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California Hard Core
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title California Hard Core Permalink https://escholarship.org/uc/item/0g37b09q Author Duong, Joseph Lam Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California California Hard Core By Joseph Lam Duong A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Waldo E. Martin, Chair Professor Kerwin Lee Klein Professor Linda Williams Spring 2014 Copyright 2014 by Joseph Lam Duong Abstract California Hard Core by Joseph Lam Duong Doctor of Philosophy in History University of California, Berkeley Professor Waldo E. Martin, Chair California Hard Core is a narrative history of the pornographic film industry in California from 1967 to 1978, a moment when Americans openly made, displayed, and watched sexually explicit films. Two interrelated questions animate this project: Who moved the pornographic film from the margins of society to the mainstream of American film culture? What do their stories tell us about sex and sexuality in the U.S. in the last third of the twentieth century? The earlier academic literature concentrates on pornographic film and political debates surrounding it rather than industry participants and their contexts. The popular literature, meanwhile, is composed almost entirely of book-length oral histories and autobiographies of filmmakers and models. California Hard Core helps to close the divide between these two literatures by documenting not only an eye-level view of work from behind the camera, on the set, and in the movie theater, but also the ways in which consumers received pornographic films, placing the reader in the viewing position of audience members, police officers, lawyers, judges, and anti-pornography activists. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Suzanne Fischer Dissertation
Diseases of Men: Sexual Health and Medical Expertise in Advertising Medical Institutes, 1900-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Suzanne Michelle Fischer IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Sally Gregory Kohlstedt August, 2009 © Suzanne Fischer 2009 This work is licensed under the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. i Acknowledgements Many thanks to my advisor, Sally Gregory Kohlstedt and the members of my committee for their assistance. Thanks also to Susan Jones, Mike Sappol and others who provided guidance. Many archivists and librarians assisted my research, including Christopher Hoolihan at the Miner Medical Library, Elaine Challacombe and Jim Curley at the Wangensteen Historical Library, Elizabeth Ihrig at the Bakken, and the staff of the Archives of the American Medical Association. Many thanks to my father and to my late mother. Members of DAWGs, the Dissertation and Writers Group, including Susan Rensing, Margot Iverson, Juliet Burba, Don Opitz, Hyung Wook Park, Gina Rumore, Rachel Mason Dentinger, Erika Dirkse, Amy Fisher and Mike Ziemko provided helpful commentary. Many friends, including Katherine Blauvelt, Micah Ludeke, Mary Tasillo, Megan Kocher, Meghan Lafferty, Cari Anderson, Christine Manganaro and Josh Guttmacher provided support and dinner. And endless gratitude to my greatest Friend. ii Dedication This dissertation is dedicated to the memory of my mother, Barbara Fischer. -
Praise for the Devil and John Holmes
Praise for The Devil Digital Proofer and John Holmes The Devil and John H... Authored by Mike Sager “The Devil and John Holmes” is one of the most terrific sagas 6.0" x 9.0" (15.24 x 22.86 cm) we have ever published.” Black & White Bleed on Cream paper 182 pages —Jann Wenner, editor and publisher, Rolling Stone ISBN-13: 9780986267918 “I can recongnize the truth in these stories—tales about the ISBN-10: 0986267910 darkest possible side of wretched humanity. Sager has obvi- ously spent too much time in flop houses in Laurel Canyon.” Please carefully review your Digital Proof download for formatting, —Hunter S. Thompson, author of Fear and Loathing in Las grammar, and design issues that may need to be corrected. Vegas and Hells Angels We recommend that you review your book three times, with each time focusing on a different aspect. “In his audio commentary on the New Line DVD release of ‘Boogie Nights,’ P.T. Anderson cites as a major influence reporter Mike Sager’s article in the June 15. 1989 Rolling Check the format, including headers, footers, page Stone, ‘The Devil and John Holmes’.” 1 numbers, spacing, table of contents, and index. —Stephen Lemons, Salon.com 2 Review any images or graphics and captions if applicable. 3 Read the book for grammatical errors and typos. Once you are satisfied with your review, you can approve your proof and move forward to the next step in the publishing process. To print this proof we recommend that you scale the PDF to fit the size of your printer paper. -
Table of Contents
TABLE OF CONTENTS CHAPTER 1 ~ STORYLINE 49~Charles Manson’s Maniacal SAMPLER Mayhem 1~Storyline Sampler 50~Marilyn Chambers ~ She Was 99 + 44/100 % Pure CHAPTER 2 ~ BIZARRE TALES OF ENDANGERED BABIES CHAPTER 7 ~ DEFTLY DEALING 5~Baby Jumping in Spain WITH DEATH 7~The Child-Eater of Switzerland 54~Helen and Henley 9~Lithuanian Baby Racing 55~Final Farewell to a Fallen Friend CHAPTER 3 ~ ANIMAL ACTS CHAPTER 8 ~ HOPING FOR HIGH 12~Froggyland HOLIDAYS 13~Strike of the Cobra Effect 61~All the Way with MLK 15~Reindeer Games 62~Salaciously Celebrating St. 15~The Bat Bomb ~ A True Story From Patrick’s Day WWII 63~Determining the Date of Easter 63~Doubling Down on Dyngus Day CHAPTER 4 ~ HISTORICAL 65~A Haunting Halloween HIJINKS 66~Thanksgiving Truths 20~The Legend of Paul Revere 67~Christmas Island is the Real Deal 22~Bunker Hill Brouhaha 23~Lighting Up Thomas Edison CHAPTER 9 ~ TITILLATING 24~Finding Ferdinand in the TRAVEL TALES Philippines 69~Justifying the Jim Thorpe Theft 25~Tipp Hill Tally Ho 70~The Perpetuation of Pervasive 28~Seventy-Five Famous Masons Partying in Peekskill 74~Honeymoon Histrionics CHAPTER 5 ~ TOP 10 COUNTRY STORIES CHAPTER 10 ~ MAKING MUSICAL 35~Rose Island MEMORIES 36~San Marino 76~Surf’s Up with the Beach Boys 37~Moosylvania 78~Partying with the Parrotheads 38~Pitcairn Island 79~Dark Side of the Rainbow 38~Sealand 86~Melanie’s Happy Hippie Christmas 39~Alcatraz Gift 41~Micronesia 42~Christiania 43~Cocos (Keeling) Islands CHAPTER 11 ~ ON THE 45~Clipperton Island HOMEFRONT 96~Legal Eagle Sheldon Boyce CHAPTER 6 ~ CRIMES AND 97~Mary Therese ~ Our Miss U.S.A. -
The Golden Age of Porn: Nostalgia and History in Cinema Susanna Paasonen and Laura Saarenmaa
Pornification 19/7/07 10:56 am Page 23 –2– The Golden Age of Porn: Nostalgia and History in Cinema Susanna Paasonen and Laura Saarenmaa The mainstreaming of pornography is indebted to the success of feature-length hardcore films of the 1970s. Shot on 35 mm film, productions such as Deep Throat (1972), Behind the Green Door (1972), The Devil in Miss Jones (1973), The Opening of Misty Beethoven (1976) and Debbie Does Dallas (1978) were widely screened both in the USA and internationally. These films have since been estab- lished as classics (Buscombe 2004: 30) and milestones in both scholarly and popular porn historiographies. While some identify the so-called ‘golden age of porn’ through North American legislation and as ranging from 1957 from 1973 (Lane 2000: 22–3), it was in the 1970s and early 1980s that porn shifted towards the mainstream. In a trend titled by the New York Times as porno chic, pornography became fashionable, gained mainstream publicity and popularity (McNair 2002: 62–3; Schaefer 2004: 371; Wyatt 1999). During the past decade, this golden age has been reminisced in films such as People Vs. Larry Flynt (1996), Boogie Nights (1997) and Rated X (2000), numerous documentaries – including the critically acclaimed Inside Deep Throat (2005) – and books.1 This body of popular porn historiography depicts the decade as one of quality films with real stories, personal performers and talented directors, in contrast to the 1980s of video distribution, inflation of the porn industry, rise of AIDS and conservative backlash. With notable exceptions such as the French Le pornographe (2001) and the Spanish–Danish co-production Torremolinos 73 (2003), European histories have not been reminisced to the same degree. -
Miss MARILYN CHAMBERS
The Ivory Snow Soap model gone XXX porn legend of the 70s and 80s pries open the paint-chipped green door and lets us peak inside… the Insatiable… Miss MARILYN CHAMBERS r e t s o P d n a k o o B d o o w y l l o H f o y s e t r u o c s o t o Interview by Robert Steven Rhine h P G&C: You’re truly a survivor, Marilyn. Many of the 70s porn performers are gone and buried. ODs, suicides and AIDS – which also happen to mainstream performers – it seems like in your business a lot more actors had some really rough, and even deadly, times. So, to what do you owe your longevity and survival? There’re only a handful of Marilyn: [laughs] Probably a little bit of AA names who meet the test of here and there. I also have a teenager who keeps legendary adult film icon: JOHN me real busy. As far as being a survivor over the HOLMES, LINDA LOVELACE, RON years, I didn’t totally over-expose myself, pardon JEREMY, TRACY LORDS, GINGER LYNN, JENNA JAMESON the pun. I didn’t go to the max like a lot of porn performers do, especially, today. When I first and, of course, at the top of that list… MARILYN CHAMBERS. came around, everything was shot on film and it I happen to be a bone-a-fide fan of Marilyn Chambers, having became porno chic. They just don’t make these watched her in the very first XXX movie I ever saw, Behind the kind of adult movies anymore. -
The List: All Primetime Series on Television Calendar Year 2015
The List: All Primetime Series on Television Calendar Year 2015 Source: Nielsen, Live+7 data provided by FX Networks Research. 12/29/14-12/27/15. Original telecasts only. Excludes repeats, specials, movies, news, sports, programs with only one telecast, and Spanish language nets. Cable: Mon-Sun, 8-11P. Broadcast: Mon-Sat, 8-11P; Sun 7-11P. "<<" denotes below Nielsen minimum reporting standards based on P2+ Total U.S. Rating to the tenth (0.0). Important to Note: This list utilizes the TV Guide listing service to denote original telecasts (and exclude repeats and specials), and also line-items original series by the internal coding/titling provided to Nielsen by each network. Thus, if a network creates different "line items" to denote different seasons or different day/time periods of the same series within the calendar year, both entries are listed separately. The following provides examples of separate line items that we counted as one show: %(7 V%HLQJ0DU\-DQH%(,1*0$5<-$1(6DQG%(,1*0$5<-$1(6 1%& V7KH9RLFH92,&(DQG92,&(78( 1%& V7KH&DUPLFKDHO6KRZ&$50,&+$(/6+2:3DQG&$50,&+$(/6+2: Again, this is a function of how each network chooses to manage their schedule. Hence, we reference this as a list as opposed to a ranker. Based on our estimated manual count, the number of unique series are: 2015³1,415 primetime series (1,524 line items listed in the file). 2014³1,517 primetime series (1,729 line items). The List: All Primetime Series on Television Calendar Year 2015 Source: Nielsen, Live+7 data provided by FX Networks Research. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
David Rose Papers 0347
http://oac.cdlib.org/findaid/ark:/13030/kt1s20331p No online items Finding Aid of the David Rose papers 0347 Finding aid prepared by Jacqueline Morin, Ranjanabh Bahukhandi, and Mandeep Condle First Edition USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2009 Finding Aid of the David Rose 0347 1 papers 0347 Title: David Rose papers Collection number: 0347 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 10.0 Linear feet16 boxes Date: 1970s-1990s Summary: David Rose (1910-2006) was a well-known courtroom sketch artist whose work documented some of the most notorious trials of the last half of the twentieth century: Klaus Barbie, Patty Hearst, Sirhan Sirhan, members of the Manson family, John Z. De Lorean, Timothy McVeigh, as well as crimes and criminals which were more well-known by their nicknames: The Hillside Strangler, The Night Stalker, the Bob's Big Boy Murders, etc. During his life, Rose also worked for the Hollywood studios as an animator, layout artist, publicity artist, art director, illustrator, and designer. creator: Rose, David, 1910-2006 Scope and Content This collection is comprised of the original artwork of David Rose, renown courtroom sketch artist, and several boxes of his personal research files and clippings. Rose covered the trials of many famous cases, both regional and national, including the Manson family murders, Richard Ramirez (Night Stalker), John De Lorean, Patty Hearst, and many others from the early 1970s to the mid- 1990s. Also included with the collection are several boxes of videotapes, mainly interviews with David Rose on various local television news stations. -
Sunday Morning Grid 6/28/15 Latimes.Com/Tv Times
SUNDAY MORNING GRID 6/28/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Program PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News Paid Program Red Bull Signature Series From Las Vegas. Å 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Å This Week News (N) News (N) News (N) Paid Vista L.A. Paid 9 KCAL News (N) Joel Osteen Hour Mike Webb Woodlands Paid Program 11 FOX In Touch Joel Osteen Fox News Sunday Midday Paid Program Golf U.S. Senior Open Championship, Final Round. 13 MyNet Paid Program Paid Program 18 KSCI Man Land Paid Church Faith Paid Program 22 KWHY Cosas Local Jesucristo Local Local Gebel Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dowdle Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Cooking BBQ Simply Ming Lidia 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Insight BrainChange-Perlmutter 30 Days to a Younger Heart-Masley 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY7) Doki (TVY7) Dive, Olly Dive, Olly The Bodyguard ›› (R) 34 KMEX Paid Conexión Paid Program Al Punto (N) Tras la Verdad República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Madison ›› (2001) Jim Caviezel, Jake Lloyd. -
Programmed to Kill
PROGRAMMED TO KILL PROGRAMMED TO KILL The Politics of Serial Murder David McGowan iUniverse, Inc. New York Lincoln Shanghai Programmed to Kill The Politics of Serial Murder All Rights Reserved © 2004 by David McGowan No part of this book may be reproduced or transmitted in any form or by any means, graphic, electronic, or mechanical, including photocopying, recording, taping, or by any information storage retrieval system, without the written permission of the publisher. iUniverse, Inc. For information address: iUniverse, Inc. 2021 Pine Lake Road, Suite 100 Lincoln, NE 68512 www.iuniverse.com ISBN: 0-595-77446-6 Printed in the United States of America This book is for all the survivors. “This man, from the moment of conception, was programmed for murder.” —Attorney Ellis Rubin, speaking on behalf of serial killer Bobby Joe Long Contents Introduction: Mind Control 101 ................................................xi PART I: THE PEDOPHOCRACY Chapter 1 From Brussels… ......................................................3 Chapter 2 …to Washington ....................................................23 Chapter 3 Uncle Sam Wants Your Children ............................39 Chapter 4 McMolestation ......................................................46 Chapter 5 It Couldn’t Happen Here ........................................54 Chapter 6 Finders Keepers ......................................................59 PART II: THERE’S SOMETHING ABOUT HENRY Chapter 7 Sympathy for the Devil ..........................................71 Chapter 8 Henry: