Descriptions of Aliens (Extraterrestrial Beings) in Vedic Scriptures
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Construction Techniques of Indian Temples
International Journal of Research in Engineering, Science and Management 420 Volume-1, Issue-10, October-2018 www.ijresm.com | ISSN (Online): 2581-5782 Construction Techniques of Indian Temples Chanchal Batham1, Aatmika Rathore2, Shivani Tandon3 1,3Student, Department of Architecture, SDPS Women’s College, Indore, India 2Assistant Professor, Department of Architecture, SDPS Women’s College, Indore, India Abstract—India is a country of temples. Indian temples, which two principle axis, which in turn resulted in simple structural are standing with an unmatched beauty and grandeur in the wake systems and an increased structural strength against seismic of time against the forces of nature, are the living evidences of forces. The Indian doctrine of proportions is designed not only structural efficiency and technological skill of Indian craftsman to correlate the various parts of building in an aesthetically and master builders. Every style of building construction reflects pleasing manner but also to bring the entire building into a a clearly distinctive basic principle that represents a particular culture and era. In this context the Indian Hindu temple magical harmony with the space. architecture are not only the abode of God and place of worship, B. Strutural Plan Density but they are also the cradle of knowledge, art, architecture and culture. The research paper describes the analysis of intrinsic Structural plan density defined as the total area of all vertical qualities, constructional and technological aspects of Indian structural members divided by the gross floor area. The size and Temples from any natural calamities. The analytical research density of structural elements is very great in the Indian temples highlights architectural form and proportion of Indian Temple, as compared to the today's buildings. -
A Study of the Early Vedic Age in Ancient India
Journal of Arts and Culture ISSN: 0976-9862 & E-ISSN: 0976-9870, Volume 3, Issue 3, 2012, pp.-129-132. Available online at http://www.bioinfo.in/contents.php?id=53. A STUDY OF THE EARLY VEDIC AGE IN ANCIENT INDIA FASALE M.K.* Department of Histroy, Abasaheb Kakade Arts College, Bodhegaon, Shevgaon- 414 502, MS, India *Corresponding Author: Email- [email protected] Received: December 04, 2012; Accepted: December 20, 2012 Abstract- The Vedic period (or Vedic age) was a period in history during which the Vedas, the oldest scriptures of Hinduism, were composed. The time span of the period is uncertain. Philological and linguistic evidence indicates that the Rigveda, the oldest of the Vedas, was com- posed roughly between 1700 and 1100 BCE, also referred to as the early Vedic period. The end of the period is commonly estimated to have occurred about 500 BCE, and 150 BCE has been suggested as a terminus ante quem for all Vedic Sanskrit literature. Transmission of texts in the Vedic period was by oral tradition alone, and a literary tradition set in only in post-Vedic times. Despite the difficulties in dating the period, the Vedas can safely be assumed to be several thousands of years old. The associated culture, sometimes referred to as Vedic civilization, was probably centred early on in the northern and northwestern parts of the Indian subcontinent, but has now spread and constitutes the basis of contemporary Indian culture. After the end of the Vedic period, the Mahajanapadas period in turn gave way to the Maurya Empire (from ca. -
PDF Format of This Book
COMMENTARY ON THE MUNDAKA UPANISHAD COMMENTARY ON THE MUNDAKA UPANISHAD SWAMI KRISHNANANDA Published by THE DIVINE LIFE SOCIETY P.O. SHIVANANDANAGAR—249 192 Distt. Tehri-Garhwal, Uttarakhand, Himalayas, India www.sivanandaonline.org, www.dlshq.org First Edition: 2017 [1,000 copies] ©The Divine Life Trust Society EK 56 PRICE: ` 95/- Published by Swami Padmanabhananda for The Divine Life Society, Shivanandanagar, and printed by him at the Yoga-Vedanta Forest Academy Press, P.O. Shivanandanagar, Distt. Tehri-Garhwal, Uttarakhand, Himalayas, India For online orders and catalogue visit: www.dlsbooks.org puBLishers’ note We are delighted to bring our new publication ‘Commentary on the Mundaka Upanishad’ by Worshipful Sri Swami Krishnanandaji Maharaj. Saunaka, the great householder, questioned Rishi Angiras. Kasmin Bhagavo vijnaate sarvamidam vijnaatam bhavati iti: O Bhagavan, what is that which being known, all this—the entire phenomena, experienced through the mind and the senses—becomes known or really understood? The Mundaka Upanishad presents an elaborate answer to this important philosophical question, and also to all possible questions implied in the one original essential question. Worshipful Sri Swami Krishnanandaji Maharaj gave a verse-by-verse commentary on this most significant and sacred Upanishad in August 1989. The insightful analysis of each verse in Sri Swamiji Maharaj’s inimitable style makes the book a precious treasure for all spiritual seekers. —THE DIVINE LIFE SOCIETY 5 TABLE OF Contents Publisher’s Note . 5 CHAPTER 1: Section 1 . 11 Section 2 . 28 CHAPTER 2: Section 1 . 50 Section 2 . 68 CHAPTER 3: Section 1 . 85 Section 2 . 101 7 COMMENTARY ON THE MUNDAKA UPANISHAD Chapter 1 SECTION 1 Brahmā devānām prathamaḥ sambabhūva viśvasya kartā bhuvanasya goptā, sa brahma-vidyāṁ sarva-vidyā-pratiṣṭhām arthavāya jyeṣṭha-putrāya prāha; artharvaṇe yām pravadeta brahmātharvā tām purovācāṅgire brahma-vidyām, sa bhāradvājāya satyavāhāya prāha bhāradvājo’ṇgirase parāvarām (1.1.1-2). -
CERTIFICATE It Is Hereby Declared That This Work Has Not Been Submitted for a Higher Degree to Any Other University Or Instituti
CERTIFICATE It is hereby declared that this work has not been submitted for a higher degree to any other University or Institution. L. Peter Kollar. / **/ ' (* KEN5INGTDN £ V °o V * Li 8RARV SUMMARY This is a study of symbolism in traditional Hindu architecture. It is based upon the Shri Minakshi Sundareswar, The Great Temple at Madura, South India, visited by the author in i960. The formal arrangement of this temple is the pivot around -which the examination of the principles of architectural symbolism revolves. The general principles as well as the particular symbolic expressions are elucidated by constant reference to the sacred texts of the Hindu tradition. The key to all this is the Hindu doctrine itself, but no attempt could be made to expose its integrality on these pages. However, the introduction and the footnotes contain sufficient references and brief explanations to enable one to follow the theme without undue difficulty even if the subject were unfamiliar. The study develops the meaning of the architectural layout by approaching the temple from the outside and gradually progressing towards its core. During this passage the nature of symbolism is discovered in successively higher degrees until it becomes clear that the temple - in its detail as well as in its entirety - is a meta physical symbol and its construction a metaphysical rite. It expresses by means of silent architectural forms the selfsame doctrine which is recorded verbally in the sacred texts. SYMBOLISM IN HINDU ARCHITECTURE as revealed in the SHRI IvUNAKSHI SUNDARESWAR A study for the degree of Master of Architecture L« Peter Kollar A.A.S.T.C., A.R.A.I.A, Sydney, 1962 ii CONTENTS List of Plates .. -
Engineering Marvels of 1.5 Million Years Old Man Rama Setu Dr
[ VOLUME 2 I ISSUE 3 I JULY – SEP. 2015 ] E ISSN 2348 –1269, PRINT ISSN 2349-5138 Engineering Marvels of 1.5 Million Years Old Man Rama Setu Dr. M. Sivanandam Professor, Department of Electronics and Communication Engineering, Sri Chandrasekharendra Saraswathi Viswa Mahavidyalaya, Kanchipuram- 631 561, Tamil Nadu. Received Aug. 20, 2015 Accepted Sept. 10, 2015 ABSTRACT Rama went on exile for 14 years. At the end of 12th year, near Panchavadi, Sita was abducted by Ravana. Rama with the help of Hanuman located Sita at Ashoka Vatika, Sri Lanka. To reach Sri Lanka, Nala and Vanara sena constructed a sea bridge from Dhanuskhodi, India to Thalaimannar, Sri Lanka with 35 Km length and 3.5 Km width in 5 days with local trees, rocks and gravels. At Sri Lanka Rama killed Ravana and returned with Sita to Ajodhya. The sea bridge with largest area, constructed 1.5 million years before is still considered an engineering marvel. Key words: Rama, Sita, Ravana, Hanuman, Ashoka Vatika, Nala, Rama Setu. 1. Introduction In Tredha Yuga the celestials troubled by They spent 12 years in the forest peacefully demons, especially Ravana, the king of Sri but towards the end of the exile when they Lanka, appealed to Lord Vishnu who agreed moved to Panchavadi near present to take a human incarnation to annihilate Bhadrachalam, Andhra Predesh Sita was Ravana. Rama was born to king Dasharatha of abducted by Ravana by Pushpaga Vimana [3]. Khosala Kingdom [1]. Rama decided to fulfill Figure 1 shows the places of travel during the promise of his father to Kaikeyi, step exile. -
The Atharvaveda and Its Paippalādaśākhā Arlo Griffiths, Annette Schmiedchen
The Atharvaveda and its Paippalādaśākhā Arlo Griffiths, Annette Schmiedchen To cite this version: Arlo Griffiths, Annette Schmiedchen. The Atharvaveda and its Paippalādaśākhā: Historical and philological papers on a Vedic tradition. Arlo Griffiths; Annette Schmiedchen. 11, Shaker, 2007, Indologica Halensis, 978-3-8322-6255-6. halshs-01929253 HAL Id: halshs-01929253 https://halshs.archives-ouvertes.fr/halshs-01929253 Submitted on 5 Dec 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Griffiths, Arlo, and Annette Schmiedchen, eds. 2007. The Atharvaveda and Its Paippalādaśākhā: Historical and Philological Papers on a Vedic Tradition. Indologica Halensis 11. Aachen: Shaker. Contents Arlo Griffiths Prefatory Remarks . III Philipp Kubisch The Metrical and Prosodical Structures of Books I–VII of the Vulgate Atharvavedasam. hita¯ .....................................................1 Alexander Lubotsky PS 8.15. Offense against a Brahmin . 23 Werner Knobl Zwei Studien zum Wortschatz der Paippalada-Sam¯ . hita¯ ..................35 Yasuhiro Tsuchiyama On the meaning of the word r¯as..tr´a: PS 10.4 . 71 Timothy Lubin The N¯ılarudropanis.ad and the Paippal¯adasam. hit¯a: A Critical Edition with Trans- lation of the Upanis.ad and Nar¯ ayan¯ . a’s D¯ıpik¯a ............................81 Arlo Griffiths The Ancillary Literature of the Paippalada¯ School: A Preliminary Survey with an Edition of the Caran. -
Panduroga: a Medico - Historical Study
Bull.Ind.lnst.Hist.Med. Vol. XXX - 2000 pp 1 to 14 PANDUROGA: A MEDICO - HISTORICAL STUDY P.V.V. PRASAD" ABSTRACT According to Ayurveda the word 'Pandu' denotes Pale or yellowish white colour. Panduroga (anaemia) is a disease in which man becomes Pallor due to deficiency of Rakta dhatu (blood) in the body. Rakta dhatu is mentioned among the Saptadhatus of the body. Historical importance ofPanduroga and a comparative study regarding its Nidana-Samprapti, Lakshanas, Upadravas and Chikitsa etc. as found in Atharvaveda, Mahabharata, Charaka Samhita, Sushruta Samhita, Chakradatta and Basava Rajeeyam etc. are being presented in this paper. Introduction: Regarding the aetiology, types, There are seven important constituents symptoms, complications and treatment of viz. Rasa, Rakta, Mamsa, Medo, Asthi, Panduroga a comparative study has been Majja and Shukra in the human body. They done based on Atharvaveda, Mahabharata, are known as "Sapthadhatu" in Ayurveda. Charaka Samhita, Sushruta Samhita, Amongst them Rakta (blood) is a very Astanga Hridaya, Astanga Sangraha, important dhatu. Acharya Sushruta has Madhava Nidana, Chakradatta, Bhava mentioned Rakta dhatu as fourth dosha of Prakasa Samhita and Basava Rajeeyam. In the body i.e. in addition to three doshas viz., addition to this, references were also Vata, Pitta and Kapha (Su.Sutra21/3). He collected regarding the usage ofLauha (iron) mentions that, Rakta is the life in living body. and Mandura and their preparations for Therefore it should be protected from all treating this important disease. types of vitiations and Pathogenic factors Atharvaveda : (Su.Sutra 14/44). Panduroga develops due This fourth and last veda of Indian to deficiency of blood in one's body. -
Hanuman Temple at Jagati
Orissa Review * February - March - 2009 Hanuman Temple at Jagati Ramesh Meher The Hanuman Temple of Jagati is an important and had gone to his house. When the fisherman Hanuman shrine of Orissa. This temple is located slept on his bed in that night, he saw in a dream at Jagati village, in Laxmi Prasad Gramapanchayat that he has thrown the Lord Hanuman into the area of Boudh district, whose earlier name was water of pond. In the next day he had gone to Yayatinagara the capital of the Somavamsi period. collect the fish from that pond again that stone It is close to the right bank of the Mahanadi, was attached in his net. Then the fisherman rescued situated at the distance of about 13 kms from the stone-image from that pond and began to Boudh towards Sonepur. It can be reached by the state highway through a road of about three worship. At first this stone image was very small. kms. The temple is situated in the eastern side of According to local legend after few months this the Twin temple of Gandharadi at the distance of image began to increase day by day. At last a about one km. It is a small temple, which time came when this figure of image was increased dedicated to the Lord Hanuman. Hanuman, the to about six feet in height. The priest (the presiding deity of the temple is regarded as the fisherman) prayed to the lord Hanuman and said, protector of that area. From the architectural point if you would increase like this day by day, how I of view, the temple of Hanuman is not important can worship you. -
Types of Vedas - Rigveda, Samaveda, Yajurveda & Atharvaveda
Types of Vedas - Rigveda, Samaveda, Yajurveda & Atharvaveda There are four types of Vedas - Rigveda, Samaveda, Yajurveda, and Atharvaveda. One of the best sources of Ancient Indian History is Vedic literature. Vedas have formed the Indian scripture. The ideas and practices of Vedic religion are codified by the Vedas and they also form the basis of classical Hinduism. The topic, ‘Types of Vedas’ is important for the IAS Exam, keeping in mind the syllabus of history subject. Questions might be asked from any type of Vedas in the Prelims or Mains stage. Hence, this article will mention the relevant facts about four Vedas for the civil services examination. Aspirants can also download the notes PDF from the link provided on the page. Four Vedas Name and Features The four Vedas and their features, in brief, are given in the table below: Types of Vedas Name of the Key Features of the Veda Veda Rig Veda It is the earliest form of Veda Samaveda Earliest reference for singing Yajurveda It is also called the book of prayers Atharvaveda The book of magic and charms Vedas in Detail Rigveda: The oldest Veda is the Rigveda. It has 1028 hymns called ‘Suktas’ and is a collection of 10 books called ‘Mandalas.’ The features of Rigveda are given in the table below: Features of Rigveda It is the oldest form of Veda and oldest known Vedic Sanskrit text(1800 – 1100 BCE) The meaning of the word ‘Rigveda’ is Praise Knowledge It has 10600 verses Out of 10 books or mandalas, book number 1 and 10 are the youngest ones as they were written later than books 2 to 9 -
Reverse Engineering Ancient Indian Vimanas
International Journal of Advances in Mechanical and Civil Engineering, ISSN: 2394-2827 Volume-3, Issue-3, Jun.-2016 REVERSE ENGINEERING ANCIENT INDIAN VIMANAS 1KAVYA VADDADI, 2ENRICO BACCARINI, 3HEMANTH KUMAR YADAV A, 4PAVAN KUMAR. N, 5AAKASH CHANDRA 1CFD Analyst and Design Engineer, VEDAS Company and Founder of SWASTIK, Uttar Pradesh, India. 2Cultural Anthropologist and Founder of Enigma Editions and SWASTIK, Italy. 3Scientific Research Analyst and Team Strategy Analyst, Founder of SWASTIK, Telangana, India. 4Assistant Professor, Maharaja P.G College, Andhra Pradesh, India. 5Research Scholar in SWASTIK, Bangalore, India. E-mail: [email protected], [email protected], [email protected], [email protected], [email protected] Abstract- Investigation about the origin of intelligent Sanskrit documents if they are from Ancient ancestors or the extraterrestrial beings is described in introduction. The intensions of Sanskrit texts, ancient practices are investigated. The possibilities of gaining ultimate knowledge and contacting the cosmos with spiritual knowledge are also investigated. Various Vimanas described in the Vimana shasthra are being Reverse Engineered by SWASTIK research team in collaboration with Enigma editions and Aryavarta Space Organization. A part of this work is described in this paper where the 2D models described by Subbaraya shasthry and drawn by Ellappa are now made into 3D models and views are shown. The vimana models are done using the design dimensions of those drawings as well as modern day aerospace and software knowledge. CFD analysis of Rukma Vimana is performed and results are analyzed. The advanced materials and fuels used in vimana as well as the propulsion which are eco-friendly are described in details. -
Bringing the Divine Down Into Man: the Building
Bringing the Divine down into Man: the building-up of the yoga path Trazendo o Divino para Dentro do Homem: a Construção do Sistema do Yoga Das Göttliche in den Menschen bringen: Die Konstruktion des Yoga Edrisi Fernandes 1 Resumo: O autor analisa a evolução do Yoga como uma disciplina ascética, desde o tempo da absorção dos habitantes originais da ?ndia pelas tribos arianas, que ali chegaram numa época proto-histórica. Ritos austeros, práticas mágicas, exercícios de controle respiratório e atitudes ascéticas dos habitantes locais foram incorporados na metafísica e na religião Védicas, e também no Yoga pré-clássico. A descoberta do poder das práticas ascéticas e meditacionais permitiu um distanciamento progressivo dos yogis em relação a práticas religiosas externas, tais como sacrifícios realizados com a intenção de favorecer os deuses, e a um avanço paralelo da visão do Yoga como um tipo de sacrifício em si mesmo, fundamentado na associação – entendida como uma ligação ou [re]união – entre o “Self”/a Alma vivente (âtman; jivâtman) do homem e a norma eterna (sanatana dharma), o “Senhor das Criaturas” (Prajâpati), o Ser Supremo (Parameshtin; Brahman; Shiva do Shaivismo; Vishnu do Vaishnavismo), ou a força ou poder (Shakti do Shaktismo [Tantrismo]) que torna a vida possível e que mantém o cosmos. Através de uma revisão do tema do Purusha (sânscrito para “pessoa; homem”, mas também para “Homem Universal; homem-deus”) em algumas referências clássicas da literatura indiana – incluindo o Rigveda, o Atharvaveda, muitos Upanishads, porções relevantes -
Memory, Desire, and “Magic”: Smará in the Atharvaveda
religions Article Memory, Desire, and “Magic”: Smará in the Atharvaveda Signe Cohen Department of Religious Studies, University of Missouri, Columbia, MO 65211, USA; [email protected] Received: 13 July 2020; Accepted: 16 August 2020; Published: 24 August 2020 Abstract: This essay analyzes the interconnection between memory, desire, and verbal performance in the three so called “women’s love spells” in Atharvaveda 6.130–132. This study unpacks the many interconnected meanings of the term smará, which is used repeatedly in these poems, “memory”, “desire”, or “efficacious ritual speech”. I challenge the traditional definition of these texts as “magical” and argue that applying “magic” as an analytical category to ancient Hindu texts is deeply problematic. Instead, I propose that these poems are better understood in their historical and religious context as examples of ritual speech. Keywords: magic; religion; Hinduism; memory; Vedas; Atharvaveda The Sanskrit noun smará has two distinct meanings, which at first glance appear quite unconnected to one another: “memory” and “desire”. The intriguing part, however, is that smará does not mean either memory or desire in Sanskrit, depending on the context in which the word is used; rather, it appears to carry both meanings simultaneously. To love, in Sanskrit literature, is to remember; without recollection there can be no desire. The complex intertwining between desire and memory is most strikingly illustrated in Kalid¯ asa’s¯ classic play Abhijñana´sakuntal¯ a¯ (“The Recollection of Sakuntal´ a”,¯ ca. 5th cent. CE). This intricate relationship between desire and recollection in classical Sanskrit literature has been examined in some detail by Charles Malamoud (Malamoud 1996) and Amanda Hunt (Hunt 2000).