The Parish of St. Paul's on the Green
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English Madrigal School
THE ENGLISH MADRIGAL SCHOOL Transcribed, Scored and Edited by REV. EDMUND HORACE FELLOWES M.A., Mus.Bac, Oxon. VOL. V. ORLANDO GIBBONS First Set of MADRIGALS AND MOTETS OF FIVE PARTS (Published in 1612) LONDON: STAINER AND BELL, LTD., 58, BERNERS STREET, OXFORD STREET, W. 1914 THE^ENGLISH MADRIGAL SCHOOL. LIST OF SUBSCRIBERS To VOLUMES V.-VIII. Dr. Guido Adler, Proressor of Musical Research in Percy C. Buck, Esq., Mus.Doc, Professor of Music in Vienna University. Trinity College, Dublin ; Director of Music, Harrow W. G. Alcock, Esq., M.V.O., Mus.Doc, Organist and School. Composer to His Majesty's Chapels Royal. F. C. Butcher, Esq., Mus.Bac, Organist and Music B, C. Allchin, Esq., Organist of Hertford College, Master, Hoosac School, New York, U.S.A. Oxford. L. S. R. Byrne, Esq. Hugh P. Allen, Esq., Mus.Doc, Choragus of Oxford University, Organist and Fellow of New College, Capt. Maurice Caillard. Oxford. Sir Vincent H. P. Caillard. The Right Hon. Viscount Alverstone, G.C.M.G., Cardiff University College Library. D.C.L., formerly Lord Chief Justice of England. F. Clive Carey, Esq. (2 copies). E. Amphlett, Esq. Rev. T. B. Carter. W. Anstice, Esq. Sir Francis Champneys, Bart., M.D. Mrs. Argles. The City Glee Club. Godfrey E. P. Arkwright, Esq. J. B. Clark, Esq. Miss Marian Arkwright, Mus. Doc. Rev. Allan Coates. Frl. Amaiie Arnheim. Mrs. Somers V. Cocks. Franck Arnold, Esq. H. C. Colles, Esq., Mus.Bac. Miss R. Baines. The Hon. Mrs. Henn Collins. E. L. Bainton, Esq. Mrs. A. S. Commeline. E. C. -
Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support. -
A Eric an Choral Review
A ERIC AN CHORAL REVIEW JOURNAL OF THE AMERICAN CHORAL FOUNDATION, INC. VOLUME XIX • NUMBER 3 • JULY, 1977 AMERICAN CHORAL REVIEW ALFRED MANN, Editar ALFREDA HAYS, Assistant Editor Associate Editors EDWARD TATNALL CANBY ANDREW C. MINOR RICHARD JACKSON MARTIN PICKER JACK RAMEY The AMERICAN CHORAL REVIEW is published quarterly as the official journal of the Association of Choral Conductors sponsored by The American Choral Foundation, Inc. The FOlmdation also publishes a supplementary Research Memorandum Series and maintains a reference library of current publications of choral works. Membership in the Association of Choral Conductors is available for an annual contribution of $20.00 and includes subscriptions to the AMERICAN CHORAL REVIEW and the Research Memorandum Series and use of the Foundation's Advisory Services Division and reference library. All contributions are tax deductible. Back issues of the AMERICAN CHORAL REVIEW are available to members at $2.25; back issues of the Research Memorandum Series at $1.50. Bulk prices will be quoted on request. THE AMERICAN CHORAL FOUNDATION, INC. SHELDON SOFFER, Administrative Director 130 West 56th Street New York, New York 10019 Editorial Address 215 Kent Place Boulevard Summit, New Jersey 07901 Material submitted for publication should be sent in duplicate to the editorial address. All typescripts should be double-spaced and have ample margins. Footnotes should be placed at the bottom of the pages to which they refer. Music examples should preferably appear on separate sheets. Copyright 1977 by THE AMERICAN CHORAL FOUNDATION, INC. Indexed in MUSIC INDEX and MUSIC ARTICLE GUIDE Second-class Postage Paid- New York, New York AMERICAN CHORAL REVIEW July, 1977 CONTENTS The Madrigals of Thomas Morley A Survey Daniel R Salotti 3 Notes on Renaissance Performance Practice Joel Kramme 7 Choral Performances New York Donal Henahan 13 Allen Hughes 13 Peter G. -
The Byrd Edition & English Madrigalists
T74 (2020) THE BYRD EDITION and THE ENGLISH MADRIGALISTS (including the INVITATION Series) William Byrd 1543 — 1623 STAINER & BELL ORDERING INFORMATION This catalogue contains titles in print at the date of its preparation and provides details of volumes in The Byrd Edition, The English Madrigalists and the Invitation Series. A brief description of contents is given and full lists of contents may be obtained by quoting the CON or ASK sheet number given. Many items by William Byrd and composers included in The English Madrigalists are available as separate items and full details can be found in our Choral Catalogue (T60) and our Early Music Catalogue (T71). Items not available either separately or in a small anthology may be obtained through our ‘Made-to-Order’ Service. Our Archive Department will be pleased to help with enquiries and requests. Alternatively, Adobe Acrobat PDF files of individual titles from The Byrd Edition and The English Madrigalists are now available through the secure Stainer & Bell online shop. Please see pages 5 and 13 for full details. Other catalogues containing our library series which will be of interest are: T69 Musica Britannica T75 Early English Church Music T108 Purcell Society Edition Prices, shown in £ sterling, are recommended retail prices exclusive of carriage and are applicable from 1st January 2020. Prices and carriage charges are subject to change without notice. In case of difficulty titles can be supplied directly by the publisher if prepaid by cheque, debit or credit card or by sending an official requisition. Card payments (Visa, Mastercard, Maestro or Visa Debit) are accepted for orders of £5.00 or over and can be made via our secure online ordering system on our website (www.stainer.co.uk) or by letter, telephone, email or fax. -
Chelys 15 Titles
The Journal of the Viola da Gamba Society Text has been scanned with OCR and is therefore searchable. The format on screen does not conform with the printed Chelys. The original page numbers have been inserted within square brackets: e.g. [23]. Where necessary footnotes here run in sequence through the whole article rather than page by page and replace endnotes. The pages labelled ‘The Viola da Gamba Society Provisional Index of Viol Music’ in some early volumes are omitted here since they are up-dated as necessary as The Viola da Gamba Society Thematic Index of Music for Viols, ed. Gordon Dodd and Andrew Ashbee, 1982-, available on-line at www.vdgs.org.uk or on CD-ROM. Each item has been bookmarked: go to the ‘bookmark’ tab on the left. To avoid problems with copyright, some photographs have been omitted. Volume 15 (1986) Editorial, p. 2 Joan Wess Musica Transalpina, Parody, and the Emerging Jacobean Viol Fantasia Chelys, vol. 15 (1986), pp. 3-25 John R. Catch Praetorius and English Viol Pitch Chelys, vol 15 (1986), pp. 26-32 Richard Charteris English Music in the Library of Moritz, Landgrave of Hessen-Kassel, in 1613 Chelys, vol. 15 (1986), pp. 33-37 Graham Dixon Continuo Scoring in the early Baroque: The Role of Bowed-Bass Instruments Chelys, vol. 15 (1986), pp. 38-53 Music and Book Reviews Chelys, vol. 15 (1986), pp. 54-62 Margaret Urquhart The Handwriting of Christopher Simpson Chelys, vol. 15 (1986), pp. 62-63 EDITORIAL As promised in last year's editorial, Chelys 1986 makes a return To the early seventeenth century, and in so doing introduces an Italian flavour. -
The 1600 Collection of Madrigals by Thomas Weelkes
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2014 The 1600 olC lection of Madrigals By Thomas Weelkes Rachel Linsey Albert University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Music Commons Recommended Citation Albert, Rachel Linsey, "The 1600 oC llection of Madrigals By Thomas Weelkes" (2014). Theses and Dissertations. 351. https://dc.uwm.edu/etd/351 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE 1600 COLLECTION OF MADRIGALS BY THOMAS WEELKES by Rachel Linsey Albert A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin-Milwaukee May 2014 ABSTRACT THE 1600 COLLECTION OF MADRIGALS BY THOMAS WEELKES by Rachel Linsey Albert The University of Wisconsin-Milwaukee, 2014 Under the Supervision of Professor Mitchell P. Brauner Thomas Weelkes in considered among the most important of the English madrigalists of the late sixteenth and early seventeenth centuries; however, little has been written about him. Modern scholarship begins with Edmund H. Fellowes’s edition of Weelkes’s madrigal publications. The only comprehensive study of Weelkes’s life and works is David Brown’s 1969 Thomas Weelkes: A Biographical and Critical Study. Most other Weelkes scholarship simply compares his music to that of his contemporaries. This thesis fills another gap in Weelkes studies by offering an analysis of his 1600 collection, Madrigals of 5 and 6 Parts, Apt for the Viols and Voices. -
Tallis to Whitacre Choral
Whitehall Choir CONDUCTOR Paul Spicer ••• ORGAN James Longford Tallis to Whitacre Choral TALLIS O Nata Lux BYRD HHææææcc Dies • Magnificat and Nunc Dimittis (from the GreatGreat ServicService)e) TOMKINS When David Heard WEELKES Alleluia GIBBONS O Clap Your Hands TAVENER Mother of God • Awed by the Beauty WHITACRE Nox Aurumque • Lux Aurumque Music for organ by BYRDBYRD,, PACHELBEL and PRPRÆÆÆÆTORIUSTORIUS Programme £2 Thursday, 24 November 2011, 7.30pm Church of St Alban the MartyrMartyr,, Brooke Street, Holborn, LoLondonndon EC1N 7RD P R O G R A M M E William Byrd Hæc Dies Eric Whitacre Lux Aurumque Thomas Tomkins When David Heard Michael Prætorius Two Variations on ‘Nun lob mein Seel den Herren’ (organ) William Byrd Magnificat Eric Whitacre Nox Aurumque INTERVAL Thomas Weelkes Alleluia. I heard a voice John Tavener Mother of God ThomasTallis O nata lux William Byrd Nunc dimittis John Tavener Awed by the beauty Johann Pachelbel Ciacona in D (organ) William Byrd Fantasia (organ) Orlando Gibbons O Clap your Hands The concert is expected to end at approximately 8.50pm. William Byrd (c.1540-1623) William Byrd was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including sacred and secular polyphony, keyboard and consort music. It appears from recent research that he was born in 1540 in London, and he was a pupil of Thomas Tallis. He also worked in collaboration with John Sheppard and William Mundy on one of his earliest compositions, a contribution to a joint setting of the psalm In exitu Israel composed for the procession to the font at the Paschal Vigil. -
Stainer & Bell
T71 STAINER & BELL LTD Early Music 2020 ER & B IN E A L T L S E & S S B 7 T 0 A 9 B 1 L I S H E D Including the editions of AUGENER GALLIARD JOSEPH WILLIAMS WEEKES EARLY MUSIC Contents Preface ................................................................................................................. 2 Ordering Information............................................................................................. 3 Keyboard Music .................................................................................................... 4 Composer Collections ..................................................................................... 4 Anthologies ..................................................................................................... 5 Piano Duet ...................................................................................................... 6 Music for Organ ............................................................................................... 6 Instrumental: Strings, Wind and Brass ................................................................. 7 Violin ............................................................................................................... 7 Viola ................................................................................................................ 7 Cello ................................................................................................................ 7 Double Bass ................................................................................................... -
GA0190-CSCD511-Flora
FLORA GAVE ME FAIREST FLOWERS The sixteenth-century madrigal was an Italian form. The term ‘madrigal’ was loosely applied to a wide variety of music, but generally denoted a polyphonic setting for four or more voices of an amorous or pastoral text which was closely depicted in the music. Thomas Morley transplanted the form into England in the 1590s; this marked the beginning of the brief but brilliant flowering of the English madrigal. Between the 1590s and the early 1620s, twenty composers published a total of 36 books of madrigals, after which the form virtually disappeared. Some of these composers, such as Morley and Weelkes, followed the Italian model closely; others, such as Byrd and Gibbons, mostly stayed with the simpler English form of the consort song, where the tune remains in one voice, word- painting is not used, and strophic form is preferred to the continuous structure of the madrigal proper. Among the twenty-five items selected for this recording there are examples of several types of piece, ranging from true Italianate madrigals such as Too much I once lamented, via more popular ‘balletts’ such as Fyer, fyer!, to simple part-songs like A little pretty bonny lass. The variety, imagination, and inspired blending of poetry and music characteristic of the best of the ‘English Madrigal School’ (as it was called by Edmund Fellowes, who rescued it from long neglect) afford a particular kind of delight in perfomance, shared equally by singer and listener. 2 3 FLORA GAVE ME FAIREST FLOWERS English madrigals sung by members of The -
Chapter 2 the English Lute Repertory
2: The English Lute Repertory CHAPTER 2 THE ENGLISH LUTE REPERTORY … we doubt not of that truth, that will help us to believe that the lute is fit to assuage the passions … This heavenly harmony, rising unto the brain as an intellectual dew, does moisten gently the heat and dryness of it and if there be too much moisture and terrestrial vapours it dissipates and dries them by the melodious activity that produces a subtle fire[.] … it followeth that this harmony set aright the faculties of the soul and perfect them. If the heart be closed it openeth it and if it be too much opened, it gently shutteth it to embrace and keep in the sweetness that the lute inspires into its sensible concavities. … This harmony softens stony hearts and banishes the cruelty from it to give room to compassion[;] it turneth out hatred to lodge in love. Mary Burwell.1 * SHAPE AND SURVIVAL GENRES SOURCES BEFORE 1580 SOURCES 1580-1615 SOURCES AFTER 1615 THE 'GOLDEN AGE' * MUSIC SURVIVING FOR THE LUTE in French tablature emerges from three tablature traditions: French, German and Italian. The repertory in Italian tablature is the one that has fewest overlaps with the French repertory and the tablatures themselves have little in common beyond their six-line system. Since German tablature was becoming more and more unwieldy, most Germanic lute publications and manuscripts from the end of the sixteenth century on used French tablature: it also broadened the market to include most of Europe. Melchior Newsidler attempted to introduce Italian tablature in Germany with his two 1566 publications, Il primo libro intabolatura di liuto di Melchior Neysidler… and Il secondo libro intabolatura di liuto di Melchior Neysidler…, but the project appears to have been unsuccessful, as he re-issued the two books as one in German tablature, Tabulatura continens praestantissimas et selectissimas quasque cantiones, in usum Testudinis, à Melchiore Neusydler…, in 1573. -
American Choral Review
'jf" / ell f'Y') I I AMERICAN CHORAL REVIEW JOURNAL OF THE AMERICAN CHORAL FOUNDATION, INC. VOLUME Xll · NUMBER 4 • OCTOBER, 1970 AMERICAN CHORAL REVIEW ALFRED MANN, Editor ALFREDA HAYS, Auillant Editor Ass«iate Editors EDWARD TATNALL CANBY ANDREW c. MINOR RICHARD F. FRENCH MARTIN PICKER RICHARD jACKSON jACK RAMEY The AMERICAN CHORAL REVIEW is published quarterly ru; the official journal of the Association of Choral Conductors sponsored by the American Choral Foundation, Inc. The Foundation also publishes a supplementary Research Memorandum Series and maintains a reference library of current publications of choral works. Membership in the Association of Choral Conductors is available under the following categories: FuLL MEMBERSHIP, for an annual contribution of $15.00, includes subscriptions to the AMERICAN CHORAL REVIllW and the Research Memorandum Series and use of the Foundation's Advisory Services Division and reference library. PUBLICATIONS MEMBERSHIP, for an annual contribution of $12.00, includes subscriptions to the AMERICAN CHORAL REviEW and the Research Memorandum Series. PARTICIPATING MEMBERSHIP, for an annual contribution of S7.50, includes a subscription to the AMERICAN CHORAL REviEW and use of the Foundation's reference library. Single issues of the AMERICAN CHORAL REVLEW are available to members at $1.75. Single issues of the Research Memorandum Series are available to members at $1.25. Bulk prices will be quoted on request. Membership dues are tax deductible. THE AMERICAN CHORAL FOUNDATION, INC. SHELDON SoFFER, Admini.rtrative Director 130 West 56th Street, New York, New York 10019 Phone (212) 246-3361 Copyright 1970 by the AMERICAN CHORAL FoUNDATION, INc. Indexed in Music INDEX and MusiCAL ARTICLE GuiDE AMERICAN CHORAL REVIEW October, 1970 CONTENTS The Performance of William Byrd's Church Music I. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletioiL Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing firom left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 Nortfi Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313,'761-4700 600/521-0600 Order Number 9401210 Reclaiming a music for England: Nationalist concept and controversy in English musical thought and criticism, 1880-1920. (Volumes I and II) Ball, William Scott, Ph.D.