Merrily We Oo to Hell." Army of the Air
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The Ghost and Mrs Muir, Du Fantastique Au Merveilleux
The Ghost and Mrs Muir, du fantastique au merveilleux Lefebvre Jacques Pour citer cet article Lefebvre Jacques, « The Ghost and Mrs Muir, du fantastique au merveilleux », Cycnos, vol. 20.1 (Métaphores. L'image et l'ailleurs), 2003, mis en ligne en 2021. http://epi-revel.univ-cotedazur.fr/publication/item/867 Lien vers la notice http://epi-revel.univ-cotedazur.fr/publication/item/867 Lien du document http://epi-revel.univ-cotedazur.fr/cycnos/867.pdf Cycnos, études anglophones revue électronique éditée sur épi-Revel à Nice ISSN 1765-3118 ISSN papier 0992-1893 AVERTISSEMENT Les publications déposées sur la plate-forme épi-revel sont protégées par les dispositions générales du Code de la propriété intellectuelle. Conditions d'utilisation : respect du droit d'auteur et de la propriété intellectuelle. L'accès aux références bibliographiques, au texte intégral, aux outils de recherche, au feuilletage de l'ensemble des revues est libre, cependant article, recension et autre contribution sont couvertes par le droit d'auteur et sont la propriété de leurs auteurs. Les utilisateurs doivent toujours associer à toute unité documentaire les éléments bibliographiques permettant de l'identifier correctement, notamment toujours faire mention du nom de l'auteur, du titre de l'article, de la revue et du site épi-revel. Ces mentions apparaissent sur la page de garde des documents sauvegardés ou imprimés par les utilisateurs. L'université Côte d’Azur est l'éditeur du portail épi-revel et à ce titre détient la propriété intellectuelle et les droits d'exploitation du site. L'exploitation du site à des fins commerciales ou publicitaires est interdite ainsi que toute diffusion massive du contenu ou modification des données sans l'accord des auteurs et de l'équipe d’épi-revel. -
1 \^Ith D Brownsville a and B Valley D Theaters 1
1 \^ith D Brownsville a and B Valley D Theaters 1 COMEDY RIOT STARS OF FILM WILL IS ADVISING I IN ‘OUR BETTERS’ HaewaHHBBBMT «ws\ iteS And the big laugh riot ‘"Riey Just Had to Get Married”, featuring fSUm Summerville and Zasu Pitts, the great laugh team. Showing Tuesday and Wednesday at the Capitol. Brownsville. Constance Bennett and Gilbert Roland in “Our Betters’* showing to- day and Monday at the Rivoli Theatre. San Benito. Dick Powell. Marion Nixon and Will Rogers in “Too Busy to Work," “THE showing Tuesday and Wednesday at V\e Rivoli Theatre. San Benito. GREAT JASPER’1 stalwart young leading man Is cast as Lieut. B F. Pinkerton. Charlie LAW ON I'AROLE GIRL’S TRAIL THRILLS ARE Ruggles has an effective comedy ummm mmmrn " role especially written into the pic- ture for him. Irving Pu^el Is a con- APLENTY IN vincing menaco’. Pistol Shoot Sunday (Special to The Herald • FILM HARLINGEN. March 25 —The QUEEN_ last preliminary pistol shoot before the record shoot of April 9. is ex- Edward G. Robinson and Bebe Daniels in “Silver Dollar." showing Ha* ‘Lucky Devil*’ pected to be held by reserve of- Thursday and Friday at the Rivoli Theatre, San Benito. Bill In ficers of the Valley at A< Boyd Gardens Sunday. Lead Role In April the officers will PRIVATE JONES (SPITFIRE TRACY) for medals offered by a San tonic firm. Dare-devil stunts performed by w. nos men with charmed lives make Richard Dix In a new screen hit The Great "MARRIAM again Jasper" supported Lucky Devils,' Bill Boyd's new RKO by Wera Engels and Edna May Oliver. -
Tyrone Power
Tyrone Power 66638_Kelly.indd638_Kelly.indd i 227/11/207/11/20 11:15:15 PPMM International Film Stars Series Editor: Homer B. Pett ey and R. Barton Palmer Th is series is devoted to the artistic and commercial infl uence of performers who shaped major genres and movements in international fi lm history. Books in the series will: • Reveal performative features that defi ned signature cinematic styles • Demonstrate how the global market relied upon performers’ generic contributions • Analyse specifi c fi lm productions as casetudies s that transformed cinema acting • Construct models for redefi ning international star studies that emphasise materialist approaches • Provide accounts of stars’ infl uences in the international cinema marketplace Titles available: Close-Up: Great Cinematic Performances Volume 1: America edited by Murray Pomerance and Kyle Stevens Close-Up: Great Cinematic Performances Volume 2: International edited by Murray Pomerance and Kyle Stevens Chinese Stardom in Participatory Cyberculture by Dorothy Wai Sim Lau Geraldine Chaplin: Th e Gift of Film Performance by Steven Rybin Tyrone Power: Gender, Genre and Image in Classical Hollywood Cinema by Gillian Kelly www.euppublishing.com/series/ifs 66638_Kelly.indd638_Kelly.indd iiii 227/11/207/11/20 11:15:15 PPMM Tyrone Power Gender, Genre and Image in Classical Hollywood Cinema Gillian Kelly 66638_Kelly.indd638_Kelly.indd iiiiii 227/11/207/11/20 11:15:15 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutt ing-edge scholarship with high editorial and production values to produce academic works of lasting importance. -
32 Rudolf Pfenninger in His Laboratory with Hand
Rudolf Pfenninger in his laboratory with hand-drawn sound strips, 1932. Source: Pfenninger Archive, Munich. 32 “Tones from out of Nowhere”: Rudolph Pfenninger and the Archaeology of Synthetic Sound THOMAS Y. LEVIN 4.014 The gramophone record, the musical idea, the written notes, the sound waves, all stand in the same internal representational relationship to one another that obtains between language and the world. —Ludwig Wittgenstein, Tractatus logico-philosophicus (1921) “All-of-a-tremble”: The Birth of Robotic Speech On February 16, 1931, the New York Times ran a story on a curious development that had just taken place in England: “Synthetic Speech Demonstrated in London: Engineer Creates Voice which Never Existed” read the headline.1 The day before, so the article began, “a robot voice spoke for the first time in a darkened room in London . uttering words which had never passed human lips.” According to the accounts of this event in numerous European papers, a young British physi- cist named E.A. Humphries was working as a sound engineer for the British International Film Co. when the studio ran into a serious problem. A synchro- nized sound film (then still quite a novelty) starring Constance Bennett had just been completed in which the name of a rather unsavory criminal character hap- pened to be the same as that of a certain aristocratic British family. This noble clan was either unable or unwilling to countenance the irreducible—even if seemingly paradoxical—polysemy of the proper name (so powerful, perhaps, was the new experience of hearing it actually uttered in the cinema) and threat- ened a libel suit if “their” name was not excised. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
Waldorf 'Astoria' •
C-8 THE EVENING STAR. WASHINGTON. D. C.. MONDAY, SEPTEMBER 28. 1931. p.m. Stage shows at 13:19, 3:39, 4:39, a.m., 1:49, 4:32, 7:30 and 10:05 p.m. Street Cert Spoil Radio. AMUSEMENTS. AMUSEMENTS. TODAYS AMUSEMENTS. 7:26 and 9:36 p.m. Stage shows, with Flfl D’Orsay, at 12:49. Beauties,” Glasgow, Scotland, la 2Jx3J Gayety—Burlesque, “Dixie Keith’*—"Smart Woman,” at 3:34, 6:33 and 9:07 p.m. trying to abolish NATIONAL' Rveo- SDe at 2:15 8:15 p.m. R-K-O Interference to radio reception caused A'**l** to BS SB MIHOTf Voigt and 11:50 1:45, 1:46, 5:45, 7:45 and TMigbt 41 Tonight B;tB Sot. Mat Wlr-SI.BB lander Cameras am.. Central—“Dirigible,” 11 a.m. to 11 by street cars. Listeners complained to *• •*"*• Compnr 500 WILL ATTEND With 4-5 Metropolitan—" Alexander Hamilton,” 9:45 p.m. p.m. city officials that their sets begin to W Shatter at 11 am., 12:46, 2:34, 4:33, 6:10, 7:58 Tivoli—“The Smiling Lieutenant,” at -3E. BelascO sss. MAT- SBe. 780 and Sl.St| 1 "go‘Silly” when a street car is a quarter SAM H. jwKD. and 9:46 p.m. 3, 3:60. 6:40, 7:36 and 9:30 p.m, Ambassador—“l Like Your Nerve,” at of a mile away, and that reception Is HARRIS Present* The Hilarious Hit er ..1. j. wiw. $27.00 sN^ Rialto—“Homicide Squad,” at 11:50 Earle—"l Like Your Nerve.” 11:23 6:15, 8 and 9:55 p.m. -
1933-07-07 [P B-4]
Miss Bennett Forsakes Pert Kelton New Film Teams Coming Soon to Local Theaters Personality Rich Dreams in New Play Will Be Treat in "Nana" MBed of Roses" Reveals Luxury, but Torch-Bearer Anna Sten, Russian Actress, Must Look tc of Film Is Associate Character of Swaggering Laurels When Clever Vaudeville Per- Type—New Orleans Scenes. former Is Flashed on Screen. By E. de S. Melcher. By Mollie Merrick. e (n_a.n.a.).—a word about p«ri Constance Bennett is the star or "sea or Koses" Dy calif., July reason of lines, face and figure, you will get more enjoy- Kelton, who will have the role of Satin In the Goldwyr ment out of Pert Kelton doing a Mae West than anything production of "Nana," which stars Anna Sten, a Russian girl else in the film. Miss once a jibbering, young Hollywood, WHILE Kelton, who has been one year in Hollywood preparing for a big career musical comedienne (who came in and did a song while comedy No matter how good Anna Sten be in "Nana," the chancei the heroine changed her dress), is very, very convincing as a reform may are that Pert school graduate who wanders about the globe intuning her speeches Kelton, newcomer to the screen but known to vaudeville through her nose, and swaggering about in skirts which are brief, since she's bepn old enough to think, may eclipse her. The girl whose tight and good only for standing up. tip-tilted nose and cute ways undoubtedly earned for her the nick- and that such actions can oruy Dear me While Sister Constance perambulates name "Pert," has a way of walking off with the audience in the around millionaires' homes and boat fruit of happiness. -
II\. Y LE W. NA SH Ethel Grandin
TOY COUNTER POSITIVE would be ashamed to show my mother/" (Continued from Page 20) How many directors of today could say construction. If the moving plunger rn the same thing? the slide whistle motor fails to move * * * smoothly inside its wooden tube, lubri WOODLAND HILLS, California is cate it with graphite. an area of rolling hills about 3 5 miles The positiv is winded at ten inches from Los Angeles . Here the motion pic and is fed through a one-inch conductor. ture industry maintains an elaborate, A sound length of that discarded one luxurious estate for retired workers. inch garden hose should do the trick. With the magnificent home is a superb The cable need consist of one conductor hospital and rest center . Everything at for each of the single-tone effects and the home is free. two for the slide whistle-plus a return * * * for all. Better include a couple of spares SILENT screen personalities we visit- because it's easier to switch over to a ~ DIRECTED BY ed with in Woodland Hills included spare than trace an entire cable for _,....,..,II\. Y LE W. NA SH Ethel Grandin .. Dorothy Devore, who a flaw once it's installed. charmed millions with her comedy roles in the 20s, is mending from a serious HA VE YOU ever wondered what illness . Dot Farley, famed for her "The Covered Wagon " of 1923 would comedy roles with Earle Foxe, lives at look like in wide screen and living color? the home ... Betty Blythe, siren of the A very close approximation of TCW of early silents, lives in a beautiful cottage the silent era is "The Way West " which overlooking the lake. -
Director George Cukor Honored Five-Week-21-Film
The Museum of Modern Art ^^ ^^ I 11%^ iwiM^^^Miii VI ivawMX^l •• f-mi % ^^^ IMMEDIATE RELEASE 11 West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart DIRECTOR GEORGE CUKOR HONORED FIVE-WEEK-21-FILM RETROSPECTIVE A Five-Week Tribute to George Cukor, including 22 films by the American director, will commence on August 27, 1970 at The Museum of Modern Art. Starting with THE ROYAL FAMILY OF BROADWAY, the 1930 movie based on the famous Barrymore clan, with Ina Claire and Fredric March, the Cukor show covers more than three decades in the director's career. In the thirties, stars such as Gary Grant were familiar fixtures in his pictures; the late forties and fifties were marked by the film-maker's frequent collaboration with screenwriters Garson Kanin and his actress wife Ruth Gordon, as well as his pictures co- starring Katharine Hepburn and Spencer Tracy. The final film of the series, THE CHAPMAN REPORT, was made in 1963. The retrospective was assembled by Gary Carey, former Assistant Curator of the Museum's Department of Film and author of a forthcoming book entitled Cukor & Co., to be pub lished this fall by the Museum. According to Carey, Cukor was most sympathetic to comic material which had "a strong undercurrent of humanity." Cukor emphasized the roles of his writing collaborators, as well as his actors, because he was primarily influenced by the theater, which he entered in Chicago in 1918. He was a stage manager when stars such as Sarah Bernhardt, Isadora Duncan, Yvette Guilbert, Alia Nazimova, and Elsie Ferguson reigned. -
PRICES REALIZED DETAIL - Hollywood Auction 53, Auction Date: 12/15/2012
26901 Agoura Road, Suite 150, Calabasas Hills, CA 91301 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood Auction 53, Auction Date: 12/15/2012 LOT ITEM PRICE 1 VINTAGE LON CHANEY PHOTOGRAPH FROM THE PHANTOM OF THE OPERA. $800 2 VINTAGE FUTURISTIC CITY PHOTOGRAPH FROM FRITZ LANG’S METROPOLIS. $1,200 3 MARY PHILBIN “CHRISTINE DAAE” PHOTOGRAPH FROM THE PHANTOM OF THE OPERA. $300 4 LOUISE BROOKS PUBLICITY PORTRAIT. $2,500 5 LOUISE BROOKS PORTRAIT FOR NOW WE’RE IN THE AIR. $400 9 ALFRED CHENEY JOHNSTON NUDE PORTRAIT OF PEGGY PAGE. $1,000 10 ALFRED CHENEY JOHNSTON OVERSIZE NUDE PORTRAIT OF JULIE NEWMAR. $1,200 11 ALFRED CHENEY JOHNSTON PORTRAIT OF UNIDENTIFIED SEATED NUDE. $600 13 VINTAGE CARROLL BORLAND AS “LUNA” PHOTOGRAPH FROM MARK OF THE VAMPIRE $325 16 KATHARINE HEPBURN OVERSIZE GALLERY PORTRAIT BY ERNEST A. BACHRACH. $200 17 KATHARINE HEPBURN OVERSIZE GALLERY PORTRAIT BY ERNEST A. BACHRACH. $1,100 18 PAIR OF KATHARINE HEPBURN OVERSIZE GALLERY PORTRAITS BY ERNEST A. $1,700 BACHRACH. 19 KATHARINE HEPBURN OVERSIZE GALLERY PORTRAIT BY ERNEST A. BACHRACH. $1,200 20 KATHERINE HEPBURN OVERSIZE GALLERY PORTRAIT BY ERNEST A. BACHRACH. $475 21 KATHERINE HEPBURN OVERSIZE GALLERY PORTRAIT BY ERNEST A. BACHRACH. $650 23 KATHERINE HEPBURN OVERSIZE GALLERY PORTRAIT BY ERNEST A. BACHRACH. $1,200 Page 1 of 39 26901 Agoura Road, Suite 150, Calabasas Hills, CA 91301 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood Auction 53, Auction Date: 12/15/2012 LOT ITEM PRICE 24 KATHERINE HEPBURN OVERSIZE GALLERY PORTRAIT BY ERNEST A. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details NNoo CCrriinnoolliinnee--CCoovveerreedd LLaaddyy:: SSttaarrddoomm,, AAggeennccyy,, aanndd tthhee CCaarreeeerr ooff BBaarrbbaarraa SSttaannwwyycckk Linda Berkvens DPhil thesis submitted to the University of Sussex March 2011 1 I hereby declare that this thesis has not been and will not be, submitted whole or in part to another University for the award of any other degree. Signature:………………………………………………………………………………………. 2 Acknowledgements I am grateful to the following people for all their support, feedback, and encouragement: Dr. Frank Krutnik, Dr. Thomas Austin, Dr. Michael Hammond, Dr. Niall Richardson, my PhD- buddy Rosemary Shirley, Sharif Mowlabocus, the DPhil student organizers of the MeCCSA Postgraduate Conference 2008, Constance McCormick-Van Wyck, Jenny Romero at the Margaret Herrick Library, Sandra Joy Lee and Jonathan Auxier at the Warner Bros. Archives, Ned Comstock at the Cinematic Arts Library and Dace Taube at the Regional History Center at the University of Southern California, staff at the BFI, University of Sussex Library and Special Collections, Paley Center in New York and Los Angeles, EYE Film Instituut Nederland library, my DPhil friends in the School of Media, Film, and Music, Nick Till, Sarah Maddox, Tamar Jeffers McDonald, Martin Shingler, Kate & Rachel, Charlotte, and Willemijn.