House of Lords Official Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Full Text for More Than 8,500 Scholar- Ly Business Journals and Other Sources, Including Full Text for More Than 1,100 Peer-Reviewed Business Publications
2OO8 and electronically at [email protected] © British and American Studies, vol. XIV, 2008 CONTENTS “POST”-DILEMMAS MICHAEL CHAPMAN POSTCOLONIALISMA LITERARY TURN / 7 PIA BRÎNZEU “POSTCOLONIALISM” OR “POSTCOLONIALISMS”?: THE DILEMMAS OF A TEACHER / 21 ILEANA SORA DIMITRIU POSTMODERNISM AND/ AS POSTCOLONIALISM:ON RE- READING MILAN KUNDERA AND BREYTEN BREYTENBACH / 33 ELISABETTA MARINO FROM BRICK LANE TO ALENTEJO BLUE: CROSS-CULTURAL ENCOUNTERS IN MONICA ALI’S WRITINGS / 51 DANIELA ROGOBETE PROTEAN IDENTITIES AND INVISIBLE BORDERS IN HARI KUNZRU’S THE IMPRESSIONIST / 59 MARIA ªTEFÃNESCU AN ARTIST OF FLOATING WOR(L)DS / 71 ANDREEA ªERBAN CANNIBALISED BODIES. MARGARET ATWOOD’S METAPHORS OF TROUBLED IDENTITIES / 79 ANDREEA TEREZA NIÞIªOR TWO INSTANCES OF THE FRAGMENTARY IN THE POSTMODERN NOVEL: ITALO CALVINO’S IF ON A WINTER’S NIGHT A TRAVELER AND ANNIE PROULX’S THE SHIPPING NEWS / 89 CRISTINA CHEVEREªAN DEARLY BELOVED:TONI MORRISON’S RESURRECTION OF THE AFRICAN-AMERICAN NARRATIVE / 105 JACQUES RAMEL UNDEAF YOUR EARS: WHAT THE TRAGEDY OF RICHARD II GIVES US TO HEAR / 113 KLAUDIA PAPP INSCRIPTION AND ENCRYPTION: DAPHNE DU MAURIER’S REBECCA / 121 CLAUDIA IOANA DOROHOLSCHI WILLIAM MORRIS’S CHILD CHRISTOPHER AND GOLDILIND THE FAIR: MEDIEVALISM AND THE ANTI-NATURALISM OF THE 1890S / 129 ANNIE RAMEL THE WHEEL OF DESIRE IN THE MILL ON THE FLOSS / 139 DANA PERCEC BARRY UNSWORTH AND THE HISTORICAL NOVEL TODAY / 151 TERESA BELA NARRATIVE TECHNIQUE IN THE EARLY NOVELS OF PIERS PAUL READ / 161 ISTVÁN D. RÁCZ WHAT IS “ALMOST TRUE”: LARKIN AND KEATS / 171 CLAIRE CRABTREE-SINNETT INTENSITIES OF CONSCIOUSNESS DELUSION, DREAM, AND DELIRIUM IN VIRGINIA WOOLF’S MRS. DALLOWAY AND KATHERINE ANN PORTER’S “PALE HORSE, PALE RIDER” / 181 B.A.S. -
Top 40 Singles Top 40 Albums
08 March 1987 CHART #559 Top 40 Singles Top 40 Albums Funky Town Thorn In My Side Revenge Different Light 1 Pseudo Echo 21 Eurythmics 1 Eurythmics 21 The Bangles Last week 3 / 2 weeks EMI Last week 15 / 8 weeks RCA Last week 1 / 28 weeks Platinum / RCA Last week 19 / 19 weeks FESTIVAL Word Up Hungry Town Graceland True Colours 2 Cameo 22 Big Pig 2 Paul Simon 22 Cyndi Lauper Last week 1 / 3 weeks POLYGRAM Last week 38 / 2 weeks FESTIVAL Last week 5 / 20 weeks Platinum / WEA Last week 20 / 20 weeks Platinum / CBS Good Times Don't Give Up Genesis They Don't Make Them Like They Us... 3 Jimmy Barnes & INXS 23 Peter Gabriel & Kate Bush 3 Genesis 23 Kenny Rogers Last week 2 / 9 weeks FESTIVAL Last week 34 / 3 weeks VIRGIN Last week 2 / 104 weeks Platinum / POLYGRAM Last week - / 1 weeks RCA Shake You Down To Be A Lover The Whole Story So 4 Gregory Abbott 24 Billy Idol 4 Kate Bush 24 Peter Gabriel Last week 4 / 7 weeks CBS Last week 21 / 12 weeks FESTIVAL Last week 4 / 8 weeks EMI Last week 50 / 29 weeks Platinum / VIRGIN C'est La Vie Slice Of Heaven Dancing On The Ceiling The Autobiography Of Supertramp 5 Robbie Nevil 25 Dave Dobbyn 5 Lionel Richie 25 Supertramp Last week 8 / 2 weeks EMI Last week 23 / 23 weeks Gold / SONY Last week 3 / 19 weeks Platinum / RCA Last week 16 / 9 weeks Gold / FESTIVAL Greetings To The New Brunette Victory Invisible Touch Brothers In Arms 6 Billy Bragg 26 Kool & The Gang 6 Genesis 26 Dire Straits Last week 12 / 3 weeks FESTIVAL Last week 30 / 2 weeks POLYGRAM Last week 6 / 32 weeks Platinum / VIRGIN Last week 22 -
Songs of the Nativity
SONGS OF THE NATIVITY John Calvin Selected Sermons on Luke 1 & 2 Translated into English by ROBERT WHITE THE BANNER OF TRUTH TRUST 4 THE JUDGE OF ALL THE WORLD 'He has plucked princes from their seats, and has raised up the lowly. 53 He has filled with good things those who were hungry, and has left the rich empty. 54 He has received Israel his servant in remembrance of his mercy, 55 According as he spoke to our fathers, promising mercy to Abraham and his seedf or ever' (Luke r: 5 2- 5 5). t1 A ) e have seen already that, because God resists the proud, 'V V we cannot do better than walk before him in sincerity. For if we try to promote ourselves by high-fl.own ambition and careful scheming, God is bound to intervene and bring everything undone, so that it all ends in ruin and confusion. Let us not be too clever, but be sober-minded. If we did not live modestly, but rather aimed above our calling, we would become like wayward beasts-the faster we went, the more likely we would be to break our necks! That is why Mary continues her song with the words, 'God plucks princes and the mighty from their seats, and raises up the lowly.' Unbelievers, when they see the way the world is always chang• ing, think that God plays with humankind as with a ball. That is the kind of thing men say when they blaspheme God, or else they think that change is merely random.1 So what we have to notice is that, when God raises up the lowly and casts the mighty down, 49 SONGS OF THE NATIVITY The judge cf.A ll the World it is because men cannot endure their condition. -
SS RICHARD MONTGOMERY Survey and Hull Thickness Report 2013
SS RICHARD MONTGOMERY Survey and Hull Thickness Report 2013 Maritime & Coastguard Agency September 2015 1. EXECUTIVE SUMMARY 1.1 In August 1944, the US Liberty Ship SS Richard Montgomery grounded in the Thames Estuary and, despite immediate attempts to salvage the cargo of munitions, the ship sank before the salvage operation could be completed. Approximately 1400 tons of explosives remain in the forward section of the wreck. The wreck of the SS Richard Montgomery is a designated dangerous wreck under section 2 of the Protection of Wrecks Act 1973 and there is a prohibited area around the wreck. The wreck has been the subject of regular surveys using a variety of methods. 1.2 The 2013 multibeam sonar and laser scanning survey of the SS Richard Montgomery was conducted on the 13th and 14th January 2014. Initially scheduled for October 2013, the delayed start of the survey resulted mainly from prolonged very poor weather and tidal surges during the autumn and winter of 2013. 1.3 As in the 2012 survey, the Port of London Authority vessels MV Galloper and MV Yantlet were used to carry out the data acquisition. The MV Galloper, the smaller of the two vessels, was used to access the shallow areas around the wreck and the MV Yantlet acquired the seabed data surrounding the wreck site. In addition to this, and separate from the multibeam survey work, a hull thickness assessment was undertaken by a Ministry of Defence dive team. This too was affected by the continued poor weather and therefore this work was split into two phases to fit around suitable weather windows. -
ELAT Past Paper 2012
English Literature Admissions Test 4501/11 Wednesday 7 November 2012 Morning 1 hour 30 minutes Instructions to Candidates Please read this page carefully, but do not open the question paper until told to do so. A separate 8 page answer booklet is provided. Please check you have one. Write your name, date of birth and centre number in the spaces provided on the answer booklet. Please write very clearly, preferably in black ink. You should allow at least 30 minutes for reading this question paper, making notes and preparing your answer. At the end of the examination, you must hand in both your answer booklet and this question paper. Any rough notes or plans that you make should only be written in your answer booklet. No texts, dictionaries or sources of reference may be brought into the examination. Developed and administered on behalf of the University of Oxford by Cambridge Assessment. © Copyright UCLES 2012 This paper consists of 8 printed pages and 4 blank pages. Cambridge Assessment is the brand name of the University of Cambridge Local Examinations Syndicate, a department of the University of Cambridge. Cambridge Assessment is a not-for-profit organisation. 2 BLANK PAGE © Copyright UCLES 2012 3 Time allowed: 1 hour 30 minutes. You should spend at least 30 minutes reading and annotating the passages and in preparing your answer. The following poems and extracts from longer texts offer different representations of relationships within families. They are arranged chronologically by date of composition or publication. Read all the material carefully, and then complete the task below. -
Madness Mad Not Mad Mp3, Flac, Wma
Madness Mad Not Mad mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Mad Not Mad Country: UK Released: 1985 Style: Pop Rock MP3 version RAR size: 1819 mb FLAC version RAR size: 1826 mb WMA version RAR size: 1698 mb Rating: 4.1 Votes: 861 Other Formats: VOC MOD AU AAC APE TTA MMF Tracklist Hide Credits I'll Compete A1 3:21 Written-By – Woodgate*, Thompson* Yesterday's Men A2 4:37 Written-By – Foreman*, McPherson* Uncle Sam A3 4:16 Written-By – Foreman*, Thompson*, Thompson* White Heat A4 3:47 Written-By – Smyth*, McPherson* Mad Not Mad A5 4:10 Written-By – Smyth*, McPherson* Sweetest Girl B1 5:47 Written-By – Green* Burning The Boats B2 4:31 Written-By – Foreman*, McPherson* Tears You Can't Hide B3 3:08 Written-By – Smyth* Time B4 4:18 Written-By – Smyth* Coldest Day B5 4:24 Written-By – Foreman*, Langer*, McPherson* Companies, etc. Phonographic Copyright (p) – Virgin Records Ltd. Copyright (c) – Virgin Records Ltd. Published By – Nutty Sounds Published By – Warner Bros. Music Ltd. Published By – Chrysalis Music Ltd. Mastered At – Tape One Pressed By – EMI Records Credits Backing Vocals [Female] – Afrodiziak Backing Vocals [Male] – Jimmy Chambers, Jimmy Helms, Jimmy Thomas Computer [Supervisor] – Mr Tom Morley* Design [Sleeve Design] – Simon Halfon Harmonica – Judd Lander Horns – Gary Barnacle, Mr L.J. Thompson* Illustration – Ian Wright Keyboards – Steve Nieve Mastered By – BilBo (tracks: A1 to A5), DB* (tracks: B1 to B5) Percussion – Luis Jardim Performer – C.J.P. Smyth*, C.J. Foreman*, D.M. Wodgate*, G.S. McPherson*, L.J. -
Bedlam in Mind: Seeing and Reading Historical Images of Madness
Bedlam in Mind: Seeing and Reading Historical Images of Madness Bedlam in Mind: Seeing and Reading Historical Images of Madness Simon Cross Department of Media and Cultural Studies Nottingham Trent University Clifton Lane Nottingham NG11 8NS NOTTINGHAM UK Email: [email protected] Fax: 0115 9418418 Dr Simon Cross is Senior Lecturer in Media and Cultural Studies at Nottingham Trent University. He is the author oi Mediating Madness: Mental Distress and Cultural Representation. Houndsmill: Palgrave Macmillan, 2010. 1 Bedlam in Mind: Seeing and Reading Historical Images of Madness Bedlam in Mind: Seeing and Reading Historical Images of Madness Abstract. In this article I explore mythical Bedlam of popular imaginings. London's Bethlem Hospital was for centuries a unique institution caring for the insane and its alter ego 'Bedlam' influenced popular stereotypes of insanity. For instance, while the type of vagrant beggar known as a 'Tom of Bedlam' was said to have disappeared from English society with the Restoration, the figure of Mad Tom retained a visual and vocal presence within popular musical culture from the seventeenth century up to the present era. Using the ballad 'Mad Tom o' Bedlam' as a case study, I illustrate how an early modern stereotype of madness has maintained continuity within a popular song tradition whilst undergoing cultural change. Keywords: Bethlem Hospital; Bedlam; historical image of madness; continuity and change in Bedlam stereotype; 'Mad Tom of Bedlam' (Bedlamite ballad) Introduction1 In the English-speaking world, the symbol of a segregative response to insanity has long been fixed on London's Bethlem Hospital, popularly known as Bedlam (Scull, 2006). -
Open Mueller Thesis Final.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE SCHOOL OF MUSIC PRETTY OPHELIA: THE DESTRUCTIVE NATURE OF OBJECTIFICATION THROUGH MUSIC AND PROSE LEAH W. MUELLER Spring 2012 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Music Education with honors in Music Reviewed and approved* by the following: Ted Christopher Assistant Professor of Music Thesis Supervisor Joanne Rutkowski Professor of Music Education Honors Adviser * Signatures are on file in the Schreyer Honors College i ABSTRACT Shakespeare’s Ophelia has long fascinated composers, painters, poets, and scholars alike. She is at first beautiful and pure, but descends into utter madness filled with dark coded phrases that leave plenty of room for mystery and interpretation. In this thesis I investigated the lack of personal identity and tragic circumstances that lead to Ophelia’s demise. All who surround her, Hamlet, Polonius, Laertes, and even Shakespeare himself, constantly objectify her. The successive composers who have interpreted Ophelia diminish this objectification by giving her, her own voice. As part of this thesis project, a recital featuring the Brahms’ and Strauss Ophelia lieder as well as a performance of the original Shakespeare text was given on November 15th, 2011. The recital program, program notes, script, and video are included in this thesis. ii TABLE OF CONTENTS ABSTRACT i TABLE OF CONTENTS ii ACKNOWLEDGEMENTS iii CHAPTER 1: OPHELIA IN PROSE Introduction 1 Ophelia and the Play 2 A Symbol of Purity 5 Ophelia Through the Feminist Gaze 8 CHAPTER 2: OPHELIA IN MUSIC Ophelia and the French 13 Ophelia and the Germans 16 CHAPTER 3: OPHELIA ONSTAGE Performance Planning 22 Rehearsing for the Performance 25 CHAPTER 4: SUMMARY, DISCUSSION, & CONCLUSION Summary 27 Discussion 28 Conclusion 29 BIBLIOGRAPHY 30 APPENDICES APPENDIX A: Performance Script 32 APPENDIX B: Recital Program 40 APPENDIX C: Recital Program Notes 42 APPENDIX D: Video of Performance Project 45 Academic Vita iii ACKNOWLEGMENTS I would like to thank Dr. -
Madness Absolutely Mp3, Flac, Wma
Madness Absolutely mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Reggae Album: Absolutely Country: UK Released: 1980 Style: Ska MP3 version RAR size: 1211 mb FLAC version RAR size: 1832 mb WMA version RAR size: 1513 mb Rating: 4.6 Votes: 208 Other Formats: VQF RA AUD APE MP4 AHX DXD Tracklist Hide Credits Baggy Trousers A1 2:45 Written-By – Foreman*, McPherson* Embarrassment A2 3:13 Written-By – Thompson*, Barson* E.R.N.I.E. A3 2:08 Written-By – Foreman*, McPherson* Close Escape A4 3:29 Written-By – Foreman*, Thompson* Not Home Today A5 2:30 Written-By – McPherson*, Barson* On The Beat Pete A6 3:05 Written-By – Thompson*, Madness Solid Gone A7 2:22 Written-By – Smash* Take It Or Leave It B1 3:26 Written-By – Thompson*, Barson* Shadow Of Fear B2 1:58 Written-By – McPherson*, Barson* Disappear B3 2:58 Written-By – McPherson*, Bedford* Overdone B4 3:45 Written-By – Foreman*, Thompson* In The Rain B5 2:42 Written-By – Mc Pherson*, Madness You Said B6 2:35 Written-By – McPherson*, Barson* Return Of Los Palmas 7 B7 1:57 Written-By – Woodgate*, Bedford*, Barson* Companies, etc. Record Company – Virgin España, S.A. Phonographic Copyright (p) – Stiff Records Ltd. Copyright (c) – Stiff Records Ltd. Manufactured By – PolyGram Servicios, S.A. Distributed By – Discos CBS, S.A., Madrid Credits Baritone Saxophone, Tenor Saxophone – Lee Thompson* Bass – Mark Bedford Drums, Other [Fire Extinguisher] – Woody* Guitar, Sitar, Steel Guitar – Chris Foreman Illustration – Humphrey Ocean Lead Vocals, Percussion – Suggs Liner Notes – Robbi Millar Producer – Clive Langer & Alan Winstanley Vibraphone, Marimba, Harmonica, Piano, Organ – Mike Barson Vocals, Trumpet – Chas Smash Notes Close to Madness - Absolutely but with different distributor ℗ © 1980 Stiff Records Ltd. -
SS Richard Montgomery Survey Report 2017
SS Richard Montgomery Survey Report 2017 Maritime and Coastguard Agency January 2019 1. Executive Summary 1.1 The SS Richard Montgomery was a US Liberty Ship which went aground in the Thames Estuary in August 1944 whilst carrying a cargo of munitions. Although immediate efforts were made to salvage the cargo, the vessel broke in two, flooded and sank before the salvage operations could be completed. The wreck lies adjacent to the Medway Approach Channel and is approximately 1.5 miles from the town of Sheerness and 5 miles from Southend. Approximately 1400 tons of explosives remain on board the wreck and, for this reason, the wreck is designated as a dangerous wreck under section 2 of the Protection of Wrecks Act 1973 and regular surveys are undertaken. 1.2 Surveys of the wreck are undertaken in order to provide information on its condition, to identify any changes or deterioration and to inform future management strategy. For the 2017 survey of the wreck, the scope of the work included a multibeam sonar survey of the wreck and the seabed surrounding it and laser scanning of those areas of the wreck which are visible above the water. The collection of both multibeam sonar and laser scanning data have been regular features of the SS Richard Montgomery survey in recent years. As a repeat survey, the multibeam and laser data was acquired in a manner that enabled direct comparison with historical datasets and allows for comparisons with data collected in the future. In addition to this, the 2017 survey included the trialling of a new ultra-high resolution mode on the multibeam sonar unit. -
Celebrating 40 Years of Madness with Acquisition of the Band's Instruments and Costumes
PRESS RELEASE V&A goes ‘one step beyond’ celebrating 40 years of Madness with acquisition of the band’s instruments and costumes Issue date: Embargoed to 10.00, 16 May 2019 vam.ac.uk | @V_and_A Today, the V&A announces that it has acquired a selection of objects charting the 40-year history of the band Madness. This includes a newspaper print suit worn in the music video for the 1986 single ‘(Waiting for) The Ghost Train’ and on the cover for the band’s greatest hits album Utter Madness, as well as a saxophone played by Lee Thompson at the London Olympics closing ceremony in 2012. A British band from humble beginnings in London’s Camden Town, the self-proclaimed ‘Nutty Boys’ have achieved global success with 15 top-ten singles, 12 studio albums, a film and a musical. A ‘British pop institution’*, Madness’s diverse influences include ska, two-tone, East- end Music Hall songs and variety shows, resulting in a unique look and sound that gave birth to era-defining hits like ‘Driving in My Car’ and ‘Our House’. Newly acquired objects include Lee Thompson’s London Olympic Ceremony Union flag kilt costume, published sheet music including for hits including ‘Baggy Trousers’, the compete run of the Madness comic – Nutty Boys, a typescript for Our House – the Madness Musical and a collection of posters, badges and tour t-shirts. Highlights from the collection are now on display in the V&A’s Theatre and Performance galleries, celebrating 40 years of the band. Simon Sladen, Senior Curator of Modern and Contemporary Performance, said: “It’s wonderful to welcome the Nutty Boys to the Victoria and Albert Museum’s Theatre and Performance Collections. -
Forecast of Stagnation TUC -More Wages, Fewer Hours SUPPORT FOR
Published by the Communist Party of Britain (Marxist-Leninist) No 29 24th August 1978 Sp ' Forecast of stagnation TUC - More wages, fewer hours STAGNANT output and rising in what may be a pre-election TO SECURE employment and Trades Union Congress, to bankruptcy of capitalism and to· improve conditions once be held this year in Brighton, the desperate need to tame unemploymenr for Britnin are 4 period? Marx always said the prospects for Britain ac that the basic problem of employed: these are the ob- commencing September 4th. the working class. cording to the latest forecast capitalisn1 is relative over jectives that will occupy the The Congress is now in a So there must be a remorse of the National Institute of production nnd here we see delegates of the I lOth Annual position to say "No" to in- less struggle against unenl Economic and Social Research. the Government deliberately Why not through adequate comes policy, unencumbered ployment and for the right to This prediction is based on trying to maintain a wage wages put enough purchasing ~y any vestige of the social work. But let there be no the same appraisal that the situation which is inimical power in the hands of the work- contract. Le.r ~nfettered col- illusions that this can be ac Treasury has arrived at - to industry serving the home ing class to buy all that Bri- Jecuve bargatmng proceed. complished by a shor1er "a slackening in the rate of market. tish industry is capable of There are some fatnt hearts working week. growth of disposable incomes Ever since the war the making? That would provide and pompous ..asses th~t t~.lk of The devious employers and and therefore in total output wl10le emphasis in Britain has a sound home-based economy the need for re~ponstble the Government say "If you next year:" In other words been to increase exports at and purely marginal external co.lle~ bargatmng.