DOCSLIB.ORG

LIVEXPERT PRODUCTS CATALOG 2017 Table of Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LIVEXPERT PRODUCTS CATALOG 2017 Table of Contents TOOLS FOR LIVE VIDEO AND SPORTS PRODUCTION 3D STORM - LIVEXPERT PRODUCTS CATALOG 2017 Table of Contents Are you looking for cost effective solutions for Video and Sport production? Network Device Interface ..........................................page 3 3D Storm-LiveXpert delivers the best price performance compared to LiveXpert LMS-NDI .....................................................page 5 solutions on the market. LiveMedia Server ........................................................page 6 Scoring, Titling, Multichannel Multi-Format players-recorders, Long range LiveCG Election ...........................................................page 8 wireless Tally, Newsroom Automation, Social Media management … LiveCG Broadcast .....................................................page 10 Just browse our catalogue and you will find powerful and straight forward Social Hub .................................................................page 12 products with the fastest, shortest learning curve on the market at the best FingerWorks ..............................................................page 13 price. DELTA-stat .................................................................page 14 With nearly 30 years of close relationship between 3D Storm and NewTek, most of our products interface and complement perfectly NewTek TriCaster LiveCG Football 2 ......................................................page 16 and 3 Play. NewsCaster ...............................................................page 18 3D Storm is a member of the NewTek developer Network and adopted the LiveTally 2 .................................................................page 20 NewTek NDI protocol for video production over IP since day one. LiveTally Box .............................................................page 22 And most of our products are backed up by a 2 year warranty. LiveControl Box.........................................................page 22 Franck Lafage LiveMixer ...................................................................page 23 Managing Director – 3D Storm NDI™ — NDI™ The new era of live production is here A Whole new production completely new facilities, networks, or signal Engage in your own experience: environment: infrastructures. With NDI’s encoding performance, your network NDI is more than an IP-based replacement for SDI, Release your video productions from the can accommodate multiple, high-quality, ultra-low sending a one-way signal from a video source to a technical and physical limitations of standard latency video streams using a familiar standard: switcher. It allows connecting and sharing sources broadcast infrastructures. NewTek NDI is an the Ethernet-based LAN. between the studios, the conferencing rooms, the open standard anyone can implement to connect editing departments... video equipment across a network. Your Connect a source anywhere and use it production switcher, capture system, simultaneously from any location for recording, media server—any NDI-enabled device monitoring, displaying on large screens or on the network—can see and access broadcasting… content from all other devices. Download the free NDI Tools Pack and start Forget about investing in breaking the limits: http://newtek.com/ndi 3D STORM - LIVEXPERT PRODUCTS CATALOG 2017 — PAGE 3 Collaborative production takes also advantages Remove Routing Constraints. Data demands are 50-100 Mbps per used from NDI by saving time at all review, validation stream Using your existing equipment, network, and and render stages with NDI for Adobe® Creative® NewTek NDI, you can start producing video over Cloud®. IP immediately. In university: capture live any Network requirement: conference or lecture course and organize full NDI is designed for use with standard interaction between different connected rooms Features that make NDI unique consumer off-the-shelf (COTS) networking where students can follow the program without for Live Video Production: devices. latency allowing real-time Q&A. In surgical Multipoint : each NDI source is available to Work or Home network location for Windows environment: NDI allows accessing and sharing many users machine any video sources from one suite to another Bi-Directional : any machine can send or Port ranges used for NDI : 49152 to 65535 without having any production equipment installed receive NDI Network switch with full duplex ports in sterile areas except cameras. HD quality, no No latency : NDI transmission requires less 1Gbps switch upstream and downstream latency and bi-directional communication for than one video frame Tally and monitoring offer full flexibility for live Resolution and frame rate independent broadcasting, conferencing or training. supporting 4K and beyond Start constructing your live IP video production NDI is no harder to use than the Internet workflow with the growing suite of NDI software, Monitor, Display, Record, Edit (maybe easier) tools, and utilities from NewTek and the NewTek from everywhere: NDI is fully compatible with SDI, it’s an Developer Network. amazing extension NDI tools improve production process by replacing NDI is available without cost previous devices by simple software applications NDI makes it possible over standard 1Gbit/s that can be used from any workstations in the network local network. Recorder apps such as LMS-NDI or NDI IsoCorder allow ingesting live footage directly from the editing suites. Monitoring and Bandwidth consumption: Multiviewers can be set-up by a click of mouse Limited to sources that are actually being everywhere it is needed to visualize sources. used LMS NDI™ — LMS NDI™ LMS-NDI is the first virtual multi-channel HD a PC on the local network, without a dedicated great number of codecs: MPEG1/2/4, H264, Apple video broadcasting and recording server, using peripheral. The integrated playlist editor supports ProRes, DNxHD, DV/DVCPRO-HD… It also supports the NewTek NDI® protocol. The software can be most of the market's files and codecs: MPEG PS/ QuickTime Animation, enabling you to maintain the installed in any PC with Windows connected to TS, MP4, QUICKTIME, Apple ProRes®, DNxHD®, transparency (alpha channel) of the NDI stream. the LAN and can provide up to 4 media playing or DVCPRO HD, XDCAM, MXF, GXF, DV, FLV and many LMS-NDI can support up to 4 simultaneous recording channels per PC. others in the same broadcast list. LMS-NDI reads recording channels. the playlist in real time, without prior transcoding, Broadcast what you want, where in an NDI stream available on the entire network. TriCaster perfect companion: you want: All devices with NDI support can connect to the playlists being broadcasted. Networked with a TriCaster, LMS-NDI installed The LMS-NDI application enables you to create on a PC will add 1 to 4 media players with and broadcast multi-codec clip playlists from control over input switching from Play and Stop Record as you like, commands. Or LMS-NDI can be used as a multi- where you like: channel recorder offering direct support for No more time lost transcoding multiple codecs. or copying, LMS-NDI enables to record directly in the desired Minimum system requirements: format, on the required PC. I7 processor, 8GB of ram If the recorded file has to Windows 7 or higher be edited just after capture, Gigabit Ethernet port install an LMS-NDI license on 2TB internal drive or SAN or NAS your editing station, select the Multi-channel recording performances depend desired NDI stream and codec on the resources of the docking station and and you can start editing as codecs selected. soon as the recording finishes! LMS-NDI enables to edit recording profiles supporting a 3D STORM - LIVEXPERT PRODUCTS CATALOG 2017 — PAGE 5 LiveMedia Server Dual channel, multi format digital player/recorder codecs, formats and resolutions. HD conversions, the aspect ratio changes and field Compact to integrate, easy to use inversions. LiveMedia Server supports NDI® for LiveMedia Server is a compact 1U rack device integration into flexible IP workflows. with a depth of just 42 cm. It offers 2 channels configurable as recorder or player as desired: Playlist editor i.e. 2 broadcast channels, 2 recording channels The clip broadcasting lists are editable in real or 1 recording channel and 1 playout channel time by simply dragging and dropping and by simultaneously. LiveMedia monitoring the folder: new clips saved in a folder Server has 2 SDI SD/HD inputs are automatically detected to be added to the and outputs with embedded playlist, even during broadcasting. They support audio. the following play modes: sequential, clip by clip The modular user interface is and loop. displayed on a standard monitor and is operated by keyboard, mouse and an included Jog-Shuttle Playback while recording controller. A clip being recorded on a channel can be Total multi-codec environment dragged in real time into the play channel enabling simultaneous broadcasting with slow- LiveMedia Server is a versatile solution for LiveMedia Server supports the recording and motion play or time delay. recording and broadcasting video clips. Especially playing of most codecs and formats, without prior suitable for live requirements, it offers operators transcoding: DNxHD, H264, ProRes, MPEG1/2/4, External controls great flexibility to import and readjust clips at XDCAM, QuickTime, MXF, WMV… All types of the last moment, instantly record and replay files can be mixed in the same broadcasting list, LiveMedia Server can command BlackMagic files, natively support and mix a great number of LiveMedia
Load more

Recommended publications
  • Fundamentals of Digital Video
    FUNDAMENTALS OF DIGITAL VIDEO Digital Video Compression © 2016 Pearson Education, Inc., Hoboken, NJ. All 1 rights reserved. In this lecture, you will learn: • Basic ideas of video compression • General types of compression methods © 2016 Pearson Education, Inc., Hoboken, NJ. All 2 rights reserved. Compression • Basic idea: Want to represent the same content by using less data © 2016 Pearson Education, Inc., Hoboken, NJ. All 3 rights reserved. Compression and Decompression • Compression: – To reduce file size – Takes time – Often takes more time for higher compression • Decompression: – A compression video file must be decompressed before it is played. – The decompression method or algorithm depends on how it is originally compressed. © 2016 Pearson Education, Inc., Hoboken, NJ. All 4 rights reserved. Compression and Decompression • Compression and decompression always go together as a pair. • Codec : compressor/decompressor © 2016 Pearson Education, Inc., Hoboken, NJ. All 5 rights reserved. Types of Compression Methods • Spatial compression • Temporal compression • Lossless vs. lossy compression • Symmetrical and asymmetrical compression © 2016 Pearson Education, Inc., Hoboken, NJ. All 6 rights reserved. Spatial Compression • Compact individual frames as if they are independent digital images • Examples of algorithms: – Run-length encoding (RLE) – JPEG compression • Example codecs: – QuickTime Animation – QuickTime PlanarRGB – Microsoft RLE © 2016 Pearson Education, Inc., Hoboken, NJ. All 7 rights reserved. Spatial Compression • Types of video that spatial compression is good for: • contain large areas of solid colors, such as cartoon animation • Disadvantage: • Less compressed, i.e., relatively large file size compared to other types of compression © 2016 Pearson Education, Inc., Hoboken, NJ. All 8 rights reserved. Temporal Compression • Exploits the repetitious nature of image content over time in video • Saving more information for selected frames, i.e.
    [Show full text]
  • Using Dragonframe 4.Pdf
    Using DRAGONFRAME 4 Welcome Dragonframe is a stop-motion solution created by professional anima- tors—for professional animators. It's designed to complement how the pros animate. We hope this manual helps you get up to speed with Dragonframe quickly. The chapters in this guide give you the information you need to know to get proficient with Dragonframe: “Big Picture” on page 1 helps you get started with Dragonframe. “User Interface” on page 13 gives a tour of Dragonframe’s features. “Camera Connections” on page 39 helps you connect cameras to Drag- onframe. “Cinematography Tools” on page 73 and “Animation Tools” on page 107 give details on Dragonframe’s main workspaces. “Using the Timeline” on page 129 explains how to use the timeline in the Animation window to edit frames. “Alternative Shooting Techniques (Non Stop Motion)” on page 145 explains how to use Dragonframe for time-lapse. “Managing Your Projects and Files” on page 149 shows how to use Dragonframe to organize and manage your project. “Working with Audio Clips” on page 159 and “Reading Dialogue Tracks” on page 171 explain how to add an audip clip and create a track reading. “Using the X-Sheet” on page 187 explains our virtual exposure sheet. “Automate Lighting with DMX” on page 211 describes how to use DMX to automate lights. “Adding Input and Output Triggers” on page 241 has an overview of using Dragonframe to trigger events. “Motion Control” on page 249 helps you integrate your rig with the Arc Motion Control workspace or helps you use other motion control rigs.
    [Show full text]
  • 20.1 Data Sheet - Supported File Formats
    20.1 Data Sheet - Supported File Formats Target release 20.1 Epic Document status DRAFT Document owner Dieter Van Rijsselbergen Designer Not applicable Architecture Dieter Van Rijsselbergen QA Assumptions Implementation of Avid proxy formats produced by Edge impose a number of known Avid-specific conversions. Avid proxies are under consideration and will be included upon binding commitment. Implementation of ingest through rewrapping (instead of transcoding) of formats with Avid-supported video and audio codecs are under consideration and will be included upon binding commitment. Implementation of ingest through transcoding to Avid-supported video codecs other than DNxHD or DNxHR are under consideration and will be included upon binding commitment. Limecraft Flow and Edge - Ingest File Formats # File Codecs and Variants Edge Flow Status Notes Container ingest ingest 1 MXF MXF OP1a Deployed No P2 spanned clips supported at the Sony XDCAM (DV25, MPEG moment. IMX codecs), XDCAM HD and Referencing original OP1a media from Flow XDCAM HD 422 AAFs is possible using AMA media linking in also for Canon Avid. C300/C500 and XF series AAF workflows for P2 are not implemented end-to-end yet. Sony XAVC (incl. XAVC Intra and XAVC-L codecs) ARRI Alexa MXF (DNxHD codec) AS-11 MXF (MPEG IMX/D10, AVC-I codecs) MXF OP-atom Deployed. P2 (DV codec) and P2 HD Only (DVCPro HD, AVC-I 50 and available AVC-I 100 codecs) in Edge. 1.1 MXF Sony RAW and X-OCN (XT, LT, Deployed. Due to the heavy data rates involved in ST) Only processing these files, a properly provisioned for Sony Venice, F65, available system is required, featuring fast storage PMW-F55, PMW-F5 and NEX in Edge.
    [Show full text]
  • Input Formats & Codecs
    Input Formats & Codecs Pivotshare offers upload support to over 99.9% of codecs and container formats. Please note that video container formats are independent codec support. Input Video Container Formats (Independent of codec) 3GP/3GP2 ASF (Windows Media) AVI DNxHD (SMPTE VC-3) DV video Flash Video Matroska MOV (Quicktime) MP4 MPEG-2 TS, MPEG-2 PS, MPEG-1 Ogg PCM VOB (Video Object) WebM Many more... Unsupported Video Codecs Apple Intermediate ProRes 4444 (ProRes 422 Supported) HDV 720p60 Go2Meeting3 (G2M3) Go2Meeting4 (G2M4) ER AAC LD (Error Resiliant, Low-Delay variant of AAC) REDCODE Supported Video Codecs 3ivx 4X Movie Alaris VideoGramPiX Alparysoft lossless codec American Laser Games MM Video AMV Video Apple QuickDraw ASUS V1 ASUS V2 ATI VCR-2 ATI VCR1 Auravision AURA Auravision Aura 2 Autodesk Animator Flic video Autodesk RLE Avid Meridien Uncompressed AVImszh AVIzlib AVS (Audio Video Standard) video Beam Software VB Bethesda VID video Bink video Blackmagic 10-bit Broadway MPEG Capture Codec Brooktree 411 codec Brute Force & Ignorance CamStudio Camtasia Screen Codec Canopus HQ Codec Canopus Lossless Codec CD Graphics video Chinese AVS video (AVS1-P2, JiZhun profile) Cinepak Cirrus Logic AccuPak Creative Labs Video Blaster Webcam Creative YUV (CYUV) Delphine Software International CIN video Deluxe Paint Animation DivX ;-) (MPEG-4) DNxHD (VC3) DV (Digital Video) Feeble Files/ScummVM DXA FFmpeg video codec #1 Flash Screen Video Flash Video (FLV) / Sorenson Spark / Sorenson H.263 Forward Uncompressed Video Codec fox motion video FRAPS:
    [Show full text]
  • Scape D10.1 Keeps V1.0
    Identification and selection of large‐scale migration tools and services Authors Rui Castro, Luís Faria (KEEP Solutions), Christoph Becker, Markus Hamm (Vienna University of Technology) June 2011 This work was partially supported by the SCAPE Project. The SCAPE project is co-funded by the European Union under FP7 ICT-2009.4.1 (Grant Agreement number 270137). This work is licensed under a CC-BY-SA International License Table of Contents 1 Introduction 1 1.1 Scope of this document 1 2 Related work 2 2.1 Preservation action tools 3 2.1.1 PLANETS 3 2.1.2 RODA 5 2.1.3 CRiB 6 2.2 Software quality models 6 2.2.1 ISO standard 25010 7 2.2.2 Decision criteria in digital preservation 7 3 Criteria for evaluating action tools 9 3.1 Functional suitability 10 3.2 Performance efficiency 11 3.3 Compatibility 11 3.4 Usability 11 3.5 Reliability 12 3.6 Security 12 3.7 Maintainability 13 3.8 Portability 13 4 Methodology 14 4.1 Analysis of requirements 14 4.2 Definition of the evaluation framework 14 4.3 Identification, evaluation and selection of action tools 14 5 Analysis of requirements 15 5.1 Requirements for the SCAPE platform 16 5.2 Requirements of the testbed scenarios 16 5.2.1 Scenario 1: Normalize document formats contained in the web archive 16 5.2.2 Scenario 2: Deep characterisation of huge media files 17 v 5.2.3 Scenario 3: Migrate digitised TIFFs to JPEG2000 17 5.2.4 Scenario 4: Migrate archive to new archiving system? 17 5.2.5 Scenario 5: RAW to NEXUS migration 18 6 Evaluation framework 18 6.1 Suitability for testbeds 19 6.2 Suitability for platform 19 6.3 Technical instalability 20 6.4 Legal constrains 20 6.5 Summary 20 7 Results 21 7.1 Identification of candidate tools 21 7.2 Evaluation and selection of tools 22 8 Conclusions 24 9 References 25 10 Appendix 28 10.1 List of identified action tools 28 vi 1 Introduction A preservation action is a concrete action, usually implemented by a software tool, that is performed on digital content in order to achieve some preservation goal.
    [Show full text]
  • Episode 7.3 Release Notes System Requirements
    Episode 7.3 Release Notes System Requirements Mac Minimum System Requirements ● Operating System: OS X 10.11 or higher (Includes macOS Sierra 10.12) ● RAM: 8 GB or more ● 256 GB hard disk space, with 300 MB minimum for product installation ● Online Help Browser Requirements • Safari *Please note: Episode 7 does not support OS X 10.10 or previous versions of Mac OS X. Windows Minimum System Requirements ● Operating Systems: • Windows 7 64-bit SP1 (64-bit, 1.5 GHz) • Windows 8.1 (64-bit, 1.5 GHz) • Windows 10 (64-bit) • Windows Server 2012* ● RAM: 8 GB or more ● 256 GB hard disk space, with 300 MB minimum for product installation ● Bonjour Print ServiCes for Windows v2.0.2 ● .NET Framework 3.5 SP1 ● .NET Framework 4.6 ● Online Help Browser Requirements • Internet Explorer: Version 8 or higher • Firefox: Version 6 or higher *Please note: Episode 7 does not support Windows Server 2008. Episode 7.3 IMPROVEMENTS • AdDed support for DeCoDing the Cineform codeC. • ADDeD alpha Channel support for QT Animation sourCes. • ADDeD support for 8-bit BlackMagiC viDeo. • ADDeD support for WinDows RGB DeCoDe from an AVI Container. Copyright © 2017 Telestream, LLC January 2017 Page 1 BUG FIXES General • FixeD time CoDe issues when using Split & Stitch. • FixeD time CoDe issues for some MXF anD TS variants. • FixeD time CoDe issues when using 23.98fps. • FixeD CloseD Caption issues when using Split & Stitch. • FixeD Color format for JPEG 2000 in MOV. • FixeD Channel orDer for 5-Channel auDio. • FixeD a race ConDition when DeCoDing long AVC-Intra sourCes.
    [Show full text]
  • 007-1799-050 Contributors
    Digital Media Programming Guide Document Number 007-1799-050 CONTRIBUTORS Written by Patricia Creek and Don Moccia Illustrated by Dany Galgani and Martha Levine Engineering author contributions by Bent Hagemark, Chris Pirazzi, Angela Lai, Scott Porter, Doug Scott, Mike Travis, Mark Segal, Bryan James, Doug Cook, Nelson Bolyard, Candace Obert, Eric Bloch, Brian Beach, Dan Kinney, and Mike Portuesi © 1996, Silicon Graphics, Inc.— All Rights Reserved The contents of this document may not be copied or duplicated in any form, in whole or in part, without the prior written permission of Silicon Graphics, Inc. RESTRICTED RIGHTS LEGEND Use, duplication, or disclosure of the technical data contained in this document by the Government is subject to restrictions as set forth in subdivision (c) (1) (ii) of the Rights in Technical Data and Computer Software clause at DFARS 52.227-7013 and/or in similar or successor clauses in the FAR, or in the DOD or NASA FAR Supplement. Unpublished rights reserved under the Copyright Laws of the United States. Contractor/manufacturer is Silicon Graphics, Inc., 2011 N. Shoreline Blvd., Mountain View, CA 94043-1389. Silicon Graphics, Indigo, IRIS, OpenGL, and the Silicon Graphics logo are registered trademarks and CHALLENGE, Cosmo Compress, Galileo Video, GL, Graphics Library, Image Vision Library, IndigoVideo, Indigo2, Indigo2 Video, Indy, Indy Cam, Indy Video, IRIS GL, IRIS Graphics Library, IRIS Indigo, IRIS InSight, IRIX, O2, Personal IRIS, Sirius Video, and VINO are trademarks of Silicon Graphics, Inc. Aware and the Aware logo are registered trademarks and MultiRate is a trademark of Aware, Inc. Betacam and Sony are registered trademarks and Hi-8mm is a trademark of Sony Corporation.
    [Show full text]
  • Instructions For
    ! ! ! ! Instructions for Use! ! ! ! ! ! ! ! ! ! ! !!!!!!!!!!!!Grapher! !!!!!!!!!!!Versions 1.1 2.0 2.1! !!!!!!!!!!!!!! 2.2 2.3 2.5 ! !!!!!!!!!!!(and old Curvus Pro X 1.3.2)! ! ! ! ! ! ! (including a list of bugs and their workarounds)! ! ! “ When everything else fails, read the instructions “! ! !!!!!!!!!!April 16th 2014 edition" #1 ! Contents! ! ! page! ! Overview of Grapher! !! Summary!..........................................................................................................................4! !! Intuitive user interface!.......................................................................................................4! !! Inspectors!.........................................................................................................................5! !! Intuitive syntax!..................................................................................................................5! !! Animations!........................................................................................................................6! !! 3D view!.............................................................................................................................7! !! Export your creations!........................................................................................................7! !!! Contextual menus!.............................................................................................................7! ! Initiation! !! Lesson 1 : Creating a document!.......................................................................................8!
    [Show full text]
  • Nexio+ Channelbrand™
    Nexio+ Channelbrand™ Advanced Multichannel Branding Solution Nexio+ Channelbrand™ is a cost-effective, multichannel branding solution, combining integrated branding and video playback functions all in a single, flexible platform. It simplifies the creation, display and maintenance of a consistent brand, allowing broadcasters to get to air quickly and simply, with data-driven content, logos, time/temperature display, rolls/crawls, and EAS information. Available in a scalable channel density, Nexio+ Channelbrand can be deployed as a standalone solution; connected to a larger Nexio+ playout solution and ADC™ or D-Series™ automation; or integrated with third-party control and automation systems. Content can be created online or offline and include L-bar effects, multilevel animation/still insertion, and data-driven elements for template-based playout. Offering both two-channel and four-channel versions, Nexio+ Channelbrand provides a flexible solution for all broadcasters. Nexio+ Channelbrand 2x provides two channels of advanced branding and graphics capabilities with multiple live input switching, digital video effects (DVEs) and a maximum number of layers Nexio+ Channelbrand 4x provides four channels of standard branding with digital video effects (DVEs) and a limited number of layers Nexio+ Channelbrand can leverage full Nexio+™ AMP® media server clip playback capability from either internal or external SAN-based storage. This allows users to capitalize on the market-leading design of our award-winning Nexio+ product family, including a comprehensive set of software-based video codecs and advanced audio routing. Nexio+ Channelbrand is enhanced by Imagine Communications’ cross-platform Animation Builder solution, which enables an integrated approach to graphics template creation and allows for simplified and streamlined workflows from creation to air.
    [Show full text]
  • Handle More. Be Less Busy. Know Exactly What Your Viewers Will See
    VIDEO ON DEMAND | QUALITY CONTROL Handle more. Be less busy. Know exactly what your viewers will see. Evaluate more titles & more encodes with the fastest, most comprehensive VOD MONITOR tool in the business. Deliver the best on-demand viewing experiences. > Automated quality control from ingest, gatekeeping, compliance and distribution to playout*. > Reliably validate high volumes of file-based video content by viewer device, title and resolution. > Ensure delivered content meets viewer-acceptable and studio-acceptable quality thresholds. > Compare, evaluate and optimize profiles, configurations and parameters for the best encoders, transcoders, packagers, CDNs and players. GATE GATE GATE CONTENT ENCODER TRANSCODER PACKAGER ORIGIN DELIVERY VOD NETWORK CONSUMER PREMISE EQUIPMENT SMART MONITOR MODULES VOD_MONITOR_SC VOD_MONITOR_EN VOD_MONITOR_TR VOD_MONITOR_PA* VOD_MONITOR_OR* VOD_MONITOR_CDN* VOD_MONITOR_API* VOD_MONITOR_HDMI* *Coming soon VIEWER INTELLIGENCE™ to every stage > Visualize your file processing pipeline—queued, processing, failures, and successes based on your thresholds. HUMAN VISUAL SYSTEM > Easily set job priority with jump-the-queue functionality. BIG DATA ANALYTICS > Process large files and more files faster. Computationally ARTIFICIAL INTELLIGENCE efficient software runs SD 15x faster than real time, HD 5x MACHINE LEARNING real time and 4K in real time. DEVICE & VIEWING CONDITIONS > Integrate with existing workflows via RESTful API. Deliver TV people love. As intended. On their terms. One comprehensive tool The human visual
    [Show full text]
  • Telestream Switch Techspecs
    (/telestream-home.htm) Technical Specifications Download Free Trial (/controls/switch/download-switch.htm) Buy starting at $9.99 (store.asp) Windows Minimum* System Requirements Operating Systems Windows 10 Windows 8.1 Windows 7 SP1 CPU 2.4 Ghz Core 2 Duo or faster. Any Core i3, i5, or i7 RAM 4 GB or more Graphics Any graphics adapter that supports Direct3D feature level 10.1 or better 256 MB or more graphics memory Display 1280 x 768 or larger 50 Hz or faster Mac Minimum* System Requirements Operating Systems macOS Mojave 10.14 macOS High Sierra 10.13 CPU All Macs that support 10.12 and higher Subscribe (https://marketing.telestream.net/acton/fs/blocks/showLandingPage/a/5268/p/p-017c/t/page/fm/1) 2.4 Ghz Core 2 Duo or faster Any Core i3, i5, or i7 RAM 4 GB or more Graphics 256 MB or more graphics memory Display 1280 x 768 or larger 50 Hz or faster *Note: Minimum specifications are the required hardware for playback of standard definition content. Playback of demanding content such as 4K, HEVC, and high frame rate video may require more powerful hardware. Playback Format Support Containers: AAC AC3 1 AIFF ASF 1 AVC (AVC Elementary Stream) AVI (OpenDML) DV GXF HEVC 2 (HEVC Elementary Stream) IMF 1 LXF M1V (MPEG-1 Video Elementary Stream) M2V (MPEG-2 Video Elementary Stream) MOV MP3 (MPEG Layer 1, 2, 3 Audio Elementary Stream) MP4 (ISO Base Media Format) MPG (MPEG-1 System Stream) MPS (MPEG-2 Program Stream) Subscribe (https://marketing.telestream.net/acton/fs/blocks/showLandingPage/a/5268/p/p-017c/t/page/fm/1)
    [Show full text]
  • Understanding EXR Data Compression
    Understanding EXR Data Compression Information compiled by Nicolas Dufresne for Rainbox Productions and Rainbox Laboratory. Contact us if you see any mistake or have suggestions for this document. https://rainboxlab.org Many thanks to Dino Muhić for his expertise about DWA. When using the OpenEXR format, it may be hard to determine what is the best data compression to use, and the question is raised very often. This document is an attempt to answer it, depending on what is your need with the file and what type of image you’re storing. A compression is said to be the best for a specific need when its read or write speeds better fit the application, and the file size is the smallest available. Types of images In this document, we’re distinguishing between the following different types of images: Grainy video or animation Photographic images (including realistic CGI) or animation with grain Video Photographic images (including realistic CGI) without grain Animation, Graphics Highly stylized images such as 2D Animation, Motion Graphics, stylized 3D Animation, or 3D passes such as Z-Depth, Normal... Solid colors, large flat areas Images mostly consisting of solid colors, such as alpha or id channels Texture maps Multi-Resolution files Summary Lossy (final) exports Especially for final exports, you probably don’t need lossless compression, and with the right settings, the exported file size can be quite small with just a very small reduction of quality, and the Master or backup of your movie can be stored this way. In this case, DWAA (with a small compression level) is very efficient in all cases.
    [Show full text]