3.2.1 Crimpable Sequences [6]
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Geometry Junkyard: Origami
Table of Contents Table of Contents 1 Origami 2 Origami The Japanese art of paper folding is obviously geometrical in nature. Some origami masters have looked at constructing geometric figures such as regular polyhedra from paper. In the other direction, some people have begun using computers to help fold more traditional origami designs. This idea works best for tree-like structures, which can be formed by laying out the tree onto a paper square so that the vertices are well separated from each other, allowing room to fold up the remaining paper away from the tree. Bern and Hayes (SODA 1996) asked, given a pattern of creases on a square piece of paper, whether one can find a way of folding the paper along those creases to form a flat origami shape; they showed this to be NP-complete. Related theoretical questions include how many different ways a given pattern of creases can be folded, whether folding a flat polygon from a square always decreases the perimeter, and whether it is always possible to fold a square piece of paper so that it forms (a small copy of) a given flat polygon. Krystyna Burczyk's Origami Gallery - regular polyhedra. The business card Menger sponge project. Jeannine Mosely wants to build a fractal cube out of 66048 business cards. The MIT Origami Club has already made a smaller version of the same shape. Cardahedra. Business card polyhedral origami. Cranes, planes, and cuckoo clocks. Announcement for a talk on mathematical origami by Robert Lang. Crumpling paper: states of an inextensible sheet. Cut-the-knot logo. -
Origami Design Secrets Reveals the Underlying Concepts of Origami and How to Create Original Origami Designs
SECOND EDITION PRAISE FOR THE FIRST EDITION “Lang chose to strike a balance between a book that describes origami design algorithmically and one that appeals to the origami community … For mathematicians and origamists alike, Lang’s expository approach introduces the reader to technical aspects of folding and the mathematical models with clarity and good humor … highly recommended for mathematicians and students alike who want to view, explore, wrestle with open problems in, or even try their own hand at the complexity of origami model design.” —Thomas C. Hull, The Mathematical Intelligencer “Nothing like this has ever been attempted before; finally, the secrets of an origami master are revealed! It feels like Lang has taken you on as an apprentice as he teaches you his techniques, stepping you through examples of real origami designs and their development.” —Erik D. Demaine, Massachusetts Institute of Technology ORIGAMI “This magisterial work, splendidly produced, covers all aspects of the art and science.” —SIAM Book Review The magnum opus of one of the world’s leading origami artists, the second DESIGN edition of Origami Design Secrets reveals the underlying concepts of origami and how to create original origami designs. Containing step-by-step instructions for 26 models, this book is not just an origami cookbook or list of instructions—it introduces SECRETS the fundamental building blocks of origami, building up to advanced methods such as the combination of uniaxial bases, the circle/river method, and tree theory. With corrections and improved Mathematical Methods illustrations, this new expanded edition also for an Ancient Art covers uniaxial box pleating, introduces the new design technique of hex pleating, and describes methods of generalizing polygon packing to arbitrary angles. -
Table of Contents
Contents Part 1: Mathematics of Origami Introduction Acknowledgments I. Mathematics of Origami: Coloring Coloring Connections with Counting Mountain-Valley Assignments Thomas C. Hull Color Symmetry Approach to the Construction of Crystallographic Flat Origami Ma. Louise Antonette N. De las Penas,˜ Eduard C. Taganap, and Teofina A. Rapanut Symmetric Colorings of Polypolyhedra sarah-marie belcastro and Thomas C. Hull II. Mathematics of Origami: Constructibility Geometric and Arithmetic Relations Concerning Origami Jordi Guardia` and Eullia Tramuns Abelian and Non-Abelian Numbers via 3D Origami Jose´ Ignacio Royo Prieto and Eulalia` Tramuns Interactive Construction and Automated Proof in Eos System with Application to Knot Fold of Regular Polygons Fadoua Ghourabi, Tetsuo Ida, and Kazuko Takahashi Equal Division on Any Polygon Side by Folding Sy Chen A Survey and Recent Results about Common Developments of Two or More Boxes Ryuhei Uehara Unfolding Simple Folds from Crease Patterns Hugo A. Akitaya, Jun Mitani, Yoshihiro Kanamori, and Yukio Fukui v vi CONTENTS III. Mathematics of Origami: Rigid Foldability Rigid Folding of Periodic Origami Tessellations Tomohiro Tachi Rigid Flattening of Polyhedra with Slits Zachary Abel, Robert Connelly, Erik D. Demaine, Martin L. Demaine, Thomas C. Hull, Anna Lubiw, and Tomohiro Tachi Rigidly Foldable Origami Twists Thomas A. Evans, Robert J. Lang, Spencer P. Magleby, and Larry L. Howell Locked Rigid Origami with Multiple Degrees of Freedom Zachary Abel, Thomas C. Hull, and Tomohiro Tachi Screw-Algebra–Based Kinematic and Static Modeling of Origami-Inspired Mechanisms Ketao Zhang, Chen Qiu, and Jian S. Dai Thick Rigidly Foldable Structures Realized by an Offset Panel Technique Bryce J. Edmondson, Robert J. -
GEOMETRIC FOLDING ALGORITHMS I
P1: FYX/FYX P2: FYX 0521857570pre CUNY758/Demaine 0 521 81095 7 February 25, 2007 7:5 GEOMETRIC FOLDING ALGORITHMS Folding and unfolding problems have been implicit since Albrecht Dürer in the early 1500s but have only recently been studied in the mathemat- ical literature. Over the past decade, there has been a surge of interest in these problems, with applications ranging from robotics to protein folding. With an emphasis on algorithmic or computational aspects, this comprehensive treatment of the geometry of folding and unfolding presents hundreds of results and more than 60 unsolved “open prob- lems” to spur further research. The authors cover one-dimensional (1D) objects (linkages), 2D objects (paper), and 3D objects (polyhedra). Among the results in Part I is that there is a planar linkage that can trace out any algebraic curve, even “sign your name.” Part II features the “fold-and-cut” algorithm, establishing that any straight-line drawing on paper can be folded so that the com- plete drawing can be cut out with one straight scissors cut. In Part III, readers will see that the “Latin cross” unfolding of a cube can be refolded to 23 different convex polyhedra. Aimed primarily at advanced undergraduate and graduate students in mathematics or computer science, this lavishly illustrated book will fascinate a broad audience, from high school students to researchers. Erik D. Demaine is the Esther and Harold E. Edgerton Professor of Elec- trical Engineering and Computer Science at the Massachusetts Institute of Technology, where he joined the faculty in 2001. He is the recipient of several awards, including a MacArthur Fellowship, a Sloan Fellowship, the Harold E. -
Valentina Beatini Cinemorfismi. Meccanismi Che Definiscono Lo Spazio Architettonico
Università degli Studi di Parma Dipartimento di Ingegneria Civile, dell'Ambiente, del Territorio e Architettura Dottorato di Ricerca in Forme e Strutture dell'Architettura XXIII Ciclo (ICAR 08 - ICAR 09 - ICAR 10 - ICAR 14 - ICAR17 - ICAR 18 - ICAR 19 – ICAR 20) Valentina Beatini Cinemorfismi. Meccanismi che definiscono lo spazio architettonico. Kinematic shaping. Mechanisms that determine architecture of space. Tutore: Gianni Royer Carfagni Coordinatore del Dottorato: Prof. Aldo De Poli “La forma deriva spontaneamente dalle necessità di questo spazio, che si costruisce la sua dimora come l’animale che sceglie la sua conchiglia. Come quell’animale, sono anch’io un architetto del vuoto.” Eduardo Chillida Università degli Studi di Parma Dipartimento di Ingegneria Civile, dell'Ambiente, del Territorio e Architettura Dottorato di Ricerca in Forme e Strutture dell'Architettura (ICAR 08 - ICAR 09 – ICAR 10 - ICAR 14 - ICAR17 - ICAR 18 - ICAR 19 – ICAR 20) XXIII Ciclo Coordinatore: prof. Aldo De Poli Collegio docenti: prof. Bruno Adorni prof. Carlo Blasi prof. Eva Coisson prof. Paolo Giandebiaggi prof. Agnese Ghini prof. Maria Evelina Melley prof. Ivo Iori prof. Gianni Royer Carfagni prof. Michela Rossi prof. Chiara Vernizzi prof. Michele Zazzi prof. Andrea Zerbi. Dottorando: Valentina Beatini Titolo della tesi: Cinemorfismi. Meccanismi che definiscono lo spazio architettonico. Kinematic shaping. Mechanisms that determine architecture of space. Tutore: Gianni Royer Carfagni A Emilio, Maurizio e Carlotta. Ringrazio tutti i professori e tutti i colleghi coi quali ho potuto confrontarmi nel corso di questi anni, e in modo particolare il prof. Gianni Royer per gli interessanti confronti ed il prof. Aldo De Poli per i frequenti incoraggiamenti. -
Marvelous Modular Origami
www.ATIBOOK.ir Marvelous Modular Origami www.ATIBOOK.ir Mukerji_book.indd 1 8/13/2010 4:44:46 PM Jasmine Dodecahedron 1 (top) and 3 (bottom). (See pages 50 and 54.) www.ATIBOOK.ir Mukerji_book.indd 2 8/13/2010 4:44:49 PM Marvelous Modular Origami Meenakshi Mukerji A K Peters, Ltd. Natick, Massachusetts www.ATIBOOK.ir Mukerji_book.indd 3 8/13/2010 4:44:49 PM Editorial, Sales, and Customer Service Office A K Peters, Ltd. 5 Commonwealth Road, Suite 2C Natick, MA 01760 www.akpeters.com Copyright © 2007 by A K Peters, Ltd. All rights reserved. No part of the material protected by this copyright notice may be reproduced or utilized in any form, electronic or mechanical, including photo- copying, recording, or by any information storage and retrieval system, without written permission from the copyright owner. Library of Congress Cataloging-in-Publication Data Mukerji, Meenakshi, 1962– Marvelous modular origami / Meenakshi Mukerji. p. cm. Includes bibliographical references. ISBN 978-1-56881-316-5 (alk. paper) 1. Origami. I. Title. TT870.M82 2007 736΄.982--dc22 2006052457 ISBN-10 1-56881-316-3 Cover Photographs Front cover: Poinsettia Floral Ball. Back cover: Poinsettia Floral Ball (top) and Cosmos Ball Variation (bottom). Printed in India 14 13 12 11 10 10 9 8 7 6 5 4 3 2 www.ATIBOOK.ir Mukerji_book.indd 4 8/13/2010 4:44:50 PM To all who inspired me and to my parents www.ATIBOOK.ir Mukerji_book.indd 5 8/13/2010 4:44:50 PM www.ATIBOOK.ir Contents Preface ix Acknowledgments x Photo Credits x Platonic & Archimedean Solids xi Origami Basics xii -
Artistic Origami Design, 6.849 Fall 2012
F-16 Fighting Falcon 1.2 Jason Ku, 2012 Courtesy of Jason Ku. Used with permission. 1 Lobster 1.8b Jason Ku, 2012 Courtesy of Jason Ku. Used with permission. 2 Crab 1.7 Jason Ku, 2012 Courtesy of Jason Ku. Used with permission. 3 Rabbit 1.3 Courtesy of Jason Ku. Used with permission. Jason Ku, 2011 4 Convertible 3.3 Courtesy of Jason Ku. Used with permission. Jason Ku, 2010 5 Bicycle 1.8 Jason Ku, 2009 Courtesy of Jason Ku. Used with permission. 6 Origami Mathematics & Algorithms • Explosion in technical origami thanks in part to growing mathematical and computational understanding of origami “Butterfly 2.2” Jason Ku 2008 Courtesy of Jason Ku. Used with permission. 7 Evie 2.4 Jason Ku, 2006 Courtesy of Jason Ku. Used with permission. 8 Ice Skate 1.1 Jason Ku, 2004 Courtesy of Jason Ku. Used with permission. 9 Are there examples of origami folding made from other materials (not paper)? 10 Puppy 2 Lizard 2 Buddha Penguin 2 Swan Velociraptor Alien Facehugger Courtesy of Marc Sky. Used with permission. Mark Sky 11 “Toilet Paper Roll Masks” Junior Fritz Jacquet Courtesy of Junior Fritz Jacquet. Used with permission. 12 To view video: http://vimeo.com/40307249. “Hydro-Fold” Christophe Guberan 13 stainless steel cast “White Bison” Robert Lang “Flight of Folds” & Kevin Box Robert Lang 2010 & Kevin Box Courtesy of Robert J. Lang and silicon bronze cast 2010 Kevin Box. Used with permission. 14 “Flight of Folds” Robert Lang 2010 Courtesy of Robert J. Lang. Used with permission. 15 To view video: http://www.youtube.com/watch?v=XEv8OFOr6Do. -
Download from the Research Site Given Above
INTERACTIVE MANIPULATION OF VIRTUAL FOLDED PAPER by JOANNE MARIE THIEL B.Sc, The University of Western Ontario, 1996 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE in THE FACULTY OF GRADUATE STUDIES DEPARTMENT OF COMPUTER SCIENCE We accept thi^^esiivas conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October 1998 © Joanne Marie Thiel, 1998 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of C&MDxSher S>C\ elACP The University of British Columbia Vancouver, Canada Date QcJtohejr % /9?fS DE-6 (2/88) ABSTRACT The University of British Columbia INTERACTIVE MANIPULATION OF VIRTUAL FOLDED PAPER by Joanne Marie Thiel Origami is the art of folding paper. Traditionally, origami models have been recorded as a sequence of diagrams using a standardised set of symbols and terminology. The emergence of virtual reality and 3D graphics, however, has made it possible to use the computer as a tool to record and teach origami models using graphics and animation. Little previous work has been done in the field to produce a data structure and implementation that accurately capture the geometry and behaviour of a folded piece of paper. -
6Osme Program
6OSME PROGRAM 11TH MON MORNING 1 9:00-10:40 A0 PLENARY SESSION Opening Ceremony Plenary Lecture: Gregory Epps Industrial Robotic Origami Session Chair: Koichi Tateishi 11TH MON MORNING 2 11:05-12:20 A1 SOFTWARE Session Chair: Ryuhei Uehara 87 Robert J. Lang Tessellatica: A Mathematica System for Origami Analysis 126 Erik D. Demaine and Jason Ku Filling a Hole in a Crease Pattern: Isometric Mapping of a Polygon given a Folding of its Boundary 96 Hugo Akitaya, Jun Mitani, Yoshihiro Kanamori and Yukio Fukui Generating Folding Sequences from Crease Patterns of Flat-Foldable Origami E1 SELF FOLDING 1 Session Chair: Eiji Iwase 94 Aaron Powledge, Darren Hartl and Richard Malak Experimental Analysis of Self-Folding SMA-based Sheets for Origami Engineering 183 Minoru Taya Design of the Origami-like Hinge Line of Space Deployable Structures 135 Daniel Tomkins, Mukulika Ghosh, Jory Denny, and Nancy Amato Planning Motions for Shape-Memory Alloy Sheets L1 DYNAMICS Session Chair: Zhong You 166 Megan Roberts, Sameh Tawfick, Matthew Shlian and John Hart A Modular Collapsible Folded Paper Tower 161 Sachiko Ishida, Hiroaki Morimura and Ichiro Hagiwara Sound Insulating Performance on Origami-based Sandwich Trusscore Panels 77 Jesse Silverberg, Junhee Na, Arthur A. Evans, Lauren McLeod, Thomas Hull, Chris D. Santangelo, Ryan C. Hayward, and Itai Cohen Mechanics of Snap-Through Transitions in Twisted Origami M1 EDUCATION 1 Session Chair: Patsy Wang-Iverson 52 Sue Pope Origami for Connecting Mathematical Ideas and Building Relational Understanding of Mathematics 24 Linda Marlina Origami as Teaching Media for Early Childhood Education in Indonesia (Training for Teachers) 78 Lainey McQuain and Alan Russell Origami and Teaching Language and Composition 11TH MON AFTERNOON 1 14:00-15:40 A2 SELF FOLDING 2 Session Chair: Kazuya Saito 31 Jun-Hee Na, Christian Santangelo, Robert J. -
Paper-Fold Physics: Newton’S Three Laws of Motion Lisa (Yuk Kuen) Yau Revised Date: Monday, July 30, 2018
Unit Title: Paper-fold Physics: Newton’s Three Laws of Motion Lisa (Yuk Kuen) Yau Revised Date: Monday, July 30, 2018 1. Abstract Can you teach physics effectively using only paper and the simple act of folding? This interdisciplinary curriculum unit is designed for a 5th grade class focusing on how to unpack Newton’s Three Laws of Motion using paper folding (i.e. origami) as a teaching tool to promote inquiry and project-based learning. Students will learn scientific concepts by making paper models, testing them to form hypotheses, analyzing the collected data with graphs, researching supporting theories of Newton, making real-world connections, writing scientific conclusions, and applying their new understandings to solve challenges such as how to design a paper container to protect a fragile egg from cracking under a stressful landing. Can paper folding be a teaching strategy to promote an equitable and competitive learning environment for all students from the hyperactive to the hypersensitive, from the “underachievers” to the “overachievers”, and all other biased labels in between? Folding in solitude is a calming activity that builds concentration and focus (i.e., mindfulness), allows each student multiple opportunities to fail and succeed. In the repeating actions of folding in order to gain mastery, student can retain the learned knowledge better and longer. From my own experience, I have witnessed how powerful origami can help students to verbalize what they are learning to each other. Students gain a better sense of self and community as they make personal connections to real problems and situations with their hands “thinking out loud.” Of course, origami is not the magic pill but if uses properly, it can open many doors of positive learning for both students and teachers from all walks of life. -
Mortality Statistics and Paper Folding
Welcome to Issue 79 of the Secondary Magazine. Contents From the editor In order to focus clearly on our mathematical thinking, it is helpful sometimes to address questions and problems that require a minimum of mathematical background. It’s in the News! Mortality Statistics Each year the Office for National Statistics publishes a set of data showing the causes of death for the previous year. In January 2011 the data for 2009 was released, showing some interesting statistics which might challenge our intuitive understanding of, and the way that the media presents, the dangers facing us. This is used as a context for students to explore the way that data is presented and interpreted. The Interview – James Grime Dr James Grime is the Enigma Project Officer of the Millennium Mathematics Project in the Department of Mathematics and Theoretical Physics at the University of Cambridge. He travels the UK, and the world, talking to schools and adult audiences about mathematical ideas and their histories. Focus on…paper folding Paper folding explorations include the generation of mathematical objects, the doing of mathematical actions and the proving of relationships. 5 things to do Will you be arranging to be at a STEM careers conference, or at a meeting about algebra without equations, or at a workshop on using origami in the classroom? There is still time to apply for a Media Fellowship, and respond to the Call for Evidence relating to the National Curriculum Review. Or you could just relax by watching Tung Ken Lam fold a cuboctahedron! Subject Leadership Diary Sometimes a subject leader may seize an opportunity to convey messages to the whole school, for example by taking a school assembly. -
Rigid Foldability of the Augmented Square Twist
Rigid foldability of the augmented square twist Thomas C. Hull∗ Michael T. Urbanski∗ Abstract Define the augmented square twist to be the square twist crease pattern with one crease added along a diagonal of the twisted square. In this paper we fully describe the rigid foldability of this new crease pattern. Specifically, the extra crease allows the square twist to rigidly fold in ways the original cannot. We prove that there are exactly four non-degenerate rigid foldings of this crease pattern from the unfolded state. 1 Introduction The classic square twist, shown in Figure1(a) where bold creases are mountains and non-bolds are valleys, is well-known in origami art from its use in the Kawasaki rose [Kasahara and Takahama 87] and in origami tessellations [Gjerde 08]. However, this is also an example of an origami crease pattern that is not rigidly-foldable, meaning that it cannot be folded along the creases into the flat, square-twist state without bending the faces of the crease pattern along the way. (See [Hull 13] for one proof of this.) In fact, this lack of rigid foldability has been used by researchers to study the mechanics of bistability in origami [Silverberg et al. 15]. Interestingly, there are ways one can change the mountain-valley assignment of the square twist to make it rigidly foldable; they require the inner diamond of Figure1(a) to be either MMVV, MVVV, or VMMM [Evans et al. 15]. (a) (b) <latexit sha1_base64="/fzg+CWb0AT6ecnLRXHYg+NPtNs=">AAAB7HicbVBNSwMxEJ34WetX1aOXYBE8ld0iqLeCF48V3LbQLiWbZtvYbLIkWaEs/Q9ePKh49Qd589+YtnvQ1gcDj/dmmJkXpYIb63nfaG19Y3Nru7RT3t3bPzisHB23jMo0ZQFVQulORAwTXLLAcitYJ9WMJJFg7Wh8O/PbT0wbruSDnaQsTMhQ8phTYp3U6qWG9/1+perVvDnwKvELUoUCzX7lqzdQNEuYtFQQY7q+l9owJ9pyKti03MsMSwkdkyHrOipJwkyYz6+d4nOnDHCstCtp8Vz9PZGTxJhJErnOhNiRWfZm4n9eN7PxdZhzmWaWSbpYFGcCW4Vnr+MB14xaMXGEUM3drZiOiCbUuoDKLgR/+eVVEtRrNzXv/rLaqBdplOAUzuACfLiCBtxBEwKg8AjP8ApvSKEX9I4+Fq1rqJg5gT9Anz+zg46x</latexit>