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18 ESPECIAL] Verano 2015 [REVISTA ECOS DE ASIA Nº 18 ESPECIAL] Verano 2015 REVISTA ECOS DE ASIA / revistacultural.ecosdeasia.com / VERANO 2015 Página 1 [REVISTA ECOS DE ASIA Nº 18 ESPECIAL] Verano 2015 Presentación ÍNDICE DE CONTENIDOS El verano es la estación predilecta para muchos, cuando los días son largos, las temperaturas Actualidad Veraniega suben y la vida, por lo general, se relaja. Pero sobre todo, es la época del año en que la gente Aproximándonos a Lava: de historias de amor, aprovecha para viajar. Por este motivo, en Ecos hawaianismo y homenaje I. Por Carolina Plou. 4 de Asia hemos destinado los meses estivales a la elaboración de un número especial de la revista, Aproximándonos a Lava: de historias de amor, que tiene como vehículo principal y objeto de hawaianismo y homenaje II. Por Marisa Peiró. 9 análisis el viaje. Asia en las calles. Inspiraciones orientales en la Fiesta Viajar, en el sentido amplio en el que aquí lo Mayor de Gràcia. Por Carolina Plou. 15 contemplamos, es algo más que cambiar temporalmente de localización, es una aventura Pacífico, España y la aventura del Mar del Sur: una motivada por el deseo de conocer lo diferente, exposición itinerante. Por Marisa Peiró. 25 conquistarlo, aprehenderlo… Entre las páginas de este número descubrirán nuevas dimensiones del El último lobo (2015). Por David Lacasta. 28 viaje, que abarcan desde el turismo o el comercio Viajan las personas hasta el autodescubrimiento. Podrán encontrar en estas páginas la ―saga‖ en Sobre la elaboración personal del do o camino en Japón. Por Mario Malo. 31 cinco partes que ha sido una constante a lo largo del verano, dedicada al clásico de Julio Verne La Hacia las rutas de la seda: mi experiencia en Turquía I. vuelta al mundo en 80 días, recorriendo sus Por Marisa Peiró. 34 diferentes adaptaciones al medio audiovisual de la mano de Carolina Plou. Visita a la pirámide abandonada de Corea del Norte. Por Diana Espada. 52 Dedicamos una sección a personas viajeras, donde encontrarán los interesantes testimonios Viajan los objetos de algunos colaboradores como Marisa Peiró o Mario Malo, quienes relatan sus experiencias Imaginando Oriente. El comercio de porcelana china y personales en Turquía y Japón, respectivamente. japonesa durante la Edad Moderna. Por David Lacasta. Además, Diana Espada estudia el interesante caso 57 del inacabado Hotel Ryugyong, en Corea del Asia y Europa, dos continentes conectados mediante el Norte. comercio de obras artísticas: laca japonesa y su atracción en Occidente. Por Daniel Rodríguez. 63 Sin embargo, la literatura y el cine son los principales medios en los que el motivo del viaje Muñecas viajeras I: destino estudios fotográficos. Por queda materializado, y a estos dos soportes les María Gutiérrez. 72 dedicamos un buen surtido de artículos. Nuestros colaboradores serán sus guías en esta ruta hacia Muñecas viajeras II: destino ilustración y pintura. Por Oriente a través de ejemplos tan variopintos como María Gutiérrez. 77 la novela decimonónica El Anacronópete, piezas del teatro Nô, o clásicos atemporales como Seda, Viajes literarios de Alessandro Baricco. SEDA, una historia de amor entre las palabras y las En otras ocasiones son los objetos materiales los imágenes. Por Laura Martínez. 83 que viajan, conectando Oriente con Occidente a Capítulo XIII: la Europa del siglo XIX frente a la China través del comercio y generando fenómenos de del siglo III. El Anacronópete y los viajes en el tiempo. coleccionismo e influencias artísticas que Por María Gutiérrez. 90 nuestros colaboradores han analizado en casos tan llamativos como el de las muñecas, los objetos El viaje como recurso dramático en el teatro Nô de laca japonesa, o las finas porcelanas Comentarios a varias obras paradigmáticas. Por procedentes de China y Japón. Fernando Cid. 94 REVISTA ECOS DE ASIA / revistacultural.ecosdeasia.com / VERANO 2015 Página 1 [REVISTA ECOS DE ASIA Nº 18 ESPECIAL] Verano 2015 No dejamos de lado la actualidad veraniega, atendiendo tanto a estrenos cinematográficos (David Lacasta reseña la película francesa El último lobo, mientras que Carolina Plou y Marisa ÍNDICE DE CONTENIDOS Peiró desmenuzan los misterios del cortometraje animado Lava, que pudo verse precediendo la Viajes cinematográficos película Del revés), como a acontecimientos de lo más diverso: la exposición Pacífico. España y la Cine de verano: Desterrado (Outcast, 2014). Por aventura del Mar del Sur, que tuvo lugar en Carolina Plou. 101 México; y las fiestas del barcelonés barrio de Gracia, cuyas decoraciones de influencia oriental Queen (2014) o del viaje como superación personal. también analizamos. Por Marisa Peiró. 106 Sin más preámbulos, les dejamos ya disfrutando Solo se vive una vez (2011) vacaciones made in Spain. de este número, esperando que deseen seguir Por Laura Martínez. 110 viajando con nosotros. Sobre Maziar Bahari, el agua de rosas y la libertad de expresión en Irán. Por Marisa Peiró. 114 Fdo. La Dirección. De Tokio a Minnesota en busca del tesoro de los hermanos Coen. Por Laura Martínez. 120 Anochece en la India (2014) el último viaje de un exhippy paralítico. Por Laura Martínez. 125 Ecos de Asia somos: Ikoku Meiro No Croisée. Japonismo en formato Dirección y coordinación: Marisa Peiró, Carolina Plou. animado. Por María Gutiérrez. 129 Tesorería: Marisa Peiró. Secretaría: Carolina Plou. Un viaje a través de La Vuelta al Mundo en Responsable edición web: María Gutiérrez, Marisa Ochenta Días Peiró. I. La novela. Por Carolina Plou. 135 Responsable edición en pdf: Carolina Plou. II. Adaptaciones cinematográficas. Por Carolina Plou. Comité de redacción: María Gutiérrez, David Lacasta, 140 Laura Martínez, Marisa Peiró, Carolina Plou. III. Jackie Chan, Steve Coogan, el steampunk y la Comité científico: Ana Asión, Elísabet Bravo, María Galindo, María Gutiérrez, David Lacasta, Laura libertad de adaptación. Por Carolina Plou. 145 Martínez, Marisa Peiró, Carolina Plou, Claudia Sanjuán. IV. (Re)Serializando el clásico. Por Carolina Plou. 149 Colaboradores en materia web: Alberto Clavería y Fernando Sánchez. V. La vuelta al mundo de Willy Fog. Aprendiendo Asia (especial). Por Carolina Plou. 154 ISSN 2341-0817 REVISTA ECOS DE ASIA / revistacultural.ecosdeasia.com / VERANO 2015 Página 2 [REVISTA ECOS DE ASIA Nº 18 ESPECIAL] Verano 2015 REVISTA ECOS DE ASIA / revistacultural.ecosdeasia.com / VERANO 2015 Página 3 [REVISTA ECOS DE ASIA Nº 18 ESPECIAL] Verano 2015 Aproximándonos a Lava: de historias de amor, hawaianismo y homenaje I Por Carolina Plou Inside Out ha sido, sin Así pues, Inside Out ha duda, el estreno del venido a confirmar que Pixar verano. Precedida por unas está más viva que nunca, y excelentes críticas desde su que es capaz de jugar y proyección en el Festival dirigir los sentimientos de de Cannes, la esperadísima los espectadores de la nueva película de Pixar ha manera magistral a la que conquistado también al nos tienen acostumbrados.2 público desde su llegada a De la mano de las emociones la gran pantalla, arrasando de Riley, Pixar nos guía a en taquilla. Y no es de través del viaje que supone la extrañar, puesto que en prepubertad: los primeros torno a ella existía una cambios, la dificultad de enorme expectación, reconocerse a sí mismo en consecuencia del pequeño ellos, el abandono de la parón que había llevado a niñez y el primer contacto cabo la productora para con la nostalgia… Y lo hace, reencontrar el rumbo de nuevo, de forma después de unos años de excepcional, a través de una historia de aventuras ―crisis‖.1 Cartel promocional de Inside Out (fuente: divertida y trepidante, con pixar.com). espacio para el llanto, el asombro y las carcajadas. 1 Lo cierto es que, tras alcanzar un punto álgido en 2010 con Toy Story 3 (que culminaba una de las etapas más brillantes de la compañía), los siguientes estrenos de Pixar habían sido lo que puede considerarse obras menores (dentro de su notabilísima trayectoria): aunque Brave (2012) se alzó con el Oscar a Mejor fila con dos estrenos: Inside Out en temporada Película de Animación, su recepción fue más fría de lo veraniega y The Good Dinosaur en Navidad. esperado y la historia de Mérida no caló en el público 2 A propósito de este estreno, mucho se ha hablado en de la misma manera que lo habían hecho cintas los distintos medios y en internet de la sensibilidad previas; por otro lado Cars 2 (2011) y Monstruos especial de Pixar para emocionar al espectador: desde University (2013) eran secuelas de grandes éxitos que recopilaciones de los momentos más emocionantes de no alcanzaban la brillantez de la franquicia Toy Story. las películas de la compañía (con ejemplos aquí, aquí, Si bien esto no desmerece ninguna de estas aquí y aquí) hasta un divertido meme que explicaba producciones, la compañía percibió que estaba una posible clave del éxito y la empatía que logran produciéndose una cierta desconexión entre sus prácticamente todas sus películas, a pesar de la películas y el público, por lo que decidió no presentar disparidad de elementos protagonistas que se han ido ningún estreno en 2014, y volver en 2015 a la primera escogiendo. REVISTA ECOS DE ASIA / revistacultural.ecosdeasia.com / VERANO 2015 Página 4 [REVISTA ECOS DE ASIA Nº 18 ESPECIAL] Verano 2015 No obstante, Inside Out no va a ser nuestro protagonista, sino que queremos rescatar una producción a la que el éxito de la película ha dejado en segundo plano: el cortometraje que la precede en la proyección, Lava,3 del que estudiaremos diversos aspectos a lo largo de una El volcán protagonista. miniserie.4 mar y creando una isla en la que ambos permanecen abrazados. Con una estética particular y música de ukelele, Lava nos conduce a la soledad de un Hasta aquí el argumento: una breve historia volcán que, en mitad del Pacífico, contempla de amor simplona y sin complicaciones, a delfines y tortugas nadar en parejas, desarrollada en el tiempo de un corto, y, muy anhelando la compañía.
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