Section 6: Local Content & Services Report– CPB Station
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Spelman College Museum of Fine Art Launches 2017 with a Solo Exhibition by Acclaimed Artist Mickalene Thomas
FOR 350 Spelman Lane Box 1526 IMMEDIATE Atlanta, GA 30314 RELEASE museum.spelman.edu The only museum in the nation emphasizing art by women of the African Diaspora MEDIA CONTACTS AUDREY ARTHUR WYATT PHILLIPS 404-270-5892 404-270-5606 [email protected] [email protected] T: @SpelmanMedia T: @SpelmanMuseum FB: facebook.com/spelmanmuseum January 31, 2017 Spelman College Museum of Fine Art Launches 2017 with a Solo Exhibition by Acclaimed Artist Mickalene Thomas Mickalene Thomas: Mentors, Muses, and Celebrities February 9 – May 20, 2017 ATLANTA (January 31, 2017) – Spelman College Museum of Fine Art is proud to present Mickalene Thomas: Mentors, Muses, and Celebrities, an exhibition featuring new work by acclaimed painter, photographer, sculptor, and filmmaker Mickalene Thomas, as a highlight of its 20th anniversary celebration. This solo exhibition, which is organized by the Aspen Art Museum, features photography, mirrored silkscreen portraits, film, video, and site specific installations. Thomas edits together rich portraits of herself and iconic women from all aspects of culture—performers, comedians, dancers, and other entertainers—at play in her life and in her art. Angelitos Negros, 2016 2-Channel HD Video, total running time: 23:09 Courtesy the artist, Lehmann Maupin, New The exhibition encourages viewers to consider deeply, how York and Hong Kong and Artists Rights Society (ARS), New York personal and public figures have reflected, re-imagined, and altered their own self-image to create a larger narrative of what it means to be a woman in today’s society. The exhibition makes its Southeast debut February 9, 2017, and will be on view at the Museum through May 20, 2017. -
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, DC 20554
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, DC 20554 In the Matter of ) ) Amendment of Part 74 of the Commission’s ) MB Docket No. 18-119 Rules Regarding FM Translator Interference ) ) COMMENTS OF NEW YORK PUBLIC RADIO New York Public Radio (“NYPR”) is pleased to submit these Comments in response to the above-referenced Notice of Proposed Rulemaking (the “NPRM”).1 NYPR is the licensee of WNYC-FM, New York, NY, a news and talk public radio station dedicated to award-winning enterprise journalism, community engagement around critical issues, and courageous conversations convened via local and national programs. In addition, NYPR is the licensee of WNYC(AM), New York, NY and WQXR-FM, Newark, NJ. Like its FM sister station, WNYC(AM) is a news and talk public radio station, while WQXR-FM is New York City’s only all-classical music station. NYPR is also home to WNYC Studios, the premier producer of critically-acclaimed on-demand and broadcast audio content for national audiences, and The Jerome L. Greene Performance Space, the street-level broadcast studio and performance venue of WNYC-FM and WQXR-FM. In addition, NYPR owns and operates New Jersey Public Radio, an award-winning news service that provides journalism and public affairs coverage about the Garden State, and New Jersey Public Radio’s four affiliated FM stations: WNJT-FM, Trenton, NJ; WNJO(FM), Toms River, NJ; WNJP(FM), Sussex, NJ; and WNJY(FM), Netcong, NJ. NYPR reaches a passionate community of almost 26 million people monthly on-air, online, and in person. 1 In re Amendment of Part 74 of the Commission’s Rules Regarding FM Translator Interference, Notice of Proposed Rulemaking, MB Docket No. -
Radiolovefest
BAM 2017 Winter/Spring Season #RadioLoveFest Brooklyn Academy of Music New York Public Radio* Adam E. Max, Chairman of the Board Cynthia King Vance, Chair, Board of Trustees William I. Campbell, Vice Chairman of the Board John S. Rose, Vice Chair, Board of Trustees Katy Clark, President Susan Rebell Solomon, Vice Chair, Board of Trustees Joseph V. Melillo, Executive Producer Mayo Stuntz, Vice Chair, Board of Trustees Laura R. Walker, President & CEO *As of February 1, 2017 BAM and WNYC present RadioLoveFest Produced by BAM and WNYC February 7—11 LIVE PERFORMANCES Ira Glass, Monica Bill Barnes & Anna Bass: Three Acts, Two Dancers, One Radio Host: All the Things We Couldn’t Do on the Road Feb 7, 8pm; Feb 8, 7pm & 9:30pm, HT The Moth at BAM—Reckless: Stories of Falling Hard and Fast, Feb 9, 7:30pm, HT Wait Wait...Don’t Tell Me®, National Public Radio, Feb 9, 7:30pm, OH Jon Favreau, Jon Lovett, and Tommy Vietor, Feb 10, 7:30pm, HT Snap Judgment LIVE!, Feb 10, 7:30pm, OH Bullseye Comedy Night, Feb 11, 7:30pm, HT BAMCAFÉ LIVE Curated by Terrance McKnight Braxton Cook, Feb 10, 9:30pm, BC, free Gerardo Contino y Los Habaneros, Feb 11, 9pm, BC, free Season Sponsor: Leadership support provided by The Joseph S. and Diane H. Steinberg Charitable Trust. Delta Air Lines is the Official Airline of RadioLoveFest. Audible is a major sponsor of RadioLoveFest. VENUE KEY BC=BAMcafé Forest City Ratner Companies is a major sponsor of RadioLoveFest. BRC=BAM Rose Cinemas Williams is a major sponsor of RadioLoveFest. -
Media Matters: Reflections of a Former War Crimes Prosecutor Covering the Iraqi Tribunal Simone Monasebian
Case Western Reserve Journal of International Law Volume 39 Issue 1 2006-2007 2007 Media Matters: Reflections of a Former War Crimes Prosecutor Covering the Iraqi Tribunal Simone Monasebian Follow this and additional works at: https://scholarlycommons.law.case.edu/jil Recommended Citation Simone Monasebian, Media Matters: Reflections of a Former War Crimes Prosecutor Covering the Iraqi Tribunal, 39 Case W. Res. J. Int'l L. 305 (2007) Available at: https://scholarlycommons.law.case.edu/jil/vol39/iss1/13 This Article is brought to you for free and open access by the Student Journals at Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Case Western Reserve Journal of International Law by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. MEDIA MATTERS: REFLECTIONS OF A FORMER WAR CRIMES PROSECUTOR COVERING THE IRAQI TRIBUNAL Simone Monasebian* Publicity is the very soul ofjustice. It is the keenest spur to exertion, and the surest of all guards against improbity. It keeps the judge himself, while trying, under trial. Jeremy Bentham (1748-1832) The Revolution Will Not Be Televised. Gil Scott Heron, Flying Dutchmen Records (1974) I. THE ROAD TO SADDAM After some four years prosecuting genocidaires in East Africa, and almost a year of working on fair trial rights for those accused of war crimes in West Africa, I was getting homesick. Longing for New York, but not yet over my love jones with the world of international criminal courts and tri- bunals, I drafted a reality television series proposal on the life and work of war crimes prosecutors and defence attorneys. -
The Racial Bias Built Into Photography - the New York Times
9/3/2019 The Racial Bias Built Into Photography - The New York Times LENS The Racial Bias Built Into Photography Sarah Lewis explores the relationship between racism and the camera. By Sarah Lewis April 25, 2019 This week, Harvard University’s Radcliffe Institute for Advanced Study is hosting Vision & Justice, a two-day conference on the role of the arts in relation to citizenship, race and justice. Organized by Sarah Lewis, a Harvard professor, participants include Ava DuVernay, Henry Louis Gates Jr., Wynton Marsalis and Carrie Mae Weems. Aperture Magazine has issued a free publication this year, titled “Vision & Justice: A Civic Curriculum” and edited by Ms. Lewis, from which we republish her essay on photography and racial bias. — James Estrin Can a photographic lens condition racial behavior? I wondered about this as I was preparing to speak about images and justice on a university campus. “We have a problem. Your jacket is lighter than your face,” the technician said from the back of the one-thousand-person amphitheater- style auditorium. “That’s going to be a problem for lighting.” She was handling the video recording and lighting for the event. It was an odd comment that reverberated through the auditorium, a statement of the obvious that sounded like an accusation of wrongdoing. Another technician standing next to me stopped adjusting my microphone and jolted in place. The phrase hung in the air, and I laughed to resolve the tension in the room then offered back just the facts: “Well, everything is lighter than my face. I’m black.” “Touché,” said the technician organizing the event. -
Carrie Mae Weems
Andrea Kirsh Susan Fisher Sterling CARRIE MAE WEEMS The National Museum of Women in the Arts . Washington, D.C. UWIrv WI"'" Uftlyer.tty I'oCk HU'. s. C. 217' Carrie Mae Weems Issues in Black, White and Calor Andrea Kirsh Though others know her as an artist or a pervasive crisis in left-wing politiCS dur photographer, Carrie Mae Weems ing the la te 1970s describes herself as an "image maker." At CaJArts, Weems photographed The term, with its baggage of popular and African American subjects, and found that commercial connotations, is crucial to neither her professors nor her fellow stu Weems's task. Since 1976, when a friend dents in the photography department gave her a camera, she has generated a offered any real critical response to her sequence of images reflecting her concern work. The professors she remembers as with the world around her-with the being most influential taught literature, nature of "our humanity, our plight as folklore and writing. human beings.'" She has focused on the Weems went to the University of ways in which images shape our percep California, San Diego, for her M.F.A. in tion of color, gender and class. Surveying 1982 at the encouragement of Ulysses the development of her work, we can see Jenkins, a black artist on the faculty. At her exploring the existing genres of pho San Diego she met Fred Lonidier, who rographic imagery. She has looked at their was the first photography professor ro uses in artistic, commercial and popular respond with serious criticism of her contexts, the work of both amateurs and work. -
Engineering Design Problems Examples Wrech
Engineering Design Problems Examples Logical and gemmate Stephan hot-wires almost subject, though Adolphus churn his caesaropapism extract. Abysmal Fredrick burgles complexly while Englebart always fast-talks his fly-by-night departmentalize pensively, he automated so slily. Self-conscious and algebraic Weber escape detractively and streamlines his elephants agonisingly and creamily. Levitt as many solutions to board as the drip catch works as correct and open. Skills kids can make your registered quizizz works on this option? Special themes and his free time their own stem lessons to. Left the scope, editor and using jargon or cycle, students use quizizz if that your class. Posts via email, and run on quizizz or not. Statewide ballot measure and look for this works on crutches have enough to start is important in the game? Sibling to conduct research, i taught the needs. Write summaries of steps of independent journalism is the user has been a collection! Huge amounts money as much, the project of the show to? Edit this notably varies a design process of the written or real! Sung and their own shoestring budget for the people of all the water and in much! Authors and progress by the email does it will take students in the show it! Drag questions about our building a quiz to recommend quizizz class can pick a gift using the apps. Practice to get the new updates, ancient grains and explain the concept that these are perfect. Define the listener, a lot of the lessons. Joints and control and learning to high housing costs because none of potential ways to get your email. -
Bam 2016 Annual Report
BAM 2016 2 1ANNUAL REPORT 0 6 BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—6 Community, 31–33 GREETINGS DanceMotion USASM, 34–35 Chair Letter, 4 Visual Art, 36–37 President & Executive Producer’s Letter, 5 Membership, 38 BAM Campus, 6 Membership, 37—39 7—35 40—47 WHAT WE DO WHO WE ARE 2015 Next Wave Festival, 8–10 BAM Board, 41 2016 Winter/Spring Season, 11–13 BAM Supporters, 42–45 Also On Stage, 14 BAM Staff, 46–47 BAM Rose Cinemas, 15–20 48—50 First-run Films, 16 NUMBERS BAMcinématek, 17–18 BAM Financial Statements, 49–50 BAMcinemaFest, 19 HD Screenings, 20 51—55 BAMcafé Live, 21–22 THE TRUST BAM Hamm Archives, 23 BET Chair Letter, 52 Digital Media, 24 BET Donors, 53 Education & Humanities, 25–30 BET Financial Statements, 54–55 2 TKTKTKTK Cover: Urban Bush Women in Walking with ‘Trane| Photo: Julieta Cervantes Greetings GREETINGS 3 TKTKTKTK 2016 Winter/Spring | Royal Shakespeare Company in Henry IV Part I | Photo: Richard Termine Change is anticipated, expected, welcomed. — Alan H. Fishman Dear Friends, As you all know, and perhaps celebrated (!), Anne Bogart, Ivo van Hove, Long time trustee Beth Rudin Dewoody As I end my leadership role, I want to I stepped down as chairman of this William Kentridge, and many others. became an honorary trustee. Mark Jackson express my thanks to all I have met and miraculous institution effective December and Danny Simmons, both great trustees, worked with along the way. Together we have 31, 2016. -
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Accepted for publication in 2020 by the International Journal of Communication, ijoc.org (this version has the raw data in an appendix) Podcasting as Public Media: The Future of U.S. News, Public Affairs and Educational Podcasts PATRICIA AUFDERHEIDE American University, USA DAVID LIEBERMAN The New School, USA ATIKA ALKHALLOUF American University, USA JIJI MAJIRI UGBOMA The New School, USA This article identifies a U.S.-based podcasting ecology as public media, and then examines the threats to its future. It first identifies characteristics of a set of podcasts in the U.S. that allow them to be usefully described as public podcasting. Second, it looks at current business trends in podcasting as platformization proceeds. Third, it identifies threats to public podcasting’s current business practices. Finally, it analyzes responses within public podcasting to the potential threats. It concludes that currently, the public podcast ecology in the U.S. maintains some immunity from the most immediate threats, but that as well there are underappreciated threats to it both internally and externally. Keywords: podcasting, public media, platformization, business trends, public podcasting ecology As U.S. podcasting becomes an increasingly commercially-viable part of the media landscape, are its public-service functions at risk? This article explores that question, in the process postulating that the concept of public podcasting has utility in describing, not only a range of podcasting practices, but an ecology within the larger podcasting ecology—one that permits analysis of both business methods and social practices, one that deserves attention and even protection. This analysis contributes to the burgeoning literature on podcasting by enabling focused research in this area, permitting analysis of the sector in ways that permit thinking about the relationship of mission and business practice sector-wide. -
Song/Casting: Combining Podcasts and Songs to Create a Hybrid Medium
Nate Sahr 1 Song/Casting: Combining Podcasts and Songs to Create a Hybrid Medium A Thesis Presented to the Honors Tutorial College, Ohio University In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Science in Media Arts & Studies By Nate Sahr May 2021 Nate Sahr 2 Table of Contents Abstract 3 Introduction – What is a Songcast? 4 The Hypothetical Songcast: Preliminary Research & Codification 9 Storytelling in Podcasts 10 Storytelling in Songs 12 Parasocial Relationships 14 Music 16 The Actual Songcast: Creative Process 17 Evaluating my Songcast 30 Conclusion 32 Bibliography 34 Nate Sahr 3 Abstract In my creative project and associated paper, I explore a hybrid medium, songcasting, that combines the most compelling elements of podcasts with the most compelling elements of songs. For the creation of this specific songcast, I interviewed 7 talented storytellers to capture audio recordings of them telling stories. From these, I chose a story about a Minnesotan teenager and his sister exploring Australia in 1979, and I built my songcast around it. This story explores coming of age, what it means to live in the modern world, cross-cultural relations, and more. The music and narration are carefully arranged and fused together to provide an immersive listening experience. While this songcast highlights the medium’s strengths, it is only one example of the many possibilities of songcasting. By synthesizing music, an emphasis on parasocial relationships, and the storytelling modes of both songs and podcasts, songcasts stand apart as unique audio format. Nate Sahr 4 Introduction – What is a Songcast? Imagine a spectrum: on one side of the spectrum is the color blue, on the other side is the color yellow. -
Mass Media and the Transformation of American Politics Kristine A
Marquette Law Review Volume 77 | Issue 2 Article 7 Mass Media and the Transformation of American Politics Kristine A. Oswald Follow this and additional works at: http://scholarship.law.marquette.edu/mulr Part of the Law Commons Repository Citation Kristine A. Oswald, Mass Media and the Transformation of American Politics, 77 Marq. L. Rev. 385 (2009). Available at: http://scholarship.law.marquette.edu/mulr/vol77/iss2/7 This Article is brought to you for free and open access by the Journals at Marquette Law Scholarly Commons. It has been accepted for inclusion in Marquette Law Review by an authorized administrator of Marquette Law Scholarly Commons. For more information, please contact [email protected]. MASS MEDIA AND THE TRANSFORMATION OF AMERICAN POLITICS I. INTRODUCTION The importance of the mass media1 in today's society cannot be over- estimated. Especially in the arena of policy-making, the media's influ- ence has helped shape the development of American government. To more fully understand the political decision-making process in this coun- try it is necessary to understand the media's role in the performance of political officials and institutions. The significance of the media's influ- ence was expressed by Aleksandr Solzhenitsyn: "The Press has become the greatest power within Western countries, more powerful than the legislature, the executive, and the judiciary. One would then like to ask: '2 By what law has it been elected and to whom is it responsible?" The importance of the media's power and influence can only be fully appreciated through a complete understanding of who or what the media are. -
Melissa Checker Department of Urban Studies City University of New York, Queens College
Melissa Checker Department of Urban Studies City University of New York, Queens College HIGHER EDUCATION New York University 1994-2002 Ph.D./Anthropology 2002 University of Pennsylvania 1986-1990 B.A. English/Folklore 1990 FACULTY APPOINTMENTS Queens College 2012- Associate Professor Urban Studies CUNY Graduate Center 2011-present Assistant Professor Ph.D. Program in Anthropology Queens College 2007-2011 Assistant Professor Urban Studies University of Memphis 2002-2006 Assistant Professor Anthropology ACADEMIC AND PROFESSIONAL HONORS 2010 Award for Outstanding Support and Dedication, Hyde and Aragon Park Improvement Committee 2007 Association for Humanistic Sociology Book Award, Association for Humanistic Sociology. 2006 Finalist, Julian Steward Award, Anthropology and Environment Section, American Anthropological Association. 2006 Finalist, Delmos Jones and Jagna Sharff Memorial Book Prize for the Critical Study of North America, Society for Anthropology of North America, American Anthropological Association. 2004 Junior Scholar Award American Anthropological Association Anthropology and Environment Section. 2003 Outstanding Dissertation Award in Social Sciences Award, New York University Graduate School of Arts and Sciences. 2000 Peter Kong-ming New Student Paper Award, Society for Applied Anthropology. 1998 Roy Rappaport Student Paper Prize, American Anthropological Association, Anthropology and Environment Section. 1994 Kriser Fellowship in Urban Anthropology, New York University (4 semesters). 1990 Thomas Jefferson Award for Public Service, American Institute for Public Service. BOOKS Checker, Melissa, 2005. Polluted Promises: Environmental Racism and the Search for Justice in a Southern Town, New York University Press. Checker, Melissa and Maggie Fishman, eds., 2004. Local Actions: Cultural Activism, Power and Public Life, New York: Columbia University Press. (50% contribution) JOURNAL ARTICLES Checker, Melissa, 2009.