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The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
Michel Montecrossa Sings Bob Dylan and Related Artists
ETERNAL CIRLCE CD-PLUS AUDIO-TRACKS: 1. Eternal Circle 4:09 2. Knockinʻ On Heavenʻs Door 3:58 3. Sitting On A Barbed Wire Fence 6:59 4. Blowinʻ In The Wind 6:35 5. Mixed Up Confusion 4:25 6. Tomorrow Is A Long Time 4:58 7. Love Minus Zero / No Limit 4:19 8. On The Road Again 4:33 9. All Along The Watchtower 4:17 10. Bob Dylanʻs Dream 5:22 11. Couple More Years (From the movie Hearts of Fire) 1:53 MPEG-VIDEO 1. Quinn, The Eskimo (The Mighty Quinn) 4:14 (All songs Bob Dylan except Track 11) PICTURE-EVENTS INTERNETDATA P 1998 © Mira Sound Germany / MCD-266 BORN IN TIME CD-PLUS AUDIO-TRACKS: 1. Born In Time 5:41 2. The Groomʻs Still Waiting At The Altar 3:52 3. Quinn, The Eskimo (The Mighty Quinn) 3:48 4. Forever Young 2:55 5. Paths Of Victory 4:04 6. I And I 4:36 7. Dark Eyes 2:59 8. Political World 3:19 9. Can You Please Crawl Out Of Your Window 4:12 10. Angelina 3:58 11. Donʻt Think Twice Itʻs All Right 2:23 12. Like A Rolling Stone 5:50 13. Most Of The Time 3:28 14. Man In The Long Black Coat 3:55 15. Series Of Dreams 5:54 16. Lone Pilgrim (Traditional) 2:29 17. Abandoned Love 2:54 MPEG-VIDEO: 1. I Shall Be Released 2:43 (All songs Bob Dylan except Track 16) PICTURE-EVENTS INTERNETDATA P 1999 © Mira Sound Germany / MCD-301 Michel Montecrossa sings other Artists / Bob Dylan and related Artists – 1 E1 JET PILOT CD-PLUS AUDIO-TRACKS: 1. -
1990 Summer Festival Tour of Europe
1990 SUMMER FESTIVAL TOUR OF EUROPE JUNE 27 Reykjavik, Iceland Laugardalshöll 29 Roskilde, Denmark Roskilde Rock Festival, Dyrskuepladsen 30 Kalvøya, Sandvika, Norway Kalvøya-Festivalen JULY 1 Turku, Finland Ruisrock, Ruissalon Kansanpuisto 3 Hamburg, Germany Stadtpark 5 Berlin, Germany Internationales Congress Centrum 7 Torhout, Belgium Torhout-Werchter Rock Festival 8 Werchter, Belgium Torhout-Werchter Rock Festival 9 Montreux, Switzerland Montreux Jazz Festival, Casino de Montreuz Bob Dylan 1990: Summer Festival Tour of Europe 11210 Laugardalshöll Reykjavik, Iceland 27 June 1990 1. Subterranean Homesick Blues 2. Ballad Of A Thin Man 3. Stuck Inside Of Mobile With The Memphis Blues Again 4. Just Like A Woman 5. Masters Of War 6. Gotta Serve Somebody 7. It's Alright, Ma (I'm Only Bleeding) 8. It's All Over Now, Baby Blue 9. Girl From The North Country 10. A Hard Rain's A-Gonna Fall 11. Don't Think Twice, It's All Right 12. Everything Is Broken 13. Political World 14. All Along The Watchtower 15. Shooting Star 16. I Shall Be Released 17. Like A Rolling Stone — 18. Blowin' In The Wind 19. Highway 61 Revisited Concert # 202 of The Never-Ending Tour. First concert of the 1990 Summer Festival Tour Of Europe. 1990 concert # 32. Concert # 124 with the second Never-Ending Tour band: Bob Dylan (vocal & guitar), G. E. Smith (guitar), Tony Garnier (bass), Christopher Parker (drums). 7-11, 18 acoustic with the band. 2, 4, 8, 9, 11, 15, 18 Bob Dylan harmonica. 19 G.E. Smith (electric slide guitar). Note. First acoustic Hard Rain with the band. -
The Truth About Life, Sung Like a Lie: Dylan's Timeless Arrows From
The Truth about Life, Sung Like a Lie: Dylan’s Timeless Arrows from Consolation Row Pieter Vanhuysse Professor of Politics and Public Policy, Danish Centre for Welfare Studies, Senior Fellow, DIAS University of Southern Denmark, [email protected] The world’s greatest (living?) songwriter turned eighty on May 24th, 2021. The University of Tulsa, which houses the Bob Dylan Archive and the Institute of Bob Dylan Studies, celebrated this with a wide-ranging Dylan@80 symposium to take stock of Dylan’s achievements. Consider the near- impossible question I was asked to tackle in the “Tangled up in Dylan” panel: How do you see Dylan from the perspective of a social scientist? Power and greed and corruptible seed: and the wind began to howl A possible answer, one of many, lies in Dylan’s career-long rejection of bleary-eyed idealism in favor of cold-eyed realism as a lens for observing the world. One way in which Dylan’s been there has been early on in my social science days. Back in the mid-90s, starting my PhD at the London School of Economics as a very young twenty-something, not quite from Hibbing but from the Flemish farmlands, I wanted to improve the world, no less. The big story back then, arguably the biggest story in social science since the Second World War and its camps, was the transition in the eastern half of Europe from authoritarian communism to something like free markets and liberal democracies. My bright idea was to devise a new normative system, a political philosophy to underpin something like basic income post-communism, or real freedom capitalism: Why surfers should be fed (Van Parijs 1995), and why all Poles should get a check. -
INFORMATION SHEET and SYLLABUS You Will Receive an E-Mail Attachment Copy of This Syllabus and It Will Also Be Available on Canvas
LIT 200 / Bob Dylan: Life, Legacy, Literature / Spring 2018/ Hill Page 1 LIT 200 / Section 1 / Bob Dylan: Life, Legacy, and Literature Richard Hill, Ph.D. Point Loma Nazarene University / Spring 2018 2 Credit Hours INFORMATION SHEET AND SYLLABUS You will receive an e-mail attachment copy of this syllabus and it will also be available on Canvas Meeting Time and Place: Tuesdays and Thursdays 6:00-7:45 in Liberty Station 205B Professor: Richard (Rick) Hill / Home phone: 858-270-5227 / Cell Phone 858-366-5221 / E-Mail: [email protected] Office: BAC 112/ Office Phone: 2670 /LJML Dept Phone: 2297 Office Hours: Open: Wed 12:30-1:15 PLNU office /Tues- Thurs 5:30 -6:00 in Liberty Station Classroom Other hours can also be arranged. Knock on the door with a question: Anytime I’m in the office PLNU Mission: To Teach ~ To Shape ~ To Send Point Loma Nazarene University exists to provide higher education in a vital Christian community where minds are engaged and challenged, character is modeled and formed, and service is an expression of faith. Being of Wesleyan heritage, we strive to be a learning community where grace is foundational, truth is pursued, and holiness is a way of life. REQUIRED TEXTS, ONLINE READING, AND AUDIO Dylan, Bob. Chronicles Volume One. New York: Simon and Schuster, 2004. Bobdylan.com. Official Website Bob Dylan. Wikipedia article. https://en.wikipedia.org/wiki/Bob_Dylan Expecting Rain. Obsessive Bob Dylan website. http://www.expectingrain.com/ Selected Songs by Bob Dylan (See page 7 for required items) Optional Items on Library Reserve One or two books per week about or by Dylan will be introduced in class, then placed on library reserve for further perusal. -
The Recording Sessions
Bob Dylan: The Recording Sessions by Michael Krogsgaard, compiled from files available at http://www.punkhart.com/dylan/sessions.html 1 2 Some general information regarding the different sources made available for the study: 1. The Columbia Studios Recording Diaries are books, which for each day of the year (since 1941) list every planned session in the different studios. Information includes: time of the day, name of the studio, name of the producer and the engineers and the name of the artist. For the New York studios one diary is missing, that which covers the period January 1967 to December 1970. For the Nashville studios, the diary for the period 1969 to 1971 is missing. 2. Recording Sheets are lists made during each session and put into each tape box. The sheet records the date, the studio, the artist, which tracks were recorded and the CO number (Columbia's own reference number) for each composition (of which, more later). Each recorded take is marked as complete (C), with a short false start(b) or a long false start (B). It is indicated on these sheet which takes are removed to other tapes for further use. 3. The Tape Boxes themselves also usually contain information about each take and which takes are removed for further use. 4. CO Cards contain information about the CO (CO=Columbia) number and title for each composition and usually also the recording date. The CO numbers are basically a secure identification of each composition but they are not always chronological (for instance: the CO numbers for songs recorded in Nashville are generally higher than CO numbers for songs recorded at the same time in New York), and, confusingly, sometimes one composition has several CO numbers, especially (but not always) if it has been recorded several times at different sessions. -
"Not Dark Yet" En Mässa Om Livets Brustenhet 16 September I Annedalskyrkan
"Not dark yet" En mässa om livets brustenhet 16 september i Annedalskyrkan Text och musik av Bob Dylan Mässan är utarbetad av Valle Erling, Mikael Ringlander och Pär Friberg. Valdemar Valle Erling - sång, gitarr och munspel David Ehk – gitarr Anders Sjöling - bas och sång Urban Löfgren – trummor Claes Johansson – keyboards Björn Almgren - percussion och saxofon Gunnar Frick - pedal steel, dragspel, orgel och gitarr Pär Friberg - predikan Gudmund Erling - celebrant Anna Jagell och David Oest - läsning ur Psaltaren Britt Grandin - överlåtelsebön Cecilia Nyholm - tackbön Ljus: Leif Ekring - Chroma Ljusuthyrning AB Ljud: Johan Blomqvist - Prosona AB Arrangörer: Kultursamverkan Svenska Kyrkan, Valdemar och Annedals församling Medarrangörer: Brämaregårdens församling, Haga församling, Högsbo församling och Skolkyrkan Än är det inte mörkt. Men snart. När nittonhundratalet nästan är slut släpper Dylan CD:n "Time Out of Mind " med spåret "Not Dark Yet". Som en sammanfattning av tidens anda och en monolog över hur den egna själen krackelerar. "Feel like my soul has turned into steel I´ve still got the scars that the sun didn´t heal" I samma tonläge ligger Dylans CD "Oh Mercy" som kom 10 år tidigare. Detta är låtar som rymmer en sprödhet och nakenhet som saknar motstycke i västvärldens rockmusik. Livets brustenhet i en samling enkla låtar med en sårbar musik där det vackra inte sällan ligger i de spruckna ljuden, i det som faller isär. Med hjälp av producenten Daniel Lanois lyckas Dylan måla mörka suggestiva landskap. Mässan "Not Dark Yet" bygger fram för allt på sånger från dessa två plattor. Vi möter en Dylan långt ifrån den kaxige protestsångaren från 60-talets Greenwich Village och den salvelsefulle predikanten från slutet av 70-talet. -
Bob Dylan's Song Lyrics
BobBob Dylan’sDylan’s SongSong LLLyricsyrics Bob Dylan’s Song Lyrics Introduction I’ve often had a bit of a Dylan lyric running through my head, and failed to identify the song it was from, or how the next line went. This is a response to that need in the belief others may find it useful to have them handy as an ebook too. These are the lyrics to all Bob Dylan’s songs, from 51 albums. If I have left any out, please tell me and I’ll rectify it. It is organised alphabetically, all titles beginning with each letter are grouped together, and individually bookmarked to aid fast access. You can also do a search if the line doesn’t summon up the song title immediately, type the words in and see where it finds them. DISCOGRAPHY 1. Bob Dylan 27. Infidels 2. The Freewheelin' 28. Real Live 3. The Times They Are A-Changin' 29. Empire Burlesque 4. Another Side Of Bob Dylan 30. Biograph 5. Bringing It All Back Home 31. Knocked Out Loaded 6. Highway 61 Revisited 32. Dylan And The Dead 7. Blonde On Blonde 33. Down In The Groove 8. Bob Dylan's Greatest Hits 34. Oh Mercy 9. John Wesley Harding 35. Under The Red Sky 10. Nashville Skyline 36. The Bootleg Series Vols.1-3 11. Self-Portrait 37. Good As I Been To You 12. New Morning 38. The 30th Anniversary Concert Celebration 13. Bob Dylan's Greatest Hits Vol.2 39. World Gone Wrong 14. Pat Garrett And Billy The Kid 40. -
UGS 302 Bob Dylan and Social-Historical Imagination 62495 PALAIMA, Thomas G
UGS 302 Bob Dylan and Social-Historical Imagination 62495 PALAIMA, Thomas G. Short Title: Bob Dylan History Imagination Wr and CD flags Professor Tom Palaima Department: Classics WAG 123 Campus Mail Code: C3400 Office: Waggener 14AA Office Hours: T TH 11-12:30 and by appointment [email protected] Campus Phone: 471-8837 fax: 471-4111 Dept. 471-5742 Description: Human cultures and societies desire stability and generally aim to perpetuate their existing power structures and values. For this reason critical commentary is often suppressed, marginalized or co-opted. Yet social criticism can also be tolerated in frankly surprising ways within songs and poetic traditions, especially when written by geniuses within epic, lyric, folk and blues traditions. In this course, we will look at the songs written and performed by Bob Dylan and the songs of others that he has chosen to perform in concert for nearly six decades in their social and historical contexts. We will investigate how Dylan makes what is real felt. Dylan from the start omnivorously consumed and assimilated songs, poems, novels, histories, and newspapers, contemporary and past. He has tapped into the songs of traditions as diverse as British, Scottish, Irish, Appalachian, Piedmont and Ozark folk traditions and been influenced by artists as wide-ranging as the Mississippi Sheiks, Huddie William Ledbetter, Martin Carthy, the Stanley Brothers, Blind Willie McTell, Hank Williams, Frank Sinatra, Warren Zevon, Johnny Cash and Woody Guthrie. Critic Sean Willentz observes, “Dylan's writing a different kind of art. He...had th[e] ability to...enter into lots of different people's brains and souls and see them in collision.” Absorbing Dylan's songs and what inspired them expands our humanity and develops our capacities for sympathy, empathy and compassion for others. -
Still on the Road 1991 Us Fall Tour
STILL ON THE ROAD 1991 US FALL TOUR OCTOBER 24 Corpus Christi, Texas Bayfront Auditorium 25 Austin, Texas City Coliseum 26 San Antonio, Texas Sunken Garden Theater 27 Lubbock, Texas Lubbock Memorial Center 30 Tulsa, Oklahoma Brady Theater 31 Wichita, Kansas Civic Center NOVEMBER 1 Kansas City, Missouri Midland Theater 2 Ames, Iowa C. Y. Stephens Auditorium 4 Evanston, Illinois McCaw Hall, The Northwestern University 5 Madison, Wisconsin Dane County Coliseum 6 South Bend, Indiana Morris Civic Auditorium 8 Louisville, Kentucky The Whitney Hall 9 Dayton, Ohio The Memorial Hall 10 Indianapolis, Indiana Murat Temple 12 Detroit, Michigan Fox Theater 13 Akron, Ohio E.J. Thomas Performing Arts Hall, University of Akron 15 Wilkes-Barre, Pennsylvania F. M. Kirby Center 16 New Haven, Connecticut Yale University Campus, Woolsey Hall 18 Utica, New York Stanley Performing Arts Center 19 Erie, Pennsylvania Warner Theatre, Civic Center 20 Charlottesville, Virginia University Hall, University of Virginia Bob Dylan 1991: US Fall Tour 12640 Bayfront Auditorium Corpus Christi, Texas 24 October 1991 Concert # 344 of The Never-Ending Tour. First concert of the 1991 US Fall Tour. 1991 concert # 81. Concert # 60 with the 5th Never-Ending Tour band: Bob Dylan (vocal & guitar), John Jackson (guitar), Tony Garnier (bass), Ian Wallace (drums). No further information available. Session info updated 17 February 2001. Bob Dylan 1991: US Fall Tour 12650 City Coliseum Austin, Texas 25 October 1991 1. New Morning 2. Lay Lady Lay 3. All Along The Watchtower 4. What Good Am I? 5. Pancho And Lefty (Townes van Zandt) 6. Gotta Serve Somebody 7. -
Dylan's Autobiography of a Vocation.Indb
Renza, Louis A. "Index of Bob Dylan Songs and Albums." Dylan’s Autobiography of a Vocation: A Reading of the Lyrics 1965–1967. New York: Bloomsbury Academic, 2017. 198–200. Bloomsbury Collections. Web. 25 Sep. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 14:35 UTC. Copyright © Louis A. Renza 2017. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Index of Bob Dylan Songs and Albums Note: Page references with letter ‘n’ refer to notes. “A Hard Rain’s A-Gonna Fall” 8 , 10 , 51 , 87 “California” 20 “Absolutely Sweet Marie” 69 – 71 , “Can You Please Crawl Out Your 168 n.15 , 169 n.19 Window?” 39 – 40 , 116 , 165 n.11 “All Along the Watchtower” xiv , xv , “Chimes of Freedom” 2 – 4 , 147 146 – 9 , 180 n.61 “Clothes Line Saga” 92 , 118 – 20 Another Side of Bob Dylan 1 – 2 , 4 , 5 , 6 , 45 , 46 , 159 n.2 , 162 n.5 , 162 n.10 , 162 n.13 , “Dark Eyes” xiii 176 n.4 “Dear Landlord” 143 – 4 , 179 n.42 Another Side of Bob Dylan liner notes “Desolation Row” 51 – 7 , 87 , 112 , (“Some Other Kinds Of Songs . 165 n.10 , 166 n.26 , 167 n.30 Poems by Bob Dylan”) 6 , 162 n.13 “Don’t Ya Tell Henry” 114 – 15 , 118 “Apple Suckling Tree” 108 – 9 , 174 n.41 , “Down Along the Cove” 150 – 1 , 181 n.65 174 n.43 , 174 n.51 “Down in the Flood (Crash on the “As I Went Out One Morning” 141 – 3 , 150 Levee)” 104 “ D r i ft er’s Escape” 139 – 40 , 141 , 143 , “Ballad of a Th in Man” 37 -
ARTIFACTS: SELECTED POEMS by Laurie Perry Vaughen Earl Braggs
ARTIFACTS: SELECTED POEMS By Laurie Perry Vaughen Earl Braggs Joe Wilferth Professor of English Professor of English (Thesis Director) (Committee) Allen Wier Professor of English (Committee) ARTIFACTS: SELECTED POEMS By Laurie Perry Vaughen A Thesis Submitted to the Faculty of the University of Tennessee at Chattanooga in Partial Fulfillment of the Requirements for a Master of Arts: English The University of Tennessee at Chattanooga Chattanooga, Tennessee May 2015 ii Copyright © 2015 By Laurie Perry Vaughen All Rights Reserved iii ABSTRACT The title, Artifacts, is a compost of words art and fact —with fact as Latin for “something made.” A poet recreates language from syllable, word, and shard, and ropes off sacred or desecrated places. The movement of the imagination from small to sublime, from clay shard or carved flint arrow to cultural landscape, is a useful analogy for poetics – a field school approach influenced by my studies in anthropology. Artifacts ’ poems vary in context ( place ), but each explores emblematic structure , kinetic tension, eco-poetics and a language-driven (vs. idea-driven) process. Sections include: Turning the Field: Structure and Surprise; Examining Shards: Emblematic Poems; Piecework Expertise: Poet as Archaeologist and Curator; and, The Nature of Dig Sites: Locality, Language and Transformation. In conclusion: “The artist, poet, ecologist and archaeologist each use imagination, locality, and all of experience to recreate a whole from fragments, emblems, syllables, and the tension of words, wire and line.” iv DEDICATION The collection of poems in this manuscript is dedicated to my children, Lorna Josephine Vaughen and Jared Victor Vaughen, my magnum opus. May you always find astonishment in the vox humana.