Johnny Preston New Baby for Christmas / (I Want A) Rock and Roll Guitar Mp3, Flac, Wma

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Johnny Preston New Baby For Christmas / (I Want A) Rock And Roll Guitar mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: New Baby For Christmas / (I Want A) Rock And Roll Guitar Country: US Released: 1960 MP3 version RAR size: 1371 mb FLAC version RAR size: 1620 mb WMA version RAR size: 1925 mb Rating: 4.9 Votes: 521 Other Formats: MMF VOC MP2 MP1 MOD MPC MP4 Tracklist Hide Credits New Baby For Christmas A 2:22 Written-By – Jones*, Blackwell* (I Want A) Rock And Roll Guitar B 3:05 Written-By – J.P. Richardson Companies, etc. Record Company – Mercury Record Corporation Published By – Big Bopper Music Published By – Starrite Music Notes Side A published by Starrite Music. Side B published by Big Bopper Music. Barcode and Other Identifiers Matrix / Runout (Side A Runout): YW 21442 2 Matrix / Runout (Side B Runout): YW 21453 2 Matrix / Runout (Side A Label): YW21442 Matrix / Runout (Side B Label): YW21453 Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year New Baby For Christmas / (I Johnny 71728 Want A) Rock And Roll Guitar Mercury 71728 US 1960 Preston (7") New Baby For Christmas / (I Johnny 45-AMT 1164 Want A) Rock And Roll Guitar Mercury 45-AMT 1164 UK 1960 Preston (7", Single) Related Music albums to New Baby For Christmas / (I Want A) Rock And Roll Guitar by Johnny Preston Various - Let The Good Times Roll Johnny O'Keefe - Move, Baby, Move Johnny Rivers - Baby I Need Your Lovin' / Poor Side Of Town Johnny Preston - Running Bear / Cradle Of Love Dickey Lee - Don't Wanna Think About Paula / Just A Friend Bruce Channel - Hey! Baby Eddie Bond - Lovin' You, Lovin' You / Hershey Bar Big Bopper - Chantilly Lace.

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Jay Richardson Brushes Away Snow That's Drifted Around
When popular Beaumont deejay J.P. Richardson died on Feb. 3, 1959, with Buddy Holly and Ritchie Valens, he left behind more than ‘Chantilly Lace’ … he left a briefcase of songs never sung, a widow, a daughter and unborn son, and a vision of a brave new rock world By RON FRANSCELL Feb. 3, 2005 CLEAR LAKE, IOWA –Jay Richardson brushes away snow that’s drifted around the corpse-cold granite monument outside the Surf ballroom, the last place his dead father ever sang a song. Four words are uncovered: Their music lives on. But it’s just a headstone homily in this place where they say the music died. A sharp wind slices off the lake under a steel-gray sky. It’s the dead of winter and almost nothing looks alive here. The ballroom – a rock ‘n’ roll shrine that might not even exist today except for three tragic deaths – is locked up for the weekend. Skeletal trees reach their bony fingers toward a low and frozen quilt of clouds. A tattered flag’s halyard thunks against its cold, hollow pole like a broken church bell. And not a word is spoken. Richardson bows his head, as if to pray. This is a holy place to him. “I wish I hadn’t done that,” he says after a moment. Is he still haunted by the plane crash that killed a father he never knew? Can a memory be a memory if it’s only a dream? Why does it hurt him to touch this stone? “Cuz now my damn hand is cold,” Richardson says, smiling against the wind.
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BEAR FAMILY RECORDS TEL +49 (4748) 8216-16 • FAX +49 (4748) 8216-20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49 (4748) 8216-16 • FAX +49 (4748) 8216-20 • E-MAIL [email protected] ARTIST Big Bopper TITLE Hello Baby - You Know What I Like! A wiggle in her walk and a giggle in her talk LABEL Bear Family Records CATALOG # BCD 17109 PRICE-CODE AH EAN-CODE ÆxAKABMRy171092z ISBN-CODE 978-3-89916-521-0 FORMAT 1 CD digipac with 52-page booklet GENRE Rock’n’Roll TRACKS 31 PLAYING TIME 73:26 ● The ultimate tribute to the artist who died alongside Buddy Holly and Ritchie Valens on 'The Day The Music Died'! ● Includes the all-time smash hit Chantilly Lace! Plus the Big Bopper's original version of the hit he wrote for George Jones, White Lightning ● Also includes ultra-rare recordings by the Big Bopper – as well as tribute records and sequels by Eddie Cochran, rockabilly legend Ray Campi, and Jayne Mansfield (yes, THAT Jayne Mansfield) INFORMATION When the Big Bopper died in the plane crash that took the lives of Buddy Holly and Ritchie Valens, he'd scored just two hits, but his tragic death on 'The Day The Music Died' ensured his immortality. And it turns out he had a far more interesting career than most one or two hit wonders. For one thing, he wrote several other hits. His original version of George Jones' #1 country hit White Lightning is included here (he also wrote but never recorded Johnny Preston's #1 pop hit Running Bear). Sadly, he never saw eit- her song top the charts. But this generously full CD includes a lot of Bopper, starting with all known recordings: his unissued-at- the-time first recording from 1954, his fabulously rare early rock 'n' roll singles for Mercury, his original recording of Chantilly Lace and the follow-up, and his original LP.
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The Journal of Texas Music History Vol. 10 (2010) Reviews
et al.: Reviews REVIEWS House of Hits: The Story of Houston’s Gold Star/SugarHill Recording Studios by Andy Bradley and Roger Wood (Austin: University of Texas Press, 2010) $34.95, 352 pp., cloth. ISBN 978-0-292-71919-4 Chroniclers of Houston often invoke its no-zoning policy as any category.” Many hits followed over a major structural flaw in the morphology of the city. This flaw, the decades, including George Jones’s as the story commonly goes, exposes the compromised scaffold- “Why Baby Why,” Johnny Preston’s ing of the city: civic narrow-mindedness, economic imperti- “Running Bear,” Bobby Bland’s nence, and aesthetic mélange. Andy Bradley and Roger Wood, “This Time I’m Gone For Sure,” in their ethnographic history of Houston’s Gold Star/SugarHill Asleep at the Wheel’s “Miles and recording studios, take a contrasting, more generous approach Miles of Texas,” Destiny’s Child’s to Houston’s zoning-free notoriety. For Bradley and Wood, the “Survivor,” and Clay Walker’s esteemed Houston studios owe their existence and sustained album A Few Questions, among success to the very spirit of accommodation and possibility many, many others. Bradley and symbolized by the city’s attitude toward zoning. From their be- Wood provide cogent insight ginnings in a modest home to their longstanding tradition of into the pivotal and amusing producing and promoting a wide range of musical genres, the moments in the process of the studios mimic Houston’s commitment to free-enterprise and major studio re- cultural diversity, functioning in symbiotic relation to the ca- cordings.
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