History of Shows Presented on the Festival Main Stage 2016 2015 2014
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Addams Family Values: a Campy Cult Classic
Addams Family Values: A Campy Cult Classic By: Katie Baranauskas The Addams family is quite the odd bunch. Created by Charles Addams in a 1938 comic strip, the family has received countless renditions of their misadventures, including the 1993 sequel to The Addams Family: Addams Family Values. This is a rare instance in which the sequel is better than the original. The cast is by far one of the best, including greats like Anjelica Huston as Morticia, Christina Ricci as Wednesday, and Christopher Lloyd as Fester, as well as so many others. Every actor plays to their strengths, as well as their character's strengths, to craft a wonderful mix of comedy and drama. Some characters such as Fester and Gomez Addams have extreme slapstick comedy, whereas other characters such as Wednesday and Morticia Addams have a dry humor that also makes the audience chuckle: no laugh track needed. Along with all these fantastic characters comes an equally fantastic villain in Debbie Jelinsky, played by Joan Cusack. Debbie is immediately explored as a two-faced black widow, who will do anything to get the wealth and opulence she desires. Joan Cusack did the absolute most in this performance, and she looked fabulous as well. All of this is topped with an amazing script, which produced hundreds of lines I use to this day. A whole other article could be written on the iconic quotes from this movie, but my all-time favorite has to be when Morticia tells Debbie in the most monotone voice, "All that I could forgive, but Debbie… pastels?" This movie has just the right balance of creepiness and camp, reminding me of a Disney story set in a Tim Burton-esque world, where being "weird" is the new normal and everything is tinged with a gothic filter. -
Calvary Communication Newsletter
Page 1 October 28, 2019 CCHS Spirit Night at Chili’s on University Representatives US-19 and Enterprise Visiting CCHS MONDAY Representatives from the following colleges will be What’s for dinner Monday night? We have a great on campus at CCHS this week. Some of the suggestion for you. Plan to eat at Chili’s Restaurant representatives will host a session for those on US 19 at Enterprise Drive on Monday, October interested in more information about the 28th. Be sure to inform your server to designate university. Students in grades 10-12 must pre- your purchase to CCHS. When you do, 20% of your register for the sessions in Naviance Student at least meal purchase will be donated to the CCHS Key two hours in advance. Attendance to a college rep Club. So, here is a great reason to eat out on session is an excused absence, but students must Monday and support CCHS and the Key Club. You make up any work missed, submit assignments may visit between the hours of 11:00 AM and 11:00 prior to attending the session, and students may PM and designate your purchase to CCHS. not skip an assessment to attend one of the sessions. Monday, October 28th • Palm Beach Atlantic University-- 4th period (10:15-11:00 AM) • Florida State University (FSU)-- 6th period (12:30-1:15 PM) Wednesday, October 30th • Michigan State University-- 4th period US 19 and Enterprise Dr. Clearwater (10:15-11:00 AM) • Keiser University (FL)-- 6th period (12:30- Absence Notification System 1:15 PM) CCHS has created an Attendance Notification Video on How to Register System that is accessible through the school’s For a quick video tutorial on how to register to phone system to permit parents to notify the school attend a college rep session, you may watch the when their child will be absent from school. -
Cast Script & Vocal Book
- CAST SCRIPT & VOCAL BOOK - Book by Marshall Brickman & Rick Elice Music and Lyrics by Andrew Lippa 570 Seventh Avenue, Suite 2100 New York, NY 10018 866-378-9758 toll-free 212-643-1322 fax www.theatricalrights.com Like us! Follow us! www.facebook.com/TheatricalRightsWorldwide @theatricalright The materials contained herein are copyrighted by the authors, are not for sale, and may only be used for the single specifically licensed live theatrical production for which they were originally provided. Any other use, transfer, reproduction or duplication including print, electronic or digital media is strictly prohibited by law. 12/11/13 THE ADDAMS FAMILY © copyright, 2010 by Marshall Brickman, Rick Elice & Andrew Lippa. All Rights Reserved The Addams Family Scenes, Characters, Musical Numbers and Pages Act I Scene 1…………………………………………………………………………………………………………………………1 Full Ensemble (except Beinekes) #1 Overture/Prologue (Ancestors, Gomez, Morticia) #2 When You’re An Addams (Ensemble except Beinekes) #2A (We Have) A Problem (Underscore) #3 Fester’s Manifesto (Fester) Scene 2…………………………………………………………………………………………………………………………8 Gomez, Lurch, Morticia, Wednesday #3A Two Things (Gomez) #4 Wednesday’s Growing Up (Gomez) #5 Trapped (Gomez, Morticia) Scene 3…………………………………………………………………………………………………………………………17 Full Ensemble #5A Honor Roll (Pugsley) #6 Pulled (Wednesday, Pugsley) #6A Four Things (Gomez, Morticia) #7 One Normal Night (Full Ensemble) Scene 4………………………………………………………………………………………………………………………26 Full Ensemble (#7 One Normal Night cont.) Scene 5…………………………………………………………………………………………………………………………35 -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
Scary Movies at the Cudahy Family Library
SCARY MOVIES AT THE CUDAHY FAMILY LIBRARY prepared by the staff of the adult services department August, 2004 updated August, 2010 AVP: Alien Vs. Predator - DVD Abandoned - DVD The Abominable Dr. Phibes - VHS, DVD The Addams Family - VHS, DVD Addams Family Values - VHS, DVD Alien Resurrection - VHS Alien 3 - VHS Alien vs. Predator. Requiem - DVD Altered States - VHS American Vampire - DVD An American werewolf in London - VHS, DVD An American Werewolf in Paris - VHS The Amityville Horror - DVD anacondas - DVD Angel Heart - DVD Anna’s Eve - DVD The Ape - DVD The Astronauts Wife - VHS, DVD Attack of the Giant Leeches - VHS, DVD Audrey Rose - VHS Beast from 20,000 Fathoms - DVD Beyond Evil - DVD The Birds - VHS, DVD The Black Cat - VHS Black River - VHS Black X-Mas - DVD Blade - VHS, DVD Blade 2 - VHS Blair Witch Project - VHS, DVD Bless the Child - DVD Blood Bath - DVD Blood Tide - DVD Boogeyman - DVD The Box - DVD Brainwaves - VHS Bram Stoker’s Dracula - VHS, DVD The Brotherhood - VHS Bug - DVD Cabin Fever - DVD Candyman: Farewell to the Flesh - VHS Cape Fear - VHS Carrie - VHS Cat People - VHS The Cell - VHS Children of the Corn - VHS Child’s Play 2 - DVD Child’s Play 3 - DVD Chillers - DVD Chilling Classics, 12 Disc set - DVD Christine - VHS Cloverfield - DVD Collector - DVD Coma - VHS, DVD The Craft - VHS, DVD The Crazies - DVD Crazy as Hell - DVD Creature from the Black Lagoon - VHS Creepshow - DVD Creepshow 3 - DVD The Crimson Rivers - VHS The Crow - DVD The Crow: City of Angels - DVD The Crow: Salvation - VHS Damien, Omen 2 - VHS -
The Addams Family
1 THE ADDAMS FAMILY C A L L B A C K S I D E S Friday April 12 – 7PM GOMEZ, MORTICIA, WEDNESDAY, PUGSLEY, LUCAS, GRANDMA Saturday April 13 – 10AM MAL, ALICE, UNCLE FESTER, LURCH AND ANCESTORS Please note: The callback sides have been edited from the original script to include certain sections of dialogue for callback purposes only. 2 GOMEZ AND MORTICIA MORTICIA: Something’s wrong with Wednesday. We have to cancel this dinner. GOMEZ: What do you mean? MORTICIA: She’s in the kitchen smiling. Like this. (SHE smiles a big smile) Maybe it is this boy. GOMEZ: This boy? Don’t be silly. Ha! I say. And double ha! Ha-ha! You yourself said: puppy love! Come darling. I feel an urge to take you in my arms. Let’s go upstairs. (HE turns to go) MORTICIA: Gomez. GOMEZ: (HE stops) On the other hand, she is a healthy young woman. Like you were…ARE! Like you are. She could even fall in love and get married. Like you did. MORTICIA: Don’t be ridiculous, Gomez. I’m much too young to have a married daughter. GOMEZ: Of course. I didn’t think of that. MORTICIA: Besides, she’ll have lots of boys. GOMEZ: How do you know? MORTICIA: Because she’s my daughter. GOMEZ: Yes, but what if – and I have no reason to say this – what if she did meet someone who stole her heart? MORTICIA: Don’t be silly. When that happens, I’ll be the first to know. Wednesday tells me everything. -
View the Playbill
1 2 Department of Theater & Dance The Addams Family A New Musical Book by Marshall Brickman and Rick Elice Music and Lyrics by Andrew Lippa Based on characters created by Charles Addams Director—David McCamish Music Director—Melanie Guerin Choreographer—Kate Loughlin Production Manager—Candice Chirgotis Originally produced on Broadway by Stuart Oken, Roy Furman, Michael Leavitt, Five Cent Productions, Stephen Schuler, Decca Theatricals, Scott M. Delman, Stuart Ditsky, Terry Allen Kramer, Stephanie P. McClelland, James L. Nederlander, Eva Price, Jam Theatricals/Mary LuRoffe, Pittsburgh CLO/Gutterman-Swinsky, Vivek Tiwary/Gary Kaplan, The Weinstein Company/Clarence, LLC, Adam Zotovich/Tribe Theatricals. By Special Arrangement with Elephant Eye Theatrical The Addams Family is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide, 1180 Avenue of the Americas, Suite 640, New York, NY 10036. www.theatricalrights.com Front cover poster design by Stacy-Ann Rowe Photography by Rachel M. Engelke Set illustrations by Karen Sparks Mellon 3 Safeties of any kind. occupy the aisles or the lobby during the show. ** Please note: there will be theatrical strobe lights and loud sound effects in this production.** Courtesies Please turn off all cellphones, smartphones, and other personal electronic devices, and refrain from using them during the performance. allowed in the auditorium. minutes. There will be one intermission. Per contractual requirements with the publisher, the video or audio recording of this performance by any means is strictly prohibited. This includes, but is not limited to, absolutely No PostiNg to social Media. Gratitudes for the classy and fun luncheon celebration before our Saturday matinee performance. -
“The Addams Family” Costume Plot
“THE ADDAMS FAMILY” COSTUME PLOT GOMEZ Black pinstriped suit, tie, suspenders and shirt Dinner: shawl collar or smoking jacket and bow tie Bull fighter cape Beret White button down shirt MORTICIA Long tight fitting black gown with breakaway skirt Half apron Black cape Floppy hat WEDNESDAY Black knee length dress with white collar and cuffs Yellow knee length dress with white collar and cuffs Black jacket or coat Short bridal dress and veil PUGSLEY Black and white striped tee shirt, black shorts Black and white striped pajamas Boy Scout scarf GRANDMA Loose dress, non-matching poncho or cardigan, fingerless gloves Nurse cap, candy striper apron, sleeve protectors LURCH Black suit, black bowtie, white button down shirt UNCLE FESTER Long black coat with fur trim, black pants, belly pad Black and white striped bathing suit. Goggles, aviator cap and scarf LUCAS Blazer, pants shirt and tie Page 1 of 2 “THE ADDAMS FAMILY” COSTUME PLOT MAL BEINEKE Three piece suit, tie, and white button down shirt Overcoat and hat Gomez style pajamas with spider on the back ALICE BEINEKE Yellow day dress, hat and purse Overcoat Morticia style pajamas GRIM REAPER Black hooded robe, belt Extra-long or two person grey fleece robe with hood and black out mask BATHING BEAUTIES Old fashion bathing attire STARS Black wraps skirt, black poncho and star headpiece ANCESTORS Caveman – tunic with layered fur pieces, fur caplet and rope belt Cavewoman – tunic with layered fur pieces, fur caplet and rope belt Conquistador – Cuirass, shirt with puffed sleeves, pants with puff -
Beatles Fanatic Finds His Sweet Spot
Home of CAROL ELLETT 132rd YEAR - NO. 23 Tuesday, December 13, 2016 TWO SECTIONS - 75¢ PER COPY Beatles fanatic fi nds his sweet spot MIKE WEST photo State Rep. Mark Pody is all smiles as he presents the Governor’s ThreeStar certifi cation to Diane Hickman and County Executive Mike Gannon. The program is administered by the Tennessee Department of Economic and Community Development (ECD). CC receives ThreeStar certifi cation from ECD Cannon County re- supported by a strong and 1980. Economic develop- ceived the Governor’s stable local government ment for Tennessee com- ThreeStar certifi cation this that provides security and munities is about more week. safety and promotes coun- than recruitment and in- The ThreeStar Program, ty progress in the areas of centives. Communities administered by the Ten- economic development, must be making constant nessee Department of responsible fi scal manage- strides in improving their Economic and Commu- ment, public safety, health quality of life to be glob- nity Development (ECD), and education. ally competitive for jobs. Born in New York and raised in Florida, singer-songwriter John Salaway is designed to help com- The ThreeStar program The ThreeStar program earned a music business degree at MTSU and then found Cannon Coun- munities build a healthy has been a key part of eco- can guide Tennessee com- ty to his liking. He and his daughter have hung their hats near Woodbury and educated workforce nomic development since munities on that journey. for the past seven years. When not performing solo, the Beatles addict plays drums and sings with Forever Abbey Road. -
January 21, 2021
JANUARY 21, 2021 -------------------------------------------------------------------------------------------------------------------- -SPEX INST ID-- -DIST SCHL- ---ISA QUAL/ID---- ----N1 QUAL/ID---- ---------SCHOOL NAME---------- -----CITY------ ST --------------- ----------- ------------------ ------------------ ------------------------------ ------------------ 710000013447700 48 1516 ZZ/FIRNX25 72/101307 HERITAGE COLLEGE ORLANDO FL 720000000035900 0 0 24/0359 72/0359 TEXAS A&M-INTERNATIONAL TX 720000000052700 0 0 24/0527 72/0527 UNIVERSITY OF MD AT BALTIMORE MD 720000000068200 0 0 24/0682 72/0682 THOMAS EDISON STATE COLLEGE NJ 720000000076900 0 0 24/0769 72/0769 UMDNJ SCHOOL OF NURSING NJ 720000000274800 0 0 24/2748 72/2748 THOMAS EDISON STATE COLLEGE NJ 720000000579700 0 0 24/5797 72/5797 CARROLL COMMUNITY COLLEGE MD 720000000658800 0 0 24/6588 72/6588 UNIVERSITY OF TEXAS AT BROWNSV TX 7300000OSACOR00 0 0 22/OSACOR 73/OSACOR OREGON STUDENT ASST COMMISSION OR 73000000AMCAS00 0 0 22/AMCAS 73/AMCAS AMERICAN MEDICAL COLLEGE APPLI DC 73000000ARSBN00 0 0 22/ARSBN 73/ARSBN ARKANSAS STATE BOARD OF NURSIN AR 73000000OTSPC00 0 0 22/OTSPC 73/OTSPC OREGON TEACHER STANDARDS OR 730000000001100 0 0 22/000011 73/000011 OREGON TEACHER STANDARDS OR 730000000030700 0 0 22/000307 73/000307 NORTHWEST VISTA COLLEGE TX 730000000030900 0 0 22/000309 73/000309 NORTHEAST LAKEVIEW COLLEGE TX 730000000100900 0 0 22/001009 73/001009 AUBURN UNIVERSITY AUBURN AL 730000000101300 0 0 22/001013 73/001013 JOHN C CALHOUN STATE COMMUNITY DECATUR AL 730000000101500 0 -
Reexamining Monster Theory
36 Domestication in the Theater of the Monstrous: Reexamining Monster Theory Michael E. Heyes Abstract: Scholarship on monstrosity has often focused on those beings that produce fear, terror, anxiety, and other forms of unease. However, it is clear from the semantic range of the term “monster” that the category encompasses beings who evoke a wide range of emotions. I suggest that scholars have largely displaced first-person accounts of the monstrous and those accounts which do not rely upon horror or anxiety, and I propose a three-category system to correct this displacement. These categories draw from Derrida’s notion of the domestication of the monster and Žižek’s notion of a “fantasy screen” for the monstrous. These categories encourage further research, both between categories of the monstrous and categories that would not typically fit within this descriptor. Keywords: monster theory, Derrida, Žižek, comparison, Mothman There are an enormous number of creatures that fit under the umbrella of the term “monster”: vampires, Slender Man, Cookie Monster, sightings of strange creatures in the sea,1 Godzilla, and unicorns all fit within the category. However, in Monster Studies, the focus of analysis has primarily been those creatures that induce fear or disgust, and most often on those that rest comfortably within the pages of narratives and the frames of films. Yet this narrows the category to a rather small range of beings and obscures the various ways in which people interact with monstrosity. One such exempted being is Tōfu-kozō, the -
Pros-A180.Pdf
TheAddAms FAmily an Evilution 1 tthehe FamilyFamily Gomez and Pugsley are enthusiastic. Morticia is even in disposition, muted, witty, sometimes deadly. Grandma Frump is foolishly good-natured. Wednesday is her mother’s daughter. A closely knit family, the real head being Morticia—although each of the others is a definite character—except for Grandma, who is easily led. Many of the troubles they have as a family are due to Grandma’s fumbling, weak character. The house is a wreck, of course, but this is a house-proud family just the same and every trap door is in good repair. Money is no problem. Strong family values are evident throughout Charles Addams’s depictions of the family from the dark side. They hang together; they feel secure with one another; they have rules and morals that keep the family unit intact. Sure, the logs they burn in their fireplace are carved to look like men; they moonbathe instead of sunbathe; they prefer gazing at the sweeping vista of a cemetery rather than sunlit rolling hills; they take their outings in Central Park in the dead of night. The point is, they do these things together. They might be scary, weird, creepy, and macabre, but The Addams Family is our secret envy. If only our family dinners could be so much fun! 2 3 “Well, he certainly doesn’t take after my side of the family.” 4 5 “it’s the children, darling, back from camp.” 6 “you forgot the eye of newt.” 7 the “evilution” of Charles Addams’s singularly eccentric family began long before the television and film interpretations made them icons of American popular culture.