Film Society We are a village group formed and run by volunteers to (2014) screen high quality films in Lympstone. We started in Starring September 2007, and have been consistently successful, attracting over 100 members & regular audiences of 70+. Ralph Fiennes Our evenings include a feature film, at least one short 4 Oscars film, pre-screening bar and social hour, together with a “A luscious murder mystery that starts out in a luxury hotel. Oh, and it’s hilarious.” ‘proper’ interval with bar and ices. October 9th Ida (Poland 2013) January 8th 2016 This odd-couple road movie set in 60s Pride (UK 2014) Poland is a small gem, funny and sad, superbly photographed in luminous This extraordinary true story tells monochrome. of the unlikely alliance of London gay-rights activists with striking Unforgettable. Welsh miners. A comedy-drama Oscar winner starring Bill Nighy, Dominic West and Imelda Staunton. February 12th Once (Ireland 2007) November 13th A charming, capti- Topsy Turvy (UK 1999) vating tale of love and The topsy-turvy relationship of music on the streets of Gilbert & Sullivan as the first night Dublin. “A soulful of The Mikado approaches. valentine to music, Mike Leigh friendship and the joys A Mike Leigh film. of honest hard graft.” The Guardian th December 4 (nb first Friday) March 11th Paddington (France/UK 2014) Death in Venice (Italy 1971) A Christmas treat, for grown-ups as Visconti’s great film of Thomas well as children. As warm and wel- Mann’s haunting love story stars Dirk come as a hot pair of socks on a Bogarde and the music of Mahler. winter’s morning. With Hugh Bonne- ville, Nicole Kidman & Ben Whishaw. Members can opt to have a Venetian supper before the film at 6pm (limited numbers; tickets on sale in New Year). .

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CATHERINE FITZGERALD and DOMINIC WEST – Landscape Designer, Actor
FAVOURITE PLANT 41 CATHERINE FITZGERALD AND DOMINIC WEST – landscape designer, actor Catherine: My favourite is the oak, in pink, an early sign that autumn is on its particular the sessile oak. At Glin there way. are several ancient ones, remnants of the primeval forest, which once stretched all Dominic: I remember when I first walked the way from Killarney down to the down the avenue at Glin, being mouth of the Shannon. I love them astonished by the gunnera that rear up because they are so hoary and ancient — on spikey trunks like pre-historic their bark is rugged and deeply fissured carnivores. Their huge rhino-hide with age. Their long arms ripple like canopies funnel gallons of rainwater tentacles and run with green rivers of down their bristling throats. I placed my polypody ferns, mosses and lichens. infant son on one of them and quickly These ancient creatures support the took a picture before it swallowed him habitats of more than 280 species — up. more wildlife than any other native tree. Catherine: I have many wonderful Dominic: My favourite is the Cedar of memories of playing in the garden at Glin Lebanon. I first saw them in the grounds as a child: my sisters and I made of my sister’s convent in Hertfordshire as elaborate dens in the rhododendron a child and fell in love with their majesty bushes and epic journeys wading up the and distinctive horizontal branches, stony stream which borders the gardens’ which seem to invite children to climb eastern side. The twisting roots of the them.
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William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
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