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The Art World's Gordon Gekko

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The Art World's Gordon Gekko FRIDAY-SUNDAY, FEBRUARY 5-7, 2010 Amsterdam explores the portrayal of women on Feb. 13-May 24 photography coins from Antiquity to the present day. % 49-40-3609-960 “Hatra: City of the Sun God” show- Pergamom Museum www.buceriuskunstforum.de cases photographic documentation of Until Dec. 31 the ancient city in Iraq. % 49-30-2090-5577 art Allard Pierson Museum www.smb.spk-berlin.de “Pop Life: Warhol, Haring, Koons, Hirst, Until Feb. 28 …” explores Andy Warhol’s statement % 31-20-5252-556 Bilbao that “good business is the best art” www.allardpiersonmuseum.nl photography with work by Tracey Emin, Keith Har- “Schommer Retrospective 1952-2009” ing, Damien Hirst, Takashi Murakami Antwerp shows 100 images by Spanish photog- and others. rapher Alberto Schommer. Hamburger Kunsthalle-Gallery of art Contemporary Art “Rubens Revealed—Fury of the Brush” Museo de Belles Artes de Bilbao Feb. 8-May 16 Feb. 12-May 9 presents findings of extensive re- % 49-40-4281-3120-0 The art world’s % 34-94-4396-060 search on paintings from the Rubens www.hamburger-kunsthalle.de collection of the Koninklijk Museum www.museobilbao.com voor Schone Kunsten. Koninklijk Museum voor Schone Copenhagen London Kunsten art theater Gordon Gekko Feb. 13-April 4 “Colour in Art” examines color sys- “A Man of No Importance” is a musi- % 32-3238-7809 tems used by 20th-century artists in cal based on the book by Terrence Mc- www.kmska.be more than 100 works of art, including Nally about a Dublin bus conductor eight paintings by Kandinsky. with music by Stephen Flaherty. It is A former corporate raider Basel Louisiana Museum of Modern Art directed by Ben De Wynter. The Arts Theatre art Until June 13 shakes up the market % 45-4919-0719 Feb. 10-Feb. 27 “Fasnacht & Art & Tinguely” displays % 44-845-0175-584 www.louisiana.dk art and props from 100 years of Basel www.artstheatrewestend.com Fasnacht, a carnaval celebrated to mark the end of winter. Hamburg photography Museum Tinguely art “Deutsche Börse Photography Prize Until May 16 “Genuine Illusions: Illusion and Reality 2010” shows work by the four artists % 41-61-6819-320 in Art” showcases drawings, paint- shortlisted for the prize. www.tinguely.ch ings and sculptures devoted to trick- The Photographers’ Gallery ing the eye, including work by Lucas Feb. 12-April 18 Berlin Cranach, Claes Oldenburg, Jasper % 44-845-2621-618 currency Johns and Janet Cardiff. www.photonet.org.uk “Strong Women-in Miniature Form” Bucerius Kunst Forum music Foundation E.G. Buhrle Collection “ABBAWorld” is an interactive Above, Jean Willi’s ‘OP-ART-ertieverkalkig,” (Pfluderi Clique) (1967) at Museum exhibition about the Swedish Tinguely in Basel; bottom, Lady Gaga will start her U.K. tour in Manchester. pop band ABBA presenting 25 rooms of memorabilia, mu- sic, footage and images. Earls Court Exhibition Manchester Centre music Damien Hirst” displays 150 art pieces Until March 28 “Lady Gaga - The Monster Ball Tour” representing vanity objects, including % 44-1159-1290-00 starts the U.K. tour of the Grammy early mosaics from Pompeii. www.abbaworld.com Award-winning pop singer. Musée Maillol Feb. 18 M.E.N. Arena, Manchester Until June 28 % Feb. 20-21 The O2, Dublin 33-1-4222-5958 Luxembourg www.museemaillol.com art Feb. 22 The Belfast Odyssey Arena Feb. 24 Liverpool Echo Arena “Everyday(s)” exhibits contem- art Feb. 26-27 The O2, London porary art on the theme of “The Image Factory” presents 160 orig- (continues into March) everyday life, with work by inal objects from different historical www.livenation.co.uk Bruno Baltzer, David Bestué and ethnical backgrounds around the & Marc Vives and others. world, illustrating totemism, natural- Casino Luxembourg Munich ism, animism and analogy. Forum d’Art Contemporain art Musée du Quai Branly Until April 11 “Maharaja: The Splendour of India’s Feb. 16-July 15 % 352-2250-45 Royal Courts” explores the culture of % 33-1-5661-7000 www.casino-luxembourg.lu maharajas through Indian and West- www.quaibranly.fr ern works. Lisbon Kunsthalle der Hypo-Kulturstiftung Rotterdam art Feb. 12-May 23 art “In the Presence of Things” % 49-89-2244-12 “Inside out: Museum Boijmans Van Be- displays 71 paintings from www.hypo-kunsthalle.de uningen on Show” showcases master- the 17th and 18th centuries, pieces by artists such as Frans Hals including work by Juan art and Jacob van Ruisdael alongside mod- Sanchéz Cotán, Pieter “Peter Loewy: Drawings” presents por- ern work by Giorgio Morandi and Claesz, Rembrandt and Fran- trait photography created from close- Frank Stella. cisco de Goya. ups and distortions of drawings by Kunsthal Museu Calouste the German photographer. Feb. 6-May 24 Gulbenkian Pinakothek der Moderne % 31-10-4400-301 Feb. 12-May 2 Feb. 9-April 11 www.kunsthal.nl % 351-21-7823-000 % 49-89-2380-5360 www.museu.gulbenkian.pt www.pinakothek.de Zurich design Madrid Paris “Global Design” traces the effects of photography photography globalization on the world of design “Saved Art” presents archive “Lisette Model” showcases 120 im- since the 1970s, following develop- photos and video projections ages of New York in the 1940s by the ments in architecture, graphics, media, documenting the fate of fa- Austrian-born American photographer. fashion, product and industrial design. mous works of art during the Jeu de Paume—Concorde Museum of Design Spanish Civil war. Feb. 9-June 6 Feb. 12-May 30 Museo Nacional del Prado % 33-1-4703-1250 % 41-43-4466-767 - Paseo del Prado www.jeudepaume.org www.museum-gestaltung.ch Until March 21 % 34-91-3302-800 art Source: ArtBase Global Arts News Ser- www.museodelprado.es “C’est la Vie! Vanity, From Caravaggio to vice, WSJE research. Getty Images W12 Friday - Sunday, February 5 - 7, 2010 | WEEKEND JOURNAL Wine:Wine: The The chilled best pleasure of Christmas of Eiswein drinking Travel: European Stockholm’s Web habits island revealed landscape v Books Business Bookshelf / By Philip Delves Broughton Contents 7 A ‘Rye’ By 3 | Fashion 6-7 | Cover story Art 10 | Top Picks More Than A Paycheck Any Other Daniel Pink is one of the more procreating in caves. Next came when we have control over our lows its programmers 20% of their Name And the Oscar nominees wear... De Stijl works in London energetic members of the growing Motivation 2.0, during which we time and decisions and when we time to work on any software prob- The Gordon Gekko tribe of business writers-speakers- made calculations based on re- feel a deep sense of purpose. Un- lem they like, provided it is not By Jan Morris 4 | Food & Wine bloggers who, like the ubiquitous ward or punishment. Economic de- der such conditions, we can part of their regular job. The pro- Lundquist’s ambiguity Malcolm Gladwell, plunder the velopment depended on manipulat- achieve real mastery over what- grammers turn out to be much So that strange old genius of the art world work of economists, scientists and ing our desires and fears to ex- ever it is that we do. more efficient with that 20% of what’s-his-name has left us at last— psychologists to attack well-estab- tract performance. The modern their time than you know who I mean, what was his The debate over Blending folk with modern lished business assumptions. Mr. And now we are reaching Moti- workplace, Mr. they are with name, you know, the man who Pink is known for vation 3.0, a higher Pink laments, is their regular wrote “The Catcher in the Rye”? molecular gastronomy public presenta- plane where people too often set up work hours. At- Ah, there we go. How often it Collecting: Madrid fair tions in which he Drive write Wikipedia en- to deny us this lassian credits happens, does it not, that we re- delivers a consis- tries for the fun of opportunity. the 20% with member the name of a book when tently upbeat mes- By Daniel H. Pink it, go on “vocation Firms that hope many of its in- we momentarily forget the name of spotlights L.A. artists sage: that the mis- (Riverhead, 242 pages) vacations” to try to optimize effi- novations and its author? It only goes to show erable age of 20th- out professions dif- ciency by mak- its high staff re- what skill and artistry can go into 11 | Books century manage- ferent from their ing their employ- tention. Compa- the titling of literary works. Some- El Bulli ment is over, that the tyranny of own, and spend a lot of time think- ees clock in and nies as large as times, of course, straightforward, organizational charts and spread- ing about the purpose of their out, attend com- Google and 3M self-explanatory titles are the most sheets is behind us, and that we work. Science, Mr. Pink says, has pulsory meet- have similar effective. Shakespeare never put a What’s in a name? are now entering more sun- shown that we are motivated as ings, and receive programs that line wrong, when he named his splashed climes, where creativity much intrinsically, by the sheer pay for perform- have produced plays, and Dickens didn’t do badly flourishes and businesses treat em- joy and purpose of certain activi- ance are de-moti- everything either, when he plumped simply for 12 | Time Off ployees as human beings, not ma- ties, as extrinsically, by rewards vating through from Google “Oliver Twist.” No book could be chine parts. like pay raises and promotions. excessive con- News to the more graphically introduced than Ethan Hill for The Wall Street Journal Street Ethan Hill for The Wall Alphabet soup of El Bulli Asher Edelman with Edouard Manet’s ‘Berthe Morisot on a Divan’ It is a message we would all The science that Mr.
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