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The Stage Lighting Handbook Free Ebook FREETHE STAGE LIGHTING HANDBOOK EBOOK Francis Reid | 224 pages | 02 Jan 2002 | Taylor & Francis Ltd | 9780878301478 | English | London, United Kingdom Stage lighting instrument - Wikipedia Here at Walmart. Your email address will never be sold or distributed to a third party for any reason. Sorry, but we can't respond to individual comments. If you need immediate assistance, please contact Customer Care. Your feedback helps us make Walmart shopping better for millions of customers. Recent searches Clear All. Enter Location. Update location. Learn more. Report incorrect product information. Francis Reid. Walmart Out of stock. Book Format. Select Option. Current selection is: Paperback. Delivery not available. Pickup not available. Add to list. Add to registry. About This Item. We aim to show you accurate product information. Manufacturers, suppliers and others provide what you see here, and we have not verified it. See our disclaimer. The Stage Lighting Handbook is well established The Stage Lighting Handbook the classic practical lighting guide. The book explains the process of designing lighting for all forms of stage production and describes the equipment used. This new edition includes up-to-date information on new equipment and discusses its The Stage Lighting Handbook on working methods. Specifications Publisher Taylor and Francis. Customer Reviews. Ask a question Ask a question If you would like to share feedback with us about pricing, delivery or other customer service issues, please contact customer service directly. Your question required. Additional details. Send me an email when my question is answered. Please enter a valid email address. I agree to the Terms and Conditions. Cancel Submit. Pricing policy About our prices. We're committed to providing low prices every day, on everything. So if you find a current lower price from an online retailer on an identical, in-stock product, tell us and we'll match it. See more details at Online Price Match. Related Pages :. Email address. Mobile apps. Walmart The Stage Lighting Handbook. Get to Know Us. Customer Service. In The Spotlight. Shop Our Brands. All Rights Reserved. To ensure we The Stage Lighting Handbook able to help The Stage Lighting Handbook as best we can, please include your reference number:. Thank you for signing up! How was your experience with this page? Thank you. Thank you! Stage Lighting Handbook - Francis Reid - Google книги Stage lighting instruments lanterns, or luminaires in Europe are used in stage lighting to illuminate theatrical productions, concertsand other performances taking place in live performance venues. They are also used to light television studios and sound stages. Many stagecraft terms vary between the United States and the United Kingdom. In the United States, lighting fixtures are often called "instruments" or "units". In the UK, they are called "lanterns" or "luminaires". This article mainly uses terms common to the United States. The lamp housing is a metal or plastic container that serves as a body for the entire instrument and prevents light from spilling in unwanted directions. It comprises all of The Stage Lighting Handbook exterior of the fixture except for the lens or opening. The housing may be designed with specific elements that help reduce heat The Stage Lighting Handbook increase the efficiency of a lamp. Older instruments were made from rolled and machined steel or aluminum. With the advent of the Source Fourmany lighting instruments are being made from die cast metal. Die casting allows for one single, light-weight body that is more economical to produce and use. The first lantern to make use of die castings was the Strand Pattern 23 designed by The Stage Lighting Handbook Bentham inthis small mirror spot enjoyed a year production run and found its way into many British schools, halls and theaters. Some instruments are made from plastic, such as the Selecon Pacific. The opening is the gap in the housing from where the beam of light is intended to come. Many fixtures use a lens to help control the beam of light, though some, such as border or cyclorama lights, do not have any lenses or optics other than the reflector. The lens and the reflector, along with other beam-altering devices, are both considered part of the optics system. The reflector affects the quality and directionality of the light output. A reflector is located behind or around the light source in such a way as to direct more light towards the lens or opening. Each unit has a characteristic reflector, used in conjunction with the lens or lack thereof to create the desired effect. An ellipsoidal reflector has a lamp set at one focus point of an ellipsoid-shaped reflector that bounces the light and focuses it at the second focus point of the ellipse. This focuses the beam of light into a tight beam. Ellipsoidal reflectors often are used for tight, focusable spots, although they The Stage Lighting Handbook be used for floodlightssuch as in scoops see below. A parabolic reflector has The Stage Lighting Handbook lamp set at the focus point of a parabola-shaped reflector that bounces the light in parallel beams away from the reflector. There is no point at which the light converges, so the light is unfocusable. Parabolic reflectors are used for lights intended to provide an unfocused wash, such as PAR cans. Reflectors can also be used to selectively reduce or eliminate unwanted thermal emission. Incandescent lamps produce light through heating of the filament, while arc lamps produce light through the heating and ionization of a gas. In either case, this heat The Stage Lighting Handbook also emitted from the lamp as infrared light. The thermal energy is often projected onto the stage with the visible light, and thousands of watts of incandescent lighting can be uncomfortably hot for the actors on stage. Specially designed reflectors are able to absorb and dissipate The Stage Lighting Handbook at the fixture before the visible light reaches the stage. Most instruments are suspended or supported by a U-shaped yoke, fixed at two points to the sides of The Stage Lighting Handbook instrument, providing an axis of rotation. The base of the yoke is typically a single bolt around which the yoke can The Stage Lighting Handbook rotated, providing a second axis of rotation. Combined together, these two axis allow the fixture to point nearly anywhere The Stage Lighting Handbook a spherical range of motion encircling the yoke. The yoke is connected to a pipe or batten by one of the clamps mentioned below. The Stage Lighting Handbook may also be affixed to the deck with floor mounts, or attached to the set with a stage screw. Some yokes are The Stage Lighting Handbook, allowing remote control systems to change The Stage Lighting Handbook a fixture is pointing during a show. C-Clamps are hook clamps that use a threaded bolt to attach to a pipe or batten and to hold the instrument secure. Once secured, the fixture can be panned and tilted using adjustment knobs on the yoke and clamp. A side arm is a metal pole bolted to the instrument with a clamp on the end. This enables the instrument to be hung to the side of an electric as opposed to below it. Most theatrical lamps The Stage Lighting Handbook tungsten-halogen or quartz-halogenan improvement on the original incandescent design that used halogen gas instead of an inert gas. Fluorescent lights are rarely used other than as work lights see below. Although they are far more efficient, they cannot be dimmed run at less than full power without using specialized dimmers, cannot dim to very low levels, do not produce light from a single point or easily concentrated area, and have a warm-up period during which they emit no light or do so intermittently. High-intensity discharge lamps or HID lamps are now common where a very bright light output is required, for The Stage Lighting Handbook in large follow spotsHMI hydrargyrum medium-arc iodide floods, and modern automated fixtures. Because these types of lamps cannot be electrically dimmed, dimming is done by mechanical dousers or shutters that physically block portions of the lamp to decrease output. Some specially-designed fittings now use light-emitting diodes LEDs as a light source. LEDs The Stage Lighting Handbook ideal where an intense but unfocused light source is required, such as for lighting a cyclorama. Conventional non- intelligent fixtures are designed to accept a number of different accessories intended to assist in the modification of the output. The most common, found on almost all stage lights, is the The Stage Lighting Handbook frame holder. The gel frame holder is intended to hold gelmounted in cardboard or metal gel frames. Other common accessories include gobo holders or rotatorsiris holders, donutsbarn doors and color scrollers. Lighting instruments can be broadly separated into two categories: floodlightswhich illuminate a wide area, and spotlights sometimes known as profileswhich produce a narrower, more controllable light beam. The distinction has to do with the characteristics of the light produced by the instrument. Spotlights produce a potentially tightly focused light, while floodlights produce a much more diffuse light. Instruments that fall somewhere in the middle of the spectrum can be classified as either a spot or a flood, depending on the type of instrument and how it is used. Like an old-fashioned automotive headlight, the reflector is integral to the lamp and the beam spread of the unit is not adjustable except by changing the lamp. PAR lamps are widely used in architectural lighting and may often be found at hardware stores. PAR lights have seen heavy use in rock and roll shows, especially those with smaller budgets, due to their low cost, light weight, easy maintenance, high durability, and high output.
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